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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #691B32 it is the complementary color #96E4CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #691B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #691B32 shade: #6E1B2D, #7F2D40, #903F53, #A15166 and #B26379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #691B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #691B32 shade: #691B32, #58091F, #47000C, #360000 and #250000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #691B32 shade: #691B32, #691B1D and #691B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #691B32 shade: #691B32, #691B47, #691B5C, #611B69 and #4C1B69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #691B32 shade matches the following richer shades: #691B32, #74102D and #7E0529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #691B32 shade: #691B32, #5E2536, #53303B, #493B3F and #3E4643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #691B32 shade: #691B5C, #691B47, #691B32, #691B1D and #692D1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #691B32 shade: #270A12, #481222, #691B32, #8A2341 and #AB2C51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #691B32 shade: #691B32, #69611B and #1B5169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #691B32 shade: #691B32, #32691B and #1B3269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #691B32 shade: #691B32, #69611B, #1B6951 and #1B2369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #691B32 shade: #691B32, #59691B, #1B6951 and #2A1B69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

Complementary color

CMYK 34 / 0 / 10 / 11

HEX #96E4CD

RGB 150 228 205

HSL 162.31, 0.59%, 0.74%

LAB 85.19, -28.96, 3.62

 

CMYK 0 / 75 / 59 / 57

HEX #6E1B2D

RGB 110 27 45

HSL 346.99, 0.61%, 0.27%

LAB 24.6, 37.49, 10.1

 

CMYK 0 / 65 / 50 / 50

HEX #7F2D40

RGB 127 45 64

HSL 346.1, 0.48%, 0.34%

LAB 31.25, 37.12, 7.11

 

CMYK 0 / 56 / 42 / 44

HEX #903F53

RGB 144 63 83

HSL 345.19, 0.39%, 0.41%

LAB 38.04, 36.32, 4.92

 

CMYK 0 / 50 / 37 / 37

HEX #A15166

RGB 161 81 102

HSL 344.25, 0.33%, 0.47%

LAB 44.83, 35.38, 3.23

 

CMYK 0 / 44 / 32 / 30

HEX #B26379

RGB 178 99 121

HSL 343.29, 0.34%, 0.54%

LAB 51.58, 34.44, 1.84

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 90 / 65 / 65

HEX #58091F

RGB 88 9 31

HSL 343.29, 0.81%, 0.19%

LAB 17.32, 35.51, 9.25

 

CMYK 0 / 100 / 83 / 72

HEX #47000C

RGB 71 0 12

HSL 349.86, 1%, 0.14%

LAB 11.73, 32.37, 13.49

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 74 / 72 / 59

HEX #691B1D

RGB 105 27 29

HSL 358.46, 0.59%, 0.26%

LAB 23.26, 34.62, 18.99

 

CMYK 0 / 74 / 74 / 59

HEX #691B1B

RGB 105 27 27

HSL 0, 0.59%, 0.26%

LAB 23.22, 34.51, 20.28

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 74 / 32 / 59

HEX #691B47

RGB 105 27 71

HSL 326.15, 0.59%, 0.26%

LAB 24.46, 38.69, -7.98

 

CMYK 0 / 74 / 12 / 59

HEX #691B5C

RGB 105 27 92

HSL 310, 0.59%, 0.26%

LAB 25.44, 41.85, -20.48

 

CMYK 8 / 74 / 0 / 59

HEX #611B69

RGB 97 27 105

HSL 293.85, 0.59%, 0.26%

LAB 24.78, 42.16, -30.12

 

CMYK 28 / 74 / 0 / 59

HEX #4C1B69

RGB 76 27 105

HSL 277.69, 0.59%, 0.26%

LAB 21.36, 37.2, -35.8

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 86 / 61 / 55

HEX #74102D

RGB 116 16 45

HSL 342.6, 0.76%, 0.26%

LAB 24.55, 43.05, 10.24

 

CMYK 0 / 96 / 67 / 51

HEX #7E0529

RGB 126 5 41

HSL 342.15, 0.92%, 0.26%

LAB 25.88, 47.9, 15.14

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 61 / 43 / 63

HEX #5E2536

RGB 94 37 54

HSL 342.11, 0.44%, 0.26%

LAB 23.57, 27.9, 2.05

 

CMYK 0 / 42 / 29 / 67

HEX #53303B

RGB 83 48 59

HSL 341.14, 0.27%, 0.26%

LAB 24.54, 17.63, -0.14

 

CMYK 0 / 19 / 14 / 71

HEX #493B3F

RGB 73 59 63

HSL 342.86, 0.11%, 0.26%

LAB 26.46, 6.91, -0.16

 

CMYK 11 / 0 / 4 / 73

HEX #3E4643

RGB 62 70 67

HSL 157.5, 0.06%, 0.26%

LAB 28.93, -3.96, 0.69

 

CMYK 0 / 74 / 12 / 59

HEX #691B5C

RGB 105 27 92

HSL 310, 0.59%, 0.26%

LAB 25.44, 41.85, -20.48

 

CMYK 0 / 74 / 32 / 59

HEX #691B47

RGB 105 27 71

HSL 326.15, 0.59%, 0.26%

LAB 24.46, 38.69, -7.98

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 74 / 72 / 59

HEX #691B1D

RGB 105 27 29

HSL 358.46, 0.59%, 0.26%

LAB 23.26, 34.62, 18.99

 

CMYK 0 / 57 / 74 / 59

HEX #692D1B

RGB 105 45 27

HSL 13.85, 0.59%, 0.26%

LAB 26.62, 25.5, 24.22

 

CMYK 0 / 74 / 54 / 85

HEX #270A12

RGB 39 10 18

HSL 343.45, 0.59%, 0.1%

LAB 6.25, 15.6, 1.48

 

CMYK 0 / 75 / 53 / 72

HEX #481222

RGB 72 18 34

HSL 342.22, 0.6%, 0.18%

LAB 15.09, 27.05, 3.45

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 75 / 53 / 46

HEX #8A2341

RGB 138 35 65

HSL 342.52, 0.6%, 0.34%

LAB 31.78, 45.15, 7.49

 

CMYK 0 / 74 / 53 / 33

HEX #AB2C51

RGB 171 44 81

HSL 342.52, 0.59%, 0.42%

LAB 39.67, 53.32, 9.16

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 8 / 74 / 59

HEX #69611B

RGB 105 97 27

HSL 53.85, 0.59%, 0.26%

LAB 40.62, -5.71, 39.03

 

CMYK 74 / 23 / 0 / 59

HEX #1B5169

RGB 27 81 105

HSL 198.46, 0.59%, 0.26%

LAB 32.12, -8.94, -19

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 52 / 0 / 74 / 59

HEX #32691B

RGB 50 105 27

HSL 102.31, 0.59%, 0.26%

LAB 39.34, -33.41, 36.48

 

CMYK 74 / 52 / 0 / 59

HEX #1B3269

RGB 27 50 105

HSL 222.31, 0.59%, 0.26%

LAB 22.07, 11.87, -34.9

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 0 / 8 / 74 / 59

HEX #69611B

RGB 105 97 27

HSL 53.85, 0.59%, 0.26%

LAB 40.62, -5.71, 39.03

 

CMYK 74 / 0 / 23 / 59

HEX #1B6951

RGB 27 105 81

HSL 161.54, 0.59%, 0.26%

LAB 39.46, -29.59, 6.84

 

CMYK 74 / 67 / 0 / 59

HEX #1B2369

RGB 27 35 105

HSL 233.85, 0.59%, 0.26%

LAB 17.71, 22.64, -41.97

 

CMYK 0 / 74 / 52 / 59

HEX #691B32

RGB 105 27 50

HSL 342.31, 0.59%, 0.26%

LAB 23.73, 36.25, 5.3

 

CMYK 15 / 0 / 74 / 59

HEX #59691B

RGB 89 105 27

HSL 72.31, 0.59%, 0.26%

LAB 41.7, -17.73, 39.63

 

CMYK 74 / 0 / 23 / 59

HEX #1B6951

RGB 27 105 81

HSL 161.54, 0.59%, 0.26%

LAB 39.46, -29.59, 6.84

 

CMYK 60 / 74 / 0 / 59

HEX #2A1B69

RGB 42 27 105

HSL 251.54, 0.59%, 0.26%

LAB 16.97, 30.29, -43.14

 

Description

Color code: HEX #691B32 | qconv.com Color code: HEX #691B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 27 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 27 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 52 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 52% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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