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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #692589 it is the complementary color #96DA76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #692589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #692589 shade: #6E2584, #7F3797, #9049AA, #A15BBD and #B26DD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #692589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #692589 shade: #692589, #581376, #470163, #360050 and #25003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #692589 shade: #682588, #832588, #882572, #882557 and #88253D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #692589 shade: #682588, #4D2588, #332588 and #252588

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #692589 shade matches the following richer shades: #682588, #6D1796 and #7209A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #692589 shade: #682588, #63337A, #5E416C, #594F5E and #545D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #692589 shade: #322588, #4C2588, #672588, #812588 and #882574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #692589 shade: #361347, #4F1C67, #682588, #812EA8 and #9A37C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #692589 shade: #692589, #882532 and #25883F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #692589 shade: #692589, #886725 and #258867

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #692589 shade: #692589, #882532, #468825 and #25887A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #692589 shade: #692589, #883525, #468825 and #257788

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 73 / 0 / 46

HEX #692589

RGB 105 37 137

HSL 280.8, 0.57%, 0.34%

LAB 29.74, 46.51, -42.4

 

Complementary color

CMYK 31 / 0 / 46 / 15

HEX #96DA76

RGB 150 218 118

HSL 100.8, 0.57%, 0.66%

LAB 80.7, -39.28, 42.39

 

CMYK 17 / 72 / 0 / 48

HEX #6E2584

RGB 110 37 132

HSL 286.11, 0.56%, 0.33%

LAB 30.17, 46.55, -38.56

 

CMYK 16 / 64 / 0 / 41

HEX #7F3797

RGB 127 55 151

HSL 285, 0.47%, 0.4%

LAB 36.89, 46.39, -39.36

 

CMYK 15 / 57 / 0 / 33

HEX #9049AA

RGB 144 73 170

HSL 283.92, 0.4%, 0.48%

LAB 43.65, 45.83, -39.85

 

CMYK 15 / 52 / 0 / 26

HEX #A15BBD

RGB 161 91 189

HSL 282.86, 0.43%, 0.55%

LAB 50.37, 45.1, -40.17

 

CMYK 14 / 48 / 0 / 18

HEX #B26DD0

RGB 178 109 208

HSL 281.82, 0.51%, 0.62%

LAB 57.03, 44.31, -40.42

 

CMYK 23 / 73 / 0 / 46

HEX #692589

RGB 105 37 137

HSL 280.8, 0.57%, 0.34%

LAB 29.74, 46.51, -42.4

 

CMYK 25 / 84 / 0 / 54

HEX #581376

RGB 88 19 118

HSL 281.82, 0.72%, 0.27%

LAB 23.16, 45.91, -41.19

 

CMYK 28 / 99 / 0 / 61

HEX #470163

RGB 71 1 99

HSL 282.86, 0.98%, 0.2%

LAB 16.81, 44.19, -39.29

 

CMYK 33 / 100 / 0 / 69

HEX #360050

RGB 54 0 80

HSL 280.5, 1%, 0.16%

LAB 11.71, 38.02, -34.91

 

CMYK 39 / 100 / 0 / 76

HEX #25003D

RGB 37 0 61

HSL 276.39, 1%, 0.12%

LAB 6.6, 30.89, -30.04

 

CMYK 24 / 73 / 0 / 47

HEX #682588

RGB 104 37 136

HSL 280.61, 0.57%, 0.34%

LAB 29.52, 46.07, -42.14

 

CMYK 4 / 73 / 0 / 47

HEX #832588

RGB 131 37 136

HSL 296.97, 0.57%, 0.34%

LAB 33.83, 52.18, -35

 

CMYK 0 / 73 / 16 / 47

HEX #882572

RGB 136 37 114

HSL 313.33, 0.57%, 0.34%

LAB 33.5, 49.75, -21.68

 

CMYK 0 / 73 / 36 / 47

HEX #882557

RGB 136 37 87

HSL 329.7, 0.57%, 0.34%

LAB 32.36, 46.06, -6.11

 

CMYK 0 / 73 / 55 / 47

HEX #88253D

RGB 136 37 61

HSL 345.45, 0.57%, 0.34%

LAB 31.57, 43.4, 9.77

 

CMYK 24 / 73 / 0 / 47

HEX #682588

RGB 104 37 136

HSL 280.61, 0.57%, 0.34%

LAB 29.52, 46.07, -42.14

 

CMYK 43 / 73 / 0 / 47

HEX #4D2588

RGB 77 37 136

HSL 264.24, 0.57%, 0.34%

LAB 25.8, 40.46, -48.35

 

CMYK 63 / 73 / 0 / 47

HEX #332588

RGB 51 37 136

HSL 248.48, 0.57%, 0.34%

LAB 23.01, 36, -53.02

 

CMYK 73 / 73 / 0 / 47

HEX #252588

RGB 37 37 136

HSL 240, 0.57%, 0.34%

LAB 21.92, 34.16, -54.85

 

CMYK 24 / 73 / 0 / 47

HEX #682588

RGB 104 37 136

HSL 280.61, 0.57%, 0.34%

LAB 29.52, 46.07, -42.14

 

CMYK 27 / 85 / 0 / 41

HEX #6D1796

RGB 109 23 150

HSL 280.63, 0.73%, 0.34%

LAB 29.58, 55.19, -50.66

 

CMYK 30 / 95 / 0 / 36

HEX #7209A4

RGB 114 9 164

HSL 280.65, 0.9%, 0.34%

LAB 30.53, 61.85, -57.62

 

CMYK 24 / 73 / 0 / 47

HEX #682588

RGB 104 37 136

HSL 280.61, 0.57%, 0.34%

LAB 29.52, 46.07, -42.14

 

CMYK 19 / 58 / 0 / 52

HEX #63337A

RGB 99 51 122

HSL 280.56, 0.41%, 0.34%

LAB 30.46, 34.53, -31.92

 

CMYK 13 / 40 / 0 / 58

HEX #5E416C

RGB 94 65 108

HSL 280.47, 0.25%, 0.34%

LAB 32.35, 21.26, -20.15

 

CMYK 5 / 16 / 0 / 63

HEX #594F5E

RGB 89 79 94

HSL 280, 0.09%, 0.34%

LAB 35.05, 7.31, -7.24

 

CMYK 10 / 0 / 14 / 64

HEX #545D50

RGB 84 93 80

HSL 101.54, 0.08%, 0.34%

LAB 38.36, -6.27, 6.28

 

CMYK 63 / 73 / 0 / 47

HEX #322588

RGB 50 37 136

HSL 247.88, 0.57%, 0.34%

LAB 22.93, 35.85, -53.17

 

CMYK 44 / 73 / 0 / 47

HEX #4C2588

RGB 76 37 136

HSL 263.64, 0.57%, 0.34%

LAB 25.68, 40.27, -48.56

 

CMYK 24 / 73 / 0 / 47

HEX #672588

RGB 103 37 136

HSL 280, 0.57%, 0.34%

LAB 29.37, 45.85, -42.39

 

CMYK 5 / 73 / 0 / 47

HEX #812588

RGB 129 37 136

HSL 295.76, 0.57%, 0.34%

LAB 33.49, 51.71, -35.55

 

CMYK 0 / 73 / 15 / 47

HEX #882574

RGB 136 37 116

HSL 312.12, 0.57%, 0.34%

LAB 33.6, 50.05, -22.8

 

CMYK 24 / 73 / 0 / 72

HEX #361347

RGB 54 19 71

HSL 280.38, 0.58%, 0.18%

LAB 13.86, 27.4, -25.21

 

CMYK 23 / 73 / 0 / 60

HEX #4F1C67

RGB 79 28 103

HSL 280.8, 0.57%, 0.26%

LAB 21.84, 36.94, -33.69

 

CMYK 24 / 73 / 0 / 47

HEX #682588

RGB 104 37 136

HSL 280.61, 0.57%, 0.34%

LAB 29.52, 46.07, -42.14

 

CMYK 23 / 73 / 0 / 34

HEX #812EA8

RGB 129 46 168

HSL 280.82, 0.57%, 0.42%

LAB 36.83, 54.52, -49.68

 

CMYK 23 / 73 / 0 / 22

HEX #9A37C8

RGB 154 55 200

HSL 280.97, 0.57%, 0.5%

LAB 43.9, 62.65, -56.94

 

CMYK 23 / 73 / 0 / 46

HEX #692589

RGB 105 37 137

HSL 280.8, 0.57%, 0.34%

LAB 29.74, 46.51, -42.4

 

CMYK 0 / 73 / 63 / 47

HEX #882532

RGB 136 37 50

HSL 352.12, 0.57%, 0.34%

LAB 31.32, 42.55, 16.64

 

CMYK 73 / 0 / 54 / 47

HEX #25883F

RGB 37 136 63

HSL 135.76, 0.57%, 0.34%

LAB 49.93, -44.54, 30.98

 

CMYK 23 / 73 / 0 / 46

HEX #692589

RGB 105 37 137

HSL 280.8, 0.57%, 0.34%

LAB 29.74, 46.51, -42.4

 

CMYK 0 / 24 / 73 / 47

HEX #886725

RGB 136 103 37

HSL 40, 0.57%, 0.34%

LAB 45.73, 6.15, 40.78

 

CMYK 73 / 0 / 24 / 47

HEX #258867

RGB 37 136 103

HSL 160, 0.57%, 0.34%

LAB 50.66, -36.41, 9.7

 

CMYK 23 / 73 / 0 / 46

HEX #692589

RGB 105 37 137

HSL 280.8, 0.57%, 0.34%

LAB 29.74, 46.51, -42.4

 

CMYK 0 / 73 / 63 / 47

HEX #882532

RGB 136 37 50

HSL 352.12, 0.57%, 0.34%

LAB 31.32, 42.55, 16.64

 

CMYK 49 / 0 / 73 / 47

HEX #468825

RGB 70 136 37

HSL 100, 0.57%, 0.34%

LAB 50.74, -39.2, 44.36

 

CMYK 73 / 0 / 10 / 47

HEX #25887A

RGB 37 136 122

HSL 171.52, 0.57%, 0.34%

LAB 51.16, -31.34, -0.61

 

CMYK 23 / 73 / 0 / 46

HEX #692589

RGB 105 37 137

HSL 280.8, 0.57%, 0.34%

LAB 29.74, 46.51, -42.4

 

CMYK 0 / 61 / 73 / 47

HEX #883525

RGB 136 53 37

HSL 9.7, 0.57%, 0.34%

LAB 33.8, 34.48, 27.85

 

CMYK 49 / 0 / 73 / 47

HEX #468825

RGB 70 136 37

HSL 100, 0.57%, 0.34%

LAB 50.74, -39.2, 44.36

 

CMYK 73 / 13 / 0 / 47

HEX #257788

RGB 37 119 136

HSL 190.3, 0.57%, 0.34%

LAB 46.13, -18.34, -16.38

 

Description

Color code: HEX #692589 | qconv.com Color code: HEX #692589 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 37 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 37 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 73 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 73% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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