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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69204A it is the complementary color #96DFB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69204A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69204A shade: #6E2045, #7F3258, #90446B, #A1567E and #B26891

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69204A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69204A shade: #69204A, #580E37, #470024, #360011 and #250000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69204A shade: #69204A, #692036, #692022 and #692020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69204A shade: #69204A, #69205E, #602069, #4D2069 and #392069

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69204A shade matches the following richer shades: #69204A, #74154C and #7F0A4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69204A shade: #69204A, #5E2B48, #533646, #474145 and #3C4C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69204A shade: #602069, #69205E, #69204A, #692037 and #692024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69204A shade: #2A0C1D, #491634, #69204A, #882A60 and #A83376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69204A shade: #69204A, #694D20 and #206869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69204A shade: #69204A, #4A6920 and #204A69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69204A shade: #69204A, #694D20, #20693E and #203C69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69204A shade: #69204A, #696320, #20693E and #202669

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

Complementary color

CMYK 33 / 0 / 19 / 13

HEX #96DFB5

RGB 150 223 181

HSL 145.48, 0.53%, 0.73%

LAB 83.23, -31.47, 13.46

 

CMYK 0 / 71 / 37 / 57

HEX #6E2045

RGB 110 32 69

HSL 331.54, 0.55%, 0.28%

LAB 26.09, 37.88, -4.08

 

CMYK 0 / 61 / 31 / 50

HEX #7F3258

RGB 127 50 88

HSL 330.39, 0.44%, 0.35%

LAB 32.91, 37.56, -6.1

 

CMYK 0 / 53 / 26 / 44

HEX #90446B

RGB 144 68 107

HSL 329.21, 0.36%, 0.42%

LAB 39.79, 36.88, -7.57

 

CMYK 0 / 47 / 22 / 37

HEX #A1567E

RGB 161 86 126

HSL 328, 0.3%, 0.48%

LAB 46.63, 36.07, -8.71

 

CMYK 0 / 42 / 19 / 30

HEX #B26891

RGB 178 104 145

HSL 326.76, 0.32%, 0.55%

LAB 53.4, 35.24, -9.65

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 84 / 38 / 65

HEX #580E37

RGB 88 14 55

HSL 326.76, 0.73%, 0.2%

LAB 18.65, 36.38, -6.03

 

CMYK 0 / 100 / 49 / 72

HEX #470024

RGB 71 0 36

HSL 329.58, 1%, 0.14%

LAB 12.4, 34.14, -1.97

 

CMYK 0 / 100 / 69 / 79

HEX #360011

RGB 54 0 17

HSL 341.11, 1%, 0.11%

LAB 7.45, 27.66, 4.21

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 70 / 49 / 59

HEX #692036

RGB 105 32 54

HSL 341.92, 0.53%, 0.27%

LAB 24.65, 34.46, 3.87

 

CMYK 0 / 70 / 68 / 59

HEX #692022

RGB 105 32 34

HSL 358.36, 0.53%, 0.27%

LAB 24.17, 32.7, 16.79

 

CMYK 0 / 70 / 70 / 59

HEX #692020

RGB 105 32 32

HSL 0, 0.53%, 0.27%

LAB 24.13, 32.57, 18.08

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 70 / 10 / 59

HEX #69205E

RGB 105 32 94

HSL 309.04, 0.53%, 0.27%

LAB 26.29, 40.11, -20.48

 

CMYK 9 / 70 / 0 / 59

HEX #602069

RGB 96 32 105

HSL 292.6, 0.53%, 0.27%

LAB 25.38, 39.75, -29.18

 

CMYK 27 / 70 / 0 / 59

HEX #4D2069

RGB 77 32 105

HSL 276.99, 0.53%, 0.27%

LAB 22.41, 34.91, -34.1

 

CMYK 46 / 70 / 0 / 59

HEX #392069

RGB 57 32 105

HSL 260.55, 0.53%, 0.27%

LAB 19.73, 30.2, -38.56

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 82 / 34 / 55

HEX #74154C

RGB 116 21 76

HSL 325.26, 0.69%, 0.27%

LAB 26.07, 44.64, -8.69

 

CMYK 0 / 92 / 39 / 50

HEX #7F0A4D

RGB 127 10 77

HSL 325.64, 0.85%, 0.27%

LAB 27.48, 50.21, -7.02

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 54 / 23 / 63

HEX #5E2B48

RGB 94 43 72

HSL 325.88, 0.37%, 0.27%

LAB 25.49, 27.2, -7.28

 

CMYK 0 / 35 / 16 / 67

HEX #533646

RGB 83 54 70

HSL 326.9, 0.21%, 0.27%

LAB 26.5, 15.79, -4.59

 

CMYK 0 / 8 / 3 / 72

HEX #474145

RGB 71 65 69

HSL 320, 0.04%, 0.27%

LAB 28.25, 3.41, -1.51

 

CMYK 21 / 0 / 12 / 70

HEX #3C4C43

RGB 60 76 67

HSL 146.25, 0.12%, 0.27%

LAB 30.72, -8.46, 3.27

 

CMYK 9 / 70 / 0 / 59

HEX #602069

RGB 96 32 105

HSL 292.6, 0.53%, 0.27%

LAB 25.38, 39.75, -29.18

 

CMYK 0 / 70 / 10 / 59

HEX #69205E

RGB 105 32 94

HSL 309.04, 0.53%, 0.27%

LAB 26.29, 40.11, -20.48

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 70 / 48 / 59

HEX #692037

RGB 105 32 55

HSL 341.1, 0.53%, 0.27%

LAB 24.68, 34.57, 3.23

 

CMYK 0 / 70 / 66 / 59

HEX #692024

RGB 105 32 36

HSL 356.71, 0.53%, 0.27%

LAB 24.21, 32.84, 15.5

 

CMYK 0 / 71 / 31 / 84

HEX #2A0C1D

RGB 42 12 29

HSL 326, 0.56%, 0.11%

LAB 7.62, 18, -4.46

 

CMYK 0 / 70 / 29 / 71

HEX #491634

RGB 73 22 52

HSL 324.71, 0.54%, 0.19%

LAB 16.69, 27.85, -7.16

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 69 / 29 / 47

HEX #882A60

RGB 136 42 96

HSL 325.53, 0.53%, 0.35%

LAB 33.42, 45.19, -10.33

 

CMYK 0 / 70 / 30 / 34

HEX #A83376

RGB 168 51 118

HSL 325.64, 0.53%, 0.43%

LAB 41.22, 53.73, -11.86

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 27 / 70 / 59

HEX #694D20

RGB 105 77 32

HSL 36.99, 0.53%, 0.27%

LAB 34.83, 6.57, 30.57

 

CMYK 70 / 1 / 0 / 59

HEX #206869

RGB 32 104 105

HSL 180.82, 0.53%, 0.27%

LAB 39.96, -21.22, -7.05

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 30 / 0 / 70 / 59

HEX #4A6920

RGB 74 105 32

HSL 85.48, 0.53%, 0.27%

LAB 40.68, -23.93, 36.07

 

CMYK 70 / 30 / 0 / 59

HEX #204A69

RGB 32 74 105

HSL 205.48, 0.53%, 0.27%

LAB 29.97, -3.66, -22.33

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 27 / 70 / 59

HEX #694D20

RGB 105 77 32

HSL 36.99, 0.53%, 0.27%

LAB 34.83, 6.57, 30.57

 

CMYK 70 / 0 / 41 / 59

HEX #20693E

RGB 32 105 62

HSL 144.66, 0.53%, 0.27%

LAB 39.17, -33.16, 17.8

 

CMYK 70 / 43 / 0 / 59

HEX #203C69

RGB 32 60 105

HSL 216.99, 0.53%, 0.27%

LAB 25.44, 5.7, -29.48

 

CMYK 0 / 70 / 30 / 59

HEX #69204A

RGB 105 32 74

HSL 325.48, 0.53%, 0.27%

LAB 25.35, 36.95, -8.64

 

CMYK 0 / 6 / 70 / 59

HEX #696320

RGB 105 99 32

HSL 55.07, 0.53%, 0.27%

LAB 41.27, -6.56, 37.45

 

CMYK 70 / 0 / 41 / 59

HEX #20693E

RGB 32 105 62

HSL 144.66, 0.53%, 0.27%

LAB 39.17, -33.16, 17.8

 

CMYK 70 / 64 / 0 / 59

HEX #202669

RGB 32 38 105

HSL 235.07, 0.53%, 0.27%

LAB 18.86, 21.3, -40.09

 

Description

Color code: HEX #69204A | qconv.com Color code: HEX #69204A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 32 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 32 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 30 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 30% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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