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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #692A2E it is the complementary color #96D5D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #692A2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #692A2E shade: #6E2A29, #7F3C3C, #904E4F, #A16062 and #B27275

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #692A2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #692A2E shade: #692A2E, #58181B, #470608, #360000 and #250000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #692A2E shade: #692A2E and #692A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #692A2E shade: #692A2E, #692A3F, #692A50, #692A61 and #602A69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #692A2E shade matches the following richer shades: #692A2E, #751E23, #811219 and #8D060E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #692A2E shade: #692A2E, #5D3638, #514243, #454E4D and #395A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #692A2E shade: #692A50, #692A3F, #692A2E, #69362A and #69472A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #692A2E shade: #2E1214, #4C1E21, #692A2E, #87353B and #A44147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #692A2E shade: #692A2E, #61692A and #2A4769

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #692A2E shade: #692A2E, #2E692A and #2A2E69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #692A2E shade: #692A2E, #61692A, #2A6965 and #322A69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #692A2E shade: #692A2E, #4E692A, #2A6965 and #452A69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

Complementary color

CMYK 30 / 0 / 2 / 16

HEX #96D5D1

RGB 150 213 209

HSL 176.19, 0.43%, 0.71%

LAB 81.11, -20.75, -4.45

 

CMYK 0 / 62 / 63 / 57

HEX #6E2A29

RGB 110 42 41

HSL 0.87, 0.46%, 0.3%

LAB 27.1, 30.16, 16.11

 

CMYK 0 / 53 / 53 / 50

HEX #7F3C3C

RGB 127 60 60

HSL 0, 0.36%, 0.37%

LAB 34.13, 28.94, 13.67

 

CMYK 0 / 46 / 45 / 44

HEX #904E4F

RGB 144 78 79

HSL 359.09, 0.3%, 0.44%

LAB 41.12, 27.75, 11.76

 

CMYK 0 / 40 / 39 / 37

HEX #A16062

RGB 161 96 98

HSL 358.15, 0.26%, 0.5%

LAB 48.04, 26.65, 10.21

 

CMYK 0 / 36 / 34 / 30

HEX #B27275

RGB 178 114 117

HSL 357.19, 0.29%, 0.57%

LAB 54.85, 25.67, 8.9

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 73 / 69 / 65

HEX #58181B

RGB 88 24 27

HSL 357.19, 0.57%, 0.22%

LAB 19.25, 29.58, 14.62

 

CMYK 0 / 92 / 89 / 72

HEX #470608

RGB 71 6 8

HSL 358.15, 0.84%, 0.15%

LAB 12.53, 29.74, 16.25

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 60 / 60 / 59

HEX #692A2A

RGB 105 42 42

HSL 0, 0.43%, 0.29%

LAB 26.23, 28.25, 14.14

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 60 / 40 / 59

HEX #692A3F

RGB 105 42 63

HSL 340, 0.43%, 0.29%

LAB 26.79, 30.52, 0.87

 

CMYK 0 / 60 / 24 / 59

HEX #692A50

RGB 105 42 80

HSL 323.81, 0.43%, 0.29%

LAB 27.4, 32.96, -9.53

 

CMYK 0 / 60 / 8 / 59

HEX #692A61

RGB 105 42 97

HSL 307.62, 0.43%, 0.29%

LAB 28.17, 35.89, -19.49

 

CMYK 9 / 60 / 0 / 59

HEX #602A69

RGB 96 42 105

HSL 291.43, 0.43%, 0.29%

LAB 27.19, 34.77, -26.3

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 74 / 70 / 54

HEX #751E23

RGB 117 30 35

HSL 356.55, 0.59%, 0.29%

LAB 26.25, 37.95, 19.25

 

CMYK 0 / 86 / 81 / 49

HEX #811219

RGB 129 18 25

HSL 356.22, 0.76%, 0.29%

LAB 27.21, 45.33, 27.43

 

CMYK 0 / 96 / 90 / 45

HEX #8D060E

RGB 141 6 14

HSL 356.44, 0.92%, 0.29%

LAB 28.97, 50.79, 36.31

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 42 / 40 / 64

HEX #5D3638

RGB 93 54 56

HSL 356.92, 0.27%, 0.29%

LAB 27.44, 17.73, 6.21

 

CMYK 0 / 19 / 17 / 68

HEX #514243

RGB 81 66 67

HSL 356, 0.1%, 0.29%

LAB 29.54, 6.64, 1.81

 

CMYK 12 / 0 / 1 / 69

HEX #454E4D

RGB 69 78 77

HSL 173.33, 0.06%, 0.29%

LAB 32.37, -3.83, -0.64

 

CMYK 37 / 0 / 3 / 65

HEX #395A57

RGB 57 90 87

HSL 174.55, 0.22%, 0.29%

LAB 35.73, -12.77, -2.1

 

CMYK 0 / 60 / 24 / 59

HEX #692A50

RGB 105 42 80

HSL 323.81, 0.43%, 0.29%

LAB 27.4, 32.96, -9.53

 

CMYK 0 / 60 / 40 / 59

HEX #692A3F

RGB 105 42 63

HSL 340, 0.43%, 0.29%

LAB 26.79, 30.52, 0.87

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 49 / 60 / 59

HEX #69362A

RGB 105 54 42

HSL 11.43, 0.43%, 0.29%

LAB 28.92, 21.41, 17.64

 

CMYK 0 / 32 / 60 / 59

HEX #69472A

RGB 105 71 42

HSL 27.62, 0.43%, 0.29%

LAB 33.3, 11.07, 23.12

 

CMYK 0 / 61 / 57 / 82

HEX #2E1214

RGB 46 18 20

HSL 355.71, 0.44%, 0.13%

LAB 9.51, 14.58, 5.11

 

CMYK 0 / 61 / 57 / 70

HEX #4C1E21

RGB 76 30 33

HSL 356.09, 0.43%, 0.21%

LAB 18.25, 22.1, 8.68

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 0 / 61 / 56 / 47

HEX #87353B

RGB 135 53 59

HSL 355.61, 0.44%, 0.37%

LAB 34.01, 35.65, 14.37

 

CMYK 0 / 60 / 57 / 36

HEX #A44147

RGB 164 65 71

HSL 356.36, 0.43%, 0.45%

LAB 41.42, 41.42, 17.62

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 8 / 0 / 60 / 59

HEX #61692A

RGB 97 105 42

HSL 67.62, 0.43%, 0.29%

LAB 42.48, -12.92, 33.71

 

CMYK 60 / 32 / 0 / 59

HEX #2A4769

RGB 42 71 105

HSL 212.38, 0.43%, 0.29%

LAB 29.46, 0.43, -23.1

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 56 / 0 / 60 / 59

HEX #2E692A

RGB 46 105 42

HSL 116.19, 0.43%, 0.29%

LAB 39.33, -33.01, 29.26

 

CMYK 60 / 56 / 0 / 59

HEX #2A2E69

RGB 42 46 105

HSL 236.19, 0.43%, 0.29%

LAB 21.82, 17.61, -35.25

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 8 / 0 / 60 / 59

HEX #61692A

RGB 97 105 42

HSL 67.62, 0.43%, 0.29%

LAB 42.48, -12.92, 33.71

 

CMYK 60 / 0 / 4 / 59

HEX #2A6965

RGB 42 105 101

HSL 176.19, 0.43%, 0.29%

LAB 40.47, -21.07, -3.82

 

CMYK 52 / 60 / 0 / 59

HEX #322A69

RGB 50 42 105

HSL 247.62, 0.43%, 0.29%

LAB 21.41, 22.19, -35.88

 

CMYK 0 / 60 / 56 / 59

HEX #692A2E

RGB 105 42 46

HSL 356.19, 0.43%, 0.29%

LAB 26.32, 28.62, 11.6

 

CMYK 26 / 0 / 60 / 59

HEX #4E692A

RGB 78 105 42

HSL 85.71, 0.43%, 0.29%

LAB 41.04, -21.3, 31.69

 

CMYK 60 / 0 / 4 / 59

HEX #2A6965

RGB 42 105 101

HSL 176.19, 0.43%, 0.29%

LAB 40.47, -21.07, -3.82

 

CMYK 34 / 60 / 0 / 59

HEX #452A69

RGB 69 42 105

HSL 265.71, 0.43%, 0.29%

LAB 23.48, 27.06, -32.44

 

Description

Color code: HEX #692A2E | qconv.com Color code: HEX #692A2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 42 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 42 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 56 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 56% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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