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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #692C57 it is the complementary color #96D3A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #692C57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #692C57 shade: #6E2C52, #7F3E65, #905078, #A1628B and #B2749E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #692C57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #692C57 shade: #692C57, #581A44, #470831, #36001E and #25000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #692C57 shade: #682B56, #682B46, #682B35 and #682B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #692C57 shade: #682B56, #682B66, #592B68, #492B68 and #382B68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #692C57 shade matches the following richer shades: #682B56, #741F5B, #801360 and #8C0765

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #692C57 shade: #682B56, #5C3751, #50434C, #444F47 and #385B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #692C57 shade: #592B68, #682B67, #682B57, #682B46 and #682B36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #692C57 shade: #2E1326, #4B1F3E, #682B56, #85376E and #A24386

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #692C57 shade: #692C57, #68482B and #2B6861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #692C57 shade: #692C57, #57682B and #2B5768

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #692C57 shade: #692C57, #68482B, #2B683C and #2B4A68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #692C57 shade: #692C57, #685B2B, #2B683C and #2B3868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 17 / 59

HEX #692C57

RGB 105 44 87

HSL 317.7, 0.41%, 0.29%

LAB 28.09, 33.06, -13.09

 

Complementary color

CMYK 29 / 0 / 20 / 17

HEX #96D3A8

RGB 150 211 168

HSL 137.7, 0.41%, 0.71%

LAB 79.56, -28.22, 15.15

 

CMYK 0 / 60 / 25 / 57

HEX #6E2C52

RGB 110 44 82

HSL 325.45, 0.43%, 0.3%

LAB 28.71, 33.95, -8.8

 

CMYK 0 / 51 / 20 / 50

HEX #7F3E65

RGB 127 62 101

HSL 324, 0.34%, 0.37%

LAB 35.78, 33.24, -10.08

 

CMYK 0 / 44 / 17 / 44

HEX #905078

RGB 144 80 120

HSL 322.5, 0.29%, 0.44%

LAB 42.8, 32.42, -11.06

 

CMYK 0 / 39 / 14 / 37

HEX #A1628B

RGB 161 98 139

HSL 320.95, 0.25%, 0.51%

LAB 49.71, 31.59, -11.87

 

CMYK 0 / 35 / 11 / 30

HEX #B2749E

RGB 178 116 158

HSL 319.35, 0.29%, 0.58%

LAB 56.51, 30.8, -12.56

 

CMYK 0 / 58 / 17 / 59

HEX #692C57

RGB 105 44 87

HSL 317.7, 0.41%, 0.29%

LAB 28.09, 33.06, -13.09

 

CMYK 0 / 70 / 23 / 65

HEX #581A44

RGB 88 26 68

HSL 319.35, 0.54%, 0.22%

LAB 20.95, 33.41, -11.58

 

CMYK 0 / 89 / 31 / 72

HEX #470831

RGB 71 8 49

HSL 320.95, 0.8%, 0.15%

LAB 14.03, 32.68, -9.1

 

CMYK 0 / 100 / 44 / 79

HEX #36001E

RGB 54 0 30

HSL 326.67, 1%, 0.11%

LAB 7.93, 29.02, -4.51

 

CMYK 0 / 100 / 70 / 85

HEX #25000B

RGB 37 0 11

HSL 342.16, 1%, 0.07%

LAB 3.77, 17.47, 1.44

 

CMYK 0 / 59 / 17 / 59

HEX #682B56

RGB 104 43 86

HSL 317.7, 0.41%, 0.29%

LAB 27.69, 33.09, -13.07

 

CMYK 0 / 59 / 33 / 59

HEX #682B46

RGB 104 43 70

HSL 333.44, 0.41%, 0.29%

LAB 27.05, 30.57, -3.44

 

CMYK 0 / 59 / 49 / 59

HEX #682B35

RGB 104 43 53

HSL 350.16, 0.41%, 0.29%

LAB 26.53, 28.4, 7.18

 

CMYK 0 / 59 / 59 / 59

HEX #682B2B

RGB 104 43 43

HSL 0, 0.41%, 0.29%

LAB 26.29, 27.39, 13.52

 

CMYK 0 / 59 / 17 / 59

HEX #682B56

RGB 104 43 86

HSL 317.7, 0.41%, 0.29%

LAB 27.69, 33.09, -13.07

 

CMYK 0 / 59 / 2 / 59

HEX #682B66

RGB 104 43 102

HSL 301.97, 0.41%, 0.29%

LAB 28.46, 36.02, -22.29

 

CMYK 14 / 59 / 0 / 59

HEX #592B68

RGB 89 43 104

HSL 285.25, 0.41%, 0.29%

LAB 26.31, 31.94, -27.13

 

CMYK 30 / 59 / 0 / 59

HEX #492B68

RGB 73 43 104

HSL 269.51, 0.41%, 0.29%

LAB 24.14, 27.28, -30.7

 

CMYK 46 / 59 / 0 / 59

HEX #382B68

RGB 56 43 104

HSL 252.79, 0.41%, 0.29%

LAB 22.19, 22.66, -33.94

 

CMYK 0 / 59 / 17 / 59

HEX #682B56

RGB 104 43 86

HSL 317.7, 0.41%, 0.29%

LAB 27.69, 33.09, -13.07

 

CMYK 0 / 73 / 22 / 55

HEX #741F5B

RGB 116 31 91

HSL 317.65, 0.58%, 0.29%

LAB 27.98, 43.15, -15.73

 

CMYK 0 / 85 / 25 / 50

HEX #801360

RGB 128 19 96

HSL 317.61, 0.74%, 0.29%

LAB 29.16, 50.82, -16.99

 

CMYK 0 / 95 / 28 / 45

HEX #8C0765

RGB 140 7 101

HSL 317.59, 0.9%, 0.29%

LAB 31.04, 56.45, -17.13

 

CMYK 0 / 59 / 17 / 59

HEX #682B56

RGB 104 43 86

HSL 317.7, 0.41%, 0.29%

LAB 27.69, 33.09, -13.07

 

CMYK 0 / 40 / 12 / 64

HEX #5C3751

RGB 92 55 81

HSL 317.84, 0.25%, 0.29%

LAB 28.38, 20.88, -8.89

 

CMYK 0 / 16 / 5 / 69

HEX #50434C

RGB 80 67 76

HSL 318.46, 0.09%, 0.29%

LAB 30.01, 7.38, -3.35

 

CMYK 14 / 0 / 10 / 69

HEX #444F47

RGB 68 79 71

HSL 136.36, 0.07%, 0.29%

LAB 32.43, -6.2, 3.25

 

CMYK 38 / 0 / 27 / 64

HEX #385B42

RGB 56 91 66

HSL 137.14, 0.24%, 0.29%

LAB 35.43, -18.75, 10.5

 

CMYK 14 / 59 / 0 / 59

HEX #592B68

RGB 89 43 104

HSL 285.25, 0.41%, 0.29%

LAB 26.31, 31.94, -27.13

 

CMYK 0 / 59 / 1 / 59

HEX #682B67

RGB 104 43 103

HSL 300.98, 0.41%, 0.29%

LAB 28.51, 36.21, -22.85

 

CMYK 0 / 59 / 16 / 59

HEX #682B57

RGB 104 43 87

HSL 316.72, 0.41%, 0.29%

LAB 27.73, 33.26, -13.66

 

CMYK 0 / 59 / 33 / 59

HEX #682B46

RGB 104 43 70

HSL 333.44, 0.41%, 0.29%

LAB 27.05, 30.57, -3.44

 

CMYK 0 / 59 / 48 / 59

HEX #682B36

RGB 104 43 54

HSL 349.18, 0.41%, 0.29%

LAB 26.55, 28.51, 6.55

 

CMYK 0 / 59 / 17 / 82

HEX #2E1326

RGB 46 19 38

HSL 317.78, 0.42%, 0.13%

LAB 10.46, 16.96, -6.91

 

CMYK 0 / 59 / 17 / 71

HEX #4B1F3E

RGB 75 31 62

HSL 317.73, 0.42%, 0.21%

LAB 19.32, 25.37, -10.13

 

CMYK 0 / 59 / 17 / 59

HEX #682B56

RGB 104 43 86

HSL 317.7, 0.41%, 0.29%

LAB 27.69, 33.09, -13.07

 

CMYK 0 / 59 / 17 / 48

HEX #85376E

RGB 133 55 110

HSL 317.69, 0.41%, 0.37%

LAB 35.68, 40.36, -15.83

 

CMYK 0 / 59 / 17 / 36

HEX #A24386

RGB 162 67 134

HSL 317.68, 0.41%, 0.45%

LAB 43.38, 47.31, -18.47

 

CMYK 0 / 58 / 17 / 59

HEX #692C57

RGB 105 44 87

HSL 317.7, 0.41%, 0.29%

LAB 28.09, 33.06, -13.09

 

CMYK 0 / 31 / 59 / 59

HEX #68482B

RGB 104 72 43

HSL 28.52, 0.41%, 0.29%

LAB 33.46, 10.07, 22.7

 

CMYK 59 / 0 / 7 / 59

HEX #2B6861

RGB 43 104 97

HSL 173.11, 0.41%, 0.29%

LAB 40.04, -21.5, -2

 

CMYK 0 / 58 / 17 / 59

HEX #692C57

RGB 105 44 87

HSL 317.7, 0.41%, 0.29%

LAB 28.09, 33.06, -13.09

 

CMYK 16 / 0 / 59 / 59

HEX #57682B

RGB 87 104 43

HSL 76.72, 0.41%, 0.29%

LAB 41.38, -16.77, 31.73

 

CMYK 59 / 16 / 0 / 59

HEX #2B5768

RGB 43 87 104

HSL 196.72, 0.41%, 0.29%

LAB 34.66, -9.75, -14.41

 

CMYK 0 / 58 / 17 / 59

HEX #692C57

RGB 105 44 87

HSL 317.7, 0.41%, 0.29%

LAB 28.09, 33.06, -13.09

 

CMYK 0 / 31 / 59 / 59

HEX #68482B

RGB 104 72 43

HSL 28.52, 0.41%, 0.29%

LAB 33.46, 10.07, 22.7

 

CMYK 59 / 0 / 42 / 59

HEX #2B683C

RGB 43 104 60

HSL 136.72, 0.41%, 0.29%

LAB 39.14, -30.49, 19

 

CMYK 59 / 29 / 0 / 59

HEX #2B4A68

RGB 43 74 104

HSL 209.51, 0.41%, 0.29%

LAB 30.43, -1.65, -20.95

 

CMYK 0 / 58 / 17 / 59

HEX #692C57

RGB 105 44 87

HSL 317.7, 0.41%, 0.29%

LAB 28.09, 33.06, -13.09

 

CMYK 0 / 13 / 59 / 59

HEX #685B2B

RGB 104 91 43

HSL 47.21, 0.41%, 0.29%

LAB 38.9, -1.49, 29.23

 

CMYK 59 / 0 / 42 / 59

HEX #2B683C

RGB 43 104 60

HSL 136.72, 0.41%, 0.29%

LAB 39.14, -30.49, 19

 

CMYK 59 / 46 / 0 / 59

HEX #2B3868

RGB 43 56 104

HSL 227.21, 0.41%, 0.29%

LAB 24.77, 10.47, -29.87

 

Description

Color code: HEX #692C57 | qconv.com Color code: HEX #692C57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 44 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 44 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 17 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 17% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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