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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #693487 it is the complementary color #96CB78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #693487. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #693487 shade: #6E3482, #7F4695, #9058A8, #A16ABB and #B27CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #693487. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #693487 shade: #693487, #582274, #471061, #36004E and #25003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #693487 shade: #693487, #803487, #873479, #873462 and #87344C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #693487 shade: #693487, #533487, #3D3487 and #343487

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #693487 shade matches the following richer shades: #693487, #6E2597, #7216A6 and #7607B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #693487 shade: #693487, #654478, #615369, #5D625A and #58714A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #693487 shade: #3D3487, #533487, #693487, #7F3487 and #87347A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #693487 shade: #3B1D4C, #52296A, #693487, #8040A5 and #9653BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #693487 shade: #693487, #873442 and #348748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #693487 shade: #693487, #876934 and #348769

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #693487 shade: #693487, #873442, #538734 and #34877A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #693487 shade: #693487, #873F34, #538734 and #347C87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

Complementary color

CMYK 26 / 0 / 41 / 20

HEX #96CB78

RGB 150 203 120

HSL 98.31, 0.44%, 0.63%

LAB 76.41, -32.16, 35.95

 

CMYK 15 / 60 / 0 / 49

HEX #6E3482

RGB 110 52 130

HSL 284.62, 0.43%, 0.36%

LAB 32.66, 38.88, -33.33

 

CMYK 15 / 53 / 0 / 42

HEX #7F4695

RGB 127 70 149

HSL 283.29, 0.36%, 0.43%

LAB 39.69, 38.15, -33.71

 

CMYK 14 / 48 / 0 / 34

HEX #9058A8

RGB 144 88 168

HSL 282, 0.31%, 0.5%

LAB 46.63, 37.33, -33.96

 

CMYK 14 / 43 / 0 / 27

HEX #A16ABB

RGB 161 106 187

HSL 280.74, 0.37%, 0.57%

LAB 53.46, 36.5, -34.16

 

CMYK 14 / 40 / 0 / 19

HEX #B27CCE

RGB 178 124 206

HSL 279.51, 0.46%, 0.65%

LAB 60.19, 35.71, -34.34

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 24 / 71 / 0 / 55

HEX #582274

RGB 88 34 116

HSL 279.51, 0.55%, 0.29%

LAB 25.2, 39.23, -36.62

 

CMYK 27 / 84 / 0 / 62

HEX #471061

RGB 71 16 97

HSL 280.74, 0.72%, 0.22%

LAB 18.25, 39, -35.62

 

CMYK 31 / 100 / 0 / 69

HEX #36004E

RGB 54 0 78

HSL 281.54, 1%, 0.15%

LAB 11.51, 37.58, -33.86

 

CMYK 37 / 100 / 0 / 77

HEX #25003B

RGB 37 0 59

HSL 277.63, 1%, 0.12%

LAB 6.41, 30.29, -28.91

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 5 / 61 / 0 / 47

HEX #803487

RGB 128 52 135

HSL 294.94, 0.44%, 0.37%

LAB 35.59, 44.83, -31.63

 

CMYK 0 / 61 / 10 / 47

HEX #873479

RGB 135 52 121

HSL 310.12, 0.44%, 0.37%

LAB 35.96, 44.25, -22.28

 

CMYK 0 / 61 / 27 / 47

HEX #873462

RGB 135 52 98

HSL 326.75, 0.44%, 0.37%

LAB 34.98, 40.64, -9.27

 

CMYK 0 / 61 / 44 / 47

HEX #87344C

RGB 135 52 76

HSL 342.65, 0.44%, 0.37%

LAB 34.25, 37.84, 3.76

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 39 / 61 / 0 / 47

HEX #533487

RGB 83 52 135

HSL 262.41, 0.44%, 0.37%

LAB 29.52, 33.09, -41.66

 

CMYK 55 / 61 / 0 / 47

HEX #3D3487

RGB 61 52 135

HSL 246.51, 0.44%, 0.37%

LAB 27.29, 28.11, -45.38

 

CMYK 61 / 61 / 0 / 47

HEX #343487

RGB 52 52 135

HSL 240, 0.44%, 0.37%

LAB 26.55, 26.35, -46.61

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 27 / 75 / 0 / 41

HEX #6E2597

RGB 110 37 151

HSL 278.42, 0.61%, 0.37%

LAB 31.51, 50.66, -48.13

 

CMYK 31 / 87 / 0 / 35

HEX #7216A6

RGB 114 22 166

HSL 278.33, 0.77%, 0.37%

LAB 31.59, 59.62, -57.09

 

CMYK 35 / 96 / 0 / 29

HEX #7607B5

RGB 118 7 181

HSL 278.28, 0.93%, 0.37%

LAB 32.57, 66.08, -64.46

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 16 / 43 / 0 / 53

HEX #654478

RGB 101 68 120

HSL 278.08, 0.28%, 0.37%

LAB 34.51, 24.63, -24.26

 

CMYK 8 / 21 / 0 / 59

HEX #615369

RGB 97 83 105

HSL 278.18, 0.12%, 0.37%

LAB 37.39, 10.35, -10.53

 

CMYK 5 / 0 / 8 / 62

HEX #5D625A

RGB 93 98 90

HSL 97.5, 0.04%, 0.37%

LAB 40.9, -3.62, 3.88

 

CMYK 22 / 0 / 35 / 56

HEX #58714A

RGB 88 113 74

HSL 98.46, 0.21%, 0.37%

LAB 44.77, -17.07, 18.75

 

CMYK 55 / 61 / 0 / 47

HEX #3D3487

RGB 61 52 135

HSL 246.51, 0.44%, 0.37%

LAB 27.29, 28.11, -45.38

 

CMYK 39 / 61 / 0 / 47

HEX #533487

RGB 83 52 135

HSL 262.41, 0.44%, 0.37%

LAB 29.52, 33.09, -41.66

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 6 / 61 / 0 / 47

HEX #7F3487

RGB 127 52 135

HSL 294.22, 0.44%, 0.37%

LAB 35.43, 44.56, -31.88

 

CMYK 0 / 61 / 10 / 47

HEX #87347A

RGB 135 52 122

HSL 309.4, 0.44%, 0.37%

LAB 36.01, 44.42, -22.83

 

CMYK 22 / 62 / 0 / 70

HEX #3B1D4C

RGB 59 29 76

HSL 278.3, 0.45%, 0.21%

LAB 17.13, 24.28, -23.37

 

CMYK 23 / 61 / 0 / 58

HEX #52296A

RGB 82 41 106

HSL 277.85, 0.44%, 0.29%

LAB 25.01, 31.53, -30.53

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 22 / 61 / 0 / 35

HEX #8040A5

RGB 128 64 165

HSL 278.02, 0.44%, 0.45%

LAB 39.53, 45.22, -43.55

 

CMYK 20 / 56 / 0 / 26

HEX #9653BC

RGB 150 83 188

HSL 278.29, 0.44%, 0.53%

LAB 47.37, 46.14, -44.45

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 0 / 61 / 51 / 47

HEX #873442

RGB 135 52 66

HSL 349.88, 0.44%, 0.37%

LAB 33.98, 36.79, 9.84

 

CMYK 61 / 0 / 47 / 47

HEX #348748

RGB 52 135 72

HSL 134.46, 0.44%, 0.37%

LAB 50.13, -39.54, 26.53

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 0 / 22 / 61 / 47

HEX #876934

RGB 135 105 52

HSL 38.31, 0.44%, 0.37%

LAB 46.31, 5.53, 33.89

 

CMYK 61 / 0 / 22 / 47

HEX #348769

RGB 52 135 105

HSL 158.31, 0.44%, 0.37%

LAB 50.78, -32.69, 8.76

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 0 / 61 / 51 / 47

HEX #873442

RGB 135 52 66

HSL 349.88, 0.44%, 0.37%

LAB 33.98, 36.79, 9.84

 

CMYK 39 / 0 / 61 / 47

HEX #538734

RGB 83 135 52

HSL 97.59, 0.44%, 0.37%

LAB 51.17, -32.89, 38.38

 

CMYK 61 / 0 / 10 / 47

HEX #34877A

RGB 52 135 122

HSL 170.6, 0.44%, 0.37%

LAB 51.22, -28.29, -0.47

 

CMYK 22 / 61 / 0 / 47

HEX #693487

RGB 105 52 135

HSL 278.31, 0.44%, 0.37%

LAB 32.28, 38.68, -37.09

 

CMYK 0 / 53 / 61 / 47

HEX #873F34

RGB 135 63 52

HSL 7.95, 0.44%, 0.37%

LAB 35.9, 29.83, 21.24

 

CMYK 39 / 0 / 61 / 47

HEX #538734

RGB 83 135 52

HSL 97.59, 0.44%, 0.37%

LAB 51.17, -32.89, 38.38

 

CMYK 61 / 8 / 0 / 47

HEX #347C87

RGB 52 124 135

HSL 187.95, 0.44%, 0.37%

LAB 48.13, -18.81, -12.71

 

Description

Color code: HEX #693487 | qconv.com Color code: HEX #693487 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 52 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 52 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 61 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 61% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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