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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #693243 it is the complementary color #96CDBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #693243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #693243 shade: #6E323E, #7F4451, #905664, #A16877 and #B27A8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #693243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #693243 shade: #693243, #582030, #470E1D, #36000A and #250000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #693243 shade: #673142, #673133 and #673131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #693243 shade: #673142, #673150, #67315F, #603167 and #523167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #693243 shade matches the following richer shades: #673142, #73253D, #801838, #8C0C34 and #98002F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #693243 shade: #673142, #5A3E47, #4E4A4B, #425650 and #356355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #693243 shade: #67315F, #673150, #673142, #673134 and #673D31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #693243 shade: #2F161E, #4B2430, #673142, #833F54 and #9E4C66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #693243 shade: #693243, #676131 and #315867

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #693243 shade: #693243, #426731 and #314267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #693243 shade: #693243, #676131, #316756 and #313767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #693243 shade: #693243, #5D6731, #316756 and #3B3167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 36 / 59

HEX #693243

RGB 105 50 67

HSL 341.45, 0.35%, 0.3%

LAB 28.62, 26.63, 0.87

 

Complementary color

CMYK 27 / 0 / 8 / 20

HEX #96CDBC

RGB 150 205 188

HSL 161.45, 0.35%, 0.7%

LAB 78.33, -21.32, 2.72

 

CMYK 0 / 55 / 44 / 57

HEX #6E323E

RGB 110 50 62

HSL 348, 0.38%, 0.31%

LAB 29.27, 27.94, 5.21

 

CMYK 0 / 46 / 36 / 50

HEX #7F4451

RGB 127 68 81

HSL 346.78, 0.3%, 0.38%

LAB 36.44, 26.89, 3.56

 

CMYK 0 / 40 / 31 / 44

HEX #905664

RGB 144 86 100

HSL 345.52, 0.25%, 0.45%

LAB 43.51, 25.9, 2.24

 

CMYK 0 / 35 / 26 / 37

HEX #A16877

RGB 161 104 119

HSL 344.21, 0.23%, 0.52%

LAB 50.46, 25, 1.15

 

CMYK 0 / 31 / 22 / 30

HEX #B27A8A

RGB 178 122 138

HSL 342.86, 0.27%, 0.59%

LAB 57.29, 24.18, 0.19

 

CMYK 0 / 52 / 36 / 59

HEX #693243

RGB 105 50 67

HSL 341.45, 0.35%, 0.3%

LAB 28.62, 26.63, 0.87

 

CMYK 0 / 64 / 45 / 65

HEX #582030

RGB 88 32 48

HSL 342.86, 0.47%, 0.24%

LAB 21.29, 27.55, 2.76

 

CMYK 0 / 80 / 59 / 72

HEX #470E1D

RGB 71 14 29

HSL 344.21, 0.67%, 0.17%

LAB 14.07, 27.99, 5.65

 

CMYK 0 / 100 / 81 / 79

HEX #36000A

RGB 54 0 10

HSL 348.89, 1%, 0.11%

LAB 7.28, 27.15, 7.41

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 52 / 36 / 60

HEX #673142

RGB 103 49 66

HSL 341.11, 0.36%, 0.3%

LAB 28.04, 26.27, 0.66

 

CMYK 0 / 52 / 50 / 60

HEX #673133

RGB 103 49 51

HSL 357.78, 0.36%, 0.3%

LAB 27.63, 24.39, 10

 

CMYK 0 / 52 / 52 / 60

HEX #673131

RGB 103 49 49

HSL 0, 0.36%, 0.3%

LAB 27.58, 24.17, 11.26

 

CMYK 0 / 52 / 36 / 60

HEX #673142

RGB 103 49 66

HSL 341.11, 0.36%, 0.3%

LAB 28.04, 26.27, 0.66

 

CMYK 0 / 52 / 22 / 60

HEX #673150

RGB 103 49 80

HSL 325.56, 0.36%, 0.3%

LAB 28.54, 28.42, -7.85

 

CMYK 0 / 52 / 8 / 60

HEX #67315F

RGB 103 49 95

HSL 308.89, 0.36%, 0.3%

LAB 29.18, 31.11, -16.66

 

CMYK 7 / 52 / 0 / 60

HEX #603167

RGB 96 49 103

HSL 292.22, 0.36%, 0.3%

LAB 28.55, 30.45, -22.89

 

CMYK 20 / 52 / 0 / 60

HEX #523167

RGB 82 49 103

HSL 276.67, 0.36%, 0.3%

LAB 26.65, 26.01, -26

 

CMYK 0 / 52 / 36 / 60

HEX #673142

RGB 103 49 66

HSL 341.11, 0.36%, 0.3%

LAB 28.04, 26.27, 0.66

 

CMYK 0 / 68 / 47 / 55

HEX #73253D

RGB 115 37 61

HSL 341.54, 0.51%, 0.3%

LAB 27.59, 36.37, 3.59

 

CMYK 0 / 81 / 56 / 50

HEX #801838

RGB 128 24 56

HSL 341.54, 0.68%, 0.3%

LAB 28.19, 45.12, 8.16

 

CMYK 0 / 91 / 63 / 45

HEX #8C0C34

RGB 140 12 52

HSL 341.25, 0.84%, 0.3%

LAB 29.63, 51.1, 13.23

 

CMYK 0 / 100 / 69 / 40

HEX #98002F

RGB 152 0 47

HSL 341.45, 1%, 0.3%

LAB 31.53, 55.75, 19.55

 

CMYK 0 / 52 / 36 / 60

HEX #673142

RGB 103 49 66

HSL 341.11, 0.36%, 0.3%

LAB 28.04, 26.27, 0.66

 

CMYK 0 / 31 / 21 / 65

HEX #5A3E47

RGB 90 62 71

HSL 340.71, 0.18%, 0.3%

LAB 29.6, 13.8, -0.58

 

CMYK 0 / 5 / 4 / 69

HEX #4E4A4B

RGB 78 74 75

HSL 345, 0.03%, 0.3%

LAB 31.86, 1.87, -0.01

 

CMYK 23 / 0 / 7 / 66

HEX #425650

RGB 66 86 80

HSL 162, 0.13%, 0.3%

LAB 34.79, -9.11, 0.97

 

CMYK 46 / 0 / 14 / 61

HEX #356355

RGB 53 99 85

HSL 161.74, 0.3%, 0.3%

LAB 38.44, -19.53, 3.06

 

CMYK 0 / 52 / 8 / 60

HEX #67315F

RGB 103 49 95

HSL 308.89, 0.36%, 0.3%

LAB 29.18, 31.11, -16.66

 

CMYK 0 / 52 / 22 / 60

HEX #673150

RGB 103 49 80

HSL 325.56, 0.36%, 0.3%

LAB 28.54, 28.42, -7.85

 

CMYK 0 / 52 / 36 / 60

HEX #673142

RGB 103 49 66

HSL 341.11, 0.36%, 0.3%

LAB 28.04, 26.27, 0.66

 

CMYK 0 / 52 / 50 / 60

HEX #673134

RGB 103 49 52

HSL 356.67, 0.36%, 0.3%

LAB 27.65, 24.5, 9.38

 

CMYK 0 / 41 / 52 / 60

HEX #673D31

RGB 103 61 49

HSL 13.33, 0.36%, 0.3%

LAB 30.5, 16.99, 15.18

 

CMYK 0 / 53 / 36 / 82

HEX #2F161E

RGB 47 22 30

HSL 340.8, 0.36%, 0.14%

LAB 11.08, 13.88, 0

 

CMYK 0 / 52 / 36 / 71

HEX #4B2430

RGB 75 36 48

HSL 341.54, 0.35%, 0.22%

LAB 19.93, 20.01, 0.51

 

CMYK 0 / 52 / 36 / 60

HEX #673142

RGB 103 49 66

HSL 341.11, 0.36%, 0.3%

LAB 28.04, 26.27, 0.66

 

CMYK 0 / 52 / 36 / 49

HEX #833F54

RGB 131 63 84

HSL 341.47, 0.35%, 0.38%

LAB 36.02, 31.63, 1.12

 

CMYK 0 / 52 / 35 / 38

HEX #9E4C66

RGB 158 76 102

HSL 340.98, 0.35%, 0.46%

LAB 43.36, 36.94, 1.03

 

CMYK 0 / 52 / 36 / 59

HEX #693243

RGB 105 50 67

HSL 341.45, 0.35%, 0.3%

LAB 28.62, 26.63, 0.87

 

CMYK 0 / 6 / 52 / 60

HEX #676131

RGB 103 97 49

HSL 53.33, 0.36%, 0.3%

LAB 40.66, -4.91, 28.01

 

CMYK 52 / 15 / 0 / 60

HEX #315867

RGB 49 88 103

HSL 196.67, 0.36%, 0.3%

LAB 35.23, -9.2, -12.9

 

CMYK 0 / 52 / 36 / 59

HEX #693243

RGB 105 50 67

HSL 341.45, 0.35%, 0.3%

LAB 28.62, 26.63, 0.87

 

CMYK 36 / 0 / 52 / 60

HEX #426731

RGB 66 103 49

HSL 101.11, 0.36%, 0.3%

LAB 39.72, -24.26, 26.2

 

CMYK 52 / 36 / 0 / 60

HEX #314267

RGB 49 66 103

HSL 221.11, 0.36%, 0.3%

LAB 28.19, 4.81, -23.79

 

CMYK 0 / 52 / 36 / 59

HEX #693243

RGB 105 50 67

HSL 341.45, 0.35%, 0.3%

LAB 28.62, 26.63, 0.87

 

CMYK 0 / 6 / 52 / 60

HEX #676131

RGB 103 97 49

HSL 53.33, 0.36%, 0.3%

LAB 40.66, -4.91, 28.01

 

CMYK 52 / 0 / 17 / 60

HEX #316756

RGB 49 103 86

HSL 161.11, 0.36%, 0.3%

LAB 39.62, -22.51, 4.13

 

CMYK 52 / 47 / 0 / 60

HEX #313767

RGB 49 55 103

HSL 233.33, 0.36%, 0.3%

LAB 24.84, 12.31, -29.08

 

CMYK 0 / 52 / 36 / 59

HEX #693243

RGB 105 50 67

HSL 341.45, 0.35%, 0.3%

LAB 28.62, 26.63, 0.87

 

CMYK 10 / 0 / 52 / 60

HEX #5D6731

RGB 93 103 49

HSL 71.11, 0.36%, 0.3%

LAB 41.61, -12.92, 28.93

 

CMYK 52 / 0 / 17 / 60

HEX #316756

RGB 49 103 86

HSL 161.11, 0.36%, 0.3%

LAB 39.62, -22.51, 4.13

 

CMYK 43 / 52 / 0 / 60

HEX #3B3167

RGB 59 49 103

HSL 251.11, 0.36%, 0.3%

LAB 24.02, 19.13, -30.34

 

Description

Color code: HEX #693243 | qconv.com Color code: HEX #693243 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 50 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 50 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 36 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 36% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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