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Color name
HEX #695AD2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #695AD2 it is the complementary color #96A52D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #695AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #695AD2 shade: #6E5ACD, #7F6CE0, #907EF3, #A190FF and #B2A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #695AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #695AD2 shade: #695AD2, #5848BF, #4736AC, #362499 and #251286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #695AD2 shade: #695AD2, #895AD2, #AA5AD2, #CA5AD2 and #D25AB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #695AD2 shade: #695AD2 and #5A5AD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #695AD2 shade matches the following richer shades: #695AD2, #5D49E2 and #5039F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #695AD2 shade: #695AD2, #766BC1, #837CB0, #8F8D9F and #9C9E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #695AD2 shade: #5A8CD2, #5A6CD2, #685AD2, #885AD2 and #A85AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #695AD2 shade: #3E2EAB, #4C3AC9, #695AD2, #877BDA and #A49BE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #695AD2 shade: #695AD2, #D25AAC and #7CD25A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #695AD2 shade: #695AD2, #D2685A and #5AD268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #695AD2 shade: #695AD2, #D25AAC, #C4D25A and #5AD280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #695AD2 shade: #695AD2, #D25A88, #C4D25A and #5AD2A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

Complementary color

CMYK 9 / 0 / 73 / 35

HEX #96A52D

RGB 150 165 45

HSL 67.5, 0.57%, 0.41%

LAB 64.63, -20.88, 56.79

 

CMYK 46 / 56 / 0 / 20

HEX #6E5ACD

RGB 110 90 205

HSL 250.43, 0.53%, 0.58%

LAB 45.68, 36.91, -57.21

 

CMYK 43 / 52 / 0 / 12

HEX #7F6CE0

RGB 127 108 224

HSL 249.83, 0.65%, 0.65%

LAB 52.53, 35.59, -56.93

 

CMYK 41 / 48 / 0 / 5

HEX #907EF3

RGB 144 126 243

HSL 249.23, 0.83%, 0.72%

LAB 59.27, 34.41, -56.67

 

CMYK 37 / 44 / 0 / 0

HEX #A190FF

RGB 161 144 255

HSL 249.19, 1%, 0.78%

LAB 65.55, 31.5, -53.2

 

CMYK 30 / 36 / 0 / 0

HEX #B2A2FF

RGB 178 162 255

HSL 250.32, 1%, 0.82%

LAB 71.23, 25.82, -44.15

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 54 / 62 / 0 / 25

HEX #5848BF

RGB 88 72 191

HSL 248.07, 0.48%, 0.52%

LAB 38.67, 38.94, -60.53

 

CMYK 59 / 69 / 0 / 33

HEX #4736AC

RGB 71 54 172

HSL 248.64, 0.52%, 0.44%

LAB 31.71, 40.69, -60.71

 

CMYK 65 / 76 / 0 / 40

HEX #362499

RGB 54 36 153

HSL 249.23, 0.62%, 0.37%

LAB 24.78, 42.43, -60.63

 

CMYK 72 / 87 / 0 / 47

HEX #251286

RGB 37 18 134

HSL 249.83, 0.76%, 0.3%

LAB 18.13, 43.69, -59.86

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 35 / 57 / 0 / 18

HEX #895AD2

RGB 137 90 210

HSL 263.5, 0.57%, 0.59%

LAB 48.62, 44.41, -55.21

 

CMYK 19 / 57 / 0 / 18

HEX #AA5AD2

RGB 170 90 210

HSL 280, 0.57%, 0.59%

LAB 52.41, 52.48, -48.93

 

CMYK 4 / 57 / 0 / 18

HEX #CA5AD2

RGB 202 90 210

HSL 296, 0.57%, 0.59%

LAB 56.61, 60.63, -42.01

 

CMYK 0 / 57 / 12 / 18

HEX #D25AB9

RGB 210 90 185

HSL 312.5, 0.57%, 0.59%

LAB 56.6, 58.58, -27.65

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 57 / 57 / 0 / 18

HEX #5A5AD2

RGB 90 90 210

HSL 240, 0.57%, 0.59%

LAB 44.43, 34.44, -62.18

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 59 / 68 / 0 / 11

HEX #5D49E2

RGB 93 73 226

HSL 247.84, 0.73%, 0.59%

LAB 42.13, 49.9, -75.06

 

CMYK 67 / 77 / 0 / 5

HEX #5039F3

RGB 80 57 243

HSL 247.42, 0.89%, 0.59%

LAB 39.75, 61.71, -88.63

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 39 / 45 / 0 / 24

HEX #766BC1

RGB 118 107 193

HSL 247.67, 0.41%, 0.59%

LAB 49.76, 25.19, -43.74

 

CMYK 26 / 30 / 0 / 31

HEX #837CB0

RGB 131 124 176

HSL 248.08, 0.25%, 0.59%

LAB 54.42, 14.25, -26.56

 

CMYK 10 / 11 / 0 / 38

HEX #8F8D9F

RGB 143 141 159

HSL 246.67, 0.09%, 0.59%

LAB 59.34, 4.41, -9.25

 

CMYK 1 / 0 / 10 / 38

HEX #9C9E8E

RGB 156 158 142

HSL 67.5, 0.08%, 0.59%

LAB 64.54, -3.66, 8.11

 

CMYK 57 / 33 / 0 / 18

HEX #5A8CD2

RGB 90 140 210

HSL 215, 0.57%, 0.59%

LAB 57.64, 3.92, -41.08

 

CMYK 57 / 49 / 0 / 18

HEX #5A6CD2

RGB 90 108 210

HSL 231, 0.57%, 0.59%

LAB 48.95, 23.34, -54.89

 

CMYK 50 / 57 / 0 / 18

HEX #685AD2

RGB 104 90 210

HSL 247, 0.57%, 0.59%

LAB 45.51, 37.14, -60.38

 

CMYK 35 / 57 / 0 / 18

HEX #885AD2

RGB 136 90 210

HSL 263, 0.57%, 0.59%

LAB 48.51, 44.17, -55.39

 

CMYK 20 / 57 / 0 / 18

HEX #A85AD2

RGB 168 90 210

HSL 279, 0.57%, 0.59%

LAB 52.16, 51.98, -49.34

 

CMYK 64 / 73 / 0 / 33

HEX #3E2EAB

RGB 62 46 171

HSL 247.68, 0.58%, 0.43%

LAB 29.21, 43.64, -64.25

 

CMYK 62 / 71 / 0 / 21

HEX #4C3AC9

RGB 76 58 201

HSL 247.55, 0.57%, 0.51%

LAB 35.56, 48.19, -71.5

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 38 / 44 / 0 / 15

HEX #877BDA

RGB 135 123 218

HSL 247.58, 0.56%, 0.67%

LAB 56.47, 27.06, -47.24

 

CMYK 28 / 32 / 0 / 11

HEX #A49BE3

RGB 164 155 227

HSL 247.5, 0.56%, 0.75%

LAB 67.19, 18.9, -35.25

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 0 / 57 / 18 / 18

HEX #D25AAC

RGB 210 90 172

HSL 319, 0.57%, 0.59%

LAB 56.08, 56.62, -20.94

 

CMYK 41 / 0 / 57 / 18

HEX #7CD25A

RGB 124 210 90

HSL 103, 0.57%, 0.59%

LAB 76.75, -47.64, 50.58

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 0 / 50 / 57 / 18

HEX #D2685A

RGB 210 104 90

HSL 7, 0.57%, 0.59%

LAB 56.43, 40.56, 27.38

 

CMYK 57 / 0 / 50 / 18

HEX #5AD268

RGB 90 210 104

HSL 127, 0.57%, 0.59%

LAB 75.62, -55.37, 42.34

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 0 / 57 / 18 / 18

HEX #D25AAC

RGB 210 90 172

HSL 319, 0.57%, 0.59%

LAB 56.08, 56.62, -20.94

 

CMYK 7 / 0 / 57 / 18

HEX #C4D25A

RGB 196 210 90

HSL 67, 0.57%, 0.59%

LAB 81.05, -21.11, 56.63

 

CMYK 57 / 0 / 39 / 18

HEX #5AD280

RGB 90 210 128

HSL 139, 0.57%, 0.59%

LAB 75.96, -51.63, 30.77

 

CMYK 50 / 57 / 0 / 18

HEX #695AD2

RGB 105 90 210

HSL 247.5, 0.57%, 0.59%

LAB 45.59, 37.34, -60.24

 

CMYK 0 / 57 / 35 / 18

HEX #D25A88

RGB 210 90 136

HSL 337, 0.57%, 0.59%

LAB 54.86, 51.86, -1.7

 

CMYK 7 / 0 / 57 / 18

HEX #C4D25A

RGB 196 210 90

HSL 67, 0.57%, 0.59%

LAB 81.05, -21.11, 56.63

 

CMYK 57 / 0 / 22 / 18

HEX #5AD2A4

RGB 90 210 164

HSL 157, 0.57%, 0.59%

LAB 76.65, -44.53, 12.81

 

Description

Color code: HEX #695AD2 | qconv.com Color code: HEX #695AD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 90 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 90 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 57 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 57% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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