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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6964F6 it is the complementary color #969B09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6964F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6964F6 shade: #6E64F1, #7F76FF, #9088FF, #A19AFF and #B2ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6964F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6964F6 shade: #6964F6, #5852E3, #4740D0, #362EBD and #251CAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6964F6 shade: #6964F6, #9064F6, #B864F6, #DF64F6 and #F664E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6964F6 shade: #6964F6 and #6464F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6964F6 shade matches the following richer shades: #6964F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6964F6 shade: #6964F6, #7671E8, #827FDB, #8E8CCE and #9A99C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6964F6 shade: #64ADF6, #6486F6, #6964F6, #9064F6 and #B764F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6964F6 shade: #1E16F1, #443DF3, #6964F6, #8F8BF8 and #B5B2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6964F6 shade: #6964F6, #F664D4 and #9AF664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6964F6 shade: #6964F6, #F66964 and #64F669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6964F6 shade: #6964F6, #F664D4, #F1F664 and #64F686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6964F6 shade: #6964F6, #F664A8, #F1F664 and #64F6B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

Complementary color

CMYK 3 / 0 / 94 / 39

HEX #969B09

RGB 150 155 9

HSL 62.05, 0.89%, 0.32%

LAB 61.61, -16.97, 63.37

 

CMYK 54 / 59 / 0 / 5

HEX #6E64F1

RGB 110 100 241

HSL 244.26, 0.83%, 0.67%

LAB 50.43, 41.8, -69.93

 

CMYK 50 / 54 / 0 / 0

HEX #7F76FF

RGB 127 118 255

HSL 243.94, 1%, 0.73%

LAB 56.77, 38.75, -67.38

 

CMYK 44 / 47 / 0 / 0

HEX #9088FF

RGB 144 136 255

HSL 244.03, 1%, 0.77%

LAB 62.3, 31.98, -58.44

 

CMYK 37 / 40 / 0 / 0

HEX #A19AFF

RGB 161 154 255

HSL 244.16, 1%, 0.8%

LAB 67.95, 25.81, -49.39

 

CMYK 30 / 33 / 0 / 0

HEX #B2ACFF

RGB 178 172 255

HSL 244.34, 1%, 0.84%

LAB 73.67, 20.23, -40.34

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 61 / 64 / 0 / 11

HEX #5852E3

RGB 88 82 227

HSL 242.48, 0.72%, 0.61%

LAB 43.73, 44.35, -73.01

 

CMYK 66 / 69 / 0 / 18

HEX #4740D0

RGB 71 64 208

HSL 242.92, 0.61%, 0.53%

LAB 37.04, 46.39, -73.14

 

CMYK 71 / 76 / 0 / 26

HEX #362EBD

RGB 54 46 189

HSL 243.36, 0.61%, 0.46%

LAB 30.43, 48.48, -72.97

 

CMYK 78 / 84 / 0 / 33

HEX #251CAA

RGB 37 28 170

HSL 243.8, 0.72%, 0.39%

LAB 24.08, 50.24, -72.17

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 41 / 59 / 0 / 4

HEX #9064F6

RGB 144 100 246

HSL 258.08, 0.89%, 0.68%

LAB 53.7, 49.88, -67.28

 

CMYK 25 / 59 / 0 / 4

HEX #B864F6

RGB 184 100 246

HSL 274.52, 0.89%, 0.68%

LAB 58, 58.71, -60.14

 

CMYK 9 / 59 / 0 / 4

HEX #DF64F6

RGB 223 100 246

HSL 290.55, 0.89%, 0.68%

LAB 62.89, 67.9, -52.05

 

CMYK 0 / 59 / 7 / 4

HEX #F664E5

RGB 246 100 229

HSL 306.99, 0.89%, 0.68%

LAB 65.25, 70.7, -38.69

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 59 / 59 / 0 / 4

HEX #6464F6

RGB 100 100 246

HSL 240, 0.89%, 0.68%

LAB 50.07, 41.64, -73.34

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 49 / 51 / 0 / 9

HEX #7671E8

RGB 118 113 232

HSL 242.52, 0.72%, 0.68%

LAB 53.48, 32.98, -59.94

 

CMYK 41 / 42 / 0 / 14

HEX #827FDB

RGB 130 127 219

HSL 241.96, 0.56%, 0.68%

LAB 57.11, 23.7, -46.8

 

CMYK 31 / 32 / 0 / 19

HEX #8E8CCE

RGB 142 140 206

HSL 241.82, 0.4%, 0.68%

LAB 60.75, 15.84, -33.72

 

CMYK 20 / 21 / 0 / 24

HEX #9A99C1

RGB 154 153 193

HSL 241.5, 0.24%, 0.68%

LAB 64.57, 8.86, -20.48

 

CMYK 59 / 30 / 0 / 4

HEX #64ADF6

RGB 100 173 246

HSL 210, 0.89%, 0.68%

LAB 68.93, -1.55, -43.2

 

CMYK 59 / 46 / 0 / 4

HEX #6486F6

RGB 100 134 246

HSL 226.03, 0.89%, 0.68%

LAB 58.43, 21.19, -59.85

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 41 / 59 / 0 / 4

HEX #9064F6

RGB 144 100 246

HSL 258.08, 0.89%, 0.68%

LAB 53.7, 49.88, -67.28

 

CMYK 26 / 59 / 0 / 4

HEX #B764F6

RGB 183 100 246

HSL 274.11, 0.89%, 0.68%

LAB 57.88, 58.48, -60.34

 

CMYK 88 / 91 / 0 / 5

HEX #1E16F1

RGB 30 22 241

HSL 242.19, 0.89%, 0.52%

LAB 32.26, 72.03, -100.03

 

CMYK 72 / 75 / 0 / 5

HEX #443DF3

RGB 68 61 243

HSL 242.31, 0.88%, 0.6%

LAB 39.64, 58.69, -88.84

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 42 / 44 / 0 / 3

HEX #8F8BF8

RGB 143 139 248

HSL 242.2, 0.89%, 0.76%

LAB 62.58, 28.04, -54.17

 

CMYK 28 / 29 / 0 / 2

HEX #B5B2FA

RGB 181 178 250

HSL 242.5, 0.88%, 0.84%

LAB 75.18, 16.52, -35.28

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 0 / 59 / 14 / 4

HEX #F664D4

RGB 246 100 212

HSL 313.97, 0.89%, 0.68%

LAB 64.53, 68.13, -30.31

 

CMYK 37 / 0 / 59 / 4

HEX #9AF664

RGB 154 246 100

HSL 97.81, 0.89%, 0.68%

LAB 88.78, -51.87, 60.31

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 0 / 57 / 59 / 4

HEX #F66964

RGB 246 105 100

HSL 2.05, 0.89%, 0.68%

LAB 62.18, 53.74, 30.2

 

CMYK 59 / 0 / 57 / 4

HEX #64F669

RGB 100 246 105

HSL 122.05, 0.89%, 0.68%

LAB 86.82, -66.14, 55.37

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 0 / 59 / 14 / 4

HEX #F664D4

RGB 246 100 212

HSL 313.97, 0.89%, 0.68%

LAB 64.53, 68.13, -30.31

 

CMYK 2 / 0 / 59 / 4

HEX #F1F664

RGB 241 246 100

HSL 62.05, 0.89%, 0.68%

LAB 94.11, -19.82, 67.71

 

CMYK 59 / 0 / 46 / 4

HEX #64F686

RGB 100 246 134

HSL 133.97, 0.89%, 0.68%

LAB 87.16, -62.29, 42.33

 

CMYK 57 / 59 / 0 / 4

HEX #6964F6

RGB 105 100 246

HSL 242.05, 0.89%, 0.68%

LAB 50.42, 42.47, -72.76

 

CMYK 0 / 59 / 32 / 4

HEX #F664A8

RGB 246 100 168

HSL 332.05, 0.89%, 0.68%

LAB 62.96, 62.3, -7.72

 

CMYK 2 / 0 / 59 / 4

HEX #F1F664

RGB 241 246 100

HSL 62.05, 0.89%, 0.68%

LAB 94.11, -19.82, 67.71

 

CMYK 59 / 0 / 28 / 4

HEX #64F6B2

RGB 100 246 178

HSL 152.05, 0.89%, 0.68%

LAB 87.89, -54.53, 21.25

 

Description

Color code: HEX #6964F6 | qconv.com Color code: HEX #6964F6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 100 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 100 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 59 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 59% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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