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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #696543 it is the complementary color #969ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #696543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #696543 shade: #6E653E, #7F7751, #908964, #A19B77 and #B2AD8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #696543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #696543 shade: #696543, #585330, #47411D, #362F0A and #251D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #696543 shade: #696543, #695B43, #695143, #694643 and #694343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #696543 shade: #696543, #636943, #596943, #4E6943 and #446943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #696543 shade matches the following richer shades: #696543, #777035, #857B27, #938619 and #A1920B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #696543 shade: #696543, #5B5A51, #4D4F5F, #3F446D and #31397B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #696543 shade: #695043, #695B43, #696543, #646943 and #596943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #696543 shade: #373523, #504D33, #696543, #827D53 and #9B9664

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #696543 shade: #696543, #436946 and #564369

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #696543 shade: #696543, #436965 and #654369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #696543 shade: #696543, #436946, #434869 and #694366

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #696543 shade: #696543, #436952, #434869 and #69435B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

Complementary color

CMYK 20 / 18 / 0 / 26

HEX #969ABC

RGB 150 154 188

HSL 233.68, 0.22%, 0.66%

LAB 64.34, 5.86, -18.05

 

CMYK 0 / 8 / 44 / 57

HEX #6E653E

RGB 110 101 62

HSL 48.75, 0.28%, 0.34%

LAB 42.72, -2.59, 23.35

 

CMYK 0 / 6 / 36 / 50

HEX #7F7751

RGB 127 119 81

HSL 49.57, 0.22%, 0.41%

LAB 49.86, -3.07, 22.04

 

CMYK 0 / 5 / 31 / 44

HEX #908964

RGB 144 137 100

HSL 50.45, 0.18%, 0.48%

LAB 56.82, -3.45, 20.83

 

CMYK 0 / 4 / 26 / 37

HEX #A19B77

RGB 161 155 119

HSL 51.43, 0.18%, 0.55%

LAB 63.63, -3.76, 19.71

 

CMYK 0 / 3 / 22 / 30

HEX #B2AD8A

RGB 178 173 138

HSL 52.5, 0.21%, 0.62%

LAB 70.31, -4.02, 18.67

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 0 / 6 / 45 / 65

HEX #585330

RGB 88 83 48

HSL 52.5, 0.29%, 0.27%

LAB 34.95, -3.73, 21.2

 

CMYK 0 / 8 / 59 / 72

HEX #47411D

RGB 71 65 29

HSL 51.43, 0.42%, 0.2%

LAB 27.32, -3.07, 22.64

 

CMYK 0 / 13 / 81 / 79

HEX #362F0A

RGB 54 47 10

HSL 50.45, 0.69%, 0.13%

LAB 19.39, -2.02, 23.44

 

CMYK 0 / 22 / 100 / 85

HEX #251D00

RGB 37 29 0

HSL 47.03, 1%, 0.07%

LAB 11.08, -0.22, 16.5

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 0 / 13 / 36 / 59

HEX #695B43

RGB 105 91 67

HSL 37.89, 0.22%, 0.34%

LAB 39.4, 1.75, 15.95

 

CMYK 0 / 23 / 36 / 59

HEX #695143

RGB 105 81 67

HSL 22.11, 0.22%, 0.34%

LAB 36.54, 7.83, 12.07

 

CMYK 0 / 33 / 36 / 59

HEX #694643

RGB 105 70 67

HSL 4.74, 0.22%, 0.34%

LAB 33.54, 14.61, 7.9

 

CMYK 0 / 36 / 36 / 59

HEX #694343

RGB 105 67 67

HSL 0, 0.22%, 0.34%

LAB 32.75, 16.46, 6.79

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 6 / 0 / 36 / 59

HEX #636943

RGB 99 105 67

HSL 69.47, 0.22%, 0.34%

LAB 43, -9.13, 20.63

 

CMYK 15 / 0 / 36 / 59

HEX #596943

RGB 89 105 67

HSL 85.26, 0.22%, 0.34%

LAB 42.2, -13.39, 19.43

 

CMYK 26 / 0 / 36 / 59

HEX #4E6943

RGB 78 105 67

HSL 102.63, 0.22%, 0.34%

LAB 41.42, -17.87, 18.25

 

CMYK 35 / 0 / 36 / 59

HEX #446943

RGB 68 105 67

HSL 118.42, 0.22%, 0.34%

LAB 40.8, -21.66, 17.31

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 0 / 6 / 55 / 53

HEX #777035

RGB 119 112 53

HSL 53.64, 0.38%, 0.34%

LAB 46.67, -5.78, 33.36

 

CMYK 0 / 8 / 71 / 48

HEX #857B27

RGB 133 123 39

HSL 53.62, 0.55%, 0.34%

LAB 51.04, -6.56, 45.21

 

CMYK 0 / 9 / 83 / 42

HEX #938619

RGB 147 134 25

HSL 53.61, 0.71%, 0.34%

LAB 55.4, -6.79, 54.85

 

CMYK 0 / 9 / 93 / 37

HEX #A1920B

RGB 161 146 11

HSL 54, 0.87%, 0.34%

LAB 60.03, -7.21, 62.29

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 0 / 1 / 11 / 64

HEX #5B5A51

RGB 91 90 81

HSL 54, 0.06%, 0.34%

LAB 38.08, -1.4, 5.34

 

CMYK 19 / 17 / 0 / 63

HEX #4D4F5F

RGB 77 79 95

HSL 233.33, 0.1%, 0.34%

LAB 33.97, 3, -9.6

 

CMYK 42 / 38 / 0 / 57

HEX #3F446D

RGB 63 68 109

HSL 233.48, 0.27%, 0.34%

LAB 30.15, 9.45, -24.46

 

CMYK 60 / 54 / 0 / 52

HEX #31397B

RGB 49 57 123

HSL 233.51, 0.43%, 0.34%

LAB 26.76, 18.09, -38.76

 

CMYK 0 / 24 / 36 / 59

HEX #695043

RGB 105 80 67

HSL 20.53, 0.22%, 0.34%

LAB 36.26, 8.44, 11.69

 

CMYK 0 / 13 / 36 / 59

HEX #695B43

RGB 105 91 67

HSL 37.89, 0.22%, 0.34%

LAB 39.4, 1.75, 15.95

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 5 / 0 / 36 / 59

HEX #646943

RGB 100 105 67

HSL 67.89, 0.22%, 0.34%

LAB 43.09, -8.69, 20.76

 

CMYK 15 / 0 / 36 / 59

HEX #596943

RGB 89 105 67

HSL 85.26, 0.22%, 0.34%

LAB 42.2, -13.39, 19.43

 

CMYK 0 / 4 / 36 / 78

HEX #373523

RGB 55 53 35

HSL 54, 0.22%, 0.18%

LAB 21.87, -2.6, 11.7

 

CMYK 0 / 4 / 36 / 69

HEX #504D33

RGB 80 77 51

HSL 53.79, 0.22%, 0.26%

LAB 32.37, -3.42, 15.9

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 0 / 4 / 36 / 49

HEX #827D53

RGB 130 125 83

HSL 53.62, 0.22%, 0.42%

LAB 51.88, -4.92, 23.61

 

CMYK 0 / 3 / 35 / 39

HEX #9B9664

RGB 155 150 100

HSL 54.55, 0.22%, 0.5%

LAB 61.4, -6.04, 27.07

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 36 / 0 / 33 / 59

HEX #436946

RGB 67 105 70

HSL 124.74, 0.22%, 0.34%

LAB 40.8, -21.47, 15.53

 

CMYK 18 / 36 / 0 / 59

HEX #564369

RGB 86 67 105

HSL 270, 0.22%, 0.34%

LAB 31.84, 16.48, -19.13

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 36 / 0 / 4 / 59

HEX #436965

RGB 67 105 101

HSL 173.68, 0.22%, 0.34%

LAB 41.59, -14.45, -2.04

 

CMYK 4 / 36 / 0 / 59

HEX #654369

RGB 101 67 105

HSL 293.68, 0.22%, 0.34%

LAB 33.56, 21.8, -16.32

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 36 / 0 / 33 / 59

HEX #436946

RGB 67 105 70

HSL 124.74, 0.22%, 0.34%

LAB 40.8, -21.47, 15.53

 

CMYK 36 / 31 / 0 / 59

HEX #434869

RGB 67 72 105

HSL 232.11, 0.22%, 0.34%

LAB 31.46, 6.82, -19.86

 

CMYK 0 / 36 / 3 / 59

HEX #694366

RGB 105 67 102

HSL 304.74, 0.22%, 0.34%

LAB 33.93, 22.61, -13.81

 

CMYK 0 / 4 / 36 / 59

HEX #696543

RGB 105 101 67

HSL 53.68, 0.22%, 0.34%

LAB 42.33, -4.19, 19.85

 

CMYK 36 / 0 / 22 / 59

HEX #436952

RGB 67 105 82

HSL 143.68, 0.22%, 0.34%

LAB 41.07, -19.01, 8.72

 

CMYK 36 / 31 / 0 / 59

HEX #434869

RGB 67 72 105

HSL 232.11, 0.22%, 0.34%

LAB 31.46, 6.82, -19.86

 

CMYK 0 / 36 / 13 / 59

HEX #69435B

RGB 105 67 91

HSL 322.11, 0.22%, 0.34%

LAB 33.51, 20.44, -7.47

 

Description

Color code: HEX #696543 | qconv.com Color code: HEX #696543 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 101 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 101 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 36 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 36% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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