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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6969B8 it is the complementary color #969647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6969B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6969B8 shade: #6E69B3, #7F7BC6, #908DD9, #A19FEC and #B2B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6969B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6969B8 shade: #6969B8, #5857A5, #474592, #36337F and #25216C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6969B8 shade: #6969B8, #7F69B8, #9469B8, #A969B8 and #B869B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6969B8 shade: #6969B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6969B8 shade matches the following richer shades: #6969B8, #5858CA, #4646DC and #3434EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6969B8 shade: #6969B8, #7B7BA7, #8D8D95, #9F9F83 and #B0B071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6969B8 shade: #6993B8, #697EB8, #6969B8, #7E69B8 and #9369B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6969B8 shade: #42428D, #4F4FA9, #6969B8, #8585C6 and #A1A1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6969B8 shade: #6969B8, #B869A9 and #89B869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6969B8 shade: #6969B8, #B86969 and #69B869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6969B8 shade: #6969B8, #B869A9, #B8B869 and #69B879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6969B8 shade: #6969B8, #B86991, #B8B869 and #69B891

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

Complementary color

CMYK 0 / 0 / 53 / 41

HEX #969647

RGB 150 150 71

HSL 60, 0.36%, 0.43%

LAB 60.56, -11.27, 41.13

 

CMYK 39 / 41 / 0 / 30

HEX #6E69B3

RGB 110 105 179

HSL 244.05, 0.33%, 0.56%

LAB 47.85, 20.3, -38.71

 

CMYK 36 / 38 / 0 / 22

HEX #7F7BC6

RGB 127 123 198

HSL 243.2, 0.4%, 0.63%

LAB 54.82, 19.44, -38.56

 

CMYK 34 / 35 / 0 / 15

HEX #908DD9

RGB 144 141 217

HSL 242.37, 0.5%, 0.7%

LAB 61.64, 18.69, -38.47

 

CMYK 32 / 33 / 0 / 7

HEX #A19FEC

RGB 161 159 236

HSL 241.56, 0.67%, 0.77%

LAB 68.34, 18.03, -38.42

 

CMYK 30 / 31 / 0 / 0

HEX #B2B1FF

RGB 178 177 255

HSL 240.77, 1%, 0.85%

LAB 74.91, 17.45, -38.41

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 47 / 47 / 0 / 35

HEX #5857A5

RGB 88 87 165

HSL 240.77, 0.31%, 0.49%

LAB 40.59, 21.56, -42.11

 

CMYK 51 / 53 / 0 / 43

HEX #474592

RGB 71 69 146

HSL 241.56, 0.36%, 0.42%

LAB 33.29, 22.92, -42.43

 

CMYK 57 / 60 / 0 / 50

HEX #36337F

RGB 54 51 127

HSL 242.37, 0.43%, 0.35%

LAB 25.82, 24.61, -42.79

 

CMYK 66 / 69 / 0 / 58

HEX #25216C

RGB 37 33 108

HSL 243.2, 0.53%, 0.28%

LAB 18.2, 26.68, -43.09

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 31 / 43 / 0 / 28

HEX #7F69B8

RGB 127 105 184

HSL 256.71, 0.36%, 0.57%

LAB 49.59, 26.39, -38.76

 

CMYK 20 / 43 / 0 / 28

HEX #9469B8

RGB 148 105 184

HSL 272.66, 0.36%, 0.57%

LAB 51.68, 32.51, -35.33

 

CMYK 8 / 43 / 0 / 28

HEX #A969B8

RGB 169 105 184

HSL 288.61, 0.36%, 0.57%

LAB 54.03, 38.84, -31.49

 

CMYK 0 / 43 / 3 / 28

HEX #B869B2

RGB 184 105 178

HSL 304.56, 0.36%, 0.57%

LAB 55.59, 42.32, -25.46

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 56 / 56 / 0 / 21

HEX #5858CA

RGB 88 88 202

HSL 240, 0.52%, 0.57%

LAB 43.24, 32.72, -59.51

 

CMYK 68 / 68 / 0 / 14

HEX #4646DC

RGB 70 70 220

HSL 240, 0.68%, 0.57%

LAB 39.33, 46.7, -76.29

 

CMYK 78 / 78 / 0 / 7

HEX #3434EE

RGB 52 52 238

HSL 240, 0.85%, 0.57%

LAB 36.67, 60.53, -90.97

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 26 / 26 / 0 / 35

HEX #7B7BA7

RGB 123 123 167

HSL 240, 0.2%, 0.57%

LAB 53.13, 10.06, -23.42

 

CMYK 5 / 5 / 0 / 42

HEX #8D8D95

RGB 141 141 149

HSL 240, 0.04%, 0.57%

LAB 58.87, 1.61, -4.25

 

CMYK 0 / 0 / 18 / 38

HEX #9F9F83

RGB 159 159 131

HSL 60, 0.13%, 0.57%

LAB 64.81, -4.91, 14.65

 

CMYK 0 / 0 / 36 / 31

HEX #B0B071

RGB 176 176 113

HSL 60, 0.29%, 0.57%

LAB 70.51, -9.74, 32.31

 

CMYK 43 / 20 / 0 / 28

HEX #6993B8

RGB 105 147 184

HSL 208.1, 0.36%, 0.57%

LAB 59.28, -4.5, -23.79

 

CMYK 43 / 32 / 0 / 28

HEX #697EB8

RGB 105 126 184

HSL 224.05, 0.36%, 0.57%

LAB 53.37, 7.7, -32.95

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 32 / 43 / 0 / 28

HEX #7E69B8

RGB 126 105 184

HSL 255.95, 0.36%, 0.57%

LAB 49.5, 26.11, -38.92

 

CMYK 20 / 43 / 0 / 28

HEX #9369B8

RGB 147 105 184

HSL 271.9, 0.36%, 0.57%

LAB 51.57, 32.21, -35.51

 

CMYK 53 / 53 / 0 / 45

HEX #42428D

RGB 66 66 141

HSL 240, 0.36%, 0.41%

LAB 31.76, 22.07, -41.86

 

CMYK 53 / 53 / 0 / 34

HEX #4F4FA9

RGB 79 79 169

HSL 240, 0.36%, 0.49%

LAB 38.05, 25.82, -48.59

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 33 / 33 / 0 / 22

HEX #8585C6

RGB 133 133 198

HSL 240, 0.36%, 0.65%

LAB 57.88, 15.23, -33.73

 

CMYK 24 / 24 / 0 / 17

HEX #A1A1D3

RGB 161 161 211

HSL 240, 0.36%, 0.73%

LAB 67.85, 10.76, -25.42

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 0 / 43 / 8 / 28

HEX #B869A9

RGB 184 105 169

HSL 311.39, 0.36%, 0.57%

LAB 55.23, 40.72, -20.8

 

CMYK 26 / 0 / 43 / 28

HEX #89B869

RGB 137 184 105

HSL 95.7, 0.36%, 0.57%

LAB 69.91, -29.84, 35.15

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 0 / 43 / 43 / 28

HEX #B86969

RGB 184 105 105

HSL 0, 0.36%, 0.57%

LAB 53.29, 31.51, 13.85

 

CMYK 43 / 0 / 43 / 28

HEX #69B869

RGB 105 184 105

HSL 120, 0.36%, 0.57%

LAB 68.24, -40.57, 32.68

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 0 / 43 / 8 / 28

HEX #B869A9

RGB 184 105 169

HSL 311.39, 0.36%, 0.57%

LAB 55.23, 40.72, -20.8

 

CMYK 0 / 0 / 43 / 28

HEX #B8B869

RGB 184 184 105

HSL 60, 0.36%, 0.57%

LAB 73.21, -11.55, 40

 

CMYK 43 / 0 / 34 / 28

HEX #69B879

RGB 105 184 121

HSL 132.15, 0.36%, 0.57%

LAB 68.51, -37.95, 24.62

 

CMYK 43 / 43 / 0 / 28

HEX #6969B8

RGB 105 105 184

HSL 240, 0.36%, 0.57%

LAB 47.71, 20.43, -41.86

 

CMYK 0 / 43 / 21 / 28

HEX #B86991

RGB 184 105 145

HSL 329.62, 0.36%, 0.57%

LAB 54.38, 36.79, -8.1

 

CMYK 0 / 0 / 43 / 28

HEX #B8B869

RGB 184 184 105

HSL 60, 0.36%, 0.57%

LAB 73.21, -11.55, 40

 

CMYK 43 / 0 / 21 / 28

HEX #69B891

RGB 105 184 145

HSL 150.38, 0.36%, 0.57%

LAB 68.99, -33.33, 12.33

 

Description

Color code: HEX #6969B8 | qconv.com Color code: HEX #6969B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 105 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 105 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 43 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 43% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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