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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #696257 it is the complementary color #969DA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #696257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #696257 shade: #6E6252, #7F7465, #908678, #A1988B and #B2AA9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #696257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #696257 shade: #696257, #585044, #473E31, #362C1E and #251A0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #696257 shade: #696258, #695E58, #695958 and #695858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #696257 shade: #696258, #696758, #666958, #626958 and #5D6958

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #696257 shade matches the following richer shades: #696258, #796648, #886938, #986D29 and #A87019

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #696257 shade: #696258, #595F67, #4A5B77, #3A5887 and #2A5496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #696257 shade: #695958, #695D58, #696258, #696758 and #676958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #696257 shade: #3C3832, #534D45, #696258, #80776A and #948C7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #696257 shade: #696257, #5B6958 and #5B5869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #696257 shade: #696257, #586962 and #625869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #696257 shade: #696257, #5B6958, #585F69 and #665869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #696257 shade: #696257, #586959, #585F69 and #695867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 17 / 59

HEX #696257

RGB 105 98 87

HSL 36.67, 0.09%, 0.38%

LAB 41.89, 0.72, 7.26

 

Complementary color

CMYK 11 / 7 / 0 / 34

HEX #969DA8

RGB 150 157 168

HSL 216.67, 0.09%, 0.62%

LAB 64.5, -0.24, -6.59

 

CMYK 0 / 11 / 25 / 57

HEX #6E6252

RGB 110 98 82

HSL 34.29, 0.15%, 0.38%

LAB 42.25, 1.99, 10.86

 

CMYK 0 / 9 / 20 / 50

HEX #7F7465

RGB 127 116 101

HSL 34.62, 0.11%, 0.45%

LAB 49.43, 1.61, 9.83

 

CMYK 0 / 7 / 17 / 44

HEX #908678

RGB 144 134 120

HSL 35, 0.1%, 0.52%

LAB 56.42, 1.28, 8.89

HEX #908678

CMYK 0 / 6 / 14 / 37

HEX #A1988B

RGB 161 152 139

HSL 35.45, 0.1%, 0.59%

LAB 63.26, 1.01, 8.02

HEX #A1988B

CMYK 0 / 4 / 11 / 30

HEX #B2AA9E

RGB 178 170 158

HSL 36, 0.11%, 0.66%

LAB 69.95, 0.76, 7.2

HEX #B2AA9E

CMYK 0 / 7 / 17 / 59

HEX #696257

RGB 105 98 87

HSL 36.67, 0.09%, 0.38%

LAB 41.89, 0.72, 7.26

 

CMYK 0 / 9 / 23 / 65

HEX #585044

RGB 88 80 68

HSL 36, 0.13%, 0.31%

LAB 34.46, 1.06, 8.27

 

CMYK 0 / 13 / 31 / 72

HEX #473E31

RGB 71 62 49

HSL 35.45, 0.18%, 0.24%

LAB 26.75, 1.5, 9.43

 

CMYK 0 / 19 / 44 / 79

HEX #362C1E

RGB 54 44 30

HSL 35, 0.29%, 0.16%

LAB 18.71, 2.12, 10.8

 

CMYK 0 / 30 / 70 / 85

HEX #251A0B

RGB 37 26 11

HSL 34.62, 0.54%, 0.09%

LAB 10.23, 3.13, 10.82

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 0 / 10 / 16 / 59

HEX #695E58

RGB 105 94 88

HSL 21.18, 0.09%, 0.38%

LAB 40.76, 3.3, 5.04

 

CMYK 0 / 15 / 16 / 59

HEX #695958

RGB 105 89 88

HSL 3.53, 0.09%, 0.38%

LAB 39.33, 6.34, 2.99

 

CMYK 0 / 16 / 16 / 59

HEX #695858

RGB 105 88 88

HSL 0, 0.09%, 0.38%

LAB 39.05, 6.95, 2.58

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 0 / 2 / 16 / 59

HEX #696758

RGB 105 103 88

HSL 52.94, 0.09%, 0.38%

LAB 43.37, -2.07, 8.75

 

CMYK 3 / 0 / 16 / 59

HEX #666958

RGB 102 105 88

HSL 70.59, 0.09%, 0.38%

LAB 43.7, -4.48, 9.18

 

CMYK 7 / 0 / 16 / 59

HEX #626958

RGB 98 105 88

HSL 84.71, 0.09%, 0.38%

LAB 43.37, -6.11, 8.66

 

CMYK 11 / 0 / 16 / 59

HEX #5D6958

RGB 93 105 88

HSL 102.35, 0.09%, 0.38%

LAB 42.97, -8.11, 8.04

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 0 / 16 / 40 / 53

HEX #796648

RGB 121 102 72

HSL 36.73, 0.25%, 0.38%

LAB 44.28, 2.99, 19.78

 

CMYK 0 / 23 / 59 / 47

HEX #886938

RGB 136 105 56

HSL 36.75, 0.42%, 0.38%

LAB 46.48, 6.32, 31.96

 

CMYK 0 / 28 / 73 / 40

HEX #986D29

RGB 152 109 41

HSL 36.76, 0.58%, 0.38%

LAB 49.22, 10.3, 43.11

 

CMYK 0 / 33 / 85 / 34

HEX #A87019

RGB 168 112 25

HSL 36.5, 0.74%, 0.38%

LAB 51.82, 15.22, 52.67

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 14 / 8 / 0 / 60

HEX #595F67

RGB 89 95 103

HSL 214.29, 0.07%, 0.38%

LAB 40.06, -0.51, -5.36

 

CMYK 38 / 24 / 0 / 53

HEX #4A5B77

RGB 74 91 119

HSL 217.33, 0.23%, 0.38%

LAB 38.32, 1.06, -17.93

 

CMYK 57 / 35 / 0 / 47

HEX #3A5887

RGB 58 88 135

HSL 216.62, 0.4%, 0.38%

LAB 37.17, 3.75, -29.6

 

CMYK 72 / 44 / 0 / 41

HEX #2A5496

RGB 42 84 150

HSL 216.67, 0.56%, 0.38%

LAB 36.05, 8.74, -40.53

 

CMYK 0 / 15 / 16 / 59

HEX #695958

RGB 105 89 88

HSL 3.53, 0.09%, 0.38%

LAB 39.33, 6.34, 2.99

 

CMYK 0 / 11 / 16 / 59

HEX #695D58

RGB 105 93 88

HSL 17.65, 0.09%, 0.38%

LAB 40.47, 3.91, 4.63

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 0 / 2 / 16 / 59

HEX #696758

RGB 105 103 88

HSL 52.94, 0.09%, 0.38%

LAB 43.37, -2.07, 8.75

 

CMYK 2 / 0 / 16 / 59

HEX #676958

RGB 103 105 88

HSL 67.06, 0.09%, 0.38%

LAB 43.79, -4.07, 9.31

 

CMYK 0 / 7 / 17 / 76

HEX #3C3832

RGB 60 56 50

HSL 36, 0.09%, 0.22%

LAB 23.74, 0.49, 4.37

 

CMYK 0 / 7 / 17 / 67

HEX #534D45

RGB 83 77 69

HSL 34.29, 0.09%, 0.3%

LAB 33.08, 0.92, 5.64

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 0 / 7 / 17 / 50

HEX #80776A

RGB 128 119 106

HSL 35.45, 0.09%, 0.46%

LAB 50.48, 1.11, 8.39

 

CMYK 0 / 5 / 14 / 42

HEX #948C7F

RGB 148 140 127

HSL 37.14, 0.09%, 0.54%

LAB 58.59, 0.65, 8

 

CMYK 0 / 7 / 17 / 59

HEX #696257

RGB 105 98 87

HSL 36.67, 0.09%, 0.38%

LAB 41.89, 0.72, 7.26

 

CMYK 13 / 0 / 16 / 59

HEX #5B6958

RGB 91 105 88

HSL 109.41, 0.09%, 0.38%

LAB 42.81, -8.9, 7.8

 

CMYK 13 / 16 / 0 / 59

HEX #5B5869

RGB 91 88 105

HSL 250.59, 0.09%, 0.38%

LAB 38.24, 5, -9.3

 

CMYK 0 / 7 / 17 / 59

HEX #696257

RGB 105 98 87

HSL 36.67, 0.09%, 0.38%

LAB 41.89, 0.72, 7.26

 

CMYK 16 / 0 / 7 / 59

HEX #586962

RGB 88 105 98

HSL 155.29, 0.09%, 0.38%

LAB 42.85, -7.96, 1.79

 

CMYK 7 / 16 / 0 / 59

HEX #625869

RGB 98 88 105

HSL 275.29, 0.09%, 0.38%

LAB 38.89, 7.62, -8.25

 

CMYK 0 / 7 / 17 / 59

HEX #696257

RGB 105 98 87

HSL 36.67, 0.09%, 0.38%

LAB 41.89, 0.72, 7.26

 

CMYK 13 / 0 / 16 / 59

HEX #5B6958

RGB 91 105 88

HSL 109.41, 0.09%, 0.38%

LAB 42.81, -8.9, 7.8

 

CMYK 16 / 10 / 0 / 59

HEX #585F69

RGB 88 95 105

HSL 215.29, 0.09%, 0.38%

LAB 40.05, -0.41, -6.61

 

CMYK 3 / 16 / 0 / 59

HEX #665869

RGB 102 88 105

HSL 289.41, 0.09%, 0.38%

LAB 39.28, 9.15, -7.63

 

CMYK 0 / 7 / 17 / 59

HEX #696257

RGB 105 98 87

HSL 36.67, 0.09%, 0.38%

LAB 41.89, 0.72, 7.26

 

CMYK 16 / 0 / 15 / 59

HEX #586959

RGB 88 105 89

HSL 123.53, 0.09%, 0.38%

LAB 42.61, -9.87, 6.88

 

CMYK 16 / 10 / 0 / 59

HEX #585F69

RGB 88 95 105

HSL 215.29, 0.09%, 0.38%

LAB 40.05, -0.41, -6.61

 

CMYK 0 / 16 / 2 / 59

HEX #695867

RGB 105 88 103

HSL 307.06, 0.09%, 0.38%

LAB 39.52, 9.88, -6.01

 

Description

Color code: HEX #696257 | qconv.com Color code: HEX #696257 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 98 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 98 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 17 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 17% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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