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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #696E17 it is the complementary color #9691E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #696E17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #696E17 shade: #6E6E12, #7F8025, #909238, #A1A44B and #B2B65E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #696E17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #696E17 shade: #696E17, #585C04, #474A00, #363800 and #252600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #696E17 shade: #686D17, #6D5B17, #6D4317, #6D2C17 and #6D1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #696E17 shade: #686D17, #516D17, #396D17, #226D17 and #176D22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #696E17 shade matches the following richer shades: #686D17, #71780C and #7B8201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #696E17 shade: #686D17, #5E6221, #55572C, #4B4D37 and #424242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #696E17 shade: #6D4317, #6D5A17, #696D17, #526D17 and #3B6D17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #696E17 shade: #272908, #474B0F, #686D17, #888F1E and #A9B125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #696E17 shade: #696E17, #176D2C and #4F176D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #696E17 shade: #696E17, #17696D and #6D1769

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #696E17 shade: #696E17, #176D2C, #1B176D and #6D1757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #696E17 shade: #696E17, #176D46, #1B176D and #6D173D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 79 / 57

HEX #696E17

RGB 105 110 23

HSL 63.45, 0.65%, 0.26%

LAB 44.54, -13.26, 44.34

 

Complementary color

CMYK 35 / 38 / 0 / 9

HEX #9691E8

RGB 150 145 232

HSL 243.45, 0.65%, 0.74%

LAB 63.8, 21.98, -43.38

 

CMYK 0 / 0 / 84 / 57

HEX #6E6E12

RGB 110 110 18

HSL 60, 0.72%, 0.25%

LAB 44.96, -11.11, 46.53

 

CMYK 1 / 0 / 71 / 50

HEX #7F8025

RGB 127 128 37

HSL 60.66, 0.55%, 0.32%

LAB 51.93, -12.18, 46.76

 

CMYK 1 / 0 / 62 / 43

HEX #909238

RGB 144 146 56

HSL 61.33, 0.45%, 0.4%

LAB 58.76, -12.98, 46.11

 

CMYK 2 / 0 / 54 / 36

HEX #A1A44B

RGB 161 164 75

HSL 62.02, 0.37%, 0.47%

LAB 65.46, -13.59, 45.1

 

CMYK 2 / 0 / 48 / 29

HEX #B2B65E

RGB 178 182 94

HSL 62.73, 0.38%, 0.54%

LAB 72.05, -14.07, 43.95

 

CMYK 5 / 0 / 79 / 57

HEX #696E17

RGB 105 110 23

HSL 63.45, 0.65%, 0.26%

LAB 44.54, -13.26, 44.34

 

CMYK 4 / 0 / 96 / 64

HEX #585C04

RGB 88 92 4

HSL 62.73, 0.92%, 0.19%

LAB 37.37, -12.07, 43.24

 

CMYK 4 / 0 / 100 / 71

HEX #474A00

RGB 71 74 0

HSL 62.43, 1%, 0.15%

LAB 30, -10.35, 38.31

 

CMYK 4 / 0 / 100 / 78

HEX #363800

RGB 54 56 0

HSL 62.14, 1%, 0.11%

LAB 22.35, -8.42, 30.77

 

CMYK 3 / 0 / 100 / 85

HEX #252600

RGB 37 38 0

HSL 61.58, 1%, 0.07%

LAB 14.28, -6.36, 20.81

 

CMYK 5 / 0 / 79 / 57

HEX #686D17

RGB 104 109 23

HSL 63.49, 0.65%, 0.26%

LAB 44.15, -13.18, 43.95

 

CMYK 0 / 17 / 79 / 57

HEX #6D5B17

RGB 109 91 23

HSL 47.44, 0.65%, 0.26%

LAB 39.23, -0.45, 39.49

 

CMYK 0 / 39 / 79 / 57

HEX #6D4317

RGB 109 67 23

HSL 30.7, 0.65%, 0.26%

LAB 32.54, 14.09, 32.95

 

CMYK 0 / 60 / 79 / 57

HEX #6D2C17

RGB 109 44 23

HSL 14.65, 0.65%, 0.26%

LAB 27.06, 27.54, 27.28

 

CMYK 0 / 79 / 79 / 57

HEX #6D1717

RGB 109 23 23

HSL 0, 0.65%, 0.26%

LAB 23.42, 37.3, 23.32

 

CMYK 5 / 0 / 79 / 57

HEX #686D17

RGB 104 109 23

HSL 63.49, 0.65%, 0.26%

LAB 44.15, -13.18, 43.95

 

CMYK 26 / 0 / 79 / 57

HEX #516D17

RGB 81 109 23

HSL 79.53, 0.65%, 0.26%

LAB 42.38, -23.61, 41.65

 

CMYK 48 / 0 / 79 / 57

HEX #396D17

RGB 57 109 23

HSL 96.28, 0.65%, 0.26%

LAB 41.01, -33.08, 39.85

 

CMYK 69 / 0 / 79 / 57

HEX #226D17

RGB 34 109 23

HSL 112.33, 0.65%, 0.26%

LAB 40.15, -39.84, 38.71

 

CMYK 79 / 0 / 69 / 57

HEX #176D22

RGB 23 109 34

HSL 127.67, 0.65%, 0.26%

LAB 39.97, -40.96, 33.77

 

CMYK 5 / 0 / 79 / 57

HEX #686D17

RGB 104 109 23

HSL 63.49, 0.65%, 0.26%

LAB 44.15, -13.18, 43.95

 

CMYK 6 / 0 / 90 / 53

HEX #71780C

RGB 113 120 12

HSL 63.89, 0.82%, 0.26%

LAB 48.22, -15.35, 50.95

 

CMYK 5 / 0 / 99 / 49

HEX #7B8201

RGB 123 130 1

HSL 63.26, 0.98%, 0.26%

LAB 52.04, -16.29, 56.42

 

CMYK 5 / 0 / 79 / 57

HEX #686D17

RGB 104 109 23

HSL 63.49, 0.65%, 0.26%

LAB 44.15, -13.18, 43.95

 

CMYK 4 / 0 / 66 / 62

HEX #5E6221

RGB 94 98 33

HSL 63.69, 0.5%, 0.26%

LAB 39.96, -11.14, 35.29

 

CMYK 2 / 0 / 49 / 66

HEX #55572C

RGB 85 87 44

HSL 62.79, 0.33%, 0.26%

LAB 35.85, -7.99, 24.58

 

CMYK 3 / 0 / 29 / 70

HEX #4B4D37

RGB 75 77 55

HSL 65.45, 0.17%, 0.26%

LAB 31.99, -5.08, 12.82

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 0 / 39 / 79 / 57

HEX #6D4317

RGB 109 67 23

HSL 30.7, 0.65%, 0.26%

LAB 32.54, 14.09, 32.95

 

CMYK 0 / 17 / 79 / 57

HEX #6D5A17

RGB 109 90 23

HSL 46.74, 0.65%, 0.26%

LAB 38.94, 0.14, 39.22

 

CMYK 4 / 0 / 79 / 57

HEX #696D17

RGB 105 109 23

HSL 62.79, 0.65%, 0.26%

LAB 44.24, -12.71, 44.06

 

CMYK 25 / 0 / 79 / 57

HEX #526D17

RGB 82 109 23

HSL 78.84, 0.65%, 0.26%

LAB 42.45, -23.18, 41.74

 

CMYK 46 / 0 / 79 / 57

HEX #3B6D17

RGB 59 109 23

HSL 94.88, 0.65%, 0.26%

LAB 41.1, -32.37, 39.98

 

CMYK 5 / 0 / 80 / 84

HEX #272908

RGB 39 41 8

HSL 63.64, 0.67%, 0.1%

LAB 15.67, -6.43, 19.37

 

CMYK 5 / 0 / 80 / 71

HEX #474B0F

RGB 71 75 15

HSL 64, 0.67%, 0.18%

LAB 30.42, -10.24, 33.01

 

CMYK 5 / 0 / 79 / 57

HEX #686D17

RGB 104 109 23

HSL 63.49, 0.65%, 0.26%

LAB 44.15, -13.18, 43.95

 

CMYK 5 / 0 / 79 / 44

HEX #888F1E

RGB 136 143 30

HSL 63.72, 0.65%, 0.34%

LAB 57.05, -16.43, 54.41

 

CMYK 5 / 0 / 79 / 31

HEX #A9B125

RGB 169 177 37

HSL 63.43, 0.65%, 0.42%

LAB 69.48, -19.1, 64.44

 

CMYK 5 / 0 / 79 / 57

HEX #696E17

RGB 105 110 23

HSL 63.45, 0.65%, 0.26%

LAB 44.54, -13.26, 44.34

 

CMYK 79 / 0 / 60 / 57

HEX #176D2C

RGB 23 109 44

HSL 134.65, 0.65%, 0.26%

LAB 40.08, -39.64, 28.94

 

CMYK 28 / 79 / 0 / 57

HEX #4F176D

RGB 79 23 109

HSL 279.07, 0.65%, 0.26%

LAB 21.5, 40.61, -38.15

 

CMYK 5 / 0 / 79 / 57

HEX #696E17

RGB 105 110 23

HSL 63.45, 0.65%, 0.26%

LAB 44.54, -13.26, 44.34

 

CMYK 79 / 4 / 0 / 57

HEX #17696D

RGB 23 105 109

HSL 182.79, 0.65%, 0.26%

LAB 40.23, -21.74, -9.11

 

CMYK 0 / 79 / 4 / 57

HEX #6D1769

RGB 109 23 105

HSL 302.79, 0.65%, 0.26%

LAB 26.4, 46.5, -27.42

 

CMYK 5 / 0 / 79 / 57

HEX #696E17

RGB 105 110 23

HSL 63.45, 0.65%, 0.26%

LAB 44.54, -13.26, 44.34

 

CMYK 79 / 0 / 60 / 57

HEX #176D2C

RGB 23 109 44

HSL 134.65, 0.65%, 0.26%

LAB 40.08, -39.64, 28.94

 

CMYK 75 / 79 / 0 / 57

HEX #1B176D

RGB 27 23 109

HSL 242.79, 0.65%, 0.26%

LAB 15.22, 32.06, -48.67

 

CMYK 0 / 79 / 20 / 57

HEX #6D1757

RGB 109 23 87

HSL 315.35, 0.65%, 0.26%

LAB 25.42, 43.6, -17.16

 

CMYK 5 / 0 / 79 / 57

HEX #696E17

RGB 105 110 23

HSL 63.45, 0.65%, 0.26%

LAB 44.54, -13.26, 44.34

 

CMYK 79 / 0 / 36 / 57

HEX #176D46

RGB 23 109 70

HSL 152.79, 0.65%, 0.26%

LAB 40.51, -34.72, 14.87

 

CMYK 75 / 79 / 0 / 57

HEX #1B176D

RGB 27 23 109

HSL 242.79, 0.65%, 0.26%

LAB 15.22, 32.06, -48.67

 

CMYK 0 / 79 / 44 / 57

HEX #6D173D

RGB 109 23 61

HSL 333.49, 0.65%, 0.26%

LAB 24.32, 40.22, -1.29

 

Description

Color code: HEX #696E17 | qconv.com Color code: HEX #696E17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 110 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 110 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 79 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 79% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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