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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697518 it is the complementary color #968AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697518 shade: #6E7513, #7F8726, #909939, #A1AB4C and #B2BD5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697518 shade: #697518, #586305, #475100, #363F00 and #252D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697518 shade: #6A7618, #766918, #764F18, #763618 and #761D18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697518 shade: #6A7618, #507618, #377618, #1E7618 and #18762B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697518 shade matches the following richer shades: #6A7618, #72820C and #7B8D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697518 shade: #6A7618, #616A23, #595F2F, #50533A and #484846

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697518 shade: #764F18, #766818, #6B7618, #527618 and #397618

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697518 shade: #2C320A, #4B5411, #6A7618, #89981F and #A7BB26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697518 shade: #697518, #187636 and #5B1876

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697518 shade: #697518, #186B76 and #76186B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697518 shade: #697518, #187636, #231876 and #761858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697518 shade: #697518, #187652, #231876 and #76183C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

Complementary color

CMYK 35 / 40 / 0 / 9

HEX #968AE7

RGB 150 138 231

HSL 247.74, 0.66%, 0.72%

LAB 62.02, 25.75, -45.62

 

CMYK 6 / 0 / 84 / 54

HEX #6E7513

RGB 110 117 19

HSL 64.29, 0.72%, 0.27%

LAB 47.09, -14.9, 48.09

 

CMYK 6 / 0 / 72 / 47

HEX #7F8726

RGB 127 135 38

HSL 64.95, 0.56%, 0.34%

LAB 54.01, -15.87, 48.42

 

CMYK 6 / 0 / 63 / 40

HEX #909939

RGB 144 153 57

HSL 65.63, 0.46%, 0.41%

LAB 60.79, -16.58, 47.85

 

CMYK 6 / 0 / 56 / 33

HEX #A1AB4C

RGB 161 171 76

HSL 66.32, 0.38%, 0.48%

LAB 67.45, -17.12, 46.9

 

CMYK 6 / 0 / 50 / 26

HEX #B2BD5F

RGB 178 189 95

HSL 67.02, 0.42%, 0.56%

LAB 73.99, -17.54, 45.79

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 11 / 0 / 95 / 61

HEX #586305

RGB 88 99 5

HSL 67.02, 0.9%, 0.2%

LAB 39.6, -15.92, 44.72

 

CMYK 12 / 0 / 100 / 68

HEX #475100

RGB 71 81 0

HSL 67.41, 1%, 0.16%

LAB 32.31, -14.37, 40.03

 

CMYK 14 / 0 / 100 / 75

HEX #363F00

RGB 54 63 0

HSL 68.57, 1%, 0.12%

LAB 24.76, -12.61, 33.2

 

CMYK 18 / 0 / 100 / 82

HEX #252D00

RGB 37 45 0

HSL 70.67, 1%, 0.09%

LAB 16.85, -10.78, 24.06

 

CMYK 10 / 0 / 80 / 54

HEX #6A7618

RGB 106 118 24

HSL 67.66, 0.66%, 0.28%

LAB 47.09, -17.07, 46.38

 

CMYK 0 / 11 / 80 / 54

HEX #766918

RGB 118 105 24

HSL 51.7, 0.66%, 0.28%

LAB 44.26, -4.22, 44.16

 

CMYK 0 / 33 / 80 / 54

HEX #764F18

RGB 118 79 24

HSL 35.11, 0.66%, 0.28%

LAB 36.95, 11.17, 37.23

 

CMYK 0 / 54 / 80 / 54

HEX #763618

RGB 118 54 24

HSL 19.15, 0.66%, 0.28%

LAB 30.77, 25.91, 31.08

 

CMYK 0 / 75 / 80 / 54

HEX #761D18

RGB 118 29 24

HSL 3.19, 0.66%, 0.28%

LAB 26.15, 38.14, 26.21

 

CMYK 10 / 0 / 80 / 54

HEX #6A7618

RGB 106 118 24

HSL 67.66, 0.66%, 0.28%

LAB 47.09, -17.07, 46.38

 

CMYK 32 / 0 / 80 / 54

HEX #507618

RGB 80 118 24

HSL 84.26, 0.66%, 0.28%

LAB 45.26, -28.39, 44.01

 

CMYK 53 / 0 / 80 / 54

HEX #377618

RGB 55 118 24

HSL 100.21, 0.66%, 0.28%

LAB 44, -37.5, 42.36

 

CMYK 75 / 0 / 80 / 54

HEX #1E7618

RGB 30 118 24

HSL 116.17, 0.66%, 0.28%

LAB 43.21, -43.86, 41.33

 

CMYK 80 / 0 / 64 / 54

HEX #18762B

RGB 24 118 43

HSL 132.13, 0.66%, 0.28%

LAB 43.25, -42.94, 33.14

 

CMYK 10 / 0 / 80 / 54

HEX #6A7618

RGB 106 118 24

HSL 67.66, 0.66%, 0.28%

LAB 47.09, -17.07, 46.38

 

CMYK 12 / 0 / 91 / 49

HEX #72820C

RGB 114 130 12

HSL 68.14, 0.83%, 0.28%

LAB 51.35, -20.16, 53.54

 

CMYK 13 / 0 / 99 / 45

HEX #7B8D01

RGB 123 141 1

HSL 67.71, 0.99%, 0.28%

LAB 55.34, -21.99, 58.89

 

CMYK 10 / 0 / 80 / 54

HEX #6A7618

RGB 106 118 24

HSL 67.66, 0.66%, 0.28%

LAB 47.09, -17.07, 46.38

 

CMYK 8 / 0 / 67 / 58

HEX #616A23

RGB 97 106 35

HSL 67.61, 0.5%, 0.28%

LAB 42.72, -14.05, 37.37

 

CMYK 6 / 0 / 51 / 63

HEX #595F2F

RGB 89 95 47

HSL 67.5, 0.34%, 0.28%

LAB 38.75, -10.43, 26.5

 

CMYK 4 / 0 / 30 / 67

HEX #50533A

RGB 80 83 58

HSL 67.2, 0.18%, 0.28%

LAB 34.39, -5.98, 14.28

 

CMYK 0 / 0 / 3 / 72

HEX #484846

RGB 72 72 70

HSL 60, 0.01%, 0.28%

LAB 30.53, -0.43, 1.19

 

CMYK 0 / 33 / 80 / 54

HEX #764F18

RGB 118 79 24

HSL 35.11, 0.66%, 0.28%

LAB 36.95, 11.17, 37.23

 

CMYK 0 / 12 / 80 / 54

HEX #766818

RGB 118 104 24

HSL 51.06, 0.66%, 0.28%

LAB 43.97, -3.64, 43.89

 

CMYK 9 / 0 / 80 / 54

HEX #6B7618

RGB 107 118 24

HSL 67.02, 0.66%, 0.28%

LAB 47.17, -16.62, 46.48

 

CMYK 31 / 0 / 80 / 54

HEX #527618

RGB 82 118 24

HSL 82.98, 0.66%, 0.28%

LAB 45.38, -27.57, 44.17

 

CMYK 52 / 0 / 80 / 54

HEX #397618

RGB 57 118 24

HSL 98.94, 0.66%, 0.28%

LAB 44.08, -36.86, 42.47

 

CMYK 12 / 0 / 80 / 80

HEX #2C320A

RGB 44 50 10

HSL 69, 0.67%, 0.12%

LAB 19.39, -9.3, 23.16

 

CMYK 11 / 0 / 80 / 67

HEX #4B5411

RGB 75 84 17

HSL 68.06, 0.66%, 0.2%

LAB 33.73, -13.35, 35.5

 

CMYK 10 / 0 / 80 / 54

HEX #6A7618

RGB 106 118 24

HSL 67.66, 0.66%, 0.28%

LAB 47.09, -17.07, 46.38

 

CMYK 10 / 0 / 80 / 40

HEX #89981F

RGB 137 152 31

HSL 67.44, 0.66%, 0.36%

LAB 59.77, -20.59, 56.59

 

CMYK 11 / 0 / 80 / 27

HEX #A7BB26

RGB 167 187 38

HSL 68.05, 0.66%, 0.44%

LAB 72.16, -24.86, 66.48

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 80 / 0 / 54 / 54

HEX #187636

RGB 24 118 54

HSL 139.15, 0.66%, 0.28%

LAB 43.39, -41.31, 27.64

 

CMYK 23 / 80 / 0 / 54

HEX #5B1876

RGB 91 24 118

HSL 282.77, 0.66%, 0.28%

LAB 24.28, 44.71, -39.36

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 80 / 9 / 0 / 54

HEX #186B76

RGB 24 107 118

HSL 187.02, 0.66%, 0.28%

LAB 41.24, -19.65, -13.05

 

CMYK 0 / 80 / 9 / 54

HEX #76186B

RGB 118 24 107

HSL 307.02, 0.66%, 0.28%

LAB 28.29, 48.64, -25.61

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 80 / 0 / 54 / 54

HEX #187636

RGB 24 118 54

HSL 139.15, 0.66%, 0.28%

LAB 43.39, -41.31, 27.64

 

CMYK 70 / 80 / 0 / 54

HEX #231876

RGB 35 24 118

HSL 247.02, 0.66%, 0.28%

LAB 17.08, 35.44, -51.42

 

CMYK 0 / 80 / 25 / 54

HEX #761858

RGB 118 24 88

HSL 319.15, 0.66%, 0.28%

LAB 27.32, 45.79, -14.73

 

CMYK 10 / 0 / 79 / 54

HEX #697518

RGB 105 117 24

HSL 67.74, 0.66%, 0.28%

LAB 46.7, -17, 45.99

 

CMYK 80 / 0 / 31 / 54

HEX #187652

RGB 24 118 82

HSL 157.02, 0.66%, 0.28%

LAB 43.89, -35.61, 12.43

 

CMYK 70 / 80 / 0 / 54

HEX #231876

RGB 35 24 118

HSL 247.02, 0.66%, 0.28%

LAB 17.08, 35.44, -51.42

 

CMYK 0 / 80 / 49 / 54

HEX #76183C

RGB 118 24 60

HSL 337.02, 0.66%, 0.28%

LAB 26.25, 42.48, 2.42

 

Description

Color code: HEX #697518 | qconv.com Color code: HEX #697518 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 117 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 117 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 79 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 79% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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