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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6977E6 it is the complementary color #968819. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6977E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6977E6 shade: #6E77E1, #7F89F4, #909BFF, #A1ADFF and #B2BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6977E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6977E6 shade: #6977E6, #5865D3, #4753C0, #3641AD and #252F9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6977E6 shade: #6A78E5, #7E6AE5, #9F6AE5, #C06AE5 and #E16AE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6977E6 shade: #6A78E5 and #6A6AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6977E6 shade matches the following richer shades: #6A78E5 and #5C6DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6977E6 shade: #6A78E5, #7883D7, #868EC9, #9499BB and #A2A4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6977E6 shade: #6ABAE5, #6A99E5, #6A79E5, #7D6AE5 and #9E6AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6977E6 shade: #2439D9, #4758DF, #6A78E5, #8E98EB and #B1B8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6977E6 shade: #6977E6, #E56ADB and #AAE56A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6977E6 shade: #6977E6, #E56A79 and #79E56A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6977E6 shade: #6977E6, #E56ADB, #E5D76A and #6AE575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6977E6 shade: #6977E6, #E56AB6, #E5D76A and #6AE599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 48 / 0 / 10

HEX #6977E6

RGB 105 119 230

HSL 233.28, 0.71%, 0.66%

LAB 53.93, 26.06, -58.14

 

Complementary color

CMYK 0 / 9 / 83 / 41

HEX #968819

RGB 150 136 25

HSL 53.28, 0.71%, 0.34%

LAB 56.25, -6.5, 55.69

 

CMYK 51 / 47 / 0 / 12

HEX #6E77E1

RGB 110 119 225

HSL 235.3, 0.66%, 0.66%

LAB 53.97, 25.54, -55.26

 

CMYK 48 / 44 / 0 / 4

HEX #7F89F4

RGB 127 137 244

HSL 234.87, 0.84%, 0.73%

LAB 60.72, 24.32, -54.98

 

CMYK 44 / 39 / 0 / 0

HEX #909BFF

RGB 144 155 255

HSL 234.05, 1%, 0.78%

LAB 66.97, 21, -51.03

 

CMYK 37 / 32 / 0 / 0

HEX #A1ADFF

RGB 161 173 255

HSL 232.34, 1%, 0.82%

LAB 72.68, 15.06, -41.97

 

CMYK 30 / 25 / 0 / 0

HEX #B2BFFF

RGB 178 191 255

HSL 229.87, 1%, 0.85%

LAB 78.43, 9.73, -32.96

 

CMYK 54 / 48 / 0 / 10

HEX #6977E6

RGB 105 119 230

HSL 233.28, 0.71%, 0.66%

LAB 53.93, 26.06, -58.14

 

CMYK 58 / 52 / 0 / 17

HEX #5865D3

RGB 88 101 211

HSL 233.66, 0.58%, 0.59%

LAB 47.09, 27.62, -58.46

 

CMYK 63 / 57 / 0 / 25

HEX #4753C0

RGB 71 83 192

HSL 234.05, 0.49%, 0.52%

LAB 40.13, 29.48, -58.8

 

CMYK 69 / 62 / 0 / 32

HEX #3641AD

RGB 54 65 173

HSL 234.45, 0.52%, 0.45%

LAB 33.1, 31.7, -59.09

 

CMYK 76 / 69 / 0 / 40

HEX #252F9A

RGB 37 47 154

HSL 234.87, 0.61%, 0.37%

LAB 26.04, 34.32, -59.22

 

CMYK 54 / 48 / 0 / 10

HEX #6A78E5

RGB 106 120 229

HSL 233.17, 0.7%, 0.66%

LAB 54.19, 25.34, -57.16

 

CMYK 45 / 54 / 0 / 10

HEX #7E6AE5

RGB 126 106 229

HSL 249.76, 0.7%, 0.66%

LAB 52.29, 37.96, -60.14

 

CMYK 31 / 54 / 0 / 10

HEX #9F6AE5

RGB 159 106 229

HSL 265.85, 0.7%, 0.66%

LAB 55.42, 45.69, -54.95

 

CMYK 16 / 54 / 0 / 10

HEX #C06AE5

RGB 192 106 229

HSL 281.95, 0.7%, 0.66%

LAB 59.13, 54.05, -48.81

 

CMYK 2 / 54 / 0 / 10

HEX #E16AE5

RGB 225 106 229

HSL 298.05, 0.7%, 0.66%

LAB 63.32, 62.66, -41.92

 

CMYK 54 / 48 / 0 / 10

HEX #6A78E5

RGB 106 120 229

HSL 233.17, 0.7%, 0.66%

LAB 54.19, 25.34, -57.16

 

CMYK 54 / 54 / 0 / 10

HEX #6A6AE5

RGB 106 106 229

HSL 240, 0.7%, 0.66%

LAB 50.72, 33.79, -62.74

 

CMYK 54 / 48 / 0 / 10

HEX #6A78E5

RGB 106 120 229

HSL 233.17, 0.7%, 0.66%

LAB 54.19, 25.34, -57.16

 

CMYK 62 / 55 / 0 / 5

HEX #5C6DF3

RGB 92 109 243

HSL 233.25, 0.86%, 0.66%

LAB 51.48, 33.97, -69.4

 

CMYK 54 / 48 / 0 / 10

HEX #6A78E5

RGB 106 120 229

HSL 233.17, 0.7%, 0.66%

LAB 54.19, 25.34, -57.16

 

CMYK 44 / 39 / 0 / 16

HEX #7883D7

RGB 120 131 215

HSL 233.05, 0.54%, 0.66%

LAB 57.2, 17.66, -44.45

 

CMYK 33 / 29 / 0 / 21

HEX #868EC9

RGB 134 142 201

HSL 232.84, 0.38%, 0.66%

LAB 60.45, 11.06, -31.42

 

CMYK 21 / 18 / 0 / 27

HEX #9499BB

RGB 148 153 187

HSL 232.31, 0.22%, 0.66%

LAB 63.89, 5.55, -18.19

 

CMYK 6 / 5 / 0 / 32

HEX #A2A4AD

RGB 162 164 173

HSL 229.09, 0.06%, 0.66%

LAB 67.46, 1.06, -4.9

 

CMYK 54 / 19 / 0 / 10

HEX #6ABAE5

RGB 106 186 229

HSL 200.98, 0.7%, 0.66%

LAB 72.12, -12.64, -28.99

 

CMYK 54 / 33 / 0 / 10

HEX #6A99E5

RGB 106 153 229

HSL 217.07, 0.7%, 0.66%

LAB 62.93, 5.72, -43.29

 

CMYK 54 / 47 / 0 / 10

HEX #6A79E5

RGB 106 121 229

HSL 232.68, 0.7%, 0.66%

LAB 54.44, 24.73, -56.75

 

CMYK 45 / 54 / 0 / 10

HEX #7D6AE5

RGB 125 106 229

HSL 249.27, 0.7%, 0.66%

LAB 52.2, 37.74, -60.28

 

CMYK 31 / 54 / 0 / 10

HEX #9E6AE5

RGB 158 106 229

HSL 265.37, 0.7%, 0.66%

LAB 55.31, 45.44, -55.12

 

CMYK 83 / 74 / 0 / 15

HEX #2439D9

RGB 36 57 217

HSL 233.04, 0.72%, 0.5%

LAB 34.62, 50.28, -82.39

 

CMYK 68 / 61 / 0 / 13

HEX #4758DF

RGB 71 88 223

HSL 233.29, 0.7%, 0.58%

LAB 43.72, 37.01, -70.81

 

CMYK 54 / 48 / 0 / 10

HEX #6A78E5

RGB 106 120 229

HSL 233.17, 0.7%, 0.66%

LAB 54.19, 25.34, -57.16

 

CMYK 40 / 35 / 0 / 8

HEX #8E98EB

RGB 142 152 235

HSL 233.55, 0.7%, 0.74%

LAB 65.13, 16.65, -43

 

CMYK 27 / 24 / 0 / 5

HEX #B1B8F1

RGB 177 184 241

HSL 233.44, 0.7%, 0.82%

LAB 76.06, 9.9, -29.1

 

CMYK 54 / 48 / 0 / 10

HEX #6977E6

RGB 105 119 230

HSL 233.28, 0.71%, 0.66%

LAB 53.93, 26.06, -58.14

 

CMYK 0 / 54 / 4 / 10

HEX #E56ADB

RGB 229 106 219

HSL 304.88, 0.7%, 0.66%

LAB 63.41, 62.03, -36.16

 

CMYK 26 / 0 / 54 / 10

HEX #AAE56A

RGB 170 229 106

HSL 88.78, 0.7%, 0.66%

LAB 84.8, -38.56, 53.3

 

CMYK 54 / 48 / 0 / 10

HEX #6977E6

RGB 105 119 230

HSL 233.28, 0.71%, 0.66%

LAB 53.93, 26.06, -58.14

 

CMYK 0 / 54 / 47 / 10

HEX #E56A79

RGB 229 106 121

HSL 352.68, 0.7%, 0.66%

LAB 60.2, 49.09, 15.09

 

CMYK 47 / 0 / 54 / 10

HEX #79E56A

RGB 121 229 106

HSL 112.68, 0.7%, 0.66%

LAB 82.46, -54.41, 49.94

 

CMYK 54 / 48 / 0 / 10

HEX #6977E6

RGB 105 119 230

HSL 233.28, 0.71%, 0.66%

LAB 53.93, 26.06, -58.14

 

CMYK 0 / 54 / 4 / 10

HEX #E56ADB

RGB 229 106 219

HSL 304.88, 0.7%, 0.66%

LAB 63.41, 62.03, -36.16

 

CMYK 0 / 6 / 54 / 10

HEX #E5D76A

RGB 229 215 106

HSL 53.17, 0.7%, 0.66%

LAB 85.15, -8.95, 54.75

 

CMYK 54 / 0 / 49 / 10

HEX #6AE575

RGB 106 229 117

HSL 125.37, 0.7%, 0.66%

LAB 82.05, -56.97, 44.14

 

CMYK 54 / 48 / 0 / 10

HEX #6977E6

RGB 105 119 230

HSL 233.28, 0.71%, 0.66%

LAB 53.93, 26.06, -58.14

 

CMYK 0 / 54 / 21 / 10

HEX #E56AB6

RGB 229 106 182

HSL 322.93, 0.7%, 0.66%

LAB 61.95, 56.32, -17.49

 

CMYK 0 / 6 / 54 / 10

HEX #E5D76A

RGB 229 215 106

HSL 53.17, 0.7%, 0.66%

LAB 85.15, -8.95, 54.75

 

CMYK 54 / 0 / 33 / 10

HEX #6AE599

RGB 106 229 153

HSL 142.93, 0.7%, 0.66%

LAB 82.59, -51.18, 26.88

 

Description

Color code: HEX #6977E6 | qconv.com Color code: HEX #6977E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 119 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 119 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 48 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 48% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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