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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6979E2 it is the complementary color #96861D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6979E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6979E2 shade: #6E79DD, #7F8BF0, #909DFF, #A1AFFF and #B2C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6979E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6979E2 shade: #6979E2, #5867CF, #4755BC, #3643A9 and #253196

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6979E2 shade: #6979E2, #7969E2, #9A69E2, #BB69E2 and #DB69E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6979E2 shade: #6979E2 and #6969E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6979E2 shade matches the following richer shades: #6979E2 and #5A6EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6979E2 shade: #6979E2, #7783D3, #858EC5, #9498B7 and #A2A3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6979E2 shade: #69B9E2, #6999E2, #6979E2, #7969E2 and #9969E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6979E2 shade: #273ED1, #465ADB, #6979E2, #8B98E9 and #AEB7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6979E2 shade: #6979E2, #E269DA and #A9E269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6979E2 shade: #6979E2, #E26979 and #79E269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6979E2 shade: #6979E2, #E269DA, #E2D269 and #69E271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6979E2 shade: #6979E2, #E269B5, #E2D269 and #69E295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

Complementary color

CMYK 0 / 11 / 81 / 41

HEX #96861D

RGB 150 134 29

HSL 52.07, 0.68%, 0.35%

LAB 55.71, -5.27, 53.99

 

CMYK 50 / 45 / 0 / 13

HEX #6E79DD

RGB 110 121 221

HSL 234.05, 0.62%, 0.65%

LAB 54.25, 23.1, -52.56

 

CMYK 47 / 42 / 0 / 6

HEX #7F8BF0

RGB 127 139 240

HSL 233.63, 0.79%, 0.72%

LAB 61.02, 21.96, -52.31

 

CMYK 44 / 38 / 0 / 0

HEX #909DFF

RGB 144 157 255

HSL 232.97, 1%, 0.78%

LAB 67.47, 19.85, -50.23

 

CMYK 37 / 31 / 0 / 0

HEX #A1AFFF

RGB 161 175 255

HSL 231.06, 1%, 0.82%

LAB 73.19, 13.94, -41.18

 

CMYK 30 / 24 / 0 / 0

HEX #B2C1FF

RGB 178 193 255

HSL 228.31, 1%, 0.85%

LAB 78.94, 8.64, -32.17

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 57 / 50 / 0 / 19

HEX #5867CF

RGB 88 103 207

HSL 232.44, 0.55%, 0.58%

LAB 47.34, 25.06, -55.77

 

CMYK 62 / 55 / 0 / 26

HEX #4755BC

RGB 71 85 188

HSL 232.82, 0.47%, 0.51%

LAB 40.36, 26.83, -56.1

 

CMYK 68 / 60 / 0 / 34

HEX #3643A9

RGB 54 67 169

HSL 233.22, 0.52%, 0.44%

LAB 33.27, 28.97, -56.42

 

CMYK 75 / 67 / 0 / 41

HEX #253196

RGB 37 49 150

HSL 233.63, 0.6%, 0.37%

LAB 26.13, 31.57, -56.61

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 46 / 54 / 0 / 11

HEX #7969E2

RGB 121 105 226

HSL 247.93, 0.68%, 0.65%

LAB 51.45, 36.58, -59.82

 

CMYK 32 / 54 / 0 / 11

HEX #9A69E2

RGB 154 105 226

HSL 264.3, 0.68%, 0.65%

LAB 54.52, 44.27, -54.73

 

CMYK 17 / 54 / 0 / 11

HEX #BB69E2

RGB 187 105 226

HSL 280.66, 0.68%, 0.65%

LAB 58.19, 52.63, -48.67

 

CMYK 3 / 54 / 0 / 11

HEX #DB69E2

RGB 219 105 226

HSL 296.53, 0.68%, 0.65%

LAB 62.21, 61.02, -42.04

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 54 / 54 / 0 / 11

HEX #6969E2

RGB 105 105 226

HSL 240, 0.68%, 0.65%

LAB 50.21, 33.26, -61.87

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 63 / 54 / 0 / 6

HEX #5A6EF0

RGB 90 110 240

HSL 232, 0.83%, 0.65%

LAB 51.4, 32.05, -67.86

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 44 / 38 / 0 / 17

HEX #7783D3

RGB 119 131 211

HSL 232.17, 0.51%, 0.65%

LAB 56.94, 16.25, -42.63

 

CMYK 32 / 28 / 0 / 23

HEX #858EC5

RGB 133 142 197

HSL 231.56, 0.36%, 0.65%

LAB 60.22, 9.72, -29.54

 

CMYK 19 / 17 / 0 / 28

HEX #9498B7

RGB 148 152 183

HSL 233.14, 0.2%, 0.65%

LAB 63.48, 5.19, -16.56

 

CMYK 4 / 3 / 0 / 34

HEX #A2A3A8

RGB 162 163 168

HSL 230, 0.03%, 0.65%

LAB 67.05, 0.62, -2.72

 

CMYK 54 / 18 / 0 / 11

HEX #69B9E2

RGB 105 185 226

HSL 200.33, 0.68%, 0.65%

LAB 71.69, -13.19, -28.03

 

CMYK 54 / 32 / 0 / 11

HEX #6999E2

RGB 105 153 226

HSL 216.2, 0.68%, 0.65%

LAB 62.74, 4.57, -41.93

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 46 / 54 / 0 / 11

HEX #7969E2

RGB 121 105 226

HSL 247.93, 0.68%, 0.65%

LAB 51.45, 36.58, -59.82

 

CMYK 32 / 54 / 0 / 11

HEX #9969E2

RGB 153 105 226

HSL 263.8, 0.68%, 0.65%

LAB 54.41, 44.02, -54.9

 

CMYK 81 / 70 / 0 / 18

HEX #273ED1

RGB 39 62 209

HSL 231.88, 0.69%, 0.49%

LAB 34.96, 44.82, -77.2

 

CMYK 68 / 59 / 0 / 14

HEX #465ADB

RGB 70 90 219

HSL 231.95, 0.67%, 0.57%

LAB 43.84, 34.25, -68.34

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 40 / 35 / 0 / 9

HEX #8B98E9

RGB 139 152 233

HSL 231.7, 0.68%, 0.73%

LAB 64.83, 15.32, -42.38

 

CMYK 27 / 23 / 0 / 6

HEX #AEB7EF

RGB 174 183 239

HSL 231.69, 0.67%, 0.81%

LAB 75.51, 9.1, -28.87

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 0 / 54 / 4 / 11

HEX #E269DA

RGB 226 105 218

HSL 303.97, 0.68%, 0.65%

LAB 62.79, 61.51, -36.6

 

CMYK 25 / 0 / 54 / 11

HEX #A9E269

RGB 169 226 105

HSL 88.26, 0.68%, 0.65%

LAB 83.89, -37.67, 52.66

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 0 / 54 / 46 / 11

HEX #E26979

RGB 226 105 121

HSL 352.07, 0.68%, 0.65%

LAB 59.57, 48.53, 14.15

 

CMYK 46 / 0 / 54 / 11

HEX #79E269

RGB 121 226 105

HSL 112.07, 0.68%, 0.65%

LAB 81.55, -53.34, 49.32

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 0 / 54 / 4 / 11

HEX #E269DA

RGB 226 105 218

HSL 303.97, 0.68%, 0.65%

LAB 62.79, 61.51, -36.6

 

CMYK 0 / 7 / 54 / 11

HEX #E2D269

RGB 226 210 105

HSL 52.07, 0.68%, 0.65%

LAB 83.59, -7.72, 53.33

 

CMYK 54 / 0 / 50 / 11

HEX #69E271

RGB 105 226 113

HSL 123.97, 0.68%, 0.65%

LAB 81.06, -56.61, 44.83

 

CMYK 54 / 46 / 0 / 11

HEX #6979E2

RGB 105 121 226

HSL 232.07, 0.68%, 0.65%

LAB 54.21, 23.58, -55.46

 

CMYK 0 / 54 / 20 / 11

HEX #E269B5

RGB 226 105 181

HSL 322.31, 0.68%, 0.65%

LAB 61.31, 55.74, -17.93

 

CMYK 0 / 7 / 54 / 11

HEX #E2D269

RGB 226 210 105

HSL 52.07, 0.68%, 0.65%

LAB 83.59, -7.72, 53.33

 

CMYK 54 / 0 / 34 / 11

HEX #69E295

RGB 105 226 149

HSL 141.82, 0.68%, 0.65%

LAB 81.6, -50.92, 27.59

 

Description

Color code: HEX #6979E2 | qconv.com Color code: HEX #6979E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 121 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 121 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 46 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 46% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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