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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69701E it is the complementary color #968FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69701E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69701E shade: #6E7019, #7F822C, #90943F, #A1A652 and #B2B865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69701E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69701E shade: #69701E, #585E0B, #474C00, #363A00 and #252800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69701E shade: #69701D, #70611D, #704B1D, #70341D and #701E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69701E shade: #69701D, #53701D, #3D701D, #26701D and #1D702B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69701E shade matches the following richer shades: #69701D, #737C12 and #7C8706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69701E shade: #69701D, #606529, #565935, #4D4E40 and #43424C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69701E shade: #704B1D, #70611D, #69701D, #53701D and #3D701D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69701E shade: #2C2F0C, #4B5015, #69701D, #889126 and #A6B22F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69701E shade: #69701E, #1D7035 and #561D70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69701E shade: #69701E, #1D6970 and #701D69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69701E shade: #69701E, #1D7035, #241D70 and #701D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69701E shade: #69701E, #1D704E, #241D70 and #701D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

Complementary color

CMYK 33 / 36 / 0 / 12

HEX #968FE1

RGB 150 143 225

HSL 245.12, 0.58%, 0.72%

LAB 62.98, 21.29, -40.79

 

CMYK 2 / 0 / 78 / 56

HEX #6E7019

RGB 110 112 25

HSL 61.38, 0.64%, 0.27%

LAB 45.6, -11.92, 44.77

 

CMYK 2 / 0 / 66 / 49

HEX #7F822C

RGB 127 130 44

HSL 62.09, 0.49%, 0.34%

LAB 52.57, -12.82, 44.46

 

CMYK 3 / 0 / 57 / 42

HEX #90943F

RGB 144 148 63

HSL 62.82, 0.4%, 0.41%

LAB 59.41, -13.49, 43.56

 

CMYK 3 / 0 / 51 / 35

HEX #A1A652

RGB 161 166 82

HSL 63.57, 0.34%, 0.49%

LAB 66.1, -14.01, 42.44

 

CMYK 3 / 0 / 45 / 28

HEX #B2B865

RGB 178 184 101

HSL 64.34, 0.37%, 0.56%

LAB 72.68, -14.4, 41.26

 

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

CMYK 6 / 0 / 88 / 63

HEX #585E0B

RGB 88 94 11

HSL 64.34, 0.79%, 0.21%

LAB 38.03, -12.96, 41.82

 

CMYK 7 / 0 / 100 / 70

HEX #474C00

RGB 71 76 0

HSL 63.95, 1%, 0.15%

LAB 30.66, -11.52, 38.8

 

CMYK 7 / 0 / 100 / 77

HEX #363A00

RGB 54 58 0

HSL 64.14, 1%, 0.11%

LAB 23.03, -9.64, 31.48

 

CMYK 7 / 0 / 100 / 84

HEX #252800

RGB 37 40 0

HSL 64.5, 1%, 0.08%

LAB 15.01, -7.66, 21.76

 

CMYK 6 / 0 / 74 / 56

HEX #69701D

RGB 105 112 29

HSL 65.06, 0.59%, 0.28%

LAB 45.19, -14.04, 42.7

 

CMYK 0 / 13 / 74 / 56

HEX #70611D

RGB 112 97 29

HSL 49.16, 0.59%, 0.28%

LAB 41.35, -2.21, 39.11

 

CMYK 0 / 33 / 74 / 56

HEX #704B1D

RGB 112 75 29

HSL 33.25, 0.59%, 0.28%

LAB 35.13, 10.98, 32.72

 

CMYK 0 / 54 / 74 / 56

HEX #70341D

RGB 112 52 29

HSL 16.63, 0.59%, 0.28%

LAB 29.39, 24.69, 26.47

 

CMYK 0 / 73 / 74 / 56

HEX #701E1D

RGB 112 30 29

HSL 0.72, 0.59%, 0.28%

LAB 25.14, 35.85, 21.59

 

CMYK 6 / 0 / 74 / 56

HEX #69701D

RGB 105 112 29

HSL 65.06, 0.59%, 0.28%

LAB 45.19, -14.04, 42.7

 

CMYK 26 / 0 / 74 / 56

HEX #53701D

RGB 83 112 29

HSL 80.96, 0.59%, 0.28%

LAB 43.53, -23.88, 40.5

 

CMYK 46 / 0 / 74 / 56

HEX #3D701D

RGB 61 112 29

HSL 96.87, 0.59%, 0.28%

LAB 42.26, -32.55, 38.8

 

CMYK 66 / 0 / 74 / 56

HEX #26701D

RGB 38 112 29

HSL 113.49, 0.59%, 0.28%

LAB 41.36, -39.51, 37.58

 

CMYK 74 / 0 / 62 / 56

HEX #1D702B

RGB 29 112 43

HSL 130.12, 0.59%, 0.28%

LAB 41.25, -39.86, 30.86

 

CMYK 6 / 0 / 74 / 56

HEX #69701D

RGB 105 112 29

HSL 65.06, 0.59%, 0.28%

LAB 45.19, -14.04, 42.7

 

CMYK 7 / 0 / 85 / 51

HEX #737C12

RGB 115 124 18

HSL 65.09, 0.75%, 0.28%

LAB 49.62, -16.38, 50.73

 

CMYK 8 / 0 / 96 / 47

HEX #7C8706

RGB 124 135 6

HSL 65.12, 0.91%, 0.28%

LAB 53.63, -18.36, 56.76

 

CMYK 6 / 0 / 74 / 56

HEX #69701D

RGB 105 112 29

HSL 65.06, 0.59%, 0.28%

LAB 45.19, -14.04, 42.7

 

CMYK 5 / 0 / 59 / 60

HEX #606529

RGB 96 101 41

HSL 65, 0.42%, 0.28%

LAB 41.14, -11.23, 32.68

 

CMYK 3 / 0 / 40 / 65

HEX #565935

RGB 86 89 53

HSL 65, 0.25%, 0.28%

LAB 36.71, -7.58, 20.45

 

CMYK 1 / 0 / 18 / 69

HEX #4D4E40

RGB 77 78 64

HSL 64.29, 0.1%, 0.28%

LAB 32.69, -3.23, 8.17

 

CMYK 12 / 13 / 0 / 70

HEX #43424C

RGB 67 66 76

HSL 246, 0.07%, 0.28%

LAB 28.41, 2.76, -5.88

 

CMYK 0 / 33 / 74 / 56

HEX #704B1D

RGB 112 75 29

HSL 33.25, 0.59%, 0.28%

LAB 35.13, 10.98, 32.72

 

CMYK 0 / 13 / 74 / 56

HEX #70611D

RGB 112 97 29

HSL 49.16, 0.59%, 0.28%

LAB 41.35, -2.21, 39.11

 

CMYK 6 / 0 / 74 / 56

HEX #69701D

RGB 105 112 29

HSL 65.06, 0.59%, 0.28%

LAB 45.19, -14.04, 42.7

 

CMYK 26 / 0 / 74 / 56

HEX #53701D

RGB 83 112 29

HSL 80.96, 0.59%, 0.28%

LAB 43.53, -23.88, 40.5

 

CMYK 46 / 0 / 74 / 56

HEX #3D701D

RGB 61 112 29

HSL 96.87, 0.59%, 0.28%

LAB 42.26, -32.55, 38.8

 

CMYK 6 / 0 / 74 / 82

HEX #2C2F0C

RGB 44 47 12

HSL 65.14, 0.59%, 0.12%

LAB 18.34, -7.25, 21.09

 

CMYK 6 / 0 / 74 / 69

HEX #4B5015

RGB 75 80 21

HSL 65.08, 0.58%, 0.2%

LAB 32.45, -10.81, 32.54

 

CMYK 6 / 0 / 74 / 56

HEX #69701D

RGB 105 112 29

HSL 65.06, 0.59%, 0.28%

LAB 45.19, -14.04, 42.7

 

CMYK 6 / 0 / 74 / 43

HEX #889126

RGB 136 145 38

HSL 65.05, 0.58%, 0.36%

LAB 57.68, -17.1, 52.25

 

CMYK 7 / 0 / 74 / 30

HEX #A6B22F

RGB 166 178 47

HSL 65.5, 0.58%, 0.44%

LAB 69.58, -20.46, 61.26

 

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

CMYK 74 / 0 / 53 / 56

HEX #1D7035

RGB 29 112 53

HSL 137.35, 0.59%, 0.28%

LAB 41.39, -38.33, 25.74

 

CMYK 23 / 74 / 0 / 56

HEX #561D70

RGB 86 29 112

HSL 281.2, 0.59%, 0.28%

LAB 23.76, 40.2, -36.38

 

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

CMYK 74 / 6 / 0 / 56

HEX #1D6970

RGB 29 105 112

HSL 185.06, 0.59%, 0.28%

LAB 40.47, -19.94, -10.57

 

CMYK 0 / 74 / 6 / 56

HEX #701D69

RGB 112 29 105

HSL 305.06, 0.59%, 0.28%

LAB 27.69, 45.1, -25.34

 

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

CMYK 74 / 0 / 53 / 56

HEX #1D7035

RGB 29 112 53

HSL 137.35, 0.59%, 0.28%

LAB 41.39, -38.33, 25.74

 

CMYK 68 / 74 / 0 / 56

HEX #241D70

RGB 36 29 112

HSL 245.06, 0.59%, 0.28%

LAB 17.57, 30.54, -46.73

 

CMYK 0 / 74 / 21 / 56

HEX #701D59

RGB 112 29 89

HSL 316.63, 0.59%, 0.28%

LAB 26.86, 42.51, -16.2

 

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

CMYK 74 / 0 / 30 / 56

HEX #1D704E

RGB 29 112 78

HSL 155.42, 0.59%, 0.28%

LAB 41.84, -33.21, 11.98

 

CMYK 68 / 74 / 0 / 56

HEX #241D70

RGB 36 29 112

HSL 245.06, 0.59%, 0.28%

LAB 17.57, 30.54, -46.73

 

CMYK 0 / 74 / 43 / 56

HEX #701D40

RGB 112 29 64

HSL 334.7, 0.59%, 0.28%

LAB 25.84, 39.19, -1.03

 

Description

Color code: HEX #69701E | qconv.com Color code: HEX #69701E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 112 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 112 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 73 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 73% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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