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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697122 it is the complementary color #968EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697122 shade: #6E711D, #7F8330, #909543, #A1A756 and #B2B969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697122 shade: #697122, #585F0F, #474D00, #363B00 and #252900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697122 shade: #697122, #716422, #714E22, #713922 and #712322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697122 shade: #697122, #547122, #3E7122, #297122 and #227130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697122 shade matches the following richer shades: #697122, #737D16 and #7C890A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697122 shade: #697122, #60652D, #565939, #4D4D45 and #434251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697122 shade: #714F22, #716422, #697122, #547122 and #3F7122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697122 shade: #2E320F, #4C5218, #697122, #87912B and #A4B134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697122 shade: #697122, #227139 and #592271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697122 shade: #697122, #226971 and #712269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697122 shade: #697122, #227139, #2A2271 and #712259

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697122 shade: #697122, #227151, #2A2271 and #712241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

Complementary color

CMYK 32 / 36 / 0 / 13

HEX #968EDD

RGB 150 142 221

HSL 246.08, 0.54%, 0.71%

LAB 62.55, 20.83, -39.25

 

CMYK 3 / 0 / 74 / 56

HEX #6E711D

RGB 110 113 29

HSL 62.14, 0.59%, 0.28%

LAB 45.93, -12.26, 43.56

 

CMYK 3 / 0 / 63 / 49

HEX #7F8330

RGB 127 131 48

HSL 62.89, 0.46%, 0.35%

LAB 52.9, -13.08, 43.01

 

CMYK 3 / 0 / 55 / 42

HEX #909543

RGB 144 149 67

HSL 63.66, 0.38%, 0.42%

LAB 59.73, -13.68, 42.01

 

CMYK 4 / 0 / 49 / 35

HEX #A1A756

RGB 161 167 86

HSL 64.44, 0.32%, 0.5%

LAB 66.43, -14.14, 40.85

 

CMYK 4 / 0 / 43 / 27

HEX #B2B969

RGB 178 185 105

HSL 65.25, 0.36%, 0.57%

LAB 73.01, -14.5, 39.65

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 7 / 0 / 84 / 63

HEX #585F0F

RGB 88 95 15

HSL 65.25, 0.73%, 0.22%

LAB 38.36, -13.37, 40.9

 

CMYK 8 / 0 / 100 / 70

HEX #474D00

RGB 71 77 0

HSL 64.68, 1%, 0.15%

LAB 30.99, -12.1, 39.05

 

CMYK 8 / 0 / 100 / 77

HEX #363B00

RGB 54 59 0

HSL 65.08, 1%, 0.12%

LAB 23.38, -10.24, 31.83

 

CMYK 10 / 0 / 100 / 84

HEX #252900

RGB 37 41 0

HSL 65.85, 1%, 0.08%

LAB 15.38, -8.29, 22.22

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 0 / 12 / 70 / 56

HEX #716422

RGB 113 100 34

HSL 50.13, 0.54%, 0.29%

LAB 42.37, -3.18, 37.92

 

CMYK 0 / 31 / 70 / 56

HEX #714E22

RGB 113 78 34

HSL 33.42, 0.54%, 0.29%

LAB 36.13, 9.95, 31.22

 

CMYK 0 / 50 / 70 / 56

HEX #713922

RGB 113 57 34

HSL 17.47, 0.54%, 0.29%

LAB 30.77, 22.56, 25.13

 

CMYK 0 / 69 / 70 / 56

HEX #712322

RGB 113 35 34

HSL 0.76, 0.54%, 0.29%

LAB 26.24, 34.28, 19.71

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 26 / 0 / 70 / 56

HEX #547122

RGB 84 113 34

HSL 82.03, 0.54%, 0.29%

LAB 43.96, -23.59, 38.83

 

CMYK 45 / 0 / 70 / 56

HEX #3E7122

RGB 62 113 34

HSL 98.73, 0.54%, 0.29%

LAB 42.69, -32.21, 37.1

 

CMYK 64 / 0 / 70 / 56

HEX #297122

RGB 41 113 34

HSL 114.68, 0.54%, 0.29%

LAB 41.84, -38.65, 35.94

 

CMYK 70 / 0 / 58 / 56

HEX #227130

RGB 34 113 48

HSL 130.63, 0.54%, 0.29%

LAB 41.79, -38.53, 28.94

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 8 / 0 / 82 / 51

HEX #737D16

RGB 115 125 22

HSL 65.83, 0.7%, 0.29%

LAB 49.94, -16.77, 49.87

 

CMYK 9 / 0 / 93 / 46

HEX #7C890A

RGB 124 137 10

HSL 66.14, 0.86%, 0.29%

LAB 54.24, -19.32, 56.56

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 5 / 0 / 55 / 60

HEX #60652D

RGB 96 101 45

HSL 65.36, 0.38%, 0.29%

LAB 41.19, -10.85, 30.65

 

CMYK 3 / 0 / 36 / 65

HEX #565939

RGB 86 89 57

HSL 65.63, 0.22%, 0.29%

LAB 36.78, -7.02, 18.16

 

CMYK 0 / 0 / 10 / 70

HEX #4D4D45

RGB 77 77 69

HSL 60, 0.05%, 0.29%

LAB 32.51, -1.66, 4.75

 

CMYK 17 / 19 / 0 / 68

HEX #434251

RGB 67 66 81

HSL 244, 0.1%, 0.29%

LAB 28.6, 4.02, -8.84

 

CMYK 0 / 30 / 70 / 56

HEX #714F22

RGB 113 79 34

HSL 34.18, 0.54%, 0.29%

LAB 36.4, 9.35, 31.52

 

CMYK 0 / 12 / 70 / 56

HEX #716422

RGB 113 100 34

HSL 50.13, 0.54%, 0.29%

LAB 42.37, -3.18, 37.92

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 26 / 0 / 70 / 56

HEX #547122

RGB 84 113 34

HSL 82.03, 0.54%, 0.29%

LAB 43.96, -23.59, 38.83

 

CMYK 44 / 0 / 70 / 56

HEX #3F7122

RGB 63 113 34

HSL 97.97, 0.54%, 0.29%

LAB 42.74, -31.85, 37.17

 

CMYK 8 / 0 / 70 / 80

HEX #2E320F

RGB 46 50 15

HSL 66.86, 0.54%, 0.13%

LAB 19.62, -7.82, 21.15

 

CMYK 7 / 0 / 71 / 68

HEX #4C5218

RGB 76 82 24

HSL 66.21, 0.55%, 0.21%

LAB 33.22, -11.27, 31.97

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 7 / 0 / 70 / 43

HEX #87912B

RGB 135 145 43

HSL 65.88, 0.54%, 0.37%

LAB 57.63, -17.27, 50.26

 

CMYK 7 / 0 / 71 / 31

HEX #A4B134

RGB 164 177 52

HSL 66.24, 0.55%, 0.45%

LAB 69.17, -20.55, 59.02

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 70 / 0 / 50 / 56

HEX #227139

RGB 34 113 57

HSL 137.47, 0.54%, 0.29%

LAB 41.92, -37.07, 24.22

 

CMYK 21 / 70 / 0 / 56

HEX #592271

RGB 89 34 113

HSL 281.77, 0.54%, 0.29%

LAB 25.14, 38.77, -34.79

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 70 / 7 / 0 / 56

HEX #226971

RGB 34 105 113

HSL 186.08, 0.54%, 0.29%

LAB 40.63, -18.83, -10.92

 

CMYK 0 / 70 / 7 / 56

HEX #712269

RGB 113 34 105

HSL 306.08, 0.54%, 0.29%

LAB 28.58, 43.37, -23.94

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 70 / 0 / 50 / 56

HEX #227139

RGB 34 113 57

HSL 137.47, 0.54%, 0.29%

LAB 41.92, -37.07, 24.22

 

CMYK 63 / 70 / 0 / 56

HEX #2A2271

RGB 42 34 113

HSL 246.08, 0.54%, 0.29%

LAB 19.34, 28.64, -44.45

 

CMYK 0 / 70 / 21 / 56

HEX #712259

RGB 113 34 89

HSL 318.23, 0.54%, 0.29%

LAB 27.78, 40.74, -14.77

 

CMYK 7 / 0 / 70 / 56

HEX #697122

RGB 105 113 34

HSL 66.08, 0.54%, 0.29%

LAB 45.54, -14.28, 40.96

 

CMYK 70 / 0 / 28 / 56

HEX #227151

RGB 34 113 81

HSL 155.7, 0.54%, 0.29%

LAB 42.38, -32.04, 10.96

 

CMYK 63 / 70 / 0 / 56

HEX #2A2271

RGB 42 34 113

HSL 246.08, 0.54%, 0.29%

LAB 19.34, 28.64, -44.45

 

CMYK 0 / 70 / 42 / 56

HEX #712241

RGB 113 34 65

HSL 336.46, 0.54%, 0.29%

LAB 26.84, 37.5, -0.22

 

Description

Color code: HEX #697122 | qconv.com Color code: HEX #697122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 113 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 113 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 70 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 70% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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