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Color name
HEX #69720D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69720D it is the complementary color #968DF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69720D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69720D shade: #6E7208, #7F841B, #90962E, #A1A841 and #B2BA54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69720D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69720D shade: #69720D, #586000, #474E00, #363C00 and #252A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69720D shade: #69720C, #72600C, #72440C, #72290C and #720D0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69720D shade: #69720C, #4E720C, #32720C, #17720C and #0C721D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69720D shade matches the following richer shades: #69720C and #727D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69720D shade: #69720C, #616817, #585E21, #50532B and #474936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69720D shade: #72440C, #72600C, #6A720C, #4F720C and #33720C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69720D shade: #252804, #474D08, #69720C, #8B9710 and #AEBD15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69720D shade: #69720D, #0C7229 and #520C72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69720D shade: #69720D, #0C6A72 and #720C6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69720D shade: #69720D, #0C7229, #150C72 and #720C55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69720D shade: #69720D, #0C7248, #150C72 and #720C37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

Complementary color

CMYK 38 / 42 / 0 / 5

HEX #968DF2

RGB 150 141 242

HSL 245.35, 0.8%, 0.75%

LAB 63.3, 26.96, -49.69

 

CMYK 4 / 0 / 93 / 55

HEX #6E7208

RGB 110 114 8

HSL 62.26, 0.87%, 0.24%

LAB 46.13, -13.6, 50

 

CMYK 4 / 0 / 80 / 48

HEX #7F841B

RGB 127 132 27

HSL 62.86, 0.66%, 0.31%

LAB 53.05, -14.82, 51.47

 

CMYK 4 / 0 / 69 / 41

HEX #90962E

RGB 144 150 46

HSL 63.46, 0.53%, 0.38%

LAB 59.83, -15.74, 51.51

 

CMYK 4 / 0 / 61 / 34

HEX #A1A841

RGB 161 168 65

HSL 64.08, 0.44%, 0.46%

LAB 66.49, -16.45, 50.86

 

CMYK 4 / 0 / 55 / 27

HEX #B2BA54

RGB 178 186 84

HSL 64.71, 0.43%, 0.53%

LAB 73.04, -17, 49.9

 

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

CMYK 8 / 0 / 100 / 62

HEX #586000

RGB 88 96 0

HSL 65, 1%, 0.19%

LAB 38.62, -14.44, 45.37

 

CMYK 9 / 0 / 100 / 69

HEX #474E00

RGB 71 78 0

HSL 65.38, 1%, 0.15%

LAB 31.32, -12.67, 39.29

 

CMYK 10 / 0 / 100 / 76

HEX #363C00

RGB 54 60 0

HSL 66, 1%, 0.12%

LAB 23.72, -10.84, 32.18

 

CMYK 12 / 0 / 100 / 84

HEX #252A00

RGB 37 42 0

HSL 67.14, 1%, 0.08%

LAB 15.74, -8.93, 22.69

 

CMYK 8 / 0 / 89 / 55

HEX #69720C

RGB 105 114 12

HSL 65.29, 0.81%, 0.25%

LAB 45.72, -15.84, 48.62

 

CMYK 0 / 16 / 89 / 55

HEX #72600C

RGB 114 96 12

HSL 49.41, 0.81%, 0.25%

LAB 41.17, -1.37, 45.2

 

CMYK 0 / 40 / 89 / 55

HEX #72440C

RGB 114 68 12

HSL 32.94, 0.81%, 0.25%

LAB 33.43, 15.44, 38.79

 

CMYK 0 / 64 / 89 / 55

HEX #72290C

RGB 114 41 12

HSL 17.06, 0.81%, 0.25%

LAB 27.27, 30.77, 33.59

 

CMYK 0 / 89 / 89 / 55

HEX #720D0C

RGB 114 13 12

HSL 0.59, 0.81%, 0.25%

LAB 23.31, 41.63, 29.86

 

CMYK 8 / 0 / 89 / 55

HEX #69720C

RGB 105 114 12

HSL 65.29, 0.81%, 0.25%

LAB 45.72, -15.84, 48.62

 

CMYK 32 / 0 / 89 / 55

HEX #4E720C

RGB 78 114 12

HSL 81.18, 0.81%, 0.25%

LAB 43.77, -27.85, 46.19

 

CMYK 56 / 0 / 89 / 55

HEX #32720C

RGB 50 114 12

HSL 97.65, 0.81%, 0.25%

LAB 42.37, -38.09, 44.43

 

CMYK 80 / 0 / 89 / 55

HEX #17720C

RGB 23 114 12

HSL 113.53, 0.81%, 0.25%

LAB 41.6, -44.47, 43.46

 

CMYK 89 / 0 / 75 / 55

HEX #0C721D

RGB 12 114 29

HSL 130, 0.81%, 0.25%

LAB 41.53, -44.68, 37.6

 

CMYK 8 / 0 / 89 / 55

HEX #69720C

RGB 105 114 12

HSL 65.29, 0.81%, 0.25%

LAB 45.72, -15.84, 48.62

 

CMYK 9 / 0 / 98 / 51

HEX #727D02

RGB 114 125 2

HSL 65.37, 0.97%, 0.25%

LAB 49.8, -17.77, 54.22

 

CMYK 8 / 0 / 89 / 55

HEX #69720C

RGB 105 114 12

HSL 65.29, 0.81%, 0.25%

LAB 45.72, -15.84, 48.62

 

CMYK 7 / 0 / 78 / 59

HEX #616817

RGB 97 104 23

HSL 65.19, 0.64%, 0.25%

LAB 42.01, -13.71, 41.72

 

CMYK 6 / 0 / 65 / 63

HEX #585E21

RGB 88 94 33

HSL 65.9, 0.48%, 0.25%

LAB 38.18, -11.7, 33.22

 

CMYK 4 / 0 / 48 / 67

HEX #50532B

RGB 80 83 43

HSL 64.5, 0.32%, 0.25%

LAB 34.12, -8.09, 22.93

 

CMYK 3 / 0 / 26 / 71

HEX #474936

RGB 71 73 54

HSL 66.32, 0.15%, 0.25%

LAB 30.33, -4.6, 11.13

 

CMYK 0 / 40 / 89 / 55

HEX #72440C

RGB 114 68 12

HSL 32.94, 0.81%, 0.25%

LAB 33.43, 15.44, 38.79

 

CMYK 0 / 16 / 89 / 55

HEX #72600C

RGB 114 96 12

HSL 49.41, 0.81%, 0.25%

LAB 41.17, -1.37, 45.2

 

CMYK 7 / 0 / 89 / 55

HEX #6A720C

RGB 106 114 12

HSL 64.71, 0.81%, 0.25%

LAB 45.81, -15.38, 48.72

 

CMYK 31 / 0 / 89 / 55

HEX #4F720C

RGB 79 114 12

HSL 80.59, 0.81%, 0.25%

LAB 43.83, -27.44, 46.27

 

CMYK 55 / 0 / 89 / 55

HEX #33720C

RGB 51 114 12

HSL 97.06, 0.81%, 0.25%

LAB 42.41, -37.78, 44.48

 

CMYK 7 / 0 / 90 / 84

HEX #252804

RGB 37 40 4

HSL 65, 0.82%, 0.09%

LAB 15.06, -7.26, 20.19

 

CMYK 8 / 0 / 90 / 70

HEX #474D08

RGB 71 77 8

HSL 65.22, 0.81%, 0.17%

LAB 31.03, -11.75, 36.13

 

CMYK 8 / 0 / 89 / 55

HEX #69720C

RGB 105 114 12

HSL 65.29, 0.81%, 0.25%

LAB 45.72, -15.84, 48.62

 

CMYK 8 / 0 / 89 / 41

HEX #8B9710

RGB 139 151 16

HSL 65.33, 0.81%, 0.33%

LAB 59.58, -19.68, 60.25

 

CMYK 8 / 0 / 89 / 26

HEX #AEBD15

RGB 174 189 21

HSL 65.36, 0.8%, 0.41%

LAB 73.19, -23.37, 71.44

 

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

CMYK 89 / 0 / 64 / 55

HEX #0C7229

RGB 12 114 41

HSL 137.06, 0.81%, 0.25%

LAB 41.65, -43.28, 32.24

 

CMYK 28 / 89 / 0 / 55

HEX #520C72

RGB 82 12 114

HSL 281.18, 0.81%, 0.25%

LAB 21.1, 46.1, -42.01

 

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

CMYK 89 / 7 / 0 / 55

HEX #0C6A72

RGB 12 106 114

HSL 184.71, 0.81%, 0.25%

LAB 40.58, -21.65, -11.65

 

CMYK 0 / 89 / 7 / 55

HEX #720C6A

RGB 114 12 106

HSL 304.71, 0.81%, 0.25%

LAB 26.39, 50.71, -28.02

 

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

CMYK 89 / 0 / 64 / 55

HEX #0C7229

RGB 12 114 41

HSL 137.06, 0.81%, 0.25%

LAB 41.65, -43.28, 32.24

 

CMYK 82 / 89 / 0 / 55

HEX #150C72

RGB 21 12 114

HSL 245.29, 0.81%, 0.25%

LAB 13.46, 39.03, -54.87

 

CMYK 0 / 89 / 25 / 55

HEX #720C55

RGB 114 12 85

HSL 317.06, 0.81%, 0.25%

LAB 25.25, 47.63, -16.01

 

CMYK 8 / 0 / 89 / 55

HEX #69720D

RGB 105 114 13

HSL 65.35, 0.8%, 0.25%

LAB 45.73, -15.82, 48.38

 

CMYK 89 / 0 / 37 / 55

HEX #0C7248

RGB 12 114 72

HSL 155.29, 0.81%, 0.25%

LAB 42.12, -37.63, 15.85

 

CMYK 82 / 89 / 0 / 55

HEX #150C72

RGB 21 12 114

HSL 245.29, 0.81%, 0.25%

LAB 13.46, 39.03, -54.87

 

CMYK 0 / 89 / 52 / 55

HEX #720C37

RGB 114 12 55

HSL 334.71, 0.81%, 0.25%

LAB 24.05, 44.28, 2.57

 

Description

Color code: HEX #69720D | qconv.com Color code: HEX #69720D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 114 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 114 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 89 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 89% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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