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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6972E6 it is the complementary color #968D19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6972E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6972E6 shade: #6E72E1, #7F84F4, #9096FF, #A1A8FF and #B2BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6972E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6972E6 shade: #6972E6, #5860D3, #474EC0, #363CAD and #252A9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6972E6 shade: #6A73E5, #836AE5, #A46AE5, #C56AE5 and #E56AE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6972E6 shade: #6A73E5 and #6A6AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6972E6 shade matches the following richer shades: #6A73E5 and #5C67F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6972E6 shade: #6A73E5, #787FD7, #868BC9, #9497BB and #A2A3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6972E6 shade: #6AB6E5, #6A95E5, #6A75E5, #816AE5 and #A26AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6972E6 shade: #2431D9, #4752DF, #6A73E5, #8E94EB and #B1B5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6972E6 shade: #6972E6, #E56AD7 and #A6E56A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6972E6 shade: #6972E6, #E56A75 and #75E56A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6972E6 shade: #6972E6, #E56AD7, #E5DB6A and #6AE579

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6972E6 shade: #6972E6, #E56AB2, #E5DB6A and #6AE59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 50 / 0 / 10

HEX #6972E6

RGB 105 114 230

HSL 235.68, 0.71%, 0.66%

LAB 52.68, 29.08, -60.16

 

Complementary color

CMYK 0 / 6 / 83 / 41

HEX #968D19

RGB 150 141 25

HSL 55.68, 0.71%, 0.34%

LAB 57.66, -9.21, 56.9

 

CMYK 51 / 49 / 0 / 12

HEX #6E72E1

RGB 110 114 225

HSL 237.91, 0.66%, 0.66%

LAB 52.71, 28.55, -57.27

 

CMYK 48 / 46 / 0 / 4

HEX #7F84F4

RGB 127 132 244

HSL 237.44, 0.84%, 0.73%

LAB 59.48, 27.27, -56.97

 

CMYK 44 / 41 / 0 / 0

HEX #9096FF

RGB 144 150 255

HSL 236.76, 1%, 0.78%

LAB 65.72, 23.88, -53.01

 

CMYK 37 / 34 / 0 / 0

HEX #A1A8FF

RGB 161 168 255

HSL 235.53, 1%, 0.82%

LAB 71.42, 17.87, -43.94

 

CMYK 30 / 27 / 0 / 0

HEX #B2BAFF

RGB 178 186 255

HSL 233.77, 1%, 0.85%

LAB 77.16, 12.47, -34.92

 

CMYK 54 / 50 / 0 / 10

HEX #6972E6

RGB 105 114 230

HSL 235.68, 0.71%, 0.66%

LAB 52.68, 29.08, -60.16

 

CMYK 58 / 55 / 0 / 17

HEX #5860D3

RGB 88 96 211

HSL 236.1, 0.58%, 0.59%

LAB 45.83, 30.71, -60.49

 

CMYK 63 / 59 / 0 / 25

HEX #474EC0

RGB 71 78 192

HSL 236.53, 0.49%, 0.52%

LAB 38.89, 32.63, -60.82

 

CMYK 69 / 65 / 0 / 32

HEX #363CAD

RGB 54 60 173

HSL 236.97, 0.52%, 0.45%

LAB 31.88, 34.89, -61.08

 

CMYK 76 / 73 / 0 / 40

HEX #252A9A

RGB 37 42 154

HSL 237.44, 0.61%, 0.37%

LAB 24.9, 37.45, -61.1

 

CMYK 54 / 50 / 0 / 10

HEX #6A73E5

RGB 106 115 229

HSL 235.61, 0.7%, 0.66%

LAB 52.93, 28.36, -59.18

 

CMYK 43 / 54 / 0 / 10

HEX #836AE5

RGB 131 106 229

HSL 252.2, 0.7%, 0.66%

LAB 52.72, 39.07, -59.42

 

CMYK 28 / 54 / 0 / 10

HEX #A46AE5

RGB 164 106 229

HSL 268.29, 0.7%, 0.66%

LAB 55.95, 46.93, -54.07

 

CMYK 14 / 54 / 0 / 10

HEX #C56AE5

RGB 197 106 229

HSL 284.39, 0.7%, 0.66%

LAB 59.74, 55.35, -47.81

 

CMYK 0 / 54 / 0 / 10

HEX #E56AE5

RGB 229 106 229

HSL 300, 0.7%, 0.66%

LAB 63.85, 63.71, -41.05

 

CMYK 54 / 50 / 0 / 10

HEX #6A73E5

RGB 106 115 229

HSL 235.61, 0.7%, 0.66%

LAB 52.93, 28.36, -59.18

 

CMYK 54 / 54 / 0 / 10

HEX #6A6AE5

RGB 106 106 229

HSL 240, 0.7%, 0.66%

LAB 50.72, 33.79, -62.74

 

CMYK 54 / 50 / 0 / 10

HEX #6A73E5

RGB 106 115 229

HSL 235.61, 0.7%, 0.66%

LAB 52.93, 28.36, -59.18

 

CMYK 62 / 58 / 0 / 5

HEX #5C67F3

RGB 92 103 243

HSL 235.63, 0.86%, 0.66%

LAB 50.03, 37.61, -71.75

 

CMYK 54 / 50 / 0 / 10

HEX #6A73E5

RGB 106 115 229

HSL 235.61, 0.7%, 0.66%

LAB 52.93, 28.36, -59.18

 

CMYK 44 / 41 / 0 / 16

HEX #787FD7

RGB 120 127 215

HSL 235.58, 0.54%, 0.66%

LAB 56.17, 20.04, -46.1

 

CMYK 33 / 31 / 0 / 21

HEX #868BC9

RGB 134 139 201

HSL 235.52, 0.38%, 0.66%

LAB 59.66, 12.81, -32.65

 

CMYK 21 / 19 / 0 / 27

HEX #9497BB

RGB 148 151 187

HSL 235.38, 0.22%, 0.66%

LAB 63.36, 6.68, -19

 

CMYK 6 / 6 / 0 / 32

HEX #A2A3AD

RGB 162 163 173

HSL 234.55, 0.06%, 0.66%

LAB 67.2, 1.61, -5.29

 

CMYK 54 / 21 / 0 / 10

HEX #6AB6E5

RGB 106 182 229

HSL 202.93, 0.7%, 0.66%

LAB 70.99, -10.5, -30.73

 

CMYK 54 / 35 / 0 / 10

HEX #6A95E5

RGB 106 149 229

HSL 219.02, 0.7%, 0.66%

LAB 61.84, 8.04, -45

 

CMYK 54 / 49 / 0 / 10

HEX #6A75E5

RGB 106 117 229

HSL 234.63, 0.7%, 0.66%

LAB 53.43, 27.15, -58.38

 

CMYK 44 / 54 / 0 / 10

HEX #816AE5

RGB 129 106 229

HSL 251.22, 0.7%, 0.66%

LAB 52.54, 38.62, -59.71

 

CMYK 29 / 54 / 0 / 10

HEX #A26AE5

RGB 162 106 229

HSL 267.32, 0.7%, 0.66%

LAB 55.73, 46.43, -54.43

 

CMYK 83 / 77 / 0 / 15

HEX #2431D9

RGB 36 49 217

HSL 235.69, 0.72%, 0.5%

LAB 33.1, 54.62, -84.91

 

CMYK 68 / 63 / 0 / 13

HEX #4752DF

RGB 71 82 223

HSL 235.66, 0.7%, 0.58%

LAB 42.31, 40.68, -73.11

 

CMYK 54 / 50 / 0 / 10

HEX #6A73E5

RGB 106 115 229

HSL 235.61, 0.7%, 0.66%

LAB 52.93, 28.36, -59.18

 

CMYK 40 / 37 / 0 / 8

HEX #8E94EB

RGB 142 148 235

HSL 236.13, 0.7%, 0.74%

LAB 64.1, 18.96, -44.6

 

CMYK 27 / 25 / 0 / 5

HEX #B1B5F1

RGB 177 181 241

HSL 236.25, 0.7%, 0.82%

LAB 75.29, 11.55, -30.27

 

CMYK 54 / 50 / 0 / 10

HEX #6972E6

RGB 105 114 230

HSL 235.68, 0.71%, 0.66%

LAB 52.68, 29.08, -60.16

 

CMYK 0 / 54 / 6 / 10

HEX #E56AD7

RGB 229 106 215

HSL 306.83, 0.7%, 0.66%

LAB 63.24, 61.37, -34.19

 

CMYK 28 / 0 / 54 / 10

HEX #A6E56A

RGB 166 229 106

HSL 90.73, 0.7%, 0.66%

LAB 84.58, -39.99, 52.98

 

CMYK 54 / 50 / 0 / 10

HEX #6972E6

RGB 105 114 230

HSL 235.68, 0.71%, 0.66%

LAB 52.68, 29.08, -60.16

 

CMYK 0 / 54 / 49 / 10

HEX #E56A75

RGB 229 106 117

HSL 354.63, 0.7%, 0.66%

LAB 60.11, 48.72, 17.28

 

CMYK 49 / 0 / 54 / 10

HEX #75E56A

RGB 117 229 106

HSL 114.63, 0.7%, 0.66%

LAB 82.3, -55.52, 49.72

 

CMYK 54 / 50 / 0 / 10

HEX #6972E6

RGB 105 114 230

HSL 235.68, 0.71%, 0.66%

LAB 52.68, 29.08, -60.16

 

CMYK 0 / 54 / 6 / 10

HEX #E56AD7

RGB 229 106 215

HSL 306.83, 0.7%, 0.66%

LAB 63.24, 61.37, -34.19

 

CMYK 0 / 4 / 54 / 10

HEX #E5DB6A

RGB 229 219 106

HSL 55.12, 0.7%, 0.66%

LAB 86.19, -10.96, 55.95

 

CMYK 54 / 0 / 47 / 10

HEX #6AE579

RGB 106 229 121

HSL 127.32, 0.7%, 0.66%

LAB 82.1, -56.41, 42.27

 

CMYK 54 / 50 / 0 / 10

HEX #6972E6

RGB 105 114 230

HSL 235.68, 0.71%, 0.66%

LAB 52.68, 29.08, -60.16

 

CMYK 0 / 54 / 22 / 10

HEX #E56AB2

RGB 229 106 178

HSL 324.88, 0.7%, 0.66%

LAB 61.81, 55.76, -15.42

 

CMYK 0 / 4 / 54 / 10

HEX #E5DB6A

RGB 229 219 106

HSL 55.12, 0.7%, 0.66%

LAB 86.19, -10.96, 55.95

 

CMYK 54 / 0 / 31 / 10

HEX #6AE59E

RGB 106 229 158

HSL 145.37, 0.7%, 0.66%

LAB 82.68, -50.25, 24.42

 

Description

Color code: HEX #6972E6 | qconv.com Color code: HEX #6972E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 114 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 114 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 50 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 50% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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