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Color name
HEX #697B18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697B18 it is the complementary color #9684E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697B18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697B18 shade: #6E7B13, #7F8D26, #909F39, #A1B14C and #B2C35F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697B18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697B18 shade: #697B18, #586905, #475700, #364500 and #253300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697B18 shade: #697B18, #7B7218, #7B5818, #7B3D18 and #7B2218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697B18 shade: #697B18, #4E7B18, #347B18, #197B18 and #187B32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697B18 shade matches the following richer shades: #697B18, #71870C and #789300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697B18 shade: #697B18, #616F24, #5A6330, #52573C and #4B4B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697B18 shade: #7B5718, #7B7118, #6A7B18, #507B18 and #367B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697B18 shade: #2E360A, #4C5911, #697B18, #869D1F and #A4C026

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697B18 shade: #697B18, #187B3C and #64187B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697B18 shade: #697B18, #186A7B and #7B186A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697B18 shade: #697B18, #187B3C, #28187B and #7B1857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697B18 shade: #697B18, #187B5A, #28187B and #7B1839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

Complementary color

CMYK 35 / 43 / 0 / 9

HEX #9684E7

RGB 150 132 231

HSL 250.91, 0.67%, 0.71%

LAB 60.57, 29.22, -47.93

 

CMYK 11 / 0 / 85 / 52

HEX #6E7B13

RGB 110 123 19

HSL 67.5, 0.73%, 0.28%

LAB 48.92, -18.1, 49.69

 

CMYK 10 / 0 / 73 / 45

HEX #7F8D26

RGB 127 141 38

HSL 68.16, 0.58%, 0.35%

LAB 55.79, -19, 50.17

 

CMYK 9 / 0 / 64 / 38

HEX #909F39

RGB 144 159 57

HSL 68.82, 0.47%, 0.42%

LAB 62.53, -19.66, 49.71

 

CMYK 9 / 0 / 57 / 31

HEX #A1B14C

RGB 161 177 76

HSL 69.5, 0.4%, 0.5%

LAB 69.14, -20.16, 48.83

 

CMYK 9 / 0 / 51 / 24

HEX #B2C35F

RGB 178 195 95

HSL 70.2, 0.45%, 0.57%

LAB 75.65, -20.54, 47.76

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 16 / 0 / 95 / 59

HEX #586905

RGB 88 105 5

HSL 70.2, 0.91%, 0.22%

LAB 41.51, -19.14, 46.25

 

CMYK 18 / 0 / 100 / 66

HEX #475700

RGB 71 87 0

HSL 71.03, 1%, 0.17%

LAB 34.31, -17.67, 41.52

 

CMYK 22 / 0 / 100 / 73

HEX #364500

RGB 54 69 0

HSL 73.04, 1%, 0.14%

LAB 26.85, -16.02, 35.13

 

CMYK 27 / 0 / 100 / 80

HEX #253300

RGB 37 51 0

HSL 76.47, 1%, 0.1%

LAB 19.06, -14.32, 26.71

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 0 / 7 / 80 / 52

HEX #7B7218

RGB 123 114 24

HSL 54.55, 0.67%, 0.29%

LAB 47.38, -6.95, 47.2

 

CMYK 0 / 28 / 80 / 52

HEX #7B5818

RGB 123 88 24

HSL 38.79, 0.67%, 0.29%

LAB 40.01, 8.18, 40.38

 

CMYK 0 / 50 / 80 / 52

HEX #7B3D18

RGB 123 61 24

HSL 22.42, 0.67%, 0.29%

LAB 33.17, 24.13, 33.76

 

CMYK 0 / 72 / 80 / 52

HEX #7B2218

RGB 123 34 24

HSL 6.06, 0.67%, 0.29%

LAB 27.9, 37.86, 28.38

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 37 / 0 / 80 / 52

HEX #4E7B18

RGB 78 123 24

HSL 87.27, 0.67%, 0.29%

LAB 46.78, -31.53, 45.41

 

CMYK 58 / 0 / 80 / 52

HEX #347B18

RGB 52 123 24

HSL 103.03, 0.67%, 0.29%

LAB 45.58, -40.42, 43.85

 

CMYK 80 / 0 / 80 / 52

HEX #197B18

RGB 25 123 24

HSL 119.39, 0.67%, 0.29%

LAB 44.86, -46.44, 42.9

 

CMYK 80 / 0 / 59 / 52

HEX #187B32

RGB 24 123 50

HSL 135.76, 0.67%, 0.29%

LAB 45.07, -43.78, 31.76

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 16 / 0 / 91 / 47

HEX #71870C

RGB 113 135 12

HSL 70.73, 0.84%, 0.29%

LAB 52.8, -23.15, 54.69

 

CMYK 18 / 0 / 100 / 42

HEX #789300

RGB 120 147 0

HSL 71.02, 1%, 0.29%

LAB 56.94, -26.31, 60.17

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 13 / 0 / 68 / 56

HEX #616F24

RGB 97 111 36

HSL 71.2, 0.51%, 0.29%

LAB 44.29, -16.69, 38.57

 

CMYK 9 / 0 / 52 / 61

HEX #5A6330

RGB 90 99 48

HSL 70.59, 0.35%, 0.29%

LAB 40.1, -12.14, 27.61

 

CMYK 6 / 0 / 31 / 66

HEX #52573C

RGB 82 87 60

HSL 71.11, 0.18%, 0.29%

LAB 35.86, -7.16, 15.07

 

CMYK 0 / 0 / 4 / 71

HEX #4B4B48

RGB 75 75 72

HSL 60, 0.02%, 0.29%

LAB 31.8, -0.64, 1.78

 

CMYK 0 / 29 / 80 / 52

HEX #7B5718

RGB 123 87 24

HSL 38.18, 0.67%, 0.29%

LAB 39.74, 8.77, 40.13

 

CMYK 0 / 8 / 80 / 52

HEX #7B7118

RGB 123 113 24

HSL 53.94, 0.67%, 0.29%

LAB 47.09, -6.39, 46.93

 

CMYK 14 / 0 / 80 / 52

HEX #6A7B18

RGB 106 123 24

HSL 70.3, 0.67%, 0.29%

LAB 48.63, -19.71, 47.8

 

CMYK 35 / 0 / 80 / 52

HEX #507B18

RGB 80 123 24

HSL 86.06, 0.67%, 0.29%

LAB 46.89, -30.75, 45.55

 

CMYK 56 / 0 / 80 / 52

HEX #367B18

RGB 54 123 24

HSL 101.82, 0.67%, 0.29%

LAB 45.66, -39.83, 43.95

 

CMYK 15 / 0 / 81 / 79

HEX #2E360A

RGB 46 54 10

HSL 70.91, 0.69%, 0.13%

LAB 20.98, -10.71, 25.01

 

CMYK 15 / 0 / 81 / 65

HEX #4C5911

RGB 76 89 17

HSL 70.83, 0.68%, 0.21%

LAB 35.44, -15.66, 37.16

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 15 / 0 / 80 / 38

HEX #869D1F

RGB 134 157 31

HSL 70.95, 0.67%, 0.37%

LAB 61.03, -24.4, 57.64

 

CMYK 15 / 0 / 80 / 25

HEX #A4C026

RGB 164 192 38

HSL 70.91, 0.67%, 0.45%

LAB 73.37, -28.52, 67.48

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 80 / 0 / 51 / 52

HEX #187B3C

RGB 24 123 60

HSL 141.82, 0.67%, 0.29%

LAB 45.2, -42.19, 26.66

 

CMYK 19 / 80 / 0 / 52

HEX #64187B

RGB 100 24 123

HSL 286.06, 0.67%, 0.29%

LAB 26.14, 47.6, -39.47

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 80 / 14 / 0 / 52

HEX #186A7B

RGB 24 106 123

HSL 190.3, 0.67%, 0.29%

LAB 41.11, -17.37, -16.28

 

CMYK 0 / 80 / 14 / 52

HEX #7B186A

RGB 123 24 106

HSL 310.3, 0.67%, 0.29%

LAB 29.17, 49.67, -23.52

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 80 / 0 / 51 / 52

HEX #187B3C

RGB 24 123 60

HSL 141.82, 0.67%, 0.29%

LAB 45.2, -42.19, 26.66

 

CMYK 67 / 80 / 0 / 52

HEX #28187B

RGB 40 24 123

HSL 249.7, 0.67%, 0.29%

LAB 18.07, 37.65, -52.97

 

CMYK 0 / 80 / 29 / 52

HEX #7B1857

RGB 123 24 87

HSL 321.82, 0.67%, 0.29%

LAB 28.25, 46.98, -12.56

 

CMYK 15 / 0 / 80 / 52

HEX #697B18

RGB 105 123 24

HSL 70.91, 0.67%, 0.29%

LAB 48.55, -20.15, 47.7

 

CMYK 80 / 0 / 27 / 52

HEX #187B5A

RGB 24 123 90

HSL 160, 0.67%, 0.29%

LAB 45.77, -35.8, 10.35

 

CMYK 67 / 80 / 0 / 52

HEX #28187B

RGB 40 24 123

HSL 249.7, 0.67%, 0.29%

LAB 18.07, 37.65, -52.97

 

CMYK 0 / 80 / 54 / 52

HEX #7B1839

RGB 123 24 57

HSL 340, 0.67%, 0.29%

LAB 27.18, 43.71, 5.93

 

Description

Color code: HEX #697B18 | qconv.com Color code: HEX #697B18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 123 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 123 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 80 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 80% 52% C M Y K

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Provide designers and agencies with accurate color values.

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