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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697E01 it is the complementary color #9681FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697E01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697E01 shade: #6E7E00, #7F900F, #90A222, #A1B435 and #B2C648

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697E01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697E01 shade: #697E01, #586C00, #475A00, #364800 and #253600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697E01 shade: #697E01, #7E7101, #7E4F01, #7E2E01 and #7E0C01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697E01 shade: #697E01, #477E01, #257E01, #047E01 and #017E20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697E01 shade matches the following richer shades: #697E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697E01 shade: #697E01, #62730B, #5B6915, #545F20 and #4D542A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697E01 shade: #7E5001, #7E7101, #697E01, #487E01 and #267E01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697E01 shade: #252C00, #475500, #697E01, #8BA701 and #ADCF02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697E01 shade: #697E01, #017E2F and #61017E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697E01 shade: #697E01, #01697E and #7E0169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697E01 shade: #697E01, #017E2F, #16017E and #7E0150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697E01 shade: #697E01, #017E54, #16017E and #7E012A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

Complementary color

CMYK 41 / 49 / 0 / 0

HEX #9681FE

RGB 150 129 254

HSL 250.08, 0.98%, 0.75%

LAB 61.08, 37.12, -59.81

 

CMYK 13 / 0 / 100 / 51

HEX #6E7E00

RGB 110 126 0

HSL 67.62, 1%, 0.25%

LAB 49.78, -20.17, 54.47

 

CMYK 12 / 0 / 90 / 44

HEX #7F900F

RGB 127 144 15

HSL 67.91, 0.81%, 0.31%

LAB 56.58, -21.45, 57.62

 

CMYK 11 / 0 / 79 / 36

HEX #90A222

RGB 144 162 34

HSL 68.44, 0.65%, 0.38%

LAB 63.25, -22.47, 59.01

 

CMYK 11 / 0 / 71 / 29

HEX #A1B435

RGB 161 180 53

HSL 68.98, 0.55%, 0.46%

LAB 69.81, -23.25, 59.2

 

CMYK 10 / 0 / 64 / 22

HEX #B2C648

RGB 178 198 72

HSL 69.52, 0.53%, 0.53%

LAB 76.27, -23.87, 58.74

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 19 / 0 / 100 / 58

HEX #586C00

RGB 88 108 0

HSL 71.11, 1%, 0.21%

LAB 42.46, -20.87, 48.24

 

CMYK 21 / 0 / 100 / 65

HEX #475A00

RGB 71 90 0

HSL 72.67, 1%, 0.18%

LAB 35.31, -19.28, 42.28

 

CMYK 25 / 0 / 100 / 72

HEX #364800

RGB 54 72 0

HSL 75, 1%, 0.14%

LAB 27.9, -17.66, 36.03

 

CMYK 31 / 0 / 100 / 79

HEX #253600

RGB 37 54 0

HSL 78.89, 1%, 0.11%

LAB 20.17, -16, 27.98

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 0 / 10 / 99 / 51

HEX #7E7101

RGB 126 113 1

HSL 53.76, 0.98%, 0.25%

LAB 47.3, -5.58, 53.06

 

CMYK 0 / 37 / 99 / 51

HEX #7E4F01

RGB 126 79 1

HSL 37.44, 0.98%, 0.25%

LAB 37.9, 14.31, 46.48

 

CMYK 0 / 63 / 99 / 51

HEX #7E2E01

RGB 126 46 1

HSL 21.6, 0.98%, 0.25%

LAB 30.38, 32.83, 41.55

 

CMYK 0 / 90 / 99 / 51

HEX #7E0C01

RGB 126 12 1

HSL 5.28, 0.98%, 0.25%

LAB 25.86, 45.24, 37.8

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 44 / 0 / 99 / 51

HEX #477E01

RGB 71 126 1

HSL 86.4, 0.98%, 0.25%

LAB 47.32, -36.37, 51.3

 

CMYK 71 / 0 / 99 / 51

HEX #257E01

RGB 37 126 1

HSL 102.72, 0.98%, 0.25%

LAB 46.07, -46.33, 49.78

 

CMYK 97 / 0 / 99 / 51

HEX #047E01

RGB 4 126 1

HSL 118.56, 0.98%, 0.25%

LAB 45.57, -50.75, 49.17

 

CMYK 99 / 0 / 75 / 51

HEX #017E20

RGB 1 126 32

HSL 134.88, 0.98%, 0.25%

LAB 45.68, -49.19, 40.64

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 15 / 0 / 90 / 55

HEX #62730B

RGB 98 115 11

HSL 69.81, 0.83%, 0.25%

LAB 45.47, -19.63, 48.41

 

CMYK 13 / 0 / 80 / 59

HEX #5B6915

RGB 91 105 21

HSL 70, 0.67%, 0.25%

LAB 41.82, -17.16, 42.1

 

CMYK 12 / 0 / 66 / 63

HEX #545F20

RGB 84 95 32

HSL 70.48, 0.5%, 0.25%

LAB 38.15, -14.21, 33.58

 

CMYK 8 / 0 / 50 / 67

HEX #4D542A

RGB 77 84 42

HSL 70, 0.33%, 0.25%

LAB 34.16, -10.19, 23.5

 

CMYK 0 / 37 / 99 / 51

HEX #7E5001

RGB 126 80 1

HSL 37.92, 0.98%, 0.25%

LAB 38.15, 13.72, 46.65

 

CMYK 0 / 10 / 99 / 51

HEX #7E7101

RGB 126 113 1

HSL 53.76, 0.98%, 0.25%

LAB 47.3, -5.58, 53.06

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 43 / 0 / 99 / 51

HEX #487E01

RGB 72 126 1

HSL 85.92, 0.98%, 0.25%

LAB 47.37, -36.01, 51.36

 

CMYK 70 / 0 / 99 / 51

HEX #267E01

RGB 38 126 1

HSL 102.24, 0.98%, 0.25%

LAB 46.09, -46.11, 49.81

 

CMYK 16 / 0 / 100 / 83

HEX #252C00

RGB 37 44 0

HSL 69.55, 1%, 0.09%

LAB 16.48, -10.17, 23.6

 

CMYK 16 / 0 / 100 / 67

HEX #475500

RGB 71 85 0

HSL 69.88, 1%, 0.17%

LAB 33.64, -16.59, 41.02

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 17 / 0 / 99 / 35

HEX #8BA701

RGB 139 167 1

HSL 70.12, 0.99%, 0.33%

LAB 64.26, -27.88, 66.14

 

CMYK 16 / 0 / 99 / 19

HEX #ADCF02

RGB 173 207 2

HSL 69.95, 0.98%, 0.41%

LAB 78.18, -32.63, 77.57

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 99 / 0 / 63 / 51

HEX #017E2F

RGB 1 126 47

HSL 142.08, 0.98%, 0.25%

LAB 45.82, -47.45, 34.07

 

CMYK 23 / 99 / 0 / 51

HEX #61017E

RGB 97 1 126

HSL 286.08, 0.98%, 0.25%

LAB 23.9, 53.41, -45.02

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 99 / 17 / 0 / 51

HEX #01697E

RGB 1 105 126

HSL 190.08, 0.98%, 0.25%

LAB 40.6, -17.51, -18.91

 

CMYK 0 / 99 / 17 / 51

HEX #7E0169

RGB 126 1 105

HSL 310.08, 0.98%, 0.25%

LAB 28.05, 54.99, -24.59

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 99 / 0 / 63 / 51

HEX #017E2F

RGB 1 126 47

HSL 142.08, 0.98%, 0.25%

LAB 45.82, -47.45, 34.07

 

CMYK 83 / 99 / 0 / 51

HEX #16017E

RGB 22 1 126

HSL 250.08, 0.98%, 0.25%

LAB 13.82, 46.93, -61.99

 

CMYK 0 / 99 / 37 / 51

HEX #7E0150

RGB 126 1 80

HSL 322.08, 0.98%, 0.25%

LAB 26.84, 51.89, -10.02

 

CMYK 17 / 0 / 99 / 51

HEX #697E01

RGB 105 126 1

HSL 70.08, 0.98%, 0.25%

LAB 49.41, -22.4, 53.82

 

CMYK 99 / 0 / 33 / 51

HEX #017E54

RGB 1 126 84

HSL 159.84, 0.98%, 0.25%

LAB 46.4, -40.46, 14.69

 

CMYK 83 / 99 / 0 / 51

HEX #16017E

RGB 22 1 126

HSL 250.08, 0.98%, 0.25%

LAB 13.82, 46.93, -61.99

 

CMYK 0 / 99 / 67 / 51

HEX #7E012A

RGB 126 1 42

HSL 340.32, 0.98%, 0.25%

LAB 25.64, 48.7, 14.14

 

Description

Color code: HEX #697E01 | qconv.com Color code: HEX #697E01 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 126 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 126 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 99 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 99% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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