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Color name
HEX #697E17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697E17 it is the complementary color #9681E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697E17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697E17 shade: #6E7E12, #7F9025, #90A238, #A1B44B and #B2C65E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697E17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697E17 shade: #697E17, #586C04, #475A00, #364800 and #253600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697E17 shade: #687C16, #7C7616, #7C5A16, #7C3F16 and #7C2316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697E17 shade: #687C16, #4C7C16, #317C16, #167C18 and #167C33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697E17 shade matches the following richer shades: #687C16 and #6F880A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697E17 shade: #687C16, #617122, #59652E, #52593A and #4B4D46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697E17 shade: #7C5A16, #7C7616, #687C16, #4D7C16 and #327C16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697E17 shade: #2E370A, #4B5A10, #687C16, #859F1D and #A2C223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697E17 shade: #697E17, #167C3F and #68167C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697E17 shade: #697E17, #16687C and #7C1668

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697E17 shade: #697E17, #167C3F, #2B167C and #7C1654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697E17 shade: #697E17, #167C5E, #2B167C and #7C1635

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 82 / 51

HEX #697E17

RGB 105 126 23

HSL 72.23, 0.69%, 0.29%

LAB 49.48, -21.74, 48.86

 

Complementary color

CMYK 35 / 44 / 0 / 9

HEX #9681E8

RGB 150 129 232

HSL 252.23, 0.69%, 0.71%

LAB 59.9, 31.21, -49.54

 

CMYK 13 / 0 / 86 / 51

HEX #6E7E12

RGB 110 126 18

HSL 68.89, 0.75%, 0.28%

LAB 49.83, -19.71, 50.76

 

CMYK 12 / 0 / 74 / 44

HEX #7F9025

RGB 127 144 37

HSL 69.53, 0.59%, 0.35%

LAB 56.68, -20.6, 51.41

 

CMYK 11 / 0 / 65 / 36

HEX #90A238

RGB 144 162 56

HSL 70.19, 0.49%, 0.43%

LAB 63.39, -21.25, 51.05

 

CMYK 11 / 0 / 58 / 29

HEX #A1B44B

RGB 161 180 75

HSL 70.86, 0.41%, 0.5%

LAB 69.98, -21.74, 50.23

 

CMYK 10 / 0 / 53 / 22

HEX #B2C65E

RGB 178 198 94

HSL 71.54, 0.48%, 0.57%

LAB 76.47, -22.11, 49.21

 

CMYK 17 / 0 / 82 / 51

HEX #697E17

RGB 105 126 23

HSL 72.23, 0.69%, 0.29%

LAB 49.48, -21.74, 48.86

 

CMYK 19 / 0 / 96 / 58

HEX #586C04

RGB 88 108 4

HSL 71.54, 0.93%, 0.22%

LAB 42.47, -20.74, 47.26

 

CMYK 21 / 0 / 100 / 65

HEX #475A00

RGB 71 90 0

HSL 72.67, 1%, 0.18%

LAB 35.31, -19.28, 42.28

 

CMYK 25 / 0 / 100 / 72

HEX #364800

RGB 54 72 0

HSL 75, 1%, 0.14%

LAB 27.9, -17.66, 36.03

 

CMYK 31 / 0 / 100 / 79

HEX #253600

RGB 37 54 0

HSL 78.89, 1%, 0.11%

LAB 20.17, -16, 27.98

 

CMYK 16 / 0 / 82 / 51

HEX #687C16

RGB 104 124 22

HSL 71.76, 0.7%, 0.29%

LAB 48.78, -21.21, 48.51

 

CMYK 0 / 5 / 82 / 51

HEX #7C7616

RGB 124 118 22

HSL 56.47, 0.7%, 0.29%

LAB 48.64, -8.79, 49.01

 

CMYK 0 / 27 / 82 / 51

HEX #7C5A16

RGB 124 90 22

HSL 40, 0.7%, 0.29%

LAB 40.66, 7.38, 41.85

 

CMYK 0 / 49 / 82 / 51

HEX #7C3F16

RGB 124 63 22

HSL 24.12, 0.7%, 0.29%

LAB 33.77, 23.35, 35.39

 

CMYK 0 / 72 / 82 / 51

HEX #7C2316

RGB 124 35 22

HSL 7.65, 0.7%, 0.29%

LAB 28.23, 37.72, 29.95

 

CMYK 16 / 0 / 82 / 51

HEX #687C16

RGB 104 124 22

HSL 71.76, 0.7%, 0.29%

LAB 48.78, -21.21, 48.51

 

CMYK 39 / 0 / 82 / 51

HEX #4C7C16

RGB 76 124 22

HSL 88.24, 0.7%, 0.29%

LAB 46.99, -32.86, 46.21

 

CMYK 60 / 0 / 82 / 51

HEX #317C16

RGB 49 124 22

HSL 104.12, 0.7%, 0.29%

LAB 45.81, -41.77, 44.69

 

CMYK 82 / 0 / 81 / 51

HEX #167C18

RGB 22 124 24

HSL 121.18, 0.7%, 0.29%

LAB 45.15, -47.21, 43.17

 

CMYK 82 / 0 / 59 / 51

HEX #167C33

RGB 22 124 51

HSL 137.06, 0.7%, 0.29%

LAB 45.39, -44.27, 31.63

 

CMYK 16 / 0 / 82 / 51

HEX #687C16

RGB 104 124 22

HSL 71.76, 0.7%, 0.29%

LAB 48.78, -21.21, 48.51

 

CMYK 18 / 0 / 93 / 47

HEX #6F880A

RGB 111 136 10

HSL 71.9, 0.86%, 0.29%

LAB 52.96, -24.57, 55.12

 

CMYK 16 / 0 / 82 / 51

HEX #687C16

RGB 104 124 22

HSL 71.76, 0.7%, 0.29%

LAB 48.78, -21.21, 48.51

 

CMYK 14 / 0 / 70 / 56

HEX #617122

RGB 97 113 34

HSL 72.15, 0.54%, 0.29%

LAB 44.9, -17.91, 40.1

 

CMYK 12 / 0 / 54 / 60

HEX #59652E

RGB 89 101 46

HSL 73.09, 0.37%, 0.29%

LAB 40.62, -13.92, 29.3

 

CMYK 8 / 0 / 35 / 65

HEX #52593A

RGB 82 89 58

HSL 73.55, 0.21%, 0.29%

LAB 36.45, -8.65, 17.06

 

CMYK 3 / 0 / 9 / 70

HEX #4B4D46

RGB 75 77 70

HSL 77.14, 0.05%, 0.29%

LAB 32.36, -2.3, 3.87

 

CMYK 0 / 27 / 82 / 51

HEX #7C5A16

RGB 124 90 22

HSL 40, 0.7%, 0.29%

LAB 40.66, 7.38, 41.85

 

CMYK 0 / 5 / 82 / 51

HEX #7C7616

RGB 124 118 22

HSL 56.47, 0.7%, 0.29%

LAB 48.64, -8.79, 49.01

 

CMYK 16 / 0 / 82 / 51

HEX #687C16

RGB 104 124 22

HSL 71.76, 0.7%, 0.29%

LAB 48.78, -21.21, 48.51

 

CMYK 38 / 0 / 82 / 51

HEX #4D7C16

RGB 77 124 22

HSL 87.65, 0.7%, 0.29%

LAB 47.04, -32.48, 46.28

 

CMYK 60 / 0 / 82 / 51

HEX #327C16

RGB 50 124 22

HSL 103.53, 0.7%, 0.29%

LAB 45.84, -41.5, 44.73

 

CMYK 16 / 0 / 82 / 78

HEX #2E370A

RGB 46 55 10

HSL 72, 0.69%, 0.13%

LAB 21.34, -11.31, 25.4

 

CMYK 17 / 0 / 82 / 65

HEX #4B5A10

RGB 75 90 16

HSL 72.16, 0.7%, 0.21%

LAB 35.69, -16.74, 37.72

 

CMYK 16 / 0 / 82 / 51

HEX #687C16

RGB 104 124 22

HSL 71.76, 0.7%, 0.29%

LAB 48.78, -21.21, 48.51

 

CMYK 16 / 0 / 82 / 38

HEX #859F1D

RGB 133 159 29

HSL 72, 0.69%, 0.37%

LAB 61.54, -25.89, 58.65

 

CMYK 16 / 0 / 82 / 24

HEX #A2C223

RGB 162 194 35

HSL 72.08, 0.69%, 0.45%

LAB 73.8, -30.4, 68.59

 

CMYK 17 / 0 / 82 / 51

HEX #697E17

RGB 105 126 23

HSL 72.23, 0.69%, 0.29%

LAB 49.48, -21.74, 48.86

 

CMYK 82 / 0 / 49 / 51

HEX #167C3F

RGB 22 124 63

HSL 144.12, 0.7%, 0.29%

LAB 45.56, -42.31, 25.47

 

CMYK 16 / 82 / 0 / 51

HEX #68167C

RGB 104 22 124

HSL 288.24, 0.7%, 0.29%

LAB 26.66, 49.27, -39.23

 

CMYK 17 / 0 / 82 / 51

HEX #697E17

RGB 105 126 23

HSL 72.23, 0.69%, 0.29%

LAB 49.48, -21.74, 48.86

 

CMYK 82 / 16 / 0 / 51

HEX #16687C

RGB 22 104 124

HSL 191.76, 0.7%, 0.29%

LAB 40.45, -16.12, -17.9

 

CMYK 0 / 82 / 16 / 51

HEX #7C1668

RGB 124 22 104

HSL 311.76, 0.7%, 0.29%

LAB 29.05, 50.19, -22.4

 

CMYK 17 / 0 / 82 / 51

HEX #697E17

RGB 105 126 23

HSL 72.23, 0.69%, 0.29%

LAB 49.48, -21.74, 48.86

 

CMYK 82 / 0 / 49 / 51

HEX #167C3F

RGB 22 124 63

HSL 144.12, 0.7%, 0.29%

LAB 45.56, -42.31, 25.47

 

CMYK 65 / 82 / 0 / 51

HEX #2B167C

RGB 43 22 124

HSL 252.35, 0.7%, 0.29%

LAB 18.11, 39.33, -53.54

 

CMYK 0 / 82 / 32 / 51

HEX #7C1654

RGB 124 22 84

HSL 323.53, 0.7%, 0.29%

LAB 28.11, 47.46, -10.78

 

CMYK 17 / 0 / 82 / 51

HEX #697E17

RGB 105 126 23

HSL 72.23, 0.69%, 0.29%

LAB 49.48, -21.74, 48.86

 

CMYK 82 / 0 / 24 / 51

HEX #167C5E

RGB 22 124 94

HSL 162.35, 0.7%, 0.29%

LAB 46.17, -35.45, 8.56

 

CMYK 65 / 82 / 0 / 51

HEX #2B167C

RGB 43 22 124

HSL 252.35, 0.7%, 0.29%

LAB 18.11, 39.33, -53.54

 

CMYK 0 / 82 / 57 / 51

HEX #7C1635

RGB 124 22 53

HSL 341.76, 0.7%, 0.29%

LAB 27.06, 44.3, 8.5

 

Description

Color code: HEX #697E17 | qconv.com Color code: HEX #697E17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 126 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 126 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 82 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 82% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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