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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698121 it is the complementary color #967EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698121 shade: #6E811C, #7F932F, #90A542, #A1B755 and #B2C968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698121 shade: #698121, #586F0E, #475D00, #364B00 and #253900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698121 shade: #698121, #817F21, #816521, #814B21 and #813121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698121 shade: #698121, #4F8121, #358121, #218127 and #218141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698121 shade matches the following richer shades: #698121, #708E14 and #769C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698121 shade: #698121, #63742E, #5C673B, #555A49 and #4F4C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698121 shade: #816621, #818021, #698121, #4F8121 and #368121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698121 shade: #344010, #4E6018, #698121, #84A229 and #9FC332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698121 shade: #698121, #21814C and #732181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698121 shade: #698121, #216981 and #812169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698121 shade: #698121, #21814C, #392181 and #812156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698121 shade: #698121, #218169, #392181 and #812139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

Complementary color

CMYK 32 / 43 / 0 / 13

HEX #967EDE

RGB 150 126 222

HSL 255, 0.59%, 0.68%

LAB 58.68, 30.33, -45.9

 

CMYK 15 / 0 / 78 / 49

HEX #6E811C

RGB 110 129 28

HSL 71.29, 0.64%, 0.31%

LAB 50.8, -20.84, 48.57

 

CMYK 14 / 0 / 68 / 42

HEX #7F932F

RGB 127 147 47

HSL 72, 0.52%, 0.38%

LAB 57.64, -21.52, 48.44

 

CMYK 13 / 0 / 60 / 35

HEX #90A542

RGB 144 165 66

HSL 72.73, 0.43%, 0.45%

LAB 64.35, -22.01, 47.69

 

CMYK 12 / 0 / 54 / 28

HEX #A1B755

RGB 161 183 85

HSL 73.47, 0.4%, 0.53%

LAB 70.94, -22.36, 46.68

 

CMYK 11 / 0 / 48 / 21

HEX #B2C968

RGB 178 201 104

HSL 74.23, 0.47%, 0.6%

LAB 77.42, -22.62, 45.56

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 21 / 0 / 87 / 56

HEX #586F0E

RGB 88 111 14

HSL 74.23, 0.78%, 0.25%

LAB 43.47, -21.98, 45.69

 

CMYK 24 / 0 / 100 / 64

HEX #475D00

RGB 71 93 0

HSL 74.19, 1%, 0.18%

LAB 36.31, -20.85, 43.04

 

CMYK 28 / 0 / 100 / 71

HEX #364B00

RGB 54 75 0

HSL 76.8, 1%, 0.15%

LAB 28.94, -19.27, 36.89

 

CMYK 35 / 0 / 100 / 78

HEX #253900

RGB 37 57 0

HSL 81.05, 1%, 0.11%

LAB 21.28, -17.64, 29.2

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 0 / 2 / 74 / 49

HEX #817F21

RGB 129 127 33

HSL 58.75, 0.59%, 0.32%

LAB 51.79, -10.93, 48.25

 

CMYK 0 / 22 / 74 / 49

HEX #816521

RGB 129 101 33

HSL 42.5, 0.59%, 0.32%

LAB 44.35, 3.8, 40.95

 

CMYK 0 / 42 / 74 / 49

HEX #814B21

RGB 129 75 33

HSL 26.25, 0.59%, 0.32%

LAB 37.5, 19.15, 33.86

 

CMYK 0 / 62 / 74 / 49

HEX #813121

RGB 129 49 33

HSL 10, 0.59%, 0.32%

LAB 31.75, 33.54, 27.56

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 39 / 0 / 74 / 49

HEX #4F8121

RGB 79 129 33

HSL 91.25, 0.59%, 0.32%

LAB 48.85, -33.31, 44.16

 

CMYK 59 / 0 / 74 / 49

HEX #358121

RGB 53 129 33

HSL 107.5, 0.59%, 0.32%

LAB 47.71, -41.82, 42.64

 

CMYK 74 / 0 / 70 / 49

HEX #218127

RGB 33 129 39

HSL 123.75, 0.59%, 0.32%

LAB 47.2, -45.83, 39.43

 

CMYK 74 / 0 / 50 / 49

HEX #218141

RGB 33 129 65

HSL 140, 0.59%, 0.32%

LAB 47.5, -42.23, 26.89

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 21 / 0 / 86 / 44

HEX #708E14

RGB 112 142 20

HSL 74.75, 0.75%, 0.32%

LAB 54.91, -26.82, 54.67

 

CMYK 24 / 0 / 96 / 39

HEX #769C07

RGB 118 156 7

HSL 75.3, 0.91%, 0.32%

LAB 59.57, -31.33, 61.06

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 15 / 0 / 60 / 55

HEX #63742E

RGB 99 116 46

HSL 74.57, 0.43%, 0.32%

LAB 46.1, -17.64, 35.83

 

CMYK 11 / 0 / 43 / 60

HEX #5C673B

RGB 92 103 59

HSL 75, 0.27%, 0.32%

LAB 41.68, -12.14, 23.42

 

CMYK 6 / 0 / 19 / 65

HEX #555A49

RGB 85 90 73

HSL 77.65, 0.1%, 0.32%

LAB 37.34, -5.42, 9.17

 

CMYK 8 / 12 / 0 / 66

HEX #4F4C56

RGB 79 76 86

HSL 258, 0.06%, 0.32%

LAB 32.93, 3.46, -5.45

 

CMYK 0 / 21 / 74 / 49

HEX #816621

RGB 129 102 33

HSL 43.13, 0.59%, 0.32%

LAB 44.63, 3.21, 41.23

 

CMYK 0 / 1 / 74 / 49

HEX #818021

RGB 129 128 33

HSL 59.38, 0.59%, 0.32%

LAB 52.08, -11.48, 48.53

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 39 / 0 / 74 / 49

HEX #4F8121

RGB 79 129 33

HSL 91.25, 0.59%, 0.32%

LAB 48.85, -33.31, 44.16

 

CMYK 58 / 0 / 74 / 49

HEX #368121

RGB 54 129 33

HSL 106.88, 0.59%, 0.32%

LAB 47.75, -41.54, 42.69

 

CMYK 19 / 0 / 75 / 75

HEX #344010

RGB 52 64 16

HSL 75, 0.6%, 0.16%

LAB 25.06, -13.15, 26.66

 

CMYK 19 / 0 / 75 / 62

HEX #4E6018

RGB 78 96 24

HSL 75, 0.6%, 0.24%

LAB 37.93, -18.12, 36.84

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 19 / 0 / 75 / 36

HEX #84A229

RGB 132 162 41

HSL 74.88, 0.6%, 0.4%

LAB 62.43, -27.22, 55.64

 

CMYK 18 / 0 / 74 / 24

HEX #9FC332

RGB 159 195 50

HSL 74.9, 0.59%, 0.48%

LAB 73.95, -31.45, 64.24

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 74 / 0 / 41 / 49

HEX #21814C

RGB 33 129 76

HSL 146.88, 0.59%, 0.32%

LAB 47.68, -40.18, 21.04

 

CMYK 11 / 74 / 0 / 49

HEX #732181

RGB 115 33 129

HSL 291.25, 0.59%, 0.32%

LAB 30.2, 48.71, -36.59

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 74 / 19 / 0 / 49

HEX #216981

RGB 33 105 129

HSL 195, 0.59%, 0.32%

LAB 41.23, -13.51, -19.7

 

CMYK 0 / 74 / 19 / 49

HEX #812169

RGB 129 33 105

HSL 315, 0.59%, 0.32%

LAB 31.29, 48.02, -19.49

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 74 / 0 / 41 / 49

HEX #21814C

RGB 33 129 76

HSL 146.88, 0.59%, 0.32%

LAB 47.68, -40.18, 21.04

 

CMYK 56 / 74 / 0 / 49

HEX #392181

RGB 57 33 129

HSL 255, 0.59%, 0.32%

LAB 22.1, 36.99, -50.1

 

CMYK 0 / 74 / 33 / 49

HEX #812156

RGB 129 33 86

HSL 326.88, 0.59%, 0.32%

LAB 30.46, 45.41, -8.44

 

CMYK 19 / 0 / 74 / 49

HEX #698121

RGB 105 129 33

HSL 75, 0.59%, 0.32%

LAB 50.47, -22.76, 46.31

 

CMYK 74 / 0 / 19 / 49

HEX #218169

RGB 33 129 105

HSL 165, 0.59%, 0.32%

LAB 48.32, -33.36, 5.19

 

CMYK 56 / 74 / 0 / 49

HEX #392181

RGB 57 33 129

HSL 255, 0.59%, 0.32%

LAB 22.1, 36.99, -50.1

 

CMYK 0 / 74 / 56 / 49

HEX #812139

RGB 129 33 57

HSL 345, 0.59%, 0.32%

LAB 29.54, 42.37, 9.4

 

Description

Color code: HEX #698121 | qconv.com Color code: HEX #698121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 129 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 129 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 74 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 74% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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