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Color name
HEX #698ECD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698ECD it is the complementary color #967132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698ECD shade: #6E8EC8, #7FA0DB, #90B2EE, #A1C4FF and #B2D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698ECD shade: #698ECD, #587CBA, #476AA7, #365894 and #254681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698ECD shade: #698ECD, #6973CD, #7A69CD, #9569CD and #B069CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698ECD shade: #698ECD, #6973CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698ECD shade matches the following richer shades: #698ECD, #598ADD, #4986ED and #3982FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698ECD shade: #698ECD, #7992BD, #8A96AD, #9A9B9D and #AA9F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698ECD shade: #69C4CD, #69AACD, #698FCD, #6975CD and #7869CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698ECD shade: #3963AB, #4A77C2, #698ECD, #88A5D7 and #A7BDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698ECD shade: #698ECD, #BB69CD and #B7CD69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698ECD shade: #698ECD, #CD698F and #8FCD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698ECD shade: #698ECD, #BB69CD, #CDA769 and #7CCD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698ECD shade: #698ECD, #CD69C1, #CDA769 and #69CD75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

Complementary color

CMYK 0 / 25 / 67 / 41

HEX #967132

RGB 150 113 50

HSL 37.8, 0.5%, 0.39%

LAB 50.13, 7.63, 39.68

 

CMYK 45 / 29 / 0 / 22

HEX #6E8EC8

RGB 110 142 200

HSL 218.67, 0.45%, 0.61%

LAB 58.82, 4.27, -33.52

 

CMYK 42 / 27 / 0 / 14

HEX #7FA0DB

RGB 127 160 219

HSL 218.48, 0.56%, 0.68%

LAB 65.57, 3.73, -33.55

 

CMYK 39 / 25 / 0 / 7

HEX #90B2EE

RGB 144 178 238

HSL 218.3, 0.73%, 0.75%

LAB 72.19, 3.27, -33.62

 

CMYK 37 / 23 / 0 / 0

HEX #A1C4FF

RGB 161 196 255

HSL 217.66, 1%, 0.82%

LAB 78.62, 2.36, -32.75

 

CMYK 30 / 16 / 0 / 0

HEX #B2D6FF

RGB 178 214 255

HSL 211.95, 1%, 0.85%

LAB 84.37, -2.62, -23.87

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 53 / 33 / 0 / 27

HEX #587CBA

RGB 88 124 186

HSL 217.96, 0.42%, 0.54%

LAB 51.88, 5.29, -36.51

 

CMYK 57 / 37 / 0 / 35

HEX #476AA7

RGB 71 106 167

HSL 218.13, 0.4%, 0.47%

LAB 44.85, 6.25, -36.59

 

CMYK 64 / 41 / 0 / 42

HEX #365894

RGB 54 88 148

HSL 218.3, 0.47%, 0.4%

LAB 37.67, 7.5, -36.72

 

CMYK 71 / 46 / 0 / 49

HEX #254681

RGB 37 70 129

HSL 218.48, 0.55%, 0.33%

LAB 30.3, 9.17, -36.87

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 49 / 44 / 0 / 20

HEX #6973CD

RGB 105 115 205

HSL 234, 0.5%, 0.61%

LAB 51.46, 20.67, -47.96

 

CMYK 40 / 49 / 0 / 20

HEX #7A69CD

RGB 122 105 205

HSL 250.2, 0.5%, 0.61%

LAB 50.27, 30.79, -49.78

 

CMYK 27 / 49 / 0 / 20

HEX #9569CD

RGB 149 105 205

HSL 266.4, 0.5%, 0.61%

LAB 52.84, 37.8, -45.54

 

CMYK 14 / 49 / 0 / 20

HEX #B069CD

RGB 176 105 205

HSL 282.6, 0.5%, 0.61%

LAB 55.83, 45.25, -40.63

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 49 / 44 / 0 / 20

HEX #6973CD

RGB 105 115 205

HSL 234, 0.5%, 0.61%

LAB 51.46, 20.67, -47.96

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 60 / 38 / 0 / 13

HEX #598ADD

RGB 89 138 221

HSL 217.73, 0.66%, 0.61%

LAB 57.58, 8.5, -47.34

 

CMYK 69 / 43 / 0 / 7

HEX #4986ED

RGB 73 134 237

HSL 217.68, 0.82%, 0.61%

LAB 56.66, 13.67, -57.76

 

CMYK 77 / 49 / 0 / 1

HEX #3982FD

RGB 57 130 253

HSL 217.65, 0.98%, 0.61%

LAB 56.01, 19.89, -67.68

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 36 / 23 / 0 / 26

HEX #7992BD

RGB 121 146 189

HSL 217.94, 0.34%, 0.61%

LAB 60.16, 1.84, -25.19

 

CMYK 20 / 13 / 0 / 32

HEX #8A96AD

RGB 138 150 173

HSL 219.43, 0.18%, 0.61%

LAB 61.85, 0.76, -13.46

 

CMYK 2 / 1 / 0 / 38

HEX #9A9B9D

RGB 154 155 157

HSL 220, 0.02%, 0.61%

LAB 63.96, 0.03, -1.18

 

CMYK 0 / 6 / 18 / 33

HEX #AA9F8C

RGB 170 159 140

HSL 38, 0.15%, 0.61%

LAB 65.93, 0.77, 11.36

 

CMYK 49 / 4 / 0 / 20

HEX #69C4CD

RGB 105 196 205

HSL 185.4, 0.5%, 0.61%

LAB 74.12, -24.74, -12.92

 

CMYK 49 / 17 / 0 / 20

HEX #69AACD

RGB 105 170 205

HSL 201, 0.5%, 0.61%

LAB 66.64, -11.23, -24.25

 

CMYK 49 / 30 / 0 / 20

HEX #698FCD

RGB 105 143 205

HSL 217.2, 0.5%, 0.61%

LAB 59.03, 3.94, -36.03

 

CMYK 49 / 43 / 0 / 20

HEX #6975CD

RGB 105 117 205

HSL 232.8, 0.5%, 0.61%

LAB 51.99, 19.46, -47.13

 

CMYK 41 / 49 / 0 / 20

HEX #7869CD

RGB 120 105 205

HSL 249, 0.5%, 0.61%

LAB 50.1, 30.3, -50.07

 

CMYK 67 / 42 / 0 / 33

HEX #3963AB

RGB 57 99 171

HSL 217.89, 0.5%, 0.45%

LAB 42.36, 9.33, -42.95

 

CMYK 62 / 39 / 0 / 24

HEX #4A77C2

RGB 74 119 194

HSL 217.5, 0.5%, 0.53%

LAB 50.15, 8.03, -43.87

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 37 / 23 / 0 / 16

HEX #88A5D7

RGB 136 165 215

HSL 217.97, 0.5%, 0.69%

LAB 67.32, 2.22, -28.6

 

CMYK 26 / 16 / 0 / 12

HEX #A7BDE1

RGB 167 189 225

HSL 217.24, 0.49%, 0.77%

LAB 76.1, 0.43, -20.45

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 9 / 49 / 0 / 20

HEX #BB69CD

RGB 187 105 205

HSL 289.2, 0.5%, 0.61%

LAB 57.15, 48.35, -38.46

 

CMYK 11 / 0 / 49 / 20

HEX #B7CD69

RGB 183 205 105

HSL 73.2, 0.5%, 0.61%

LAB 78.9, -22.51, 46.94

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 0 / 49 / 30 / 20

HEX #CD698F

RGB 205 105 143

HSL 337.2, 0.5%, 0.61%

LAB 57.14, 43.76, -2.53

 

CMYK 30 / 0 / 49 / 20

HEX #8FCD69

RGB 143 205 105

HSL 97.2, 0.5%, 0.61%

LAB 76.39, -37.44, 43.31

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 9 / 49 / 0 / 20

HEX #BB69CD

RGB 187 105 205

HSL 289.2, 0.5%, 0.61%

LAB 57.15, 48.35, -38.46

 

CMYK 0 / 19 / 49 / 20

HEX #CDA769

RGB 205 167 105

HSL 37.2, 0.5%, 0.61%

LAB 70.62, 6.1, 37.17

 

CMYK 40 / 0 / 49 / 20

HEX #7CCD69

RGB 124 205 105

HSL 108.6, 0.5%, 0.61%

LAB 75.43, -43.77, 41.92

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 0 / 49 / 6 / 20

HEX #CD69C1

RGB 205 105 193

HSL 307.2, 0.5%, 0.61%

LAB 58.91, 51.34, -28.71

 

CMYK 0 / 19 / 49 / 20

HEX #CDA769

RGB 205 167 105

HSL 37.2, 0.5%, 0.61%

LAB 70.62, 6.1, 37.17

 

CMYK 49 / 0 / 43 / 20

HEX #69CD75

RGB 105 205 117

HSL 127.2, 0.5%, 0.61%

LAB 74.79, -47.67, 34.96

 

Description

Color code: HEX #698ECD | qconv.com Color code: HEX #698ECD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 142 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 142 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 31 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 31% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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