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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6993F6 it is the complementary color #966C09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6993F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6993F6 shade: #6E93F1, #7FA5FF, #90B7FF, #A1C9FF and #B2DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6993F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6993F6 shade: #6993F6, #5881E3, #476FD0, #365DBD and #254BAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6993F6 shade: #6993F6, #696DF6, #8B69F6, #B169F6 and #D769F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6993F6 shade: #6993F6, #696DF6 and #6969F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6993F6 shade matches the following richer shades: #6993F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6993F6 shade: #6993F6, #7698E9, #839DDC, #8FA3CF and #9CA8C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6993F6 shade: #69DEF6, #69B9F6, #6993F6, #696EF6 and #8A69F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6993F6 shade: #1B5BF1, #4277F4, #6993F6, #90AFF8 and #B7CBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6993F6 shade: #6993F6, #E869F6 and #CCF669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6993F6 shade: #6993F6, #F66993 and #93F669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6993F6 shade: #6993F6, #E869F6, #F6CC69 and #77F669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6993F6 shade: #6993F6, #F669DA, #F6CC69 and #69F685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

Complementary color

CMYK 0 / 28 / 94 / 41

HEX #966C09

RGB 150 108 9

HSL 42.13, 0.89%, 0.31%

LAB 48.55, 8.86, 53.43

 

CMYK 54 / 39 / 0 / 5

HEX #6E93F1

RGB 110 147 241

HSL 223.05, 0.82%, 0.69%

LAB 62.11, 13.81, -51.19

 

CMYK 50 / 35 / 0 / 0

HEX #7FA5FF

RGB 127 165 255

HSL 222.19, 1%, 0.75%

LAB 68.49, 11.31, -48.7

 

CMYK 44 / 28 / 0 / 0

HEX #90B7FF

RGB 144 183 255

HSL 218.92, 1%, 0.78%

LAB 74.2, 5.14, -39.68

 

CMYK 37 / 21 / 0 / 0

HEX #A1C9FF

RGB 161 201 255

HSL 214.47, 1%, 0.82%

LAB 79.94, -0.34, -30.73

 

CMYK 30 / 14 / 0 / 0

HEX #B2DBFF

RGB 178 219 255

HSL 208.05, 1%, 0.85%

LAB 85.68, -5.24, -21.88

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 61 / 43 / 0 / 11

HEX #5881E3

RGB 88 129 227

HSL 222.3, 0.71%, 0.62%

LAB 55.4, 15.72, -54.16

 

CMYK 66 / 47 / 0 / 18

HEX #476FD0

RGB 71 111 208

HSL 222.48, 0.59%, 0.55%

LAB 48.59, 17.34, -54.38

 

CMYK 71 / 51 / 0 / 26

HEX #365DBD

RGB 54 93 189

HSL 222.67, 0.56%, 0.48%

LAB 41.67, 19.33, -54.61

 

CMYK 78 / 56 / 0 / 33

HEX #254BAA

RGB 37 75 170

HSL 222.86, 0.64%, 0.41%

LAB 34.66, 21.83, -54.8

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 57 / 56 / 0 / 4

HEX #696DF6

RGB 105 109 246

HSL 238.3, 0.89%, 0.69%

LAB 52.5, 37.14, -69.37

 

CMYK 43 / 57 / 0 / 4

HEX #8B69F6

RGB 139 105 246

HSL 254.47, 0.89%, 0.69%

LAB 54.29, 46.08, -66.36

 

CMYK 28 / 57 / 0 / 4

HEX #B169F6

RGB 177 105 246

HSL 270.64, 0.89%, 0.69%

LAB 58.14, 54.57, -59.97

 

CMYK 13 / 57 / 0 / 4

HEX #D769F6

RGB 215 105 246

HSL 286.81, 0.89%, 0.69%

LAB 62.68, 63.71, -52.45

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 57 / 56 / 0 / 4

HEX #696DF6

RGB 105 109 246

HSL 238.3, 0.89%, 0.69%

LAB 52.5, 37.14, -69.37

 

CMYK 57 / 57 / 0 / 4

HEX #6969F6

RGB 105 105 246

HSL 240, 0.89%, 0.69%

LAB 51.57, 39.52, -70.89

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 49 / 35 / 0 / 9

HEX #7698E9

RGB 118 152 233

HSL 222.26, 0.72%, 0.69%

LAB 63.5, 10.19, -44.55

 

CMYK 40 / 29 / 0 / 14

HEX #839DDC

RGB 131 157 220

HSL 222.47, 0.56%, 0.69%

LAB 65.05, 6.76, -34.9

 

CMYK 31 / 21 / 0 / 19

HEX #8FA3CF

RGB 143 163 207

HSL 221.25, 0.4%, 0.69%

LAB 66.93, 3.26, -24.73

 

CMYK 20 / 14 / 0 / 24

HEX #9CA8C3

RGB 156 168 195

HSL 221.54, 0.25%, 0.69%

LAB 68.76, 1.58, -15.22

 

CMYK 57 / 10 / 0 / 4

HEX #69DEF6

RGB 105 222 246

HSL 190.21, 0.89%, 0.69%

LAB 82.86, -26.35, -21.71

 

CMYK 57 / 25 / 0 / 4

HEX #69B9F6

RGB 105 185 246

HSL 205.96, 0.89%, 0.69%

LAB 72.47, -7.22, -37.68

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 57 / 55 / 0 / 4

HEX #696EF6

RGB 105 110 246

HSL 237.87, 0.89%, 0.69%

LAB 52.74, 36.54, -68.99

 

CMYK 44 / 57 / 0 / 4

HEX #8A69F6

RGB 138 105 246

HSL 254.04, 0.89%, 0.69%

LAB 54.2, 45.87, -66.51

 

CMYK 89 / 62 / 0 / 5

HEX #1B5BF1

RGB 27 91 241

HSL 222.06, 0.88%, 0.53%

LAB 44.33, 37.71, -80.05

 

CMYK 73 / 51 / 0 / 4

HEX #4277F4

RGB 66 119 244

HSL 222.13, 0.89%, 0.61%

LAB 52.82, 24.45, -67.84

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 42 / 29 / 0 / 3

HEX #90AFF8

RGB 144 175 248

HSL 222.12, 0.88%, 0.77%

LAB 71.8, 7.67, -39.64

 

CMYK 27 / 19 / 0 / 2

HEX #B7CBFA

RGB 183 203 250

HSL 222.09, 0.87%, 0.85%

LAB 81.66, 3.47, -25.3

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 6 / 57 / 0 / 4

HEX #E869F6

RGB 232 105 246

HSL 294.04, 0.89%, 0.69%

LAB 64.89, 67.89, -48.81

 

CMYK 17 / 0 / 57 / 4

HEX #CCF669

RGB 204 246 105

HSL 77.87, 0.89%, 0.69%

LAB 91.58, -33.82, 62.08

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 0 / 57 / 40 / 4

HEX #F66993

RGB 246 105 147

HSL 342.13, 0.89%, 0.69%

LAB 63.18, 57.78, 4.67

 

CMYK 40 / 0 / 57 / 4

HEX #93F669

RGB 147 246 105

HSL 102.13, 0.89%, 0.69%

LAB 88.51, -53.59, 57.76

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 6 / 57 / 0 / 4

HEX #E869F6

RGB 232 105 246

HSL 294.04, 0.89%, 0.69%

LAB 64.89, 67.89, -48.81

 

CMYK 0 / 17 / 57 / 4

HEX #F6CC69

RGB 246 204 105

HSL 42.13, 0.89%, 0.69%

LAB 83.86, 3.54, 54.1

 

CMYK 52 / 0 / 57 / 4

HEX #77F669

RGB 119 246 105

HSL 114.04, 0.89%, 0.69%

LAB 87.41, -61.58, 56.21

 

CMYK 57 / 40 / 0 / 4

HEX #6993F6

RGB 105 147 246

HSL 222.13, 0.89%, 0.69%

LAB 62.1, 14.39, -53.97

 

CMYK 0 / 57 / 11 / 4

HEX #F669DA

RGB 246 105 218

HSL 311.91, 0.89%, 0.69%

LAB 65.56, 66.9, -32.08

 

CMYK 0 / 17 / 57 / 4

HEX #F6CC69

RGB 246 204 105

HSL 42.13, 0.89%, 0.69%

LAB 83.86, 3.54, 54.1

 

CMYK 57 / 0 / 46 / 4

HEX #69F685

RGB 105 246 133

HSL 131.91, 0.89%, 0.69%

LAB 87.29, -61.35, 43.01

 

Description

Color code: HEX #6993F6 | qconv.com Color code: HEX #6993F6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 147 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 147 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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