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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69BFC8 it is the complementary color #964037. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69BFC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69BFC8 shade: #6EBFC3, #7FD1D6, #90E3E9, #A1F5FC and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69BFC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69BFC8 shade: #69BFC8, #58ADB5, #479BA2, #36898F and #25777C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69BFC8 shade: #6ABFC7, #6AA5C7, #6A8CC7, #6A73C7 and #7A6AC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69BFC8 shade: #6ABFC7, #6AA5C7, #6A8CC7, #6A73C7 and #6A6AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69BFC8 shade matches the following richer shades: #6ABFC7, #59CCD8, #49D9E8 and #38E7F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69BFC8 shade: #6ABFC7, #7AB1B7, #8BA4A6, #9B9696 and #AC8985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69BFC8 shade: #6AC79D, #6AC7B6, #6AC0C7, #6AA7C7 and #6A8EC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69BFC8 shade: #3C99A3, #4BB2BC, #6ABFC7, #88CBD3 and #A6D8DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69BFC8 shade: #69BFC8, #846AC7 and #C7AA6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69BFC8 shade: #69BFC8, #C76AC0 and #C0C76A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69BFC8 shade: #69BFC8, #846AC7, #C7716A and #ADC76A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69BFC8 shade: #69BFC8, #A06AC7, #C7716A and #91C76A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 5 / 0 / 22

HEX #69BFC8

RGB 105 191 200

HSL 185.68, 0.46%, 0.6%

LAB 72.52, -23.57, -12.6

 

Complementary color

CMYK 0 / 57 / 63 / 41

HEX #964037

RGB 150 64 55

HSL 5.68, 0.46%, 0.4%

LAB 38.6, 35.47, 23.33

 

CMYK 44 / 2 / 0 / 24

HEX #6EBFC3

RGB 110 191 195

HSL 182.82, 0.41%, 0.6%

LAB 72.57, -23.7, -9.77

 

CMYK 41 / 2 / 0 / 16

HEX #7FD1D6

RGB 127 209 214

HSL 183.45, 0.51%, 0.67%

LAB 79.02, -23.7, -10.35

 

CMYK 38 / 3 / 0 / 9

HEX #90E3E9

RGB 144 227 233

HSL 184.04, 0.67%, 0.74%

LAB 85.38, -23.68, -10.9

 

CMYK 36 / 3 / 0 / 1

HEX #A1F5FC

RGB 161 245 252

HSL 184.62, 0.94%, 0.81%

LAB 91.64, -23.65, -11.43

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 48 / 5 / 0 / 22

HEX #69BFC8

RGB 105 191 200

HSL 185.68, 0.46%, 0.6%

LAB 72.52, -23.57, -12.6

 

CMYK 51 / 4 / 0 / 29

HEX #58ADB5

RGB 88 173 181

HSL 185.16, 0.39%, 0.53%

LAB 65.98, -23.43, -12.01

 

CMYK 56 / 4 / 0 / 36

HEX #479BA2

RGB 71 155 162

HSL 184.62, 0.39%, 0.46%

LAB 59.33, -23.21, -11.38

 

CMYK 62 / 4 / 0 / 44

HEX #36898F

RGB 54 137 143

HSL 184.04, 0.45%, 0.39%

LAB 52.57, -22.85, -10.69

 

CMYK 70 / 4 / 0 / 51

HEX #25777C

RGB 37 119 124

HSL 183.45, 0.54%, 0.32%

LAB 45.69, -22.27, -9.9

 

CMYK 47 / 4 / 0 / 22

HEX #6ABFC7

RGB 106 191 199

HSL 185.16, 0.45%, 0.6%

LAB 72.53, -23.6, -12.04

 

CMYK 47 / 17 / 0 / 22

HEX #6AA5C7

RGB 106 165 199

HSL 201.94, 0.45%, 0.6%

LAB 65.04, -9.99, -23.37

 

CMYK 47 / 30 / 0 / 22

HEX #6A8CC7

RGB 106 140 199

HSL 218.06, 0.45%, 0.6%

LAB 57.98, 4.14, -34.28

 

CMYK 47 / 42 / 0 / 22

HEX #6A73C7

RGB 106 115 199

HSL 234.19, 0.45%, 0.6%

LAB 51.21, 19.08, -44.94

 

CMYK 39 / 47 / 0 / 22

HEX #7A6AC7

RGB 122 106 199

HSL 250.32, 0.45%, 0.6%

LAB 50.18, 28.51, -46.5

 

CMYK 47 / 4 / 0 / 22

HEX #6ABFC7

RGB 106 191 199

HSL 185.16, 0.45%, 0.6%

LAB 72.53, -23.6, -12.04

 

CMYK 47 / 17 / 0 / 22

HEX #6AA5C7

RGB 106 165 199

HSL 201.94, 0.45%, 0.6%

LAB 65.04, -9.99, -23.37

 

CMYK 47 / 30 / 0 / 22

HEX #6A8CC7

RGB 106 140 199

HSL 218.06, 0.45%, 0.6%

LAB 57.98, 4.14, -34.28

 

CMYK 47 / 42 / 0 / 22

HEX #6A73C7

RGB 106 115 199

HSL 234.19, 0.45%, 0.6%

LAB 51.21, 19.08, -44.94

 

CMYK 47 / 47 / 0 / 22

HEX #6A6AC7

RGB 106 106 199

HSL 240, 0.45%, 0.6%

LAB 48.88, 24.56, -48.65

 

CMYK 47 / 4 / 0 / 22

HEX #6ABFC7

RGB 106 191 199

HSL 185.16, 0.45%, 0.6%

LAB 72.53, -23.6, -12.04

 

CMYK 59 / 6 / 0 / 15

HEX #59CCD8

RGB 89 204 216

HSL 185.67, 0.62%, 0.6%

LAB 76.23, -28.87, -15.75

 

CMYK 69 / 6 / 0 / 9

HEX #49D9E8

RGB 73 217 232

HSL 185.66, 0.78%, 0.6%

LAB 80.11, -33.03, -18.53

 

CMYK 78 / 7 / 0 / 2

HEX #38E7F9

RGB 56 231 249

HSL 185.6, 0.94%, 0.6%

LAB 84.4, -36.5, -21.08

 

CMYK 47 / 4 / 0 / 22

HEX #6ABFC7

RGB 106 191 199

HSL 185.16, 0.45%, 0.6%

LAB 72.53, -23.6, -12.04

 

CMYK 33 / 3 / 0 / 28

HEX #7AB1B7

RGB 122 177 183

HSL 185.9, 0.3%, 0.6%

LAB 68.75, -16.41, -8.82

 

CMYK 16 / 1 / 0 / 35

HEX #8BA4A6

RGB 139 164 166

HSL 184.44, 0.13%, 0.6%

LAB 65.59, -8.22, -3.95

 

CMYK 0 / 3 / 3 / 39

HEX #9B9696

RGB 155 150 150

HSL 0, 0.02%, 0.6%

LAB 62.49, 1.83, 0.64

 

CMYK 0 / 20 / 23 / 33

HEX #AC8985

RGB 172 137 133

HSL 6.15, 0.19%, 0.6%

LAB 60.21, 12.67, 7.2

 

CMYK 47 / 0 / 21 / 22

HEX #6AC79D

RGB 106 199 157

HSL 152.9, 0.45%, 0.6%

LAB 73.77, -37.47, 12.58

 

CMYK 47 / 0 / 9 / 22

HEX #6AC7B6

RGB 106 199 182

HSL 169.03, 0.45%, 0.6%

LAB 74.37, -31.81, -0.06

 

CMYK 47 / 4 / 0 / 22

HEX #6AC0C7

RGB 106 192 199

HSL 184.52, 0.45%, 0.6%

LAB 72.82, -24.1, -11.6

 

CMYK 47 / 16 / 0 / 22

HEX #6AA7C7

RGB 106 167 199

HSL 200.65, 0.45%, 0.6%

LAB 65.61, -11.07, -22.5

 

CMYK 47 / 29 / 0 / 22

HEX #6A8EC7

RGB 106 142 199

HSL 216.77, 0.45%, 0.6%

LAB 58.54, 2.97, -33.41

 

CMYK 63 / 6 / 0 / 36

HEX #3C99A3

RGB 60 153 163

HSL 185.83, 0.46%, 0.44%

LAB 58.4, -23.98, -13.39

 

CMYK 60 / 5 / 0 / 26

HEX #4BB2BC

RGB 75 178 188

HSL 185.31, 0.46%, 0.52%

LAB 67.25, -26.55, -14.03

 

CMYK 47 / 4 / 0 / 22

HEX #6ABFC7

RGB 106 191 199

HSL 185.16, 0.45%, 0.6%

LAB 72.53, -23.6, -12.04

 

CMYK 36 / 4 / 0 / 17

HEX #88CBD3

RGB 136 203 211

HSL 186.4, 0.46%, 0.68%

LAB 77.67, -19.11, -10.71

 

CMYK 25 / 3 / 0 / 13

HEX #A6D8DE

RGB 166 216 222

HSL 186.43, 0.46%, 0.76%

LAB 83.17, -14.73, -8.23

 

CMYK 48 / 5 / 0 / 22

HEX #69BFC8

RGB 105 191 200

HSL 185.68, 0.46%, 0.6%

LAB 72.52, -23.57, -12.6

 

CMYK 34 / 47 / 0 / 22

HEX #846AC7

RGB 132 106 199

HSL 256.77, 0.45%, 0.6%

LAB 51.08, 31.13, -45.01

 

CMYK 0 / 15 / 47 / 22

HEX #C7AA6A

RGB 199 170 106

HSL 41.29, 0.45%, 0.6%

LAB 70.82, 2.1, 36.78

 

CMYK 48 / 5 / 0 / 22

HEX #69BFC8

RGB 105 191 200

HSL 185.68, 0.46%, 0.6%

LAB 72.52, -23.57, -12.6

 

CMYK 0 / 47 / 4 / 22

HEX #C76AC0

RGB 199 106 192

HSL 304.52, 0.45%, 0.6%

LAB 58.28, 48.89, -29.18

 

CMYK 4 / 0 / 47 / 22

HEX #C0C76A

RGB 192 199 106

HSL 64.52, 0.45%, 0.6%

LAB 77.93, -15.86, 45.44

 

CMYK 48 / 5 / 0 / 22

HEX #69BFC8

RGB 105 191 200

HSL 185.68, 0.46%, 0.6%

LAB 72.52, -23.57, -12.6

 

CMYK 34 / 47 / 0 / 22

HEX #846AC7

RGB 132 106 199

HSL 256.77, 0.45%, 0.6%

LAB 51.08, 31.13, -45.01

 

CMYK 0 / 43 / 47 / 22

HEX #C7716A

RGB 199 113 106

HSL 4.52, 0.45%, 0.6%

LAB 57.07, 33.1, 18.77

 

CMYK 13 / 0 / 47 / 22

HEX #ADC76A

RGB 173 199 106

HSL 76.77, 0.45%, 0.6%

LAB 76.54, -23.38, 43.43

 

CMYK 48 / 5 / 0 / 22

HEX #69BFC8

RGB 105 191 200

HSL 185.68, 0.46%, 0.6%

LAB 72.52, -23.57, -12.6

 

CMYK 20 / 47 / 0 / 22

HEX #A06AC7

RGB 160 106 199

HSL 274.84, 0.45%, 0.6%

LAB 53.93, 38.88, -40.33

 

CMYK 0 / 43 / 47 / 22

HEX #C7716A

RGB 199 113 106

HSL 4.52, 0.45%, 0.6%

LAB 57.07, 33.1, 18.77

 

CMYK 27 / 0 / 47 / 22

HEX #91C76A

RGB 145 199 106

HSL 94.84, 0.45%, 0.6%

LAB 74.77, -33.87, 40.84

 

Description

Color code: HEX #69BFC8 | qconv.com Color code: HEX #69BFC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 191 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 191 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 5 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 5% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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