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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CDB6 it is the complementary color #963249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CDB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CDB6 shade: #6ECDB1, #7FDFC4, #90F1D7, #A1FFEA and #B2FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CDB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CDB6 shade: #69CDB6, #58BBA3, #47A990, #36977D and #25856A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CDB6 shade: #69CDB6, #69CD9B, #69CD80, #6DCD69 and #88CD69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CDB6 shade: #69CDB6, #69C9CD, #69AECD, #6993CD and #6978CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CDB6 shade matches the following richer shades: #69CDB6, #59DDBF, #49EDC7 and #39FDD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CDB6 shade: #69CDB6, #79BDAD, #8AADA5, #9A9D9C and #AA8C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CDB6 shade: #69CD81, #69CD9B, #69CDB6, #69C9CD and #69AFCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CDB6 shade: #39AB91, #4AC2A7, #69CDB6, #88D7C5 and #A7E1D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CDB6 shade: #69CDB6, #696DCD and #CD8E69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CDB6 shade: #69CDB6, #B669CD and #CDB669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CDB6 shade: #69CDB6, #696DCD, #CD6981 and #CDC969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CDB6 shade: #69CDB6, #8469CD, #CD6981 and #B2CD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

Complementary color

CMYK 0 / 67 / 51 / 41

HEX #963249

RGB 150 50 73

HSL 346.2, 0.5%, 0.39%

LAB 36.45, 43.63, 9.18

 

CMYK 46 / 0 / 14 / 20

HEX #6ECDB1

RGB 110 205 177

HSL 162.32, 0.49%, 0.62%

LAB 76.16, -34.83, 5.25

 

CMYK 43 / 0 / 12 / 13

HEX #7FDFC4

RGB 127 223 196

HSL 163.13, 0.6%, 0.69%

LAB 82.53, -34.68, 4.39

 

CMYK 40 / 0 / 11 / 5

HEX #90F1D7

RGB 144 241 215

HSL 163.92, 0.78%, 0.75%

LAB 88.8, -34.52, 3.58

 

CMYK 37 / 0 / 8 / 0

HEX #A1FFEA

RGB 161 255 234

HSL 166.6, 1%, 0.82%

LAB 93.9, -32.49, 1.22

 

CMYK 30 / 0 / 1 / 0

HEX #B2FFFD

RGB 178 255 253

HSL 178.44, 1%, 0.85%

LAB 95.19, -23.81, -6.6

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 53 / 0 / 13 / 27

HEX #58BBA3

RGB 88 187 163

HSL 165.45, 0.42%, 0.54%

LAB 69.65, -34.91, 3.35

 

CMYK 58 / 0 / 15 / 34

HEX #47A990

RGB 71 169 144

HSL 164.69, 0.41%, 0.47%

LAB 63.12, -34.87, 4.33

 

CMYK 64 / 0 / 17 / 41

HEX #36977D

RGB 54 151 125

HSL 163.92, 0.47%, 0.4%

LAB 56.48, -34.7, 5.43

 

CMYK 72 / 0 / 20 / 48

HEX #25856A

RGB 37 133 106

HSL 163.13, 0.56%, 0.33%

LAB 49.75, -34.31, 6.67

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 49 / 0 / 24 / 20

HEX #69CD9B

RGB 105 205 155

HSL 150, 0.5%, 0.61%

LAB 75.47, -40.83, 16.03

 

CMYK 49 / 0 / 38 / 20

HEX #69CD80

RGB 105 205 128

HSL 133.8, 0.5%, 0.61%

LAB 74.97, -45.89, 29.55

 

CMYK 47 / 0 / 49 / 20

HEX #6DCD69

RGB 109 205 105

HSL 117.6, 0.5%, 0.61%

LAB 74.78, -48.29, 40.97

 

CMYK 34 / 0 / 49 / 20

HEX #88CD69

RGB 136 205 105

HSL 101.4, 0.5%, 0.61%

LAB 76.02, -39.84, 42.77

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 49 / 2 / 0 / 20

HEX #69C9CD

RGB 105 201 205

HSL 182.4, 0.5%, 0.61%

LAB 75.57, -27.21, -10.76

 

CMYK 49 / 15 / 0 / 20

HEX #69AECD

RGB 105 174 205

HSL 198.6, 0.5%, 0.61%

LAB 67.79, -13.38, -22.5

 

CMYK 49 / 28 / 0 / 20

HEX #6993CD

RGB 105 147 205

HSL 214.8, 0.5%, 0.61%

LAB 60.14, 1.62, -34.3

 

CMYK 49 / 41 / 0 / 20

HEX #6978CD

RGB 105 120 205

HSL 231, 0.5%, 0.61%

LAB 52.78, 17.64, -45.87

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 60 / 0 / 14 / 13

HEX #59DDBF

RGB 89 221 191

HSL 166.36, 0.66%, 0.61%

LAB 80.51, -43.26, 3.97

 

CMYK 69 / 0 / 16 / 7

HEX #49EDC7

RGB 73 237 199

HSL 166.1, 0.82%, 0.61%

LAB 85.05, -50.72, 6.25

 

CMYK 77 / 0 / 18 / 1

HEX #39FDD0

RGB 57 253 208

HSL 166.22, 0.98%, 0.61%

LAB 89.71, -56.92, 8.22

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 36 / 0 / 8 / 26

HEX #79BDAD

RGB 121 189 173

HSL 165.88, 0.34%, 0.61%

LAB 71.88, -25.15, 1.27

 

CMYK 20 / 0 / 5 / 32

HEX #8AADA5

RGB 138 173 165

HSL 166.29, 0.18%, 0.61%

LAB 68.03, -13.56, 0.17

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9C

RGB 154 157 156

HSL 160, 0.02%, 0.61%

LAB 64.47, -1.27, 0.14

 

CMYK 0 / 18 / 14 / 33

HEX #AA8C93

RGB 170 140 147

HSL 346, 0.15%, 0.61%

LAB 61.14, 12.49, 0.54

 

CMYK 49 / 0 / 37 / 20

HEX #69CD81

RGB 105 205 129

HSL 134.4, 0.5%, 0.61%

LAB 74.98, -45.72, 29.06

 

CMYK 49 / 0 / 24 / 20

HEX #69CD9B

RGB 105 205 155

HSL 150, 0.5%, 0.61%

LAB 75.47, -40.83, 16.03

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 49 / 2 / 0 / 20

HEX #69C9CD

RGB 105 201 205

HSL 182.4, 0.5%, 0.61%

LAB 75.57, -27.21, -10.76

 

CMYK 49 / 15 / 0 / 20

HEX #69AFCD

RGB 105 175 205

HSL 198, 0.5%, 0.61%

LAB 68.07, -13.91, -22.06

 

CMYK 67 / 0 / 15 / 33

HEX #39AB91

RGB 57 171 145

HSL 166.32, 0.5%, 0.45%

LAB 63.38, -38.14, 4.1

 

CMYK 62 / 0 / 14 / 24

HEX #4AC2A7

RGB 74 194 167

HSL 166.5, 0.5%, 0.53%

LAB 71.44, -39.93, 3.69

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 37 / 0 / 8 / 16

HEX #88D7C5

RGB 136 215 197

HSL 166.33, 0.5%, 0.69%

LAB 80.66, -28.32, 1.21

 

CMYK 26 / 0 / 6 / 12

HEX #A7E1D4

RGB 167 225 212

HSL 166.55, 0.49%, 0.77%

LAB 85.41, -21.11, 0.37

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 49 / 47 / 0 / 20

HEX #696DCD

RGB 105 109 205

HSL 237.6, 0.5%, 0.61%

LAB 49.92, 24.33, -50.43

 

CMYK 0 / 31 / 49 / 20

HEX #CD8E69

RGB 205 142 105

HSL 22.2, 0.5%, 0.61%

LAB 64.44, 19.67, 29.27

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 11 / 49 / 0 / 20

HEX #B669CD

RGB 182 105 205

HSL 286.2, 0.5%, 0.61%

LAB 56.54, 46.94, -39.45

 

CMYK 0 / 11 / 49 / 20

HEX #CDB669

RGB 205 182 105

HSL 46.2, 0.5%, 0.61%

LAB 74.48, -1.88, 41.97

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 49 / 47 / 0 / 20

HEX #696DCD

RGB 105 109 205

HSL 237.6, 0.5%, 0.61%

LAB 49.92, 24.33, -50.43

 

CMYK 0 / 49 / 37 / 20

HEX #CD6981

RGB 205 105 129

HSL 345.6, 0.5%, 0.61%

LAB 56.75, 42.02, 5.08

 

CMYK 0 / 2 / 49 / 20

HEX #CDC969

RGB 205 201 105

HSL 57.6, 0.5%, 0.61%

LAB 79.48, -11.71, 48.04

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 36 / 49 / 0 / 20

HEX #8469CD

RGB 132 105 205

HSL 256.2, 0.5%, 0.61%

LAB 51.17, 33.32, -48.3

 

CMYK 0 / 49 / 37 / 20

HEX #CD6981

RGB 205 105 129

HSL 345.6, 0.5%, 0.61%

LAB 56.75, 42.02, 5.08

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

Description

Color code: HEX #69CDB6 | qconv.com Color code: HEX #69CDB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 205 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 205 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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