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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CDBC it is the complementary color #963243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CDBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CDBC shade: #6ECDB7, #7FDFCA, #90F1DD, #A1FFF0 and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CDBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CDBC shade: #69CDBC, #58BBA9, #47A996, #369783 and #258570

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CDBC shade: #69CDBC, #69CDA1, #69CD86, #69CD6B and #82CD69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CDBC shade: #69CDBC, #69C3CD, #69A8CD, #698DCD and #6972CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CDBC shade matches the following richer shades: #69CDBC, #59DDC6, #49EDD1 and #39FDDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CDBC shade: #69CDBC, #79BDB1, #8AADA7, #9A9D9C and #AA8C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CDBC shade: #69CD86, #69CDA0, #69CDBB, #69C4CD and #69AACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CDBC shade: #39AB98, #4AC2AE, #69CDBC, #88D7CA and #A7E1D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CDBC shade: #69CDBC, #6B69CD and #CD9369

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CDBC shade: #69CDBC, #BB69CD and #CDBB69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CDBC shade: #69CDBC, #6B69CD, #CD697C and #CBCD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CDBC shade: #69CDBC, #8969CD, #CD697C and #ADCD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

Complementary color

CMYK 0 / 67 / 55 / 41

HEX #963243

RGB 150 50 67

HSL 349.8, 0.5%, 0.39%

LAB 36.31, 43.1, 12.82

 

CMYK 46 / 0 / 11 / 20

HEX #6ECDB7

RGB 110 205 183

HSL 166.11, 0.49%, 0.62%

LAB 76.31, -33.44, 2.24

 

CMYK 43 / 0 / 9 / 13

HEX #7FDFCA

RGB 127 223 202

HSL 166.88, 0.6%, 0.69%

LAB 82.67, -33.32, 1.43

 

CMYK 40 / 0 / 8 / 5

HEX #90F1DD

RGB 144 241 221

HSL 167.63, 0.78%, 0.75%

LAB 88.95, -33.19, 0.67

 

CMYK 37 / 0 / 6 / 0

HEX #A1FFF0

RGB 161 255 240

HSL 170.43, 1%, 0.82%

LAB 94.05, -31.17, -1.66

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 53 / 0 / 10 / 27

HEX #58BBA9

RGB 88 187 169

HSL 169.09, 0.42%, 0.54%

LAB 69.81, -33.43, 0.28

 

CMYK 58 / 0 / 11 / 34

HEX #47A996

RGB 71 169 150

HSL 168.37, 0.41%, 0.47%

LAB 63.27, -33.36, 1.21

 

CMYK 64 / 0 / 13 / 41

HEX #369783

RGB 54 151 131

HSL 167.63, 0.47%, 0.4%

LAB 56.64, -33.14, 2.23

 

CMYK 72 / 0 / 16 / 48

HEX #258570

RGB 37 133 112

HSL 166.88, 0.56%, 0.33%

LAB 49.9, -32.71, 3.39

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 49 / 0 / 21 / 20

HEX #69CDA1

RGB 105 205 161

HSL 153.6, 0.5%, 0.61%

LAB 75.6, -39.58, 13.01

 

CMYK 49 / 0 / 35 / 20

HEX #69CD86

RGB 105 205 134

HSL 137.4, 0.5%, 0.61%

LAB 75.07, -44.85, 26.57

 

CMYK 49 / 0 / 48 / 20

HEX #69CD6B

RGB 105 205 107

HSL 121.2, 0.5%, 0.61%

LAB 74.65, -49.14, 39.79

 

CMYK 37 / 0 / 49 / 20

HEX #82CD69

RGB 130 205 105

HSL 105, 0.5%, 0.61%

LAB 75.72, -41.84, 42.33

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 49 / 5 / 0 / 20

HEX #69C3CD

RGB 105 195 205

HSL 186, 0.5%, 0.61%

LAB 73.83, -24.24, -13.35

 

CMYK 49 / 18 / 0 / 20

HEX #69A8CD

RGB 105 168 205

HSL 202.2, 0.5%, 0.61%

LAB 66.07, -10.15, -25.13

 

CMYK 49 / 31 / 0 / 20

HEX #698DCD

RGB 105 141 205

HSL 218.4, 0.5%, 0.61%

LAB 58.47, 5.11, -36.9

 

CMYK 49 / 44 / 0 / 20

HEX #6972CD

RGB 105 114 205

HSL 234.6, 0.5%, 0.61%

LAB 51.2, 21.28, -48.38

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 60 / 0 / 10 / 13

HEX #59DDC6

RGB 89 221 198

HSL 169.55, 0.66%, 0.61%

LAB 80.69, -41.55, 0.5

 

CMYK 69 / 0 / 12 / 7

HEX #49EDD1

RGB 73 237 209

HSL 169.76, 0.82%, 0.61%

LAB 85.3, -48.25, 1.36

 

CMYK 77 / 0 / 13 / 1

HEX #39FDDC

RGB 57 253 220

HSL 169.9, 0.98%, 0.61%

LAB 89.99, -53.96, 2.42

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 36 / 0 / 6 / 26

HEX #79BDB1

RGB 121 189 177

HSL 169.41, 0.34%, 0.61%

LAB 71.98, -24.24, -0.76

 

CMYK 20 / 0 / 3 / 32

HEX #8AADA7

RGB 138 173 167

HSL 169.71, 0.18%, 0.61%

LAB 68.08, -13.13, -0.86

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9C

RGB 154 157 156

HSL 160, 0.02%, 0.61%

LAB 64.47, -1.27, 0.14

 

CMYK 0 / 18 / 15 / 33

HEX #AA8C91

RGB 170 140 145

HSL 350, 0.15%, 0.61%

LAB 61.09, 12.15, 1.6

 

CMYK 49 / 0 / 35 / 20

HEX #69CD86

RGB 105 205 134

HSL 137.4, 0.5%, 0.61%

LAB 75.07, -44.85, 26.57

 

CMYK 49 / 0 / 22 / 20

HEX #69CDA0

RGB 105 205 160

HSL 153, 0.5%, 0.61%

LAB 75.58, -39.79, 13.51

 

CMYK 49 / 0 / 9 / 20

HEX #69CDBB

RGB 105 205 187

HSL 169.2, 0.5%, 0.61%

LAB 76.22, -33.67, -0.06

 

CMYK 49 / 4 / 0 / 20

HEX #69C4CD

RGB 105 196 205

HSL 185.4, 0.5%, 0.61%

LAB 74.12, -24.74, -12.92

 

CMYK 49 / 17 / 0 / 20

HEX #69AACD

RGB 105 170 205

HSL 201, 0.5%, 0.61%

LAB 66.64, -11.23, -24.25

 

CMYK 67 / 0 / 11 / 33

HEX #39AB98

RGB 57 171 152

HSL 170, 0.5%, 0.45%

LAB 63.56, -36.32, 0.46

 

CMYK 62 / 0 / 10 / 24

HEX #4AC2AE

RGB 74 194 174

HSL 170, 0.5%, 0.53%

LAB 71.62, -38.16, 0.14

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 37 / 0 / 6 / 16

HEX #88D7CA

RGB 136 215 202

HSL 170.13, 0.5%, 0.69%

LAB 80.79, -27.19, -1.27

 

CMYK 26 / 0 / 4 / 12

HEX #A7E1D8

RGB 167 225 216

HSL 170.69, 0.49%, 0.77%

LAB 85.52, -20.27, -1.59

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 0 / 28 / 49 / 20

HEX #CD9369

RGB 205 147 105

HSL 25.2, 0.5%, 0.61%

LAB 65.64, 16.94, 30.83

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 9 / 49 / 0 / 20

HEX #BB69CD

RGB 187 105 205

HSL 289.2, 0.5%, 0.61%

LAB 57.15, 48.35, -38.46

 

CMYK 0 / 9 / 49 / 20

HEX #CDBB69

RGB 205 187 105

HSL 49.2, 0.5%, 0.61%

LAB 75.79, -4.5, 43.57

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 48 / 49 / 0 / 20

HEX #6B69CD

RGB 107 105 205

HSL 241.2, 0.5%, 0.61%

LAB 49.05, 27.22, -51.8

 

CMYK 0 / 49 / 40 / 20

HEX #CD697C

RGB 205 105 124

HSL 348.6, 0.5%, 0.61%

LAB 56.62, 41.45, 7.82

 

CMYK 1 / 0 / 49 / 20

HEX #CBCD69

RGB 203 205 105

HSL 61.2, 0.5%, 0.61%

LAB 80.39, -14.54, 49.09

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 33 / 49 / 0 / 20

HEX #8969CD

RGB 137 105 205

HSL 259.2, 0.5%, 0.61%

LAB 51.64, 34.61, -47.52

 

CMYK 0 / 49 / 40 / 20

HEX #CD697C

RGB 205 105 124

HSL 348.6, 0.5%, 0.61%

LAB 56.62, 41.45, 7.82

 

CMYK 16 / 0 / 49 / 20

HEX #ADCD69

RGB 173 205 105

HSL 79.2, 0.5%, 0.61%

LAB 78.21, -26.4, 45.95

 

Description

Color code: HEX #69CDBC | qconv.com Color code: HEX #69CDBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 205 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 205 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 8 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 8% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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