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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69D773 it is the complementary color #96288C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69D773. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69D773 shade: #6ED76E, #7FE981, #90FB94, #A1FFA7 and #B2FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69D773. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69D773 shade: #69D773, #58C560, #47B34D, #36A13A and #258F27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69D773 shade: #69D773, #7DD769, #9BD769, #B8D769 and #D6D769

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69D773 shade: #69D773, #69D791, #69D7AE, #69D7CC and #69C4D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69D773 shade matches the following richer shades: #69D773, #5AE667 and #4BF55A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69D773 shade: #69D773, #79C880, #88B88C, #97A999 and #A69AA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69D773 shade: #9BD769, #7DD769, #69D773, #69D790 and #69D7AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69D773 shade: #32BC3E, #49CE55, #69D773, #8AE092 and #ABE8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69D773 shade: #69D773, #69B8D7 and #D7698C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69D773 shade: #69D773, #7369D7 and #D77369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69D773 shade: #69D773, #69B8D7, #D769CE and #D78869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69D773 shade: #69D773, #6997D7, #D769CE and #D7A969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

Complementary color

CMYK 0 / 73 / 7 / 41

HEX #96288C

RGB 150 40 140

HSL 305.45, 0.58%, 0.37%

LAB 37.65, 56.24, -31.2

 

CMYK 49 / 0 / 49 / 16

HEX #6ED76E

RGB 110 215 110

HSL 120, 0.57%, 0.64%

LAB 77.9, -51.39, 42.4

 

CMYK 45 / 0 / 45 / 9

HEX #7FE981

RGB 127 233 129

HSL 121.13, 0.71%, 0.71%

LAB 84.16, -51.33, 41.13

 

CMYK 43 / 0 / 41 / 2

HEX #90FB94

RGB 144 251 148

HSL 122.24, 0.93%, 0.77%

LAB 90.35, -51.19, 39.9

 

CMYK 37 / 0 / 35 / 0

HEX #A1FFA7

RGB 161 255 167

HSL 123.83, 1%, 0.82%

LAB 92.53, -45.07, 33.5

 

CMYK 30 / 0 / 27 / 0

HEX #B2FFBA

RGB 178 255 186

HSL 126.23, 1%, 0.85%

LAB 93.68, -36.85, 25.64

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 55 / 0 / 51 / 23

HEX #58C560

RGB 88 197 96

HSL 124.4, 0.48%, 0.56%

LAB 71.45, -51.96, 41.09

 

CMYK 60 / 0 / 57 / 30

HEX #47B34D

RGB 71 179 77

HSL 123.33, 0.43%, 0.49%

LAB 65.05, -51.69, 42.42

 

CMYK 66 / 0 / 64 / 37

HEX #36A13A

RGB 54 161 58

HSL 122.24, 0.5%, 0.42%

LAB 58.58, -51.1, 43.65

 

CMYK 74 / 0 / 73 / 44

HEX #258F27

RGB 37 143 39

HSL 121.13, 0.59%, 0.35%

LAB 52.05, -49.99, 44.58

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 42 / 0 / 51 / 16

HEX #7DD769

RGB 125 215 105

HSL 109.09, 0.58%, 0.63%

LAB 78.45, -47.68, 45.62

 

CMYK 28 / 0 / 51 / 16

HEX #9BD769

RGB 155 215 105

HSL 92.73, 0.58%, 0.63%

LAB 79.95, -37.73, 47.78

 

CMYK 14 / 0 / 51 / 16

HEX #B8D769

RGB 184 215 105

HSL 76.91, 0.58%, 0.63%

LAB 81.74, -26.96, 50.35

 

CMYK 0 / 0 / 51 / 16

HEX #D6D769

RGB 214 215 105

HSL 60.55, 0.58%, 0.63%

LAB 83.92, -15.1, 53.47

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 51 / 0 / 33 / 16

HEX #69D791

RGB 105 215 145

HSL 141.82, 0.58%, 0.63%

LAB 78.26, -47.09, 25.13

 

CMYK 51 / 0 / 19 / 16

HEX #69D7AE

RGB 105 215 174

HSL 157.64, 0.58%, 0.63%

LAB 78.85, -41.23, 10.67

 

CMYK 51 / 0 / 5 / 16

HEX #69D7CC

RGB 105 215 204

HSL 174, 0.58%, 0.63%

LAB 79.59, -34.17, -4.25

 

CMYK 51 / 9 / 0 / 16

HEX #69C4D7

RGB 105 196 215

HSL 190.36, 0.58%, 0.63%

LAB 74.44, -22.02, -17.86

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 61 / 0 / 55 / 10

HEX #5AE667

RGB 90 230 103

HSL 125.57, 0.74%, 0.63%

LAB 81.7, -62.87, 50.17

 

CMYK 69 / 0 / 63 / 4

HEX #4BF55A

RGB 75 245 90

HSL 125.29, 0.89%, 0.63%

LAB 85.78, -72.29, 60.4

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 40 / 0 / 36 / 22

HEX #79C880

RGB 121 200 128

HSL 125.32, 0.42%, 0.63%

LAB 74.15, -39.15, 28.59

 

CMYK 26 / 0 / 24 / 28

HEX #88B88C

RGB 136 184 140

HSL 125, 0.25%, 0.63%

LAB 70.46, -24.74, 17.34

 

CMYK 11 / 0 / 9 / 34

HEX #97A999

RGB 151 169 153

HSL 126.67, 0.09%, 0.63%

LAB 67.47, -9.42, 6.12

 

CMYK 0 / 7 / 1 / 35

HEX #A69AA5

RGB 166 154 165

HSL 305, 0.06%, 0.63%

LAB 64.91, 6.44, -4.16

 

CMYK 28 / 0 / 51 / 16

HEX #9BD769

RGB 155 215 105

HSL 92.73, 0.58%, 0.63%

LAB 79.95, -37.73, 47.78

 

CMYK 42 / 0 / 51 / 16

HEX #7DD769

RGB 125 215 105

HSL 109.09, 0.58%, 0.63%

LAB 78.45, -47.68, 45.62

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 51 / 0 / 33 / 16

HEX #69D790

RGB 105 215 144

HSL 141.27, 0.58%, 0.63%

LAB 78.24, -47.27, 25.63

 

CMYK 51 / 0 / 20 / 16

HEX #69D7AD

RGB 105 215 173

HSL 157.09, 0.58%, 0.63%

LAB 78.82, -41.45, 11.17

 

CMYK 73 / 0 / 67 / 26

HEX #32BC3E

RGB 50 188 62

HSL 125.22, 0.58%, 0.47%

LAB 67.27, -60.7, 51.47

 

CMYK 65 / 0 / 59 / 19

HEX #49CE55

RGB 73 206 85

HSL 125.41, 0.58%, 0.55%

LAB 73.68, -60.1, 48.83

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 38 / 0 / 35 / 12

HEX #8AE092

RGB 138 224 146

HSL 125.58, 0.58%, 0.71%

LAB 82.27, -41.74, 30.24

 

CMYK 26 / 0 / 24 / 9

HEX #ABE8B0

RGB 171 232 176

HSL 124.92, 0.57%, 0.79%

LAB 86.75, -30.1, 21.16

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 51 / 14 / 0 / 16

HEX #69B8D7

RGB 105 184 215

HSL 196.91, 0.58%, 0.63%

LAB 71, -15.84, -23.08

 

CMYK 0 / 51 / 35 / 16

HEX #D7698C

RGB 215 105 140

HSL 340.91, 0.58%, 0.63%

LAB 58.46, 46.8, 1.31

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 47 / 51 / 0 / 16

HEX #7369D7

RGB 115 105 215

HSL 245.45, 0.58%, 0.63%

LAB 50.28, 32.03, -55.5

 

CMYK 0 / 47 / 51 / 16

HEX #D77369

RGB 215 115 105

HSL 5.45, 0.58%, 0.63%

LAB 59.64, 38.06, 23.19

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 51 / 14 / 0 / 16

HEX #69B8D7

RGB 105 184 215

HSL 196.91, 0.58%, 0.63%

LAB 71, -15.84, -23.08

 

CMYK 0 / 51 / 4 / 16

HEX #D769CE

RGB 215 105 206

HSL 304.91, 0.58%, 0.63%

LAB 60.79, 56.44, -33.08

 

CMYK 0 / 37 / 51 / 16

HEX #D78869

RGB 215 136 105

HSL 16.91, 0.58%, 0.63%

LAB 64.22, 26.96, 29.22

 

CMYK 51 / 0 / 47 / 16

HEX #69D773

RGB 105 215 115

HSL 125.45, 0.58%, 0.63%

LAB 77.78, -52.03, 39.77

 

CMYK 51 / 30 / 0 / 16

HEX #6997D7

RGB 105 151 215

HSL 214.91, 0.58%, 0.63%

LAB 61.69, 2.34, -37.47

 

CMYK 0 / 51 / 4 / 16

HEX #D769CE

RGB 215 105 206

HSL 304.91, 0.58%, 0.63%

LAB 60.79, 56.44, -33.08

 

CMYK 0 / 21 / 51 / 16

HEX #D7A969

RGB 215 169 105

HSL 34.91, 0.58%, 0.63%

LAB 72.12, 9.17, 39.26

 

Description

Color code: HEX #69D773 | qconv.com Color code: HEX #69D773 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 215 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 215 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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