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Color name
HEX #69D925

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69D925 it is the complementary color #9626DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69D925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69D925 shade: #6ED920, #7FEB33, #90FD46, #A1FF59 and #B2FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69D925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69D925 shade: #69D925, #58C712, #47B500, #36A300 and #259100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69D925 shade: #69DA24, #9ADA24, #CBDA24, #DAB824 and #DA8724

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69D925 shade: #69DA24, #38DA24, #24DA42, #24DA73 and #24DAA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69D925 shade matches the following richer shades: #69DA24 and #64EE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69D925 shade: #69DA24, #6EC539, #73B04E, #789C62 and #7D8777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69D925 shade: #CADA24, #9ADA24, #6ADA24, #3ADA24 and #24DA40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69D925 shade: #479319, #58B61E, #69DA24, #81E048 and #99E56B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69D925 shade: #69D925, #24DAB8 and #DA24B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69D925 shade: #69D925, #246ADA and #DA246A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69D925 shade: #69D925, #24DAB8, #9424DA and #DA2446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69D925 shade: #69D925, #24C4DA, #9424DA and #DA3A24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 83 / 15

HEX #69D925

RGB 105 217 37

HSL 97.33, 0.71%, 0.5%

LAB 77.73, -59.96, 70.48

 

Complementary color

CMYK 31 / 83 / 0 / 15

HEX #9626DA

RGB 150 38 218

HSL 277.33, 0.71%, 0.5%

LAB 42.66, 71.42, -69.36

 

CMYK 49 / 0 / 85 / 15

HEX #6ED920

RGB 110 217 32

HSL 94.7, 0.74%, 0.49%

LAB 77.9, -58.72, 71.83

 

CMYK 46 / 0 / 78 / 8

HEX #7FEB33

RGB 127 235 51

HSL 95.22, 0.82%, 0.56%

LAB 84.05, -59.53, 72.88

 

CMYK 43 / 0 / 72 / 1

HEX #90FD46

RGB 144 253 70

HSL 95.74, 0.98%, 0.63%

LAB 90.15, -60.1, 73.11

 

CMYK 37 / 0 / 65 / 0

HEX #A1FF59

RGB 161 255 89

HSL 93.98, 1%, 0.67%

LAB 91.6, -54.19, 67.98

 

CMYK 30 / 0 / 58 / 0

HEX #B2FF6C

RGB 178 255 108

HSL 91.43, 1%, 0.71%

LAB 92.6, -46.9, 61.55

 

CMYK 52 / 0 / 83 / 15

HEX #69D925

RGB 105 217 37

HSL 97.33, 0.71%, 0.5%

LAB 77.73, -59.96, 70.48

 

CMYK 56 / 0 / 91 / 22

HEX #58C712

RGB 88 199 18

HSL 96.8, 0.83%, 0.43%

LAB 71.53, -58.83, 68.67

 

CMYK 61 / 0 / 100 / 29

HEX #47B500

RGB 71 181 0

HSL 96.46, 1%, 0.35%

LAB 65.27, -57.32, 65.61

 

CMYK 67 / 0 / 100 / 36

HEX #36A300

RGB 54 163 0

HSL 100.12, 1%, 0.32%

LAB 58.95, -55.19, 60.41

 

CMYK 74 / 0 / 100 / 43

HEX #259100

RGB 37 145 0

HSL 104.69, 1%, 0.28%

LAB 52.56, -52.67, 55.16

 

CMYK 52 / 0 / 83 / 15

HEX #69DA24

RGB 105 218 36

HSL 97.25, 0.72%, 0.5%

LAB 78.04, -60.36, 70.98

 

CMYK 29 / 0 / 83 / 15

HEX #9ADA24

RGB 154 218 36

HSL 81.1, 0.72%, 0.5%

LAB 80.26, -44.26, 73.79

 

CMYK 7 / 0 / 83 / 15

HEX #CBDA24

RGB 203 218 36

HSL 64.95, 0.72%, 0.5%

LAB 83.42, -24.88, 77.75

 

CMYK 0 / 16 / 83 / 15

HEX #DAB824

RGB 218 184 36

HSL 48.79, 0.72%, 0.5%

LAB 75.65, -1.41, 71.72

 

CMYK 0 / 38 / 83 / 15

HEX #DA8724

RGB 218 135 36

HSL 32.64, 0.72%, 0.5%

LAB 63.64, 24.73, 61.55

 

CMYK 52 / 0 / 83 / 15

HEX #69DA24

RGB 105 218 36

HSL 97.25, 0.72%, 0.5%

LAB 78.04, -60.36, 70.98

 

CMYK 74 / 0 / 83 / 15

HEX #38DA24

RGB 56 218 36

HSL 113.41, 0.72%, 0.5%

LAB 76.75, -71, 69.34

 

CMYK 83 / 0 / 70 / 15

HEX #24DA42

RGB 36 218 66

HSL 129.89, 0.72%, 0.5%

LAB 76.63, -71.45, 59.8

 

CMYK 83 / 0 / 47 / 15

HEX #24DA73

RGB 36 218 115

HSL 146.04, 0.72%, 0.5%

LAB 77.13, -65.25, 38.62

 

CMYK 83 / 0 / 25 / 15

HEX #24DAA3

RGB 36 218 163

HSL 161.87, 0.72%, 0.5%

LAB 77.97, -55.73, 15.05

 

CMYK 52 / 0 / 83 / 15

HEX #69DA24

RGB 105 218 36

HSL 97.25, 0.72%, 0.5%

LAB 78.04, -60.36, 70.98

 

CMYK 58 / 0 / 93 / 7

HEX #64EE10

RGB 100 238 16

HSL 97.3, 0.87%, 0.5%

LAB 83.91, -69.15, 79.31

 

CMYK 52 / 0 / 83 / 15

HEX #69DA24

RGB 105 218 36

HSL 97.25, 0.72%, 0.5%

LAB 78.04, -60.36, 70.98

 

CMYK 44 / 0 / 71 / 23

HEX #6EC539

RGB 110 197 57

HSL 97.29, 0.55%, 0.5%

LAB 71.92, -49.74, 58.88

 

CMYK 35 / 0 / 56 / 31

HEX #73B04E

RGB 115 176 78

HSL 97.35, 0.39%, 0.5%

LAB 65.94, -37.29, 43.43

 

CMYK 23 / 0 / 37 / 39

HEX #789C62

RGB 120 156 98

HSL 97.24, 0.23%, 0.5%

LAB 60.47, -23.38, 26.45

 

CMYK 7 / 0 / 12 / 47

HEX #7D8777

RGB 125 135 119

HSL 97.5, 0.06%, 0.5%

LAB 55.09, -6.82, 7.35

 

CMYK 7 / 0 / 83 / 15

HEX #CADA24

RGB 202 218 36

HSL 65.27, 0.72%, 0.5%

LAB 83.35, -25.29, 77.66

 

CMYK 29 / 0 / 83 / 15

HEX #9ADA24

RGB 154 218 36

HSL 81.1, 0.72%, 0.5%

LAB 80.26, -44.26, 73.79

 

CMYK 51 / 0 / 83 / 15

HEX #6ADA24

RGB 106 218 36

HSL 96.92, 0.72%, 0.5%

LAB 78.07, -60.08, 71.03

 

CMYK 73 / 0 / 83 / 15

HEX #3ADA24

RGB 58 218 36

HSL 112.75, 0.72%, 0.5%

LAB 76.78, -70.69, 69.39

 

CMYK 83 / 0 / 71 / 15

HEX #24DA40

RGB 36 218 64

HSL 129.23, 0.72%, 0.5%

LAB 76.61, -71.62, 60.53

 

CMYK 52 / 0 / 83 / 42

HEX #479319

RGB 71 147 25

HSL 97.38, 0.71%, 0.34%

LAB 54.32, -44.12, 51.97

 

CMYK 52 / 0 / 84 / 29

HEX #58B61E

RGB 88 182 30

HSL 97.11, 0.72%, 0.42%

LAB 66.23, -52.24, 61.67

 

CMYK 52 / 0 / 83 / 15

HEX #69DA24

RGB 105 218 36

HSL 97.25, 0.72%, 0.5%

LAB 78.04, -60.36, 70.98

 

CMYK 42 / 0 / 68 / 12

HEX #81E048

RGB 129 224 72

HSL 97.5, 0.71%, 0.58%

LAB 80.99, -53.36, 62.86

 

CMYK 33 / 0 / 53 / 10

HEX #99E56B

RGB 153 229 107

HSL 97.38, 0.7%, 0.66%

LAB 83.9, -44.37, 51.55

 

CMYK 52 / 0 / 83 / 15

HEX #69D925

RGB 105 217 37

HSL 97.33, 0.71%, 0.5%

LAB 77.73, -59.96, 70.48

 

CMYK 83 / 0 / 16 / 15

HEX #24DAB8

RGB 36 218 184

HSL 168.79, 0.72%, 0.5%

LAB 78.45, -50.61, 4.58

 

CMYK 0 / 83 / 18 / 15

HEX #DA24B2

RGB 218 36 178

HSL 313.19, 0.72%, 0.5%

LAB 51.13, 77.62, -31.99

 

CMYK 52 / 0 / 83 / 15

HEX #69D925

RGB 105 217 37

HSL 97.33, 0.71%, 0.5%

LAB 77.73, -59.96, 70.48

 

CMYK 83 / 51 / 0 / 15

HEX #246ADA

RGB 36 106 218

HSL 216.92, 0.72%, 0.5%

LAB 46.64, 19.96, -63.28

 

CMYK 0 / 83 / 51 / 15

HEX #DA246A

RGB 218 36 106

HSL 336.92, 0.72%, 0.5%

LAB 48.52, 70.26, 7.35

 

CMYK 52 / 0 / 83 / 15

HEX #69D925

RGB 105 217 37

HSL 97.33, 0.71%, 0.5%

LAB 77.73, -59.96, 70.48

 

CMYK 83 / 0 / 16 / 15

HEX #24DAB8

RGB 36 218 184

HSL 168.79, 0.72%, 0.5%

LAB 78.45, -50.61, 4.58

 

CMYK 32 / 83 / 0 / 15

HEX #9424DA

RGB 148 36 218

HSL 276.92, 0.72%, 0.5%

LAB 42.18, 71.68, -70.15

 

CMYK 0 / 83 / 68 / 15

HEX #DA2446

RGB 218 36 70

HSL 348.79, 0.72%, 0.5%

LAB 47.76, 68.03, 28.38

 

CMYK 52 / 0 / 83 / 15

HEX #69D925

RGB 105 217 37

HSL 97.33, 0.71%, 0.5%

LAB 77.73, -59.96, 70.48

 

CMYK 83 / 10 / 0 / 15

HEX #24C4DA

RGB 36 196 218

HSL 187.25, 0.72%, 0.5%

LAB 72.84, -31.06, -22.08

 

CMYK 32 / 83 / 0 / 15

HEX #9424DA

RGB 148 36 218

HSL 276.92, 0.72%, 0.5%

LAB 42.18, 71.68, -70.15

 

CMYK 0 / 73 / 83 / 15

HEX #DA3A24

RGB 218 58 36

HSL 7.25, 0.72%, 0.5%

LAB 49.57, 60.61, 49.25

 

Description

Color code: HEX #69D925 | qconv.com Color code: HEX #69D925 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 217 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 217 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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