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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69D251 it is the complementary color #962DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69D251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69D251 shade: #6ED24C, #7FE45F, #90F672, #A1FF85 and #B2FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69D251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69D251 shade: #69D251, #58C03E, #47AE2B, #369C18 and #258A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69D251 shade: #68D250, #8BD250, #AED250, #D1D250 and #D2AF50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69D251 shade: #68D250, #50D25B, #50D27E, #50D2A1 and #50D2C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69D251 shade matches the following richer shades: #68D250, #5DE33E and #52F52D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69D251 shade: #68D250, #73C062, #7FAE74, #8A9C85 and #958B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69D251 shade: #AFD250, #8DD250, #6AD250, #50D259 and #50D27B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69D251 shade: #41A52A, #4EC633, #68D250, #84DA71 and #A1E292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69D251 shade: #69D251, #50D2D2 and #D2509E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69D251 shade: #69D251, #506AD2 and #D2506A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69D251 shade: #69D251, #50D2D2, #B850D2 and #D25050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69D251 shade: #69D251, #50ABD2, #B850D2 and #D27750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 61 / 18

HEX #69D251

RGB 105 210 81

HSL 108.84, 0.59%, 0.57%

LAB 75.88, -54.25, 53.37

 

Complementary color

CMYK 14 / 74 / 0 / 32

HEX #962DAE

RGB 150 45 174

HSL 288.84, 0.59%, 0.43%

LAB 40.27, 60.46, -47.56

 

CMYK 48 / 0 / 64 / 18

HEX #6ED24C

RGB 110 210 76

HSL 104.78, 0.6%, 0.56%

LAB 76.03, -53.3, 55.71

 

CMYK 44 / 0 / 58 / 11

HEX #7FE45F

RGB 127 228 95

HSL 105.56, 0.71%, 0.63%

LAB 82.28, -53.49, 54.76

 

CMYK 41 / 0 / 54 / 4

HEX #90F672

RGB 144 246 114

HSL 106.36, 0.88%, 0.71%

LAB 88.47, -53.55, 53.68

 

CMYK 37 / 0 / 48 / 0

HEX #A1FF85

RGB 161 255 133

HSL 106.23, 1%, 0.76%

LAB 92.04, -49.81, 49.4

 

CMYK 30 / 0 / 40 / 0

HEX #B2FF98

RGB 178 255 152

HSL 104.85, 1%, 0.8%

LAB 93.12, -41.95, 41.84

 

CMYK 50 / 0 / 61 / 18

HEX #69D251

RGB 105 210 81

HSL 108.84, 0.59%, 0.57%

LAB 75.88, -54.25, 53.37

 

CMYK 54 / 0 / 68 / 25

HEX #58C03E

RGB 88 192 62

HSL 108, 0.51%, 0.5%

LAB 69.56, -53.88, 54.22

 

CMYK 59 / 0 / 75 / 32

HEX #47AE2B

RGB 71 174 43

HSL 107.18, 0.6%, 0.43%

LAB 63.17, -53.2, 54.64

 

CMYK 65 / 0 / 85 / 39

HEX #369C18

RGB 54 156 24

HSL 106.36, 0.73%, 0.35%

LAB 56.71, -52.05, 54.21

 

CMYK 73 / 0 / 96 / 46

HEX #258A05

RGB 37 138 5

HSL 105.56, 0.93%, 0.28%

LAB 50.19, -50.23, 52.35

 

CMYK 50 / 0 / 62 / 18

HEX #68D250

RGB 104 210 80

HSL 108.92, 0.59%, 0.57%

LAB 75.83, -54.63, 53.74

 

CMYK 34 / 0 / 62 / 18

HEX #8BD250

RGB 139 210 80

HSL 92.77, 0.59%, 0.57%

LAB 77.38, -43.62, 55.88

 

CMYK 17 / 0 / 62 / 18

HEX #AED250

RGB 174 210 80

HSL 76.62, 0.59%, 0.57%

LAB 79.43, -30.63, 58.72

 

CMYK 0 / 0 / 62 / 18

HEX #D1D250

RGB 209 210 80

HSL 60.46, 0.59%, 0.57%

LAB 81.96, -16.51, 62.19

 

CMYK 0 / 17 / 62 / 18

HEX #D2AF50

RGB 210 175 80

HSL 43.85, 0.59%, 0.57%

LAB 72.85, 1.91, 52.3

 

CMYK 50 / 0 / 62 / 18

HEX #68D250

RGB 104 210 80

HSL 108.92, 0.59%, 0.57%

LAB 75.83, -54.63, 53.74

 

CMYK 62 / 0 / 57 / 18

HEX #50D25B

RGB 80 210 91

HSL 125.08, 0.59%, 0.57%

LAB 75.17, -59.33, 47.88

 

CMYK 62 / 0 / 40 / 18

HEX #50D27E

RGB 80 210 126

HSL 141.23, 0.59%, 0.57%

LAB 75.64, -54.11, 31.32

 

CMYK 62 / 0 / 23 / 18

HEX #50D2A1

RGB 80 210 161

HSL 157.38, 0.59%, 0.57%

LAB 76.3, -47.16, 13.88

 

CMYK 62 / 0 / 7 / 18

HEX #50D2C4

RGB 80 210 196

HSL 173.54, 0.59%, 0.57%

LAB 77.15, -38.69, -3.64

 

CMYK 50 / 0 / 62 / 18

HEX #68D250

RGB 104 210 80

HSL 108.92, 0.59%, 0.57%

LAB 75.83, -54.63, 53.74

 

CMYK 59 / 0 / 73 / 11

HEX #5DE33E

RGB 93 227 62

HSL 108.73, 0.75%, 0.57%

LAB 80.52, -65.15, 65.6

 

CMYK 67 / 0 / 82 / 4

HEX #52F52D

RGB 82 245 45

HSL 108.9, 0.91%, 0.57%

LAB 85.65, -74.36, 75.43

 

CMYK 50 / 0 / 62 / 18

HEX #68D250

RGB 104 210 80

HSL 108.92, 0.59%, 0.57%

LAB 75.83, -54.63, 53.74

 

CMYK 40 / 0 / 49 / 25

HEX #73C062

RGB 115 192 98

HSL 109.15, 0.43%, 0.57%

LAB 71.03, -41.93, 39.83

 

CMYK 27 / 0 / 33 / 32

HEX #7FAE74

RGB 127 174 116

HSL 108.62, 0.26%, 0.57%

LAB 66.55, -26.99, 24.88

 

CMYK 12 / 0 / 15 / 39

HEX #8A9C85

RGB 138 156 133

HSL 106.96, 0.1%, 0.57%

LAB 62.4, -10.87, 9.92

 

CMYK 1 / 8 / 0 / 41

HEX #958B97

RGB 149 139 151

HSL 290, 0.05%, 0.57%

LAB 59.06, 6.03, -5.03

 

CMYK 17 / 0 / 62 / 18

HEX #AFD250

RGB 175 210 80

HSL 76.15, 0.59%, 0.57%

LAB 79.49, -30.24, 58.81

 

CMYK 33 / 0 / 62 / 18

HEX #8DD250

RGB 141 210 80

HSL 91.85, 0.59%, 0.57%

LAB 77.48, -42.92, 56.03

 

CMYK 50 / 0 / 62 / 18

HEX #6AD250

RGB 106 210 80

HSL 108, 0.59%, 0.57%

LAB 75.91, -54.07, 53.84

 

CMYK 62 / 0 / 58 / 18

HEX #50D259

RGB 80 210 89

HSL 124.15, 0.59%, 0.57%

LAB 75.15, -59.58, 48.77

 

CMYK 62 / 0 / 41 / 18

HEX #50D27B

RGB 80 210 123

HSL 139.85, 0.59%, 0.57%

LAB 75.59, -54.63, 32.79

 

CMYK 61 / 0 / 75 / 35

HEX #41A52A

RGB 65 165 42

HSL 108.78, 0.59%, 0.41%

LAB 60.07, -51.51, 51.85

 

CMYK 61 / 0 / 74 / 22

HEX #4EC633

RGB 78 198 51

HSL 108.98, 0.59%, 0.49%

LAB 71.04, -59.44, 59.76

 

CMYK 50 / 0 / 62 / 18

HEX #68D250

RGB 104 210 80

HSL 108.92, 0.59%, 0.57%

LAB 75.83, -54.63, 53.74

 

CMYK 39 / 0 / 48 / 15

HEX #84DA71

RGB 132 218 113

HSL 109.14, 0.59%, 0.65%

LAB 79.75, -45.78, 43.44

 

CMYK 29 / 0 / 35 / 11

HEX #A1E292

RGB 161 226 146

HSL 108.75, 0.58%, 0.73%

LAB 83.99, -35.37, 32.74

 

CMYK 50 / 0 / 61 / 18

HEX #69D251

RGB 105 210 81

HSL 108.84, 0.59%, 0.57%

LAB 75.88, -54.25, 53.37

 

CMYK 62 / 0 / 0 / 18

HEX #50D2D2

RGB 80 210 210

HSL 180, 0.59%, 0.57%

LAB 77.55, -34.93, -10.57

 

CMYK 0 / 62 / 25 / 18

HEX #D2509E

RGB 210 80 158

HSL 324, 0.59%, 0.57%

LAB 53.93, 59.06, -16.04

 

CMYK 50 / 0 / 61 / 18

HEX #69D251

RGB 105 210 81

HSL 108.84, 0.59%, 0.57%

LAB 75.88, -54.25, 53.37

 

CMYK 62 / 50 / 0 / 18

HEX #506AD2

RGB 80 106 210

HSL 228, 0.59%, 0.57%

LAB 47.84, 22.71, -56.71

 

CMYK 0 / 62 / 50 / 18

HEX #D2506A

RGB 210 80 106

HSL 348, 0.59%, 0.57%

LAB 52.38, 53.29, 12.57

 

CMYK 50 / 0 / 61 / 18

HEX #69D251

RGB 105 210 81

HSL 108.84, 0.59%, 0.57%

LAB 75.88, -54.25, 53.37

 

CMYK 62 / 0 / 0 / 18

HEX #50D2D2

RGB 80 210 210

HSL 180, 0.59%, 0.57%

LAB 77.55, -34.93, -10.57

 

CMYK 12 / 62 / 0 / 18

HEX #B850D2

RGB 184 80 210

HSL 288, 0.59%, 0.57%

LAB 52.49, 60.66, -48.7

 

CMYK 0 / 62 / 62 / 18

HEX #D25050

RGB 210 80 80

HSL 0, 0.59%, 0.57%

LAB 51.86, 51.29, 27.29

 

CMYK 50 / 0 / 61 / 18

HEX #69D251

RGB 105 210 81

HSL 108.84, 0.59%, 0.57%

LAB 75.88, -54.25, 53.37

 

CMYK 62 / 19 / 0 / 18

HEX #50ABD2

RGB 80 171 210

HSL 198, 0.59%, 0.57%

LAB 66.12, -15.44, -27.9

 

CMYK 12 / 62 / 0 / 18

HEX #B850D2

RGB 184 80 210

HSL 288, 0.59%, 0.57%

LAB 52.49, 60.66, -48.7

 

CMYK 0 / 43 / 62 / 18

HEX #D27750

RGB 210 119 80

HSL 18, 0.59%, 0.57%

LAB 59.41, 32.04, 36.68

 

Description

Color code: HEX #69D251 | qconv.com Color code: HEX #69D251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 210 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 210 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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