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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69ECEC it is the complementary color #961313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69ECEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69ECEC shade: #6EECE7, #7FFEFA, #90FFFF, #A1FFFF and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69ECEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69ECEC shade: #69ECEC, #58DAD9, #47C8C6, #36B6B3 and #25A4A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69ECEC shade: #69ECEC, #69ECC9, #69ECA5, #69EC82 and #73EC69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69ECEC shade: #69ECEC, #69C9EC, #69A5EC, #6982EC and #6969EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69ECEC shade matches the following richer shades: #69ECEC and #5BFAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69ECEC shade: #69ECEC, #76DEDE, #84D1D1, #92C3C3 and #9FB6B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69ECEC shade: #69ECA6, #69ECC9, #69ECEC, #69C9EC and #69A6EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69ECEC shade: #1FE3E3, #44E7E7, #69ECEC, #8DF1F1 and #B2F5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69ECEC shade: #69ECEC, #8369EC and #ECB769

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69ECEC shade: #69ECEC, #EC69EC and #ECEC69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69ECEC shade: #69ECEC, #8369EC, #EC6969 and #D2EC69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69ECEC shade: #69ECEC, #AA69EC, #EC6969 and #AAEC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

Complementary color

CMYK 0 / 87 / 87 / 41

HEX #961313

RGB 150 19 19

HSL 0, 0.78%, 0.33%

LAB 31.8, 51.11, 36.88

 

CMYK 53 / 0 / 2 / 7

HEX #6EECE7

RGB 110 236 231

HSL 177.62, 0.77%, 0.68%

LAB 86.54, -36.09, -8.26

 

CMYK 50 / 0 / 2 / 0

HEX #7FFEFA

RGB 127 254 250

HSL 178.11, 0.98%, 0.75%

LAB 92.71, -36.22, -8.96

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 60 / 0 / 0 / 15

HEX #58DAD9

RGB 88 218 217

HSL 179.54, 0.64%, 0.6%

LAB 80.31, -35.43, -10.19

 

CMYK 65 / 0 / 1 / 22

HEX #47C8C6

RGB 71 200 198

HSL 179.07, 0.54%, 0.53%

LAB 74.01, -34.99, -9.39

 

CMYK 70 / 0 / 2 / 29

HEX #36B6B3

RGB 54 182 179

HSL 178.59, 0.54%, 0.46%

LAB 67.65, -34.37, -8.52

 

CMYK 77 / 0 / 2 / 36

HEX #25A4A0

RGB 37 164 160

HSL 178.11, 0.63%, 0.39%

LAB 61.2, -33.5, -7.54

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 56 / 0 / 15 / 7

HEX #69ECC9

RGB 105 236 201

HSL 163.97, 0.78%, 0.67%

LAB 85.61, -44.38, 6.11

 

CMYK 56 / 0 / 30 / 7

HEX #69ECA5

RGB 105 236 165

HSL 147.48, 0.78%, 0.67%

LAB 84.85, -52.01, 23.77

 

CMYK 56 / 0 / 45 / 7

HEX #69EC82

RGB 105 236 130

HSL 131.45, 0.78%, 0.67%

LAB 84.28, -58.02, 40.64

 

CMYK 51 / 0 / 56 / 7

HEX #73EC69

RGB 115 236 105

HSL 115.42, 0.78%, 0.67%

LAB 84.31, -58.86, 52.54

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 56 / 15 / 0 / 7

HEX #69C9EC

RGB 105 201 236

HSL 196.03, 0.78%, 0.67%

LAB 76.58, -18.65, -25.94

 

CMYK 56 / 30 / 0 / 7

HEX #69A5EC

RGB 105 165 236

HSL 212.52, 0.78%, 0.67%

LAB 66.5, 0.81, -41.55

 

CMYK 56 / 45 / 0 / 7

HEX #6982EC

RGB 105 130 236

HSL 228.55, 0.78%, 0.67%

LAB 57.1, 21.32, -56.42

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 64 / 0 / 0 / 2

HEX #5BFAFA

RGB 91 250 250

HSL 180, 0.94%, 0.67%

LAB 90.55, -40.71, -12.28

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 47 / 0 / 0 / 13

HEX #76DEDE

RGB 118 222 222

HSL 180, 0.61%, 0.67%

LAB 82.58, -30.14, -9.37

 

CMYK 37 / 0 / 0 / 18

HEX #84D1D1

RGB 132 209 209

HSL 180, 0.46%, 0.67%

LAB 79.1, -23.66, -7.52

 

CMYK 25 / 0 / 0 / 24

HEX #92C3C3

RGB 146 195 195

HSL 180, 0.29%, 0.67%

LAB 75.5, -15.94, -5.23

 

CMYK 13 / 0 / 0 / 29

HEX #9FB6B6

RGB 159 182 182

HSL 180, 0.14%, 0.67%

LAB 72.36, -7.85, -2.67

 

CMYK 56 / 0 / 30 / 7

HEX #69ECA6

RGB 105 236 166

HSL 147.94, 0.78%, 0.67%

LAB 84.87, -51.82, 23.28

 

CMYK 56 / 0 / 15 / 7

HEX #69ECC9

RGB 105 236 201

HSL 163.97, 0.78%, 0.67%

LAB 85.61, -44.38, 6.11

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 56 / 15 / 0 / 7

HEX #69C9EC

RGB 105 201 236

HSL 196.03, 0.78%, 0.67%

LAB 76.58, -18.65, -25.94

 

CMYK 56 / 30 / 0 / 7

HEX #69A6EC

RGB 105 166 236

HSL 212.06, 0.78%, 0.67%

LAB 66.77, 0.24, -41.11

 

CMYK 86 / 0 / 0 / 11

HEX #1FE3E3

RGB 31 227 227

HSL 180, 0.78%, 0.51%

LAB 82.26, -42.99, -12.7

 

CMYK 71 / 0 / 0 / 9

HEX #44E7E7

RGB 68 231 231

HSL 180, 0.77%, 0.59%

LAB 84.04, -40.42, -12.09

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 41 / 0 / 0 / 5

HEX #8DF1F1

RGB 141 241 241

HSL 180, 0.78%, 0.75%

LAB 89.36, -29.26, -9.2

 

CMYK 27 / 0 / 0 / 4

HEX #B2F5F5

RGB 178 245 245

HSL 180, 0.77%, 0.83%

LAB 92.29, -20.7, -6.74

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 44 / 56 / 0 / 7

HEX #8369EC

RGB 131 105 236

HSL 251.91, 0.78%, 0.67%

LAB 52.93, 41.61, -63

 

CMYK 0 / 22 / 56 / 7

HEX #ECB769

RGB 236 183 105

HSL 35.73, 0.78%, 0.67%

LAB 77.71, 10.39, 46.58

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 0 / 56 / 0 / 7

HEX #EC69EC

RGB 236 105 236

HSL 300, 0.78%, 0.67%

LAB 64.96, 67.16, -43.14

 

CMYK 0 / 0 / 56 / 7

HEX #ECEC69

RGB 236 236 105

HSL 60, 0.78%, 0.67%

LAB 91.16, -16.62, 62.22

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 44 / 56 / 0 / 7

HEX #8369EC

RGB 131 105 236

HSL 251.91, 0.78%, 0.67%

LAB 52.93, 41.61, -63

 

CMYK 0 / 56 / 56 / 7

HEX #EC6969

RGB 236 105 105

HSL 0, 0.78%, 0.67%

LAB 60.74, 50.63, 25.19

 

CMYK 11 / 0 / 56 / 7

HEX #D2EC69

RGB 210 236 105

HSL 71.91, 0.78%, 0.67%

LAB 89.26, -26.88, 59.55

 

CMYK 56 / 0 / 0 / 7

HEX #69ECEC

RGB 105 236 236

HSL 180, 0.78%, 0.67%

LAB 86.53, -35.74, -10.92

 

CMYK 28 / 56 / 0 / 7

HEX #AA69EC

RGB 170 105 236

HSL 269.77, 0.78%, 0.67%

LAB 56.79, 50.58, -56.61

 

CMYK 0 / 56 / 56 / 7

HEX #EC6969

RGB 236 105 105

HSL 0, 0.78%, 0.67%

LAB 60.74, 50.63, 25.19

 

CMYK 28 / 0 / 56 / 7

HEX #AAEC69

RGB 170 236 105

HSL 90.23, 0.78%, 0.67%

LAB 86.78, -41.76, 56.06

 

Description

Color code: HEX #69ECEC | qconv.com Color code: HEX #69ECEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 236 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 236 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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