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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CB522 it is the complementary color #934ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CB522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CB522 shade: #71B51D, #82C730, #93D943, #A4EB56 and #B5FD69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CB522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CB522 shade: #6CB522, #5BA30F, #4A9100, #397F00 and #286D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CB522 shade: #6BB322, #92B322, #B3AD22, #B38622 and #B35F22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CB522 shade: #6BB322, #44B322, #22B327, #22B34E and #22B376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CB522 shade matches the following richer shades: #6BB322 and #6BC510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CB522 shade: #6BB322, #6BA233, #6B9144, #6B7F56 and #6B6E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CB522 shade: #B3AC22, #94B322, #6DB322, #46B322 and #22B324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CB522 shade: #426E15, #56911B, #6BB322, #80D629 and #94DC4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CB522 shade: #6CB522, #22B385 and #B322A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CB522 shade: #6CB522, #226DB3 and #B3226D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CB522 shade: #6CB522, #22B385, #6822B3 and #B32250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CB522 shade: #6CB522, #22B3B1, #6822B3 and #B32224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 81 / 29

HEX #6CB522

RGB 108 181 34

HSL 89.8, 0.68%, 0.42%

LAB 66.79, -45.28, 61.42

 

Complementary color

CMYK 33 / 67 / 0 / 13

HEX #934ADD

RGB 147 74 221

HSL 269.8, 0.68%, 0.58%

LAB 47.39, 57.59, -63.4

 

CMYK 38 / 0 / 84 / 29

HEX #71B51D

RGB 113 181 29

HSL 86.84, 0.72%, 0.41%

LAB 67.01, -43.74, 63.02

 

CMYK 35 / 0 / 76 / 22

HEX #82C730

RGB 130 199 48

HSL 87.42, 0.61%, 0.48%

LAB 73.42, -44.38, 63.79

 

CMYK 32 / 0 / 69 / 15

HEX #93D943

RGB 147 217 67

HSL 88, 0.66%, 0.56%

LAB 79.75, -44.82, 63.73

 

CMYK 30 / 0 / 63 / 8

HEX #A4EB56

RGB 164 235 86

HSL 88.59, 0.79%, 0.63%

LAB 86, -45.1, 63.19

 

CMYK 28 / 0 / 58 / 1

HEX #B5FD69

RGB 181 253 105

HSL 89.19, 0.97%, 0.7%

LAB 92.17, -45.28, 62.38

 

CMYK 40 / 0 / 81 / 29

HEX #6CB522

RGB 108 181 34

HSL 89.8, 0.68%, 0.42%

LAB 66.79, -45.28, 61.42

 

CMYK 44 / 0 / 91 / 36

HEX #5BA30F

RGB 91 163 15

HSL 89.19, 0.83%, 0.35%

LAB 60.3, -44.43, 59.82

 

CMYK 49 / 0 / 100 / 43

HEX #4A9100

RGB 74 145 0

HSL 89.38, 1%, 0.28%

LAB 53.71, -43.21, 56.56

 

CMYK 55 / 0 / 100 / 50

HEX #397F00

RGB 57 127 0

HSL 93.07, 1%, 0.25%

LAB 47.04, -41.51, 51.03

 

CMYK 63 / 0 / 100 / 57

HEX #286D00

RGB 40 109 0

HSL 97.98, 1%, 0.21%

LAB 40.23, -39.54, 45.4

 

CMYK 40 / 0 / 81 / 30

HEX #6BB322

RGB 107 179 34

HSL 89.79, 0.68%, 0.42%

LAB 66.12, -44.8, 60.8

 

CMYK 18 / 0 / 81 / 30

HEX #92B322

RGB 146 179 34

HSL 73.66, 0.68%, 0.42%

LAB 68.36, -29.9, 63.66

 

CMYK 0 / 3 / 81 / 30

HEX #B3AD22

RGB 179 173 34

HSL 57.52, 0.68%, 0.42%

LAB 69.17, -12.81, 65.34

 

CMYK 0 / 25 / 81 / 30

HEX #B38622

RGB 179 134 34

HSL 41.38, 0.68%, 0.42%

LAB 58.74, 8.15, 56.15

 

CMYK 0 / 47 / 81 / 30

HEX #B35F22

RGB 179 95 34

HSL 25.24, 0.68%, 0.42%

LAB 49.35, 29.75, 47.58

 

CMYK 40 / 0 / 81 / 30

HEX #6BB322

RGB 107 179 34

HSL 89.79, 0.68%, 0.42%

LAB 66.12, -44.8, 60.8

 

CMYK 62 / 0 / 81 / 30

HEX #44B322

RGB 68 179 34

HSL 105.93, 0.68%, 0.42%

LAB 64.63, -56.26, 58.88

 

CMYK 81 / 0 / 78 / 30

HEX #22B327

RGB 34 179 39

HSL 122.07, 0.68%, 0.42%

LAB 63.94, -62.05, 56.46

 

CMYK 81 / 0 / 56 / 30

HEX #22B34E

RGB 34 179 78

HSL 138.21, 0.68%, 0.42%

LAB 64.27, -58.02, 40.81

 

CMYK 81 / 0 / 34 / 30

HEX #22B376

RGB 34 179 118

HSL 154.76, 0.68%, 0.42%

LAB 64.87, -50.95, 20.98

 

CMYK 40 / 0 / 81 / 30

HEX #6BB322

RGB 107 179 34

HSL 89.79, 0.68%, 0.42%

LAB 66.12, -44.8, 60.8

 

CMYK 46 / 0 / 92 / 23

HEX #6BC510

RGB 107 197 16

HSL 89.83, 0.85%, 0.42%

LAB 71.62, -52.59, 69.33

 

CMYK 40 / 0 / 81 / 30

HEX #6BB322

RGB 107 179 34

HSL 89.79, 0.68%, 0.42%

LAB 66.12, -44.8, 60.8

 

CMYK 34 / 0 / 69 / 36

HEX #6BA233

RGB 107 162 51

HSL 89.73, 0.52%, 0.42%

LAB 60.96, -36.43, 49.85

 

CMYK 26 / 0 / 53 / 43

HEX #6B9144

RGB 107 145 68

HSL 89.61, 0.36%, 0.42%

LAB 55.88, -26.84, 36.32

 

CMYK 16 / 0 / 32 / 50

HEX #6B7F56

RGB 107 127 86

HSL 89.27, 0.19%, 0.42%

LAB 50.66, -15.14, 19.96

 

CMYK 3 / 0 / 6 / 57

HEX #6B6E67

RGB 107 110 103

HSL 85.71, 0.03%, 0.42%

LAB 45.98, -2.57, 3.5

 

CMYK 0 / 4 / 81 / 30

HEX #B3AC22

RGB 179 172 34

HSL 57.1, 0.68%, 0.42%

LAB 68.9, -12.29, 65.1

 

CMYK 17 / 0 / 81 / 30

HEX #94B322

RGB 148 179 34

HSL 72.83, 0.68%, 0.42%

LAB 68.5, -29.08, 63.83

 

CMYK 39 / 0 / 81 / 30

HEX #6DB322

RGB 109 179 34

HSL 88.97, 0.68%, 0.42%

LAB 66.22, -44.1, 60.92

 

CMYK 61 / 0 / 81 / 30

HEX #46B322

RGB 70 179 34

HSL 105.1, 0.68%, 0.42%

LAB 64.69, -55.78, 58.95

 

CMYK 81 / 0 / 80 / 30

HEX #22B324

RGB 34 179 36

HSL 120.83, 0.68%, 0.42%

LAB 63.92, -62.24, 57.37

 

CMYK 40 / 0 / 81 / 57

HEX #426E15

RGB 66 110 21

HSL 89.66, 0.68%, 0.26%

LAB 41.79, -30.35, 41.48

 

CMYK 41 / 0 / 81 / 43

HEX #56911B

RGB 86 145 27

HSL 90, 0.69%, 0.34%

LAB 54.35, -38.18, 51.66

 

CMYK 40 / 0 / 81 / 30

HEX #6BB322

RGB 107 179 34

HSL 89.79, 0.68%, 0.42%

LAB 66.12, -44.8, 60.8

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 33 / 0 / 66 / 14

HEX #94DC4B

RGB 148 220 75

HSL 89.79, 0.67%, 0.58%

LAB 80.73, -45.17, 61.7

 

CMYK 40 / 0 / 81 / 29

HEX #6CB522

RGB 108 181 34

HSL 89.8, 0.68%, 0.42%

LAB 66.79, -45.28, 61.42

 

CMYK 81 / 0 / 26 / 30

HEX #22B385

RGB 34 179 133

HSL 160.97, 0.68%, 0.42%

LAB 65.18, -47.57, 13.24

 

CMYK 0 / 81 / 7 / 30

HEX #B322A7

RGB 179 34 167

HSL 304.97, 0.68%, 0.42%

LAB 43.53, 68.54, -37.91

 

CMYK 40 / 0 / 81 / 29

HEX #6CB522

RGB 108 181 34

HSL 89.8, 0.68%, 0.42%

LAB 66.79, -45.28, 61.42

 

CMYK 81 / 39 / 0 / 30

HEX #226DB3

RGB 34 109 179

HSL 208.97, 0.68%, 0.42%

LAB 44.99, 2.84, -43.5

 

CMYK 0 / 81 / 39 / 30

HEX #B3226D

RGB 179 34 109

HSL 328.97, 0.68%, 0.42%

LAB 40.95, 61.17, -6.46

 

CMYK 40 / 0 / 81 / 29

HEX #6CB522

RGB 108 181 34

HSL 89.8, 0.68%, 0.42%

LAB 66.79, -45.28, 61.42

 

CMYK 81 / 0 / 26 / 30

HEX #22B385

RGB 34 179 133

HSL 160.97, 0.68%, 0.42%

LAB 65.18, -47.57, 13.24

 

CMYK 42 / 81 / 0 / 30

HEX #6822B3

RGB 104 34 179

HSL 268.97, 0.68%, 0.42%

LAB 32.57, 57.29, -63.33

 

CMYK 0 / 81 / 55 / 30

HEX #B32250

RGB 179 34 80

HSL 340.97, 0.68%, 0.42%

LAB 40.09, 58.61, 10.62

 

CMYK 40 / 0 / 81 / 29

HEX #6CB522

RGB 108 181 34

HSL 89.8, 0.68%, 0.42%

LAB 66.79, -45.28, 61.42

 

CMYK 81 / 0 / 1 / 30

HEX #22B3B1

RGB 34 179 177

HSL 179.17, 0.68%, 0.42%

LAB 66.33, -35.74, -9.41

 

CMYK 42 / 81 / 0 / 30

HEX #6822B3

RGB 104 34 179

HSL 268.97, 0.68%, 0.42%

LAB 32.57, 57.29, -63.33

 

CMYK 0 / 81 / 80 / 30

HEX #B32224

RGB 179 34 36

HSL 359.17, 0.68%, 0.42%

LAB 39.34, 56.28, 36.81

 

Description

Color code: HEX #6CB522 | qconv.com Color code: HEX #6CB522 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 181 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 181 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 81% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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