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Color name
HEX #6CD6A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD6A2 it is the complementary color #93295D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD6A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD6A2 shade: #71D69D, #82E8B0, #93FAC3, #A4FFD6 and #B5FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD6A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD6A2 shade: #6CD6A2, #5BC48F, #4AB27C, #39A069 and #288E56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD6A2 shade: #6BD5A1, #6BD585, #6ED56B, #8BD56B and #A7D56B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD6A2 shade: #6BD5A1, #6BD5BE, #6BD0D5, #6BB3D5 and #6B97D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD6A2 shade matches the following richer shades: #6BD5A1, #5CE4A1 and #4DF4A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD6A2 shade: #6BD5A1, #7BC6A1, #8AB6A1, #99A7A0 and #A898A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD6A2 shade: #6FD56B, #6BD584, #6BD5A0, #6BD5BC and #6BD1D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD6A2 shade: #34BA78, #4BCC8D, #6BD5A1, #8BDEB6 and #ACE7CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD6A2 shade: #6CD6A2, #6B8BD5 and #D5766B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD6A2 shade: #6CD6A2, #A06BD5 and #D5A06B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD6A2 shade: #6CD6A2, #6B8BD5, #D56BA0 and #D5B56B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD6A2 shade: #6CD6A2, #6B6BD5, #D56BA0 and #D5D56B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 24 / 16

HEX #6CD6A2

RGB 108 214 162

HSL 150.57, 0.56%, 0.63%

LAB 78.4, -42.62, 16.42

 

Complementary color

CMYK 0 / 72 / 37 / 42

HEX #93295D

RGB 147 41 93

HSL 330.57, 0.56%, 0.37%

LAB 35.16, 48.48, -5.59

 

CMYK 47 / 0 / 27 / 16

HEX #71D69D

RGB 113 214 157

HSL 146.14, 0.55%, 0.64%

LAB 78.48, -42.37, 19.21

 

CMYK 44 / 0 / 24 / 9

HEX #82E8B0

RGB 130 232 176

HSL 147.06, 0.69%, 0.71%

LAB 84.79, -42.16, 18.13

 

CMYK 41 / 0 / 22 / 2

HEX #93FAC3

RGB 147 250 195

HSL 147.96, 0.91%, 0.78%

LAB 91.01, -41.93, 17.12

 

CMYK 36 / 0 / 16 / 0

HEX #A4FFD6

RGB 164 255 214

HSL 152.97, 1%, 0.82%

LAB 93.57, -35.84, 11.07

 

CMYK 29 / 0 / 9 / 0

HEX #B5FFE9

RGB 181 255 233

HSL 162.16, 1%, 0.85%

LAB 94.83, -27.23, 3.21

 

CMYK 50 / 0 / 24 / 16

HEX #6CD6A2

RGB 108 214 162

HSL 150.57, 0.56%, 0.63%

LAB 78.4, -42.62, 16.42

 

CMYK 54 / 0 / 27 / 23

HEX #5BC48F

RGB 91 196 143

HSL 149.71, 0.47%, 0.56%

LAB 72.02, -42.74, 17.56

 

CMYK 58 / 0 / 30 / 30

HEX #4AB27C

RGB 74 178 124

HSL 148.85, 0.41%, 0.49%

LAB 65.56, -42.77, 18.81

 

CMYK 64 / 0 / 34 / 37

HEX #39A069

RGB 57 160 105

HSL 147.96, 0.47%, 0.43%

LAB 59, -42.64, 20.17

 

CMYK 72 / 0 / 39 / 44

HEX #288E56

RGB 40 142 86

HSL 147.06, 0.56%, 0.36%

LAB 52.36, -42.26, 21.69

 

CMYK 50 / 0 / 24 / 16

HEX #6BD5A1

RGB 107 213 161

HSL 150.57, 0.56%, 0.63%

LAB 78.04, -42.63, 16.45

 

CMYK 50 / 0 / 38 / 16

HEX #6BD585

RGB 107 213 133

HSL 134.72, 0.56%, 0.63%

LAB 77.52, -47.87, 30.37

 

CMYK 48 / 0 / 50 / 16

HEX #6ED56B

RGB 110 213 107

HSL 118.3, 0.56%, 0.63%

LAB 77.26, -50.99, 43.07

 

CMYK 35 / 0 / 50 / 16

HEX #8BD56B

RGB 139 213 107

HSL 101.89, 0.56%, 0.63%

LAB 78.54, -42.12, 44.93

 

CMYK 22 / 0 / 50 / 16

HEX #A7D56B

RGB 167 213 107

HSL 86.04, 0.56%, 0.63%

LAB 80.1, -32.24, 47.19

 

CMYK 50 / 0 / 24 / 16

HEX #6BD5A1

RGB 107 213 161

HSL 150.57, 0.56%, 0.63%

LAB 78.04, -42.63, 16.45

 

CMYK 50 / 0 / 11 / 16

HEX #6BD5BE

RGB 107 213 190

HSL 166.98, 0.56%, 0.63%

LAB 78.71, -36.22, 1.96

 

CMYK 50 / 2 / 0 / 16

HEX #6BD0D5

RGB 107 208 213

HSL 182.83, 0.56%, 0.63%

LAB 77.9, -28.09, -11.57

 

CMYK 50 / 16 / 0 / 16

HEX #6BB3D5

RGB 107 179 213

HSL 199.25, 0.56%, 0.63%

LAB 69.59, -13.32, -24.14

 

CMYK 50 / 29 / 0 / 16

HEX #6B97D5

RGB 107 151 213

HSL 215.09, 0.56%, 0.63%

LAB 61.71, 2.2, -36.32

 

CMYK 50 / 0 / 24 / 16

HEX #6BD5A1

RGB 107 213 161

HSL 150.57, 0.56%, 0.63%

LAB 78.04, -42.63, 16.45

 

CMYK 60 / 0 / 29 / 11

HEX #5CE4A1

RGB 92 228 161

HSL 150.44, 0.72%, 0.63%

LAB 82.02, -52.26, 21.89

 

CMYK 68 / 0 / 34 / 4

HEX #4DF4A2

RGB 77 244 162

HSL 150.54, 0.88%, 0.63%

LAB 86.45, -60.95, 27.36

 

CMYK 50 / 0 / 24 / 16

HEX #6BD5A1

RGB 107 213 161

HSL 150.57, 0.56%, 0.63%

LAB 78.04, -42.63, 16.45

 

CMYK 38 / 0 / 19 / 22

HEX #7BC6A1

RGB 123 198 161

HSL 150.4, 0.4%, 0.63%

LAB 74.3, -31.54, 11.28

 

CMYK 24 / 0 / 12 / 29

HEX #8AB6A1

RGB 138 182 161

HSL 151.36, 0.23%, 0.63%

LAB 70.48, -19.06, 5.93

 

CMYK 8 / 0 / 4 / 35

HEX #99A7A0

RGB 153 167 160

HSL 150, 0.07%, 0.63%

LAB 67.24, -6.3, 1.92

 

CMYK 0 / 10 / 5 / 34

HEX #A898A0

RGB 168 152 160

HSL 330, 0.08%, 0.63%

LAB 64.42, 7.33, -2.05

 

CMYK 48 / 0 / 50 / 16

HEX #6FD56B

RGB 111 213 107

HSL 117.74, 0.56%, 0.63%

LAB 77.3, -50.71, 43.12

 

CMYK 50 / 0 / 38 / 16

HEX #6BD584

RGB 107 213 132

HSL 134.15, 0.56%, 0.63%

LAB 77.51, -48.04, 30.87

 

CMYK 50 / 0 / 25 / 16

HEX #6BD5A0

RGB 107 213 160

HSL 150, 0.56%, 0.63%

LAB 78.02, -42.83, 16.95

 

CMYK 50 / 0 / 12 / 16

HEX #6BD5BC

RGB 107 213 188

HSL 165.85, 0.56%, 0.63%

LAB 78.66, -36.69, 2.96

 

CMYK 50 / 2 / 0 / 16

HEX #6BD1D5

RGB 107 209 213

HSL 182.26, 0.56%, 0.63%

LAB 78.19, -28.58, -11.15

 

CMYK 72 / 0 / 35 / 27

HEX #34BA78

RGB 52 186 120

HSL 150.45, 0.56%, 0.47%

LAB 67.43, -50.93, 23.42

 

CMYK 63 / 0 / 31 / 20

HEX #4BCC8D

RGB 75 204 141

HSL 150.7, 0.56%, 0.55%

LAB 73.94, -49.88, 21.2

 

CMYK 50 / 0 / 24 / 16

HEX #6BD5A1

RGB 107 213 161

HSL 150.57, 0.56%, 0.63%

LAB 78.04, -42.63, 16.45

 

CMYK 37 / 0 / 18 / 13

HEX #8BDEB6

RGB 139 222 182

HSL 151.08, 0.56%, 0.71%

LAB 82.44, -33.99, 11.73

 

CMYK 26 / 0 / 13 / 9

HEX #ACE7CA

RGB 172 231 202

HSL 150.51, 0.55%, 0.79%

LAB 87.09, -24.56, 8.08

 

CMYK 50 / 0 / 24 / 16

HEX #6CD6A2

RGB 108 214 162

HSL 150.57, 0.56%, 0.63%

LAB 78.4, -42.62, 16.42

 

CMYK 50 / 35 / 0 / 16

HEX #6B8BD5

RGB 107 139 213

HSL 221.89, 0.56%, 0.63%

LAB 58.41, 9.19, -41.48

 

CMYK 0 / 45 / 50 / 16

HEX #D5766B

RGB 213 118 107

HSL 6.23, 0.56%, 0.63%

LAB 60.04, 35.93, 22.53

 

CMYK 50 / 0 / 24 / 16

HEX #6CD6A2

RGB 108 214 162

HSL 150.57, 0.56%, 0.63%

LAB 78.4, -42.62, 16.42

 

CMYK 25 / 50 / 0 / 16

HEX #A06BD5

RGB 160 107 213

HSL 270, 0.56%, 0.63%

LAB 54.86, 41.56, -46.81

 

CMYK 0 / 25 / 50 / 16

HEX #D5A06B

RGB 213 160 107

HSL 30, 0.56%, 0.63%

LAB 69.72, 13.37, 35.15

 

CMYK 50 / 0 / 24 / 16

HEX #6CD6A2

RGB 108 214 162

HSL 150.57, 0.56%, 0.63%

LAB 78.4, -42.62, 16.42

 

CMYK 50 / 35 / 0 / 16

HEX #6B8BD5

RGB 107 139 213

HSL 221.89, 0.56%, 0.63%

LAB 58.41, 9.19, -41.48

 

CMYK 0 / 50 / 25 / 16

HEX #D56BA0

RGB 213 107 160

HSL 330, 0.56%, 0.63%

LAB 59.16, 47.72, -9.29

 

CMYK 0 / 15 / 50 / 16

HEX #D5B56B

RGB 213 181 107

HSL 41.89, 0.56%, 0.63%

LAB 74.99, 2.13, 41.75

 

CMYK 50 / 0 / 24 / 16

HEX #6CD6A2

RGB 108 214 162

HSL 150.57, 0.56%, 0.63%

LAB 78.4, -42.62, 16.42

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD5

RGB 107 107 213

HSL 240, 0.56%, 0.63%

LAB 50.03, 28.45, -54.8

 

CMYK 0 / 50 / 25 / 16

HEX #D56BA0

RGB 213 107 160

HSL 330, 0.56%, 0.63%

LAB 59.16, 47.72, -9.29

 

CMYK 0 / 0 / 50 / 16

HEX #D5D56B

RGB 213 213 107

HSL 60, 0.56%, 0.63%

LAB 83.34, -14.34, 51.83

 

Description

Color code: HEX #6CD6A2 | qconv.com Color code: HEX #6CD6A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 214 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 214 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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