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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CDA94 it is the complementary color #93256B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CDA94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CDA94 shade: #71DA8F, #82ECA2, #93FEB5, #A4FFC8 and #B5FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CDA94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CDA94 shade: #6CDA94, #5BC881, #4AB66E, #39A45B and #289248

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CDA94 shade: #6CDA94, #6CDA76, #7FDA6C, #9DDA6C and #BADA6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CDA94 shade: #6CDA94, #6CDAB1, #6CDACF, #6CC7DA and #6CA9DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CDA94 shade matches the following richer shades: #6CDA94, #5DE990 and #4EF78C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CDA94 shade: #6CDA94, #7ACB98, #89BC9C, #98ADA0 and #A79EA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CDA94 shade: #80DA6C, #6CDA75, #6CDA92, #6CDAB0 and #6CDACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CDA94 shade: #30C365, #4BD27C, #6CDA94, #8DE2AC and #AEEAC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CDA94 shade: #6CDA94, #6C9DDA and #DA6C71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CDA94 shade: #6CDA94, #926CDA and #DA926C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CDA94 shade: #6CDA94, #6C9DDA, #DA6CB3 and #DAA86C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CDA94 shade: #6CDA94, #6C7CDA, #DA6CB3 and #DAC96C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

Complementary color

CMYK 0 / 75 / 27 / 42

HEX #93256B

RGB 147 37 107

HSL 321.82, 0.6%, 0.36%

LAB 35.18, 51.68, -14.5

 

CMYK 48 / 0 / 34 / 15

HEX #71DA8F

RGB 113 218 143

HSL 137.14, 0.59%, 0.65%

LAB 79.41, -46.68, 27.77

 

CMYK 45 / 0 / 31 / 7

HEX #82ECA2

RGB 130 236 162

HSL 138.11, 0.74%, 0.72%

LAB 85.68, -46.49, 26.58

 

CMYK 42 / 0 / 29 / 0

HEX #93FEB5

RGB 147 254 181

HSL 139.07, 0.98%, 0.79%

LAB 91.87, -46.27, 25.47

 

CMYK 36 / 0 / 22 / 0

HEX #A4FFC8

RGB 164 255 200

HSL 143.74, 1%, 0.82%

LAB 93.27, -38.54, 17.83

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 55 / 0 / 36 / 22

HEX #5BC881

RGB 91 200 129

HSL 140.92, 0.5%, 0.57%

LAB 72.97, -47.15, 26.28

 

CMYK 59 / 0 / 40 / 29

HEX #4AB66E

RGB 74 182 110

HSL 140, 0.43%, 0.5%

LAB 66.55, -47.12, 27.64

 

CMYK 65 / 0 / 45 / 36

HEX #39A45B

RGB 57 164 91

HSL 139.07, 0.48%, 0.43%

LAB 60.05, -46.9, 29.11

 

CMYK 73 / 0 / 51 / 43

HEX #289248

RGB 40 146 72

HSL 138.11, 0.57%, 0.36%

LAB 53.47, -46.36, 30.67

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 0 / 46 / 15

HEX #6CDA76

RGB 108 218 118

HSL 125.45, 0.6%, 0.64%

LAB 78.83, -52.01, 39.64

 

CMYK 42 / 0 / 50 / 15

HEX #7FDA6C

RGB 127 218 108

HSL 109.64, 0.6%, 0.64%

LAB 79.46, -47.95, 45.45

 

CMYK 28 / 0 / 50 / 15

HEX #9DDA6C

RGB 157 218 108

HSL 93.27, 0.6%, 0.64%

LAB 80.96, -38.04, 47.61

 

CMYK 15 / 0 / 50 / 15

HEX #BADA6C

RGB 186 218 108

HSL 77.45, 0.6%, 0.64%

LAB 82.73, -27.33, 50.16

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 0 / 19 / 15

HEX #6CDAB1

RGB 108 218 177

HSL 157.64, 0.6%, 0.64%

LAB 79.9, -41.21, 10.6

 

CMYK 50 / 0 / 5 / 15

HEX #6CDACF

RGB 108 218 207

HSL 174, 0.6%, 0.64%

LAB 80.65, -34.19, -4.28

 

CMYK 50 / 9 / 0 / 15

HEX #6CC7DA

RGB 108 199 218

HSL 190.36, 0.6%, 0.64%

LAB 75.51, -22.07, -17.85

 

CMYK 50 / 22 / 0 / 15

HEX #6CA9DA

RGB 108 169 218

HSL 206.73, 0.6%, 0.64%

LAB 67, -6.22, -30.87

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 60 / 0 / 38 / 9

HEX #5DE990

RGB 93 233 144

HSL 141.86, 0.76%, 0.64%

LAB 83.24, -57.21, 32.26

 

CMYK 68 / 0 / 43 / 3

HEX #4EF78C

RGB 78 247 140

HSL 142.01, 0.91%, 0.64%

LAB 87.01, -65.82, 39.11

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 40 / 0 / 25 / 20

HEX #7ACB98

RGB 122 203 152

HSL 142.22, 0.44%, 0.64%

LAB 75.52, -35.95, 17.81

 

CMYK 27 / 0 / 17 / 26

HEX #89BC9C

RGB 137 188 156

HSL 142.35, 0.28%, 0.64%

LAB 72.02, -23.41, 10.85

 

CMYK 12 / 0 / 8 / 32

HEX #98ADA0

RGB 152 173 160

HSL 142.86, 0.11%, 0.64%

LAB 68.82, -9.86, 4.21

 

CMYK 0 / 5 / 2 / 35

HEX #A79EA4

RGB 167 158 164

HSL 320, 0.05%, 0.64%

LAB 66.02, 4.38, -1.95

 

CMYK 41 / 0 / 50 / 15

HEX #80DA6C

RGB 128 218 108

HSL 109.09, 0.6%, 0.64%

LAB 79.51, -47.65, 45.51

 

CMYK 50 / 0 / 46 / 15

HEX #6CDA75

RGB 108 218 117

HSL 124.91, 0.6%, 0.64%

LAB 78.82, -52.15, 40.11

 

CMYK 50 / 0 / 33 / 15

HEX #6CDA92

RGB 108 218 146

HSL 140.73, 0.6%, 0.64%

LAB 79.27, -47.42, 26.01

 

CMYK 50 / 0 / 19 / 15

HEX #6CDAB0

RGB 108 218 176

HSL 157.09, 0.6%, 0.64%

LAB 79.88, -41.43, 11.1

 

CMYK 50 / 0 / 6 / 15

HEX #6CDACD

RGB 108 218 205

HSL 172.91, 0.6%, 0.64%

LAB 80.59, -34.68, -3.3

 

CMYK 75 / 0 / 48 / 24

HEX #30C365

RGB 48 195 101

HSL 141.63, 0.6%, 0.48%

LAB 69.89, -58.28, 36.46

 

CMYK 64 / 0 / 41 / 18

HEX #4BD27C

RGB 75 210 124

HSL 141.78, 0.6%, 0.56%

LAB 75.48, -55.44, 32.11

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 38 / 0 / 24 / 11

HEX #8DE2AC

RGB 141 226 172

HSL 141.88, 0.59%, 0.72%

LAB 83.46, -37.21, 18.44

 

CMYK 26 / 0 / 16 / 8

HEX #AEEAC4

RGB 174 234 196

HSL 142, 0.59%, 0.8%

LAB 87.89, -26.53, 12.38

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 28 / 0 / 15

HEX #6C9DDA

RGB 108 157 218

HSL 213.27, 0.6%, 0.64%

LAB 63.64, 0.5, -36.07

 

CMYK 0 / 50 / 48 / 15

HEX #DA6C71

RGB 218 108 113

HSL 357.27, 0.6%, 0.64%

LAB 58.81, 43.47, 17.54

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 33 / 50 / 0 / 15

HEX #926CDA

RGB 146 108 218

HSL 260.73, 0.6%, 0.64%

LAB 53.92, 38.57, -51.22

 

CMYK 0 / 33 / 50 / 15

HEX #DA926C

RGB 218 146 108

HSL 20.73, 0.6%, 0.64%

LAB 66.93, 23.05, 31.16

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 28 / 0 / 15

HEX #6C9DDA

RGB 108 157 218

HSL 213.27, 0.6%, 0.64%

LAB 63.64, 0.5, -36.07

 

CMYK 0 / 50 / 18 / 15

HEX #DA6CB3

RGB 218 108 179

HSL 321.27, 0.6%, 0.64%

LAB 60.68, 51.56, -17.85

 

CMYK 0 / 23 / 50 / 15

HEX #DAA86C

RGB 218 168 108

HSL 32.73, 0.6%, 0.64%

LAB 72.22, 11.21, 37.9

 

CMYK 50 / 0 / 32 / 15

HEX #6CDA94

RGB 108 218 148

HSL 141.82, 0.6%, 0.64%

LAB 79.31, -47.06, 25.02

 

CMYK 50 / 43 / 0 / 15

HEX #6C7CDA

RGB 108 124 218

HSL 231.27, 0.6%, 0.64%

LAB 54.73, 19.92, -50.12

 

CMYK 0 / 50 / 18 / 15

HEX #DA6CB3

RGB 218 108 179

HSL 321.27, 0.6%, 0.64%

LAB 60.68, 51.56, -17.85

 

CMYK 0 / 8 / 50 / 15

HEX #DAC96C

RGB 218 201 108

HSL 50.73, 0.6%, 0.64%

LAB 80.61, -6.14, 48.2

 

Description

Color code: HEX #6CDA94 | qconv.com Color code: HEX #6CDA94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 218 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 218 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 32 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 32% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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