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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE970 it is the complementary color #93168F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE970 shade: #71E96B, #82FB7E, #93FF91, #A4FFA4 and #B5FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE970 shade: #6CE970, #5BD75D, #4AC54A, #39B337 and #28A124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE970 shade: #6CE970, #8AE96C, #ABE96C, #CDE96C and #E9E36C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE970 shade: #6CE970, #6CE992, #6CE9B3, #6CE9D5 and #6CDBE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE970 shade matches the following richer shades: #6CE970 and #5EF663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE970 shade: #6CE970, #7ADB7D, #87CD8A, #95C096 and #A3B2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE970 shade: #ACE96C, #8BE96C, #6CE96E, #6CE98F and #6CE9B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE970 shade: #24DE2A, #48E34D, #6CE970, #90EE93 and #B4F3B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE970 shade: #6CE970, #6CCEE9 and #E96C9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE970 shade: #6CE970, #6E6CE9 and #E96E6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE970 shade: #6CE970, #6CCEE9, #E96CE7 and #E9876C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE970 shade: #6CE970, #6CA8E9, #E96CE7 and #E9AC6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

Complementary color

CMYK 0 / 85 / 3 / 42

HEX #93168F

RGB 147 22 143

HSL 301.92, 0.74%, 0.33%

LAB 35.52, 61.18, -36.46

 

CMYK 52 / 0 / 54 / 9

HEX #71E96B

RGB 113 233 107

HSL 117.14, 0.74%, 0.67%

LAB 83.36, -58.01, 50.49

 

CMYK 48 / 0 / 50 / 2

HEX #82FB7E

RGB 130 251 126

HSL 118.08, 0.94%, 0.74%

LAB 89.51, -58.08, 49.27

 

CMYK 42 / 0 / 43 / 0

HEX #93FF91

RGB 147 255 145

HSL 118.91, 1%, 0.78%

LAB 91.58, -52.42, 42.97

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 58 / 0 / 57 / 16

HEX #5BD75D

RGB 91 215 93

HSL 120.97, 0.61%, 0.6%

LAB 77.05, -58.43, 49.25

 

CMYK 62 / 0 / 62 / 23

HEX #4AC54A

RGB 74 197 74

HSL 120, 0.51%, 0.53%

LAB 70.79, -57.95, 50.41

 

CMYK 68 / 0 / 69 / 30

HEX #39B337

RGB 57 179 55

HSL 119.03, 0.53%, 0.46%

LAB 64.47, -57.11, 51.35

 

CMYK 75 / 0 / 78 / 37

HEX #28A124

RGB 40 161 36

HSL 118.08, 0.63%, 0.39%

LAB 58.1, -55.73, 51.8

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 41 / 0 / 54 / 9

HEX #8AE96C

RGB 138 233 108

HSL 105.6, 0.74%, 0.67%

LAB 84.36, -50.77, 51.46

 

CMYK 27 / 0 / 54 / 9

HEX #ABE96C

RGB 171 233 108

HSL 89.76, 0.74%, 0.67%

LAB 86.02, -39.79, 53.83

 

CMYK 12 / 0 / 54 / 9

HEX #CDE96C

RGB 205 233 108

HSL 73.44, 0.74%, 0.67%

LAB 88.13, -27.14, 56.83

 

CMYK 0 / 3 / 54 / 9

HEX #E9E36C

RGB 233 227 108

HSL 57.12, 0.74%, 0.67%

LAB 88.61, -13.17, 57.93

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 54 / 0 / 37 / 9

HEX #6CE992

RGB 108 233 146

HSL 138.24, 0.74%, 0.67%

LAB 83.73, -53.57, 31.97

 

CMYK 54 / 0 / 23 / 9

HEX #6CE9B3

RGB 108 233 179

HSL 154.08, 0.74%, 0.67%

LAB 84.34, -47.3, 15.82

 

CMYK 54 / 0 / 9 / 9

HEX #6CE9D5

RGB 108 233 213

HSL 170.4, 0.74%, 0.67%

LAB 85.13, -39.6, -0.87

 

CMYK 54 / 6 / 0 / 9

HEX #6CDBE9

RGB 108 219 233

HSL 186.72, 0.74%, 0.67%

LAB 81.69, -27.89, -16.57

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 62 / 0 / 60 / 4

HEX #5EF663

RGB 94 246 99

HSL 121.97, 0.89%, 0.67%

LAB 86.6, -68.09, 57.68

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 44 / 0 / 43 / 14

HEX #7ADB7D

RGB 122 219 125

HSL 121.86, 0.57%, 0.67%

LAB 79.77, -47.54, 37.47

 

CMYK 34 / 0 / 33 / 20

HEX #87CD8A

RGB 135 205 138

HSL 122.57, 0.41%, 0.67%

LAB 76.47, -35.43, 26.59

 

CMYK 22 / 0 / 22 / 25

HEX #95C096

RGB 149 192 150

HSL 121.4, 0.25%, 0.67%

LAB 73.73, -22.53, 16.61

 

CMYK 8 / 0 / 8 / 30

HEX #A3B2A3

RGB 163 178 163

HSL 120, 0.09%, 0.67%

LAB 71.06, -8.09, 5.88

 

CMYK 26 / 0 / 54 / 9

HEX #ACE96C

RGB 172 233 108

HSL 89.28, 0.74%, 0.67%

LAB 86.07, -39.43, 53.91

 

CMYK 40 / 0 / 54 / 9

HEX #8BE96C

RGB 139 233 108

HSL 105.12, 0.74%, 0.67%

LAB 84.41, -50.46, 51.53

 

CMYK 54 / 0 / 53 / 9

HEX #6CE96E

RGB 108 233 110

HSL 120.96, 0.74%, 0.67%

LAB 83.23, -58.92, 48.9

 

CMYK 54 / 0 / 39 / 9

HEX #6CE98F

RGB 108 233 143

HSL 136.8, 0.74%, 0.67%

LAB 83.68, -54.08, 33.42

 

CMYK 54 / 0 / 24 / 9

HEX #6CE9B1

RGB 108 233 177

HSL 153.12, 0.74%, 0.67%

LAB 84.3, -47.71, 16.81

 

CMYK 84 / 0 / 81 / 13

HEX #24DE2A

RGB 36 222 42

HSL 121.94, 0.74%, 0.51%

LAB 77.75, -74.32, 68.65

 

CMYK 68 / 0 / 66 / 11

HEX #48E34D

RGB 72 227 77

HSL 121.94, 0.73%, 0.59%

LAB 80.1, -68.26, 59.41

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 39 / 0 / 38 / 7

HEX #90EE93

RGB 144 238 147

HSL 121.91, 0.73%, 0.75%

LAB 86.6, -45.88, 35.51

 

CMYK 26 / 0 / 25 / 5

HEX #B4F3B6

RGB 180 243 182

HSL 121.9, 0.72%, 0.83%

LAB 90.41, -31.36, 23.19

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 54 / 12 / 0 / 9

HEX #6CCEE9

RGB 108 206 233

HSL 192.96, 0.74%, 0.67%

LAB 78, -21.45, -22.15

 

CMYK 0 / 54 / 33 / 9

HEX #E96C9C

RGB 233 108 156

HSL 336.96, 0.74%, 0.67%

LAB 62.04, 53.23, -2.4

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 53 / 54 / 0 / 9

HEX #6E6CE9

RGB 110 108 233

HSL 240.96, 0.74%, 0.67%

LAB 51.75, 34.62, -63.31

 

CMYK 0 / 53 / 54 / 9

HEX #E96E6C

RGB 233 110 108

HSL 0.96, 0.74%, 0.67%

LAB 61.27, 47.43, 24.1

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 54 / 12 / 0 / 9

HEX #6CCEE9

RGB 108 206 233

HSL 192.96, 0.74%, 0.67%

LAB 78, -21.45, -22.15

 

CMYK 0 / 54 / 1 / 9

HEX #E96CE7

RGB 233 108 231

HSL 300.96, 0.74%, 0.67%

LAB 64.82, 64.2, -40.61

 

CMYK 0 / 42 / 54 / 9

HEX #E9876C

RGB 233 135 108

HSL 12.96, 0.74%, 0.67%

LAB 66.32, 34.81, 30.73

 

CMYK 54 / 0 / 52 / 9

HEX #6CE970

RGB 108 233 112

HSL 121.92, 0.74%, 0.67%

LAB 83.25, -58.66, 48

 

CMYK 54 / 28 / 0 / 9

HEX #6CA8E9

RGB 108 168 233

HSL 211.2, 0.74%, 0.67%

LAB 67.33, -1.18, -38.58

 

CMYK 0 / 54 / 1 / 9

HEX #E96CE7

RGB 233 108 231

HSL 300.96, 0.74%, 0.67%

LAB 64.82, 64.2, -40.61

 

CMYK 0 / 26 / 54 / 9

HEX #E9AC6C

RGB 233 172 108

HSL 30.72, 0.74%, 0.67%

LAB 74.77, 15.22, 41.42

 

Description

Color code: HEX #6CE970 | qconv.com Color code: HEX #6CE970 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 233 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 233 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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