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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE2A1 it is the complementary color #931D5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE2A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE2A1 shade: #71E29C, #82F4AF, #93FFC2, #A4FFD5 and #B5FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE2A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE2A1 shade: #6CE2A1, #5BD08E, #4ABE7B, #39AC68 and #289A55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE2A1 shade: #69E19F, #69E17F, #74E169, #94E169 and #B5E169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE2A1 shade: #69E19F, #69E1BF, #69E1E0, #69C2E1 and #69A2E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE2A1 shade matches the following richer shades: #69E19F, #5BEF9E and #4DFE9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE2A1 shade: #69E19F, #78D3A1, #86C4A2, #95B6A4 and #A3A7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE2A1 shade: #75E169, #69E17D, #69E19D, #69E1BD and #69E1DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE2A1 shade: #29CF74, #47DA89, #69E19F, #8CE8B5 and #AEEFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE2A1 shade: #6CE2A1, #6995E1 and #E16D69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE2A1 shade: #6CE2A1, #9D69E1 and #E19D69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE2A1 shade: #6CE2A1, #6995E1, #E169AD and #E1B569

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE2A1 shade: #6CE2A1, #6971E1, #E169AD and #E1D969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 29 / 11

HEX #6CE2A1

RGB 108 226 161

HSL 146.95, 0.67%, 0.65%

LAB 81.92, -47.97, 21.83

 

Complementary color

CMYK 0 / 80 / 36 / 42

HEX #931D5E

RGB 147 29 94

HSL 326.95, 0.67%, 0.35%

LAB 33.75, 52.67, -8.34

 

CMYK 50 / 0 / 31 / 11

HEX #71E29C

RGB 113 226 156

HSL 142.83, 0.66%, 0.66%

LAB 82, -47.71, 24.57

 

CMYK 47 / 0 / 28 / 4

HEX #82F4AF

RGB 130 244 175

HSL 143.68, 0.84%, 0.73%

LAB 88.23, -47.54, 23.41

 

CMYK 42 / 0 / 24 / 0

HEX #93FFC2

RGB 147 255 194

HSL 146.11, 1%, 0.79%

LAB 92.41, -44.32, 19.58

 

CMYK 36 / 0 / 16 / 0

HEX #A4FFD5

RGB 164 255 213

HSL 152.31, 1%, 0.82%

LAB 93.54, -36.04, 11.55

 

CMYK 29 / 0 / 9 / 0

HEX #B5FFE8

RGB 181 255 232

HSL 161.35, 1%, 0.85%

LAB 94.81, -27.43, 3.69

 

CMYK 52 / 0 / 29 / 11

HEX #6CE2A1

RGB 108 226 161

HSL 146.95, 0.67%, 0.65%

LAB 81.92, -47.97, 21.83

 

CMYK 56 / 0 / 32 / 18

HEX #5BD08E

RGB 91 208 142

HSL 146.15, 0.55%, 0.59%

LAB 75.63, -48.02, 23.06

 

CMYK 61 / 0 / 35 / 25

HEX #4ABE7B

RGB 74 190 123

HSL 145.34, 0.47%, 0.52%

LAB 69.26, -47.96, 24.38

 

CMYK 67 / 0 / 40 / 33

HEX #39AC68

RGB 57 172 104

HSL 144.52, 0.5%, 0.45%

LAB 62.82, -47.71, 25.82

 

CMYK 74 / 0 / 45 / 40

HEX #289A55

RGB 40 154 85

HSL 143.68, 0.59%, 0.38%

LAB 56.31, -47.16, 27.39

 

CMYK 53 / 0 / 29 / 12

HEX #69E19F

RGB 105 225 159

HSL 147, 0.67%, 0.65%

LAB 81.49, -48.63, 22.26

 

CMYK 53 / 0 / 44 / 12

HEX #69E17F

RGB 105 225 127

HSL 131, 0.67%, 0.65%

LAB 80.95, -54.2, 37.86

 

CMYK 48 / 0 / 53 / 12

HEX #74E169

RGB 116 225 105

HSL 114.5, 0.67%, 0.65%

LAB 81.06, -54.35, 48.69

 

CMYK 34 / 0 / 53 / 12

HEX #94E169

RGB 148 225 105

HSL 98.5, 0.67%, 0.65%

LAB 82.47, -44.54, 50.71

 

CMYK 20 / 0 / 53 / 12

HEX #B5E169

RGB 181 225 105

HSL 82, 0.67%, 0.65%

LAB 84.33, -32.8, 53.36

 

CMYK 53 / 0 / 29 / 12

HEX #69E19F

RGB 105 225 159

HSL 147, 0.67%, 0.65%

LAB 81.49, -48.63, 22.26

 

CMYK 53 / 0 / 15 / 12

HEX #69E1BF

RGB 105 225 191

HSL 163, 0.67%, 0.65%

LAB 82.17, -41.85, 6.42

 

CMYK 53 / 0 / 0 / 12

HEX #69E1E0

RGB 105 225 224

HSL 179.5, 0.67%, 0.65%

LAB 83.04, -33.74, -9.79

 

CMYK 53 / 14 / 0 / 12

HEX #69C2E1

RGB 105 194 225

HSL 195.5, 0.67%, 0.65%

LAB 74.2, -18.2, -23.64

 

CMYK 53 / 28 / 0 / 12

HEX #69A2E1

RGB 105 162 225

HSL 211.5, 0.67%, 0.65%

LAB 65.18, -0.88, -37.55

 

CMYK 53 / 0 / 29 / 12

HEX #69E19F

RGB 105 225 159

HSL 147, 0.67%, 0.65%

LAB 81.49, -48.63, 22.26

 

CMYK 62 / 0 / 34 / 6

HEX #5BEF9E

RGB 91 239 158

HSL 147.16, 0.82%, 0.65%

LAB 85.21, -57.39, 27.78

 

CMYK 70 / 0 / 39 / 0

HEX #4DFE9C

RGB 77 254 156

HSL 146.78, 0.99%, 0.65%

LAB 89.33, -65.74, 34.24

 

CMYK 53 / 0 / 29 / 12

HEX #69E19F

RGB 105 225 159

HSL 147, 0.67%, 0.65%

LAB 81.49, -48.63, 22.26

 

CMYK 43 / 0 / 24 / 17

HEX #78D3A1

RGB 120 211 161

HSL 147.03, 0.51%, 0.65%

LAB 77.97, -38.4, 16.42

 

CMYK 32 / 0 / 17 / 23

HEX #86C4A2

RGB 134 196 162

HSL 147.1, 0.34%, 0.65%

LAB 74.29, -27.11, 10.8

 

CMYK 18 / 0 / 10 / 29

HEX #95B6A4

RGB 149 182 164

HSL 147.27, 0.18%, 0.65%

LAB 71.23, -14.83, 5.46

 

CMYK 2 / 0 / 1 / 35

HEX #A3A7A5

RGB 163 167 165

HSL 150, 0.02%, 0.65%

LAB 68.12, -1.8, 0.53

 

CMYK 48 / 0 / 53 / 12

HEX #75E169

RGB 117 225 105

HSL 114, 0.67%, 0.65%

LAB 81.1, -54.07, 48.74

 

CMYK 53 / 0 / 44 / 12

HEX #69E17D

RGB 105 225 125

HSL 130, 0.67%, 0.65%

LAB 80.92, -54.5, 38.82

 

CMYK 53 / 0 / 30 / 12

HEX #69E19D

RGB 105 225 157

HSL 146, 0.67%, 0.65%

LAB 81.45, -49.02, 23.25

 

CMYK 53 / 0 / 16 / 12

HEX #69E1BD

RGB 105 225 189

HSL 162, 0.67%, 0.65%

LAB 82.12, -42.3, 7.41

 

CMYK 53 / 0 / 2 / 12

HEX #69E1DD

RGB 105 225 221

HSL 178, 0.67%, 0.65%

LAB 82.95, -34.52, -8.33

 

CMYK 80 / 0 / 44 / 19

HEX #29CF74

RGB 41 207 116

HSL 147.11, 0.67%, 0.49%

LAB 73.78, -60.82, 33.84

 

CMYK 67 / 0 / 37 / 15

HEX #47DA89

RGB 71 218 137

HSL 146.94, 0.67%, 0.57%

LAB 78.05, -56.86, 28.82

 

CMYK 53 / 0 / 29 / 12

HEX #69E19F

RGB 105 225 159

HSL 147, 0.67%, 0.65%

LAB 81.49, -48.63, 22.26

 

CMYK 40 / 0 / 22 / 9

HEX #8CE8B5

RGB 140 232 181

HSL 146.74, 0.67%, 0.73%

LAB 85.31, -38.49, 16.33

 

CMYK 27 / 0 / 15 / 6

HEX #AEEFCB

RGB 174 239 203

HSL 146.77, 0.67%, 0.81%

LAB 89.41, -27.6, 10.9

 

CMYK 52 / 0 / 29 / 11

HEX #6CE2A1

RGB 108 226 161

HSL 146.95, 0.67%, 0.65%

LAB 81.92, -47.97, 21.83

 

CMYK 53 / 34 / 0 / 12

HEX #6995E1

RGB 105 149 225

HSL 218, 0.67%, 0.65%

LAB 61.6, 6.58, -43.17

 

CMYK 0 / 52 / 53 / 12

HEX #E16D69

RGB 225 109 105

HSL 2, 0.67%, 0.65%

LAB 59.86, 44.8, 23.72

 

CMYK 52 / 0 / 29 / 11

HEX #6CE2A1

RGB 108 226 161

HSL 146.95, 0.67%, 0.65%

LAB 81.92, -47.97, 21.83

 

CMYK 30 / 53 / 0 / 12

HEX #9D69E1

RGB 157 105 225

HSL 266, 0.67%, 0.65%

LAB 54.77, 44.76, -53.75

 

CMYK 0 / 30 / 53 / 12

HEX #E19D69

RGB 225 157 105

HSL 26, 0.67%, 0.65%

LAB 70.27, 19.71, 37.19

 

CMYK 52 / 0 / 29 / 11

HEX #6CE2A1

RGB 108 226 161

HSL 146.95, 0.67%, 0.65%

LAB 81.92, -47.97, 21.83

 

CMYK 53 / 34 / 0 / 12

HEX #6995E1

RGB 105 149 225

HSL 218, 0.67%, 0.65%

LAB 61.6, 6.58, -43.17

 

CMYK 0 / 53 / 23 / 12

HEX #E169AD

RGB 225 105 173

HSL 326, 0.67%, 0.65%

LAB 60.89, 54.31, -14

 

CMYK 0 / 20 / 53 / 12

HEX #E1B569

RGB 225 181 105

HSL 38, 0.67%, 0.65%

LAB 76.12, 6.91, 44.4

 

CMYK 52 / 0 / 29 / 11

HEX #6CE2A1

RGB 108 226 161

HSL 146.95, 0.67%, 0.65%

LAB 81.92, -47.97, 21.83

 

CMYK 53 / 50 / 0 / 12

HEX #6971E1

RGB 105 113 225

HSL 236, 0.67%, 0.65%

LAB 52.12, 28.11, -58.24

 

CMYK 0 / 53 / 23 / 12

HEX #E169AD

RGB 225 105 173

HSL 326, 0.67%, 0.65%

LAB 60.89, 54.31, -14

 

CMYK 0 / 4 / 53 / 12

HEX #E1D969

RGB 225 217 105

HSL 56, 0.67%, 0.65%

LAB 85.33, -11.66, 55.33

 

Description

Color code: HEX #6CE2A1 | qconv.com Color code: HEX #6CE2A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 226 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 226 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 29 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 29% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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