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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CF0CE it is the complementary color #930F31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CF0CE shade: #71F0C9, #82FFDC, #93FFEF, #A4FFFF and #B5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CF0CE shade: #6CF0CE, #5BDEBB, #4ACCA8, #39BA95 and #28A882

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CF0CE shade: #6BEFCD, #6BEFA9, #6BEF86, #74EF6B and #97EF6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CF0CE shade: #6BEFCD, #6BEDEF, #6BCAEF, #6BA6EF and #6B82EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CF0CE shade matches the following richer shades: #6BEFCD and #5EFCD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CF0CE shade: #6BEFCD, #78E2C7, #85D5C0, #92C7BA and #A0BAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CF0CE shade: #6BEF85, #6BEFA8, #6BEFCC, #6BEFEF and #6BCCEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CF0CE shade: #20E7B4, #45EBC0, #6BEFCD, #90F3D9 and #B5F7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CF0CE shade: #6CF0CE, #6B74EF and #EF976B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CF0CE shade: #6CF0CE, #CC6BEF and #EFCC6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CF0CE shade: #6CF0CE, #6B74EF, #EF6B8E and #EFE66B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CF0CE shade: #6CF0CE, #8A6BEF, #EF6B8E and #D0EF6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 14 / 6

HEX #6CF0CE

RGB 108 240 206

HSL 164.55, 0.81%, 0.68%

LAB 86.98, -44.37, 5.48

 

Complementary color

CMYK 0 / 90 / 67 / 42

HEX #930F31

RGB 147 15 49

HSL 344.55, 0.81%, 0.32%

LAB 31.27, 52.26, 17.67

 

CMYK 53 / 0 / 16 / 6

HEX #71F0C9

RGB 113 240 201

HSL 161.57, 0.81%, 0.69%

LAB 87.02, -44.47, 8.17

 

CMYK 49 / 0 / 14 / 0

HEX #82FFDC

RGB 130 255 220

HSL 163.2, 1%, 0.75%

LAB 92.32, -43.1, 6.01

 

CMYK 42 / 0 / 6 / 0

HEX #93FFEF

RGB 147 255 239

HSL 171.11, 1%, 0.79%

LAB 93.43, -34.88, -2.12

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 55 / 0 / 14 / 6

HEX #6CF0CE

RGB 108 240 206

HSL 164.55, 0.81%, 0.68%

LAB 86.98, -44.37, 5.48

 

CMYK 59 / 0 / 16 / 13

HEX #5BDEBB

RGB 91 222 187

HSL 163.97, 0.66%, 0.61%

LAB 80.77, -44.28, 6.47

 

CMYK 64 / 0 / 18 / 20

HEX #4ACCA8

RGB 74 204 168

HSL 163.38, 0.56%, 0.55%

LAB 74.49, -44.08, 7.54

 

CMYK 69 / 0 / 20 / 27

HEX #39BA95

RGB 57 186 149

HSL 162.79, 0.53%, 0.48%

LAB 68.14, -43.71, 8.72

 

CMYK 76 / 0 / 23 / 34

HEX #28A882

RGB 40 168 130

HSL 162.19, 0.62%, 0.41%

LAB 61.71, -43.09, 10.03

 

CMYK 55 / 0 / 14 / 6

HEX #6BEFCD

RGB 107 239 205

HSL 164.55, 0.8%, 0.68%

LAB 86.64, -44.36, 5.5

 

CMYK 55 / 0 / 29 / 6

HEX #6BEFA9

RGB 107 239 169

HSL 148.18, 0.8%, 0.68%

LAB 85.87, -52.03, 23.12

 

CMYK 55 / 0 / 44 / 6

HEX #6BEF86

RGB 107 239 134

HSL 132.27, 0.8%, 0.68%

LAB 85.29, -58.1, 39.98

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 37 / 0 / 55 / 6

HEX #97EF6B

RGB 151 239 107

HSL 100, 0.8%, 0.68%

LAB 86.69, -49.26, 54.81

 

CMYK 55 / 0 / 14 / 6

HEX #6BEFCD

RGB 107 239 205

HSL 164.55, 0.8%, 0.68%

LAB 86.64, -44.36, 5.5

 

CMYK 55 / 1 / 0 / 6

HEX #6BEDEF

RGB 107 237 239

HSL 180.91, 0.8%, 0.68%

LAB 86.96, -35.05, -11.85

 

CMYK 55 / 15 / 0 / 6

HEX #6BCAEF

RGB 107 202 239

HSL 196.82, 0.8%, 0.68%

LAB 77.04, -17.9, -26.84

 

CMYK 55 / 31 / 0 / 6

HEX #6BA6EF

RGB 107 166 239

HSL 213.18, 0.8%, 0.68%

LAB 67, 1.58, -42.4

 

CMYK 55 / 46 / 0 / 6

HEX #6B82EF

RGB 107 130 239

HSL 229.55, 0.8%, 0.68%

LAB 57.39, 22.68, -57.61

 

CMYK 55 / 0 / 14 / 6

HEX #6BEFCD

RGB 107 239 205

HSL 164.55, 0.8%, 0.68%

LAB 86.64, -44.36, 5.5

 

CMYK 63 / 0 / 16 / 1

HEX #5EFCD3

RGB 94 252 211

HSL 164.43, 0.96%, 0.68%

LAB 90.19, -50.9, 7.45

 

CMYK 55 / 0 / 14 / 6

HEX #6BEFCD

RGB 107 239 205

HSL 164.55, 0.8%, 0.68%

LAB 86.64, -44.36, 5.5

 

CMYK 47 / 0 / 12 / 11

HEX #78E2C7

RGB 120 226 199

HSL 164.72, 0.65%, 0.68%

LAB 83.18, -37.09, 3.72

 

CMYK 38 / 0 / 10 / 16

HEX #85D5C0

RGB 133 213 192

HSL 164.25, 0.49%, 0.68%

LAB 79.83, -29.28, 2.65

 

CMYK 27 / 0 / 7 / 22

HEX #92C7BA

RGB 146 199 186

HSL 165.28, 0.32%, 0.68%

LAB 76.38, -19.95, 0.93

 

CMYK 14 / 0 / 4 / 27

HEX #A0BAB3

RGB 160 186 179

HSL 163.85, 0.16%, 0.68%

LAB 73.45, -10.25, 0.56

 

CMYK 55 / 0 / 44 / 6

HEX #6BEF85

RGB 107 239 133

HSL 131.82, 0.8%, 0.68%

LAB 85.28, -58.25, 40.45

 

CMYK 55 / 0 / 30 / 6

HEX #6BEFA8

RGB 107 239 168

HSL 147.73, 0.8%, 0.68%

LAB 85.85, -52.22, 23.61

 

CMYK 55 / 0 / 15 / 6

HEX #6BEFCC

RGB 107 239 204

HSL 164.09, 0.8%, 0.68%

LAB 86.61, -44.59, 5.99

 

CMYK 55 / 0 / 0 / 6

HEX #6BEFEF

RGB 107 239 239

HSL 180, 0.8%, 0.68%

LAB 87.53, -35.98, -11

 

CMYK 55 / 15 / 0 / 6

HEX #6BCCEF

RGB 107 204 239

HSL 195.91, 0.8%, 0.68%

LAB 77.6, -18.93, -25.98

 

CMYK 86 / 0 / 22 / 9

HEX #20E7B4

RGB 32 231 180

HSL 164.62, 0.81%, 0.52%

LAB 82.25, -57.05, 12.13

 

CMYK 71 / 0 / 18 / 8

HEX #45EBC0

RGB 69 235 192

HSL 164.46, 0.81%, 0.6%

LAB 84.22, -52.12, 8.71

 

CMYK 55 / 0 / 14 / 6

HEX #6BEFCD

RGB 107 239 205

HSL 164.55, 0.8%, 0.68%

LAB 86.64, -44.36, 5.5

 

CMYK 41 / 0 / 11 / 5

HEX #90F3D9

RGB 144 243 217

HSL 164.24, 0.8%, 0.76%

LAB 89.41, -35, 3.42

 

CMYK 27 / 0 / 7 / 3

HEX #B5F7E6

RGB 181 247 230

HSL 164.55, 0.8%, 0.84%

LAB 92.6, -24.01, 1.52

 

CMYK 55 / 0 / 14 / 6

HEX #6CF0CE

RGB 108 240 206

HSL 164.55, 0.81%, 0.68%

LAB 86.98, -44.37, 5.48

 

CMYK 55 / 51 / 0 / 6

HEX #6B74EF

RGB 107 116 239

HSL 235.91, 0.8%, 0.68%

LAB 53.87, 31.11, -63.27

 

CMYK 0 / 37 / 55 / 6

HEX #EF976B

RGB 239 151 107

HSL 20, 0.8%, 0.68%

LAB 70.56, 28.69, 36.83

 

CMYK 55 / 0 / 14 / 6

HEX #6CF0CE

RGB 108 240 206

HSL 164.55, 0.81%, 0.68%

LAB 86.98, -44.37, 5.48

 

CMYK 15 / 55 / 0 / 6

HEX #CC6BEF

RGB 204 107 239

HSL 284.09, 0.8%, 0.68%

LAB 61.29, 58.66, -50.86

 

CMYK 0 / 15 / 55 / 6

HEX #EFCC6B

RGB 239 204 107

HSL 44.09, 0.8%, 0.68%

LAB 83.23, 0.83, 52.26

 

CMYK 55 / 0 / 14 / 6

HEX #6CF0CE

RGB 108 240 206

HSL 164.55, 0.81%, 0.68%

LAB 86.98, -44.37, 5.48

 

CMYK 55 / 51 / 0 / 6

HEX #6B74EF

RGB 107 116 239

HSL 235.91, 0.8%, 0.68%

LAB 53.87, 31.11, -63.27

 

CMYK 0 / 55 / 41 / 6

HEX #EF6B8E

RGB 239 107 142

HSL 344.09, 0.8%, 0.68%

LAB 62.35, 54.08, 6.22

 

CMYK 0 / 4 / 55 / 6

HEX #EFE66B

RGB 239 230 107

HSL 55.91, 0.8%, 0.68%

LAB 89.86, -12.32, 59.93

 

CMYK 55 / 0 / 14 / 6

HEX #6CF0CE

RGB 108 240 206

HSL 164.55, 0.81%, 0.68%

LAB 86.98, -44.37, 5.48

 

CMYK 42 / 55 / 0 / 6

HEX #8A6BEF

RGB 138 107 239

HSL 254.09, 0.8%, 0.68%

LAB 54.19, 42.82, -62.63

 

CMYK 0 / 55 / 41 / 6

HEX #EF6B8E

RGB 239 107 142

HSL 344.09, 0.8%, 0.68%

LAB 62.35, 54.08, 6.22

 

CMYK 13 / 0 / 55 / 6

HEX #D0EF6B

RGB 208 239 107

HSL 74.09, 0.8%, 0.68%

LAB 89.95, -28.9, 59.43

 

Description

Color code: HEX #6CF0CE | qconv.com Color code: HEX #6CF0CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 240 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 240 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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