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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CF392 it is the complementary color #930C6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CF392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CF392 shade: #71F38D, #82FFA0, #93FFB3, #A4FFC6 and #B5FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CF392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CF392 shade: #6CF392, #5BE17F, #4ACF6C, #39BD59 and #28AB46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CF392 shade: #6CF392, #6CF36E, #8FF36C, #B3F36C and #D7F36C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CF392 shade: #6CF392, #6CF3B6, #6CF3DB, #6CE6F3 and #6CC2F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CF392 shade matches the following richer shades: #6CF392

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CF392 shade: #6CF392, #79E698, #86D99D, #93CCA3 and #9FBFA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CF392 shade: #90F36C, #6CF36C, #6CF390, #6CF3B4 and #6CF3D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CF392 shade: #20EC5A, #46F076, #6CF392, #92F6AE and #B9F9CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CF392 shade: #6CF392, #6CB4F3 and #F36C7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CF392 shade: #6CF392, #906CF3 and #F3906C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CF392 shade: #6CF392, #6CB4F3, #F36CCF and #F3AB6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CF392 shade: #6CF392, #6C8CF3, #F36CCF and #F3D36C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

Complementary color

CMYK 0 / 92 / 26 / 42

HEX #930C6D

RGB 147 12 109

HSL 316.89, 0.85%, 0.31%

LAB 33.07, 58.23, -19.01

 

CMYK 53 / 0 / 42 / 5

HEX #71F38D

RGB 113 243 141

HSL 132.92, 0.84%, 0.7%

LAB 86.77, -57.15, 38.48

 

CMYK 49 / 0 / 37 / 0

HEX #82FFA0

RGB 130 255 160

HSL 134.4, 1%, 0.75%

LAB 91.15, -54.71, 34.92

 

CMYK 42 / 0 / 30 / 0

HEX #93FFB3

RGB 147 255 179

HSL 137.78, 1%, 0.79%

LAB 92.12, -47.05, 26.82

 

CMYK 36 / 0 / 22 / 0

HEX #A4FFC6

RGB 164 255 198

HSL 142.42, 1%, 0.82%

LAB 93.23, -38.91, 18.8

 

CMYK 29 / 0 / 15 / 0

HEX #B5FFD9

RGB 181 255 217

HSL 149.19, 1%, 0.85%

LAB 94.46, -30.39, 10.92

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 60 / 0 / 44 / 12

HEX #5BE17F

RGB 91 225 127

HSL 136.12, 0.69%, 0.62%

LAB 80.52, -57.41, 37.22

 

CMYK 64 / 0 / 48 / 19

HEX #4ACF6C

RGB 74 207 108

HSL 135.34, 0.58%, 0.55%

LAB 74.29, -57.13, 38.64

 

CMYK 70 / 0 / 53 / 26

HEX #39BD59

RGB 57 189 89

HSL 134.55, 0.54%, 0.48%

LAB 68.01, -56.58, 40.1

 

CMYK 77 / 0 / 59 / 33

HEX #28AB46

RGB 40 171 70

HSL 133.74, 0.62%, 0.41%

LAB 61.67, -55.62, 41.57

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 56 / 0 / 55 / 5

HEX #6CF36E

RGB 108 243 110

HSL 120.89, 0.85%, 0.69%

LAB 86.21, -62.63, 52.48

 

CMYK 41 / 0 / 56 / 5

HEX #8FF36C

RGB 143 243 108

HSL 104.44, 0.85%, 0.69%

LAB 87.5, -53.3, 55.22

 

CMYK 26 / 0 / 56 / 5

HEX #B3F36C

RGB 179 243 108

HSL 88.44, 0.85%, 0.69%

LAB 89.28, -41.37, 57.75

 

CMYK 12 / 0 / 56 / 5

HEX #D7F36C

RGB 215 243 108

HSL 72.44, 0.85%, 0.69%

LAB 91.52, -28, 60.9

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 56 / 0 / 25 / 5

HEX #6CF3B6

RGB 108 243 182

HSL 152.89, 0.85%, 0.69%

LAB 87.32, -50.87, 18.44

 

CMYK 56 / 0 / 10 / 5

HEX #6CF3DB

RGB 108 243 219

HSL 169.33, 0.85%, 0.69%

LAB 88.16, -42.62, 0.4

 

CMYK 56 / 5 / 0 / 5

HEX #6CE6F3

RGB 108 230 243

HSL 185.78, 0.85%, 0.69%

LAB 85.13, -30.49, -16.7

 

CMYK 56 / 20 / 0 / 5

HEX #6CC2F3

RGB 108 194 243

HSL 201.78, 0.85%, 0.69%

LAB 74.98, -12.36, -32.16

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 47 / 0 / 34 / 10

HEX #79E698

RGB 121 230 152

HSL 137.06, 0.69%, 0.69%

LAB 83.4, -48.08, 28.57

 

CMYK 38 / 0 / 28 / 15

HEX #86D99D

RGB 134 217 157

HSL 136.63, 0.52%, 0.69%

LAB 80.25, -37.92, 21.79

 

CMYK 28 / 0 / 20 / 20

HEX #93CCA3

RGB 147 204 163

HSL 136.84, 0.36%, 0.69%

LAB 77.3, -26.73, 14.62

 

CMYK 17 / 0 / 12 / 25

HEX #9FBFA8

RGB 159 191 168

HSL 136.88, 0.2%, 0.69%

LAB 74.48, -15.33, 8.03

 

CMYK 41 / 0 / 56 / 5

HEX #90F36C

RGB 144 243 108

HSL 104, 0.85%, 0.69%

LAB 87.54, -52.99, 55.28

 

CMYK 56 / 0 / 56 / 5

HEX #6CF36C

RGB 108 243 108

HSL 120, 0.85%, 0.69%

LAB 86.19, -62.87, 53.36

 

CMYK 56 / 0 / 41 / 5

HEX #6CF390

RGB 108 243 144

HSL 136, 0.85%, 0.69%

LAB 86.65, -57.84, 36.82

 

CMYK 56 / 0 / 26 / 5

HEX #6CF3B4

RGB 108 243 180

HSL 152, 0.85%, 0.69%

LAB 87.28, -51.28, 19.42

 

CMYK 56 / 0 / 11 / 5

HEX #6CF3D8

RGB 108 243 216

HSL 168, 0.85%, 0.69%

LAB 88.09, -43.34, 1.86

 

CMYK 86 / 0 / 62 / 7

HEX #20EC5A

RGB 32 236 90

HSL 137.06, 0.84%, 0.53%

LAB 82.4, -74.72, 56.45

 

CMYK 71 / 0 / 51 / 6

HEX #46F076

RGB 70 240 118

HSL 136.94, 0.85%, 0.61%

LAB 84.45, -68.03, 46.42

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 41 / 0 / 29 / 4

HEX #92F6AE

RGB 146 246 174

HSL 136.8, 0.85%, 0.77%

LAB 89.43, -44.32, 25.67

 

CMYK 26 / 0 / 18 / 2

HEX #B9F9CB

RGB 185 249 203

HSL 136.88, 0.84%, 0.85%

LAB 92.74, -28.96, 15.7

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 56 / 26 / 0 / 5

HEX #6CB4F3

RGB 108 180 243

HSL 208, 0.85%, 0.69%

LAB 71.08, -4.8, -38.2

 

CMYK 0 / 56 / 48 / 5

HEX #F36C7E

RGB 243 108 126

HSL 352, 0.85%, 0.69%

LAB 62.75, 53.39, 16.06

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 41 / 56 / 0 / 5

HEX #906CF3

RGB 144 108 243

HSL 256, 0.85%, 0.69%

LAB 55.2, 44.67, -63.19

 

CMYK 0 / 41 / 56 / 5

HEX #F3906C

RGB 243 144 108

HSL 16, 0.85%, 0.69%

LAB 69.53, 34, 35.1

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 56 / 26 / 0 / 5

HEX #6CB4F3

RGB 108 180 243

HSL 208, 0.85%, 0.69%

LAB 71.08, -4.8, -38.2

 

CMYK 0 / 56 / 15 / 5

HEX #F36CCF

RGB 243 108 207

HSL 316, 0.85%, 0.69%

LAB 65.19, 63.11, -26.52

 

CMYK 0 / 30 / 56 / 5

HEX #F3AB6C

RGB 243 171 108

HSL 28, 0.85%, 0.69%

LAB 75.61, 19.82, 42.7

 

CMYK 56 / 0 / 40 / 5

HEX #6CF392

RGB 108 243 146

HSL 136.89, 0.85%, 0.69%

LAB 86.68, -57.51, 35.87

 

CMYK 56 / 42 / 0 / 5

HEX #6C8CF3

RGB 108 140 243

HSL 225.78, 0.85%, 0.69%

LAB 60.26, 18.17, -55.24

 

CMYK 0 / 56 / 15 / 5

HEX #F36CCF

RGB 243 108 207

HSL 316, 0.85%, 0.69%

LAB 65.19, 63.11, -26.52

 

CMYK 0 / 13 / 56 / 5

HEX #F3D36C

RGB 243 211 108

HSL 45.78, 0.85%, 0.69%

LAB 85.37, -1.05, 54.38

 

Description

Color code: HEX #6CF392 | qconv.com Color code: HEX #6CF392 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 243 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 243 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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