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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFC4A it is the complementary color #9303B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFC4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFC4A shade: #71FC45, #82FF58, #93FF6B, #A4FF7E and #B5FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFC4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFC4A shade: #6CFC4A, #5BEA37, #4AD824, #39C611 and #28B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFC4A shade: #6CFC4A, #9CFC4A, #CCFC4A, #FCFC4A and #FCCC4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFC4A shade: #6CFC4A, #4AFC58, #4AFC88, #4AFCB8 and #4AFCE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFC4A shade matches the following richer shades: #6CFC4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFC4A shade: #6CFC4A, #75ED59, #7EDE67, #87CF76 and #90C085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFC4A shade: #CCFC4A, #9DFC4A, #6DFC4A, #4AFC56 and #4AFC85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFC4A shade: #30F003, #4BFB21, #6CFC4A, #8DFC72 and #AEFD9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFC4A shade: #6CFC4A, #4AFCFC and #FC4AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFC4A shade: #6CFC4A, #4A6DFC and #FC4A6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFC4A shade: #6CFC4A, #4AFCFC, #D84AFC and #FC4A4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFC4A shade: #6CFC4A, #4AC6FC, #D84AFC and #FC7F4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

Complementary color

CMYK 19 / 98 / 0 / 29

HEX #9303B5

RGB 147 3 181

HSL 288.54, 0.97%, 0.36%

LAB 37.12, 70.41, -56.82

 

CMYK 55 / 0 / 73 / 1

HEX #71FC45

RGB 113 252 69

HSL 105.57, 0.97%, 0.63%

LAB 88.71, -68.43, 71.64

 

CMYK 49 / 0 / 65 / 0

HEX #82FF58

RGB 130 255 88

HSL 104.91, 1%, 0.67%

LAB 90.31, -63.6, 66.6

 

CMYK 42 / 0 / 58 / 0

HEX #93FF6B

RGB 147 255 107

HSL 103.78, 1%, 0.71%

LAB 91.14, -56.97, 59.91

 

CMYK 36 / 0 / 51 / 0

HEX #A4FF7E

RGB 164 255 126

HSL 102.33, 1%, 0.75%

LAB 92.1, -49.69, 52.76

 

CMYK 29 / 0 / 43 / 0

HEX #B5FF91

RGB 181 255 145

HSL 100.36, 1%, 0.78%

LAB 93.18, -41.88, 45.34

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 61 / 0 / 76 / 8

HEX #5BEA37

RGB 91 234 55

HSL 107.93, 0.81%, 0.57%

LAB 82.56, -68.43, 69.86

 

CMYK 66 / 0 / 83 / 15

HEX #4AD824

RGB 74 216 36

HSL 107.33, 0.71%, 0.49%

LAB 76.49, -67.19, 69.25

 

CMYK 71 / 0 / 91 / 22

HEX #39C611

RGB 57 198 17

HSL 106.74, 0.84%, 0.42%

LAB 70.38, -65.43, 67.53

 

CMYK 78 / 0 / 100 / 29

HEX #28B400

RGB 40 180 0

HSL 106.67, 1%, 0.35%

LAB 64.24, -63.05, 64.49

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 38 / 0 / 71 / 1

HEX #9CFC4A

RGB 156 252 74

HSL 92.36, 0.97%, 0.64%

LAB 90.41, -55.67, 72.18

 

CMYK 19 / 0 / 71 / 1

HEX #CCFC4A

RGB 204 252 74

HSL 76.18, 0.97%, 0.64%

LAB 92.99, -38.63, 75.62

 

CMYK 0 / 0 / 71 / 1

HEX #FCFC4A

RGB 252 252 74

HSL 60, 0.97%, 0.64%

LAB 96.33, -19.72, 80

 

CMYK 0 / 19 / 71 / 1

HEX #FCCC4A

RGB 252 204 74

HSL 43.82, 0.97%, 0.64%

LAB 84.16, 4.16, 68.07

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 71 / 0 / 65 / 1

HEX #4AFC58

RGB 74 252 88

HSL 124.72, 0.97%, 0.64%

LAB 87.86, -74.89, 63.5

 

CMYK 71 / 0 / 46 / 1

HEX #4AFC88

RGB 74 252 136

HSL 140.9, 0.97%, 0.64%

LAB 88.38, -68.83, 42.78

 

CMYK 71 / 0 / 27 / 1

HEX #4AFCB8

RGB 74 252 184

HSL 157.08, 0.97%, 0.64%

LAB 89.18, -59.97, 19.87

 

CMYK 71 / 0 / 8 / 1

HEX #4AFCE8

RGB 74 252 232

HSL 173.26, 0.97%, 0.64%

LAB 90.28, -48.63, -3.37

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 51 / 0 / 62 / 7

HEX #75ED59

RGB 117 237 89

HSL 108.65, 0.8%, 0.64%

LAB 84.52, -60.39, 59.75

 

CMYK 43 / 0 / 54 / 13

HEX #7EDE67

RGB 126 222 103

HSL 108.4, 0.64%, 0.64%

LAB 80.55, -50.5, 49.1

 

CMYK 35 / 0 / 43 / 19

HEX #87CF76

RGB 135 207 118

HSL 108.54, 0.48%, 0.64%

LAB 76.73, -39.37, 37.21

 

CMYK 25 / 0 / 31 / 25

HEX #90C085

RGB 144 192 133

HSL 108.81, 0.32%, 0.64%

LAB 73.1, -27.11, 24.78

 

CMYK 19 / 0 / 71 / 1

HEX #CCFC4A

RGB 204 252 74

HSL 76.18, 0.97%, 0.64%

LAB 92.99, -38.63, 75.62

 

CMYK 38 / 0 / 71 / 1

HEX #9DFC4A

RGB 157 252 74

HSL 92.02, 0.97%, 0.64%

LAB 90.45, -55.35, 72.24

 

CMYK 57 / 0 / 71 / 1

HEX #6DFC4A

RGB 109 252 74

HSL 108.2, 0.97%, 0.64%

LAB 88.62, -69.06, 69.8

 

CMYK 71 / 0 / 66 / 1

HEX #4AFC56

RGB 74 252 86

HSL 124.04, 0.97%, 0.64%

LAB 87.85, -75.08, 64.27

 

CMYK 71 / 0 / 47 / 1

HEX #4AFC85

RGB 74 252 133

HSL 139.89, 0.97%, 0.64%

LAB 88.34, -69.29, 44.17

 

CMYK 80 / 0 / 99 / 6

HEX #30F003

RGB 48 240 3

HSL 108.61, 0.98%, 0.48%

LAB 83.42, -79.27, 79.61

 

CMYK 70 / 0 / 87 / 2

HEX #4BFB21

RGB 75 251 33

HSL 108.44, 0.96%, 0.56%

LAB 87.29, -77.93, 79.4

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 44 / 0 / 55 / 1

HEX #8DFC72

RGB 141 252 114

HSL 108.26, 0.96%, 0.72%

LAB 90.09, -56.83, 55.56

 

CMYK 31 / 0 / 39 / 1

HEX #AEFD9B

RGB 174 253 155

HSL 108.37, 0.96%, 0.8%

LAB 92.41, -41.96, 39.4

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 71 / 0 / 0 / 1

HEX #4AFCFC

RGB 74 252 252

HSL 180, 0.97%, 0.64%

LAB 90.83, -43.29, -12.94

 

CMYK 0 / 71 / 28 / 1

HEX #FC4AB5

RGB 252 74 181

HSL 323.93, 0.97%, 0.64%

LAB 60.72, 75.44, -18.46

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 71 / 57 / 0 / 1

HEX #4A6DFC

RGB 74 109 252

HSL 228.2, 0.97%, 0.64%

LAB 51.18, 34.45, -74.94

 

CMYK 0 / 71 / 57 / 1

HEX #FC4A6D

RGB 252 74 109

HSL 348.2, 0.97%, 0.64%

LAB 58.69, 68.76, 20.6

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 71 / 0 / 0 / 1

HEX #4AFCFC

RGB 74 252 252

HSL 180, 0.97%, 0.64%

LAB 90.83, -43.29, -12.94

 

CMYK 14 / 71 / 0 / 1

HEX #D84AFC

RGB 216 74 252

HSL 287.87, 0.97%, 0.64%

LAB 58.53, 77.85, -62.38

 

CMYK 0 / 71 / 71 / 1

HEX #FC4A4A

RGB 252 74 74

HSL 0, 0.97%, 0.64%

LAB 58.12, 66.81, 40.02

 

CMYK 57 / 0 / 71 / 1

HEX #6CFC4A

RGB 108 252 74

HSL 108.54, 0.97%, 0.64%

LAB 88.59, -69.29, 69.75

 

CMYK 71 / 21 / 0 / 1

HEX #4AC6FC

RGB 74 198 252

HSL 198.2, 0.97%, 0.64%

LAB 75.37, -17.32, -36.47

 

CMYK 14 / 71 / 0 / 1

HEX #D84AFC

RGB 216 74 252

HSL 287.87, 0.97%, 0.64%

LAB 58.53, 77.85, -62.38

 

CMYK 0 / 50 / 71 / 1

HEX #FC7F4A

RGB 252 127 74

HSL 17.87, 0.97%, 0.64%

LAB 66.8, 43.94, 49.85

 

Description

Color code: HEX #6CFC4A | qconv.com Color code: HEX #6CFC4A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 252 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 252 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 71 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 71% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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