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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFD4E it is the complementary color #9302B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFD4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFD4E shade: #71FD49, #82FF5C, #93FF6F, #A4FF82 and #B5FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFD4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFD4E shade: #6CFD4E, #5BEB3B, #4AD928, #39C715 and #28B502

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFD4E shade: #6CFD4E, #9BFD4E, #CAFD4E, #F9FD4E and #FDD14E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFD4E shade: #6CFD4E, #4EFD5F, #4EFD8E, #4EFDBD and #4EFDEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFD4E shade matches the following richer shades: #6CFD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFD4E shade: #6CFD4E, #75EE5C, #7FE06B, #88D179 and #92C388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFD4E shade: #CBFD4E, #9DFD4E, #6EFD4E, #4EFD5C and #4EFD8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFD4E shade: #2CF602, #4AFC25, #6CFD4E, #8EFD77 and #B0FE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFD4E shade: #6CFD4E, #4EFAFD and #FD4EB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFD4E shade: #6CFD4E, #4E6EFD and #FD4E6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFD4E shade: #6CFD4E, #4EFAFD, #DD4EFD and #FD514E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFD4E shade: #6CFD4E, #4EC5FD, #DD4EFD and #FD854E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

Complementary color

CMYK 17 / 99 / 0 / 31

HEX #9302B1

RGB 147 2 177

HSL 289.71, 0.98%, 0.35%

LAB 36.78, 69.84, -55

 

CMYK 55 / 0 / 71 / 1

HEX #71FD49

RGB 113 253 73

HSL 106.67, 0.98%, 0.64%

LAB 89.04, -68.5, 70.61

 

CMYK 49 / 0 / 64 / 0

HEX #82FF5C

RGB 130 255 92

HSL 106.01, 1%, 0.68%

LAB 90.34, -63.26, 65.06

 

CMYK 42 / 0 / 56 / 0

HEX #93FF6F

RGB 147 255 111

HSL 105, 1%, 0.72%

LAB 91.18, -56.56, 58.22

 

CMYK 36 / 0 / 49 / 0

HEX #A4FF82

RGB 164 255 130

HSL 103.68, 1%, 0.75%

LAB 92.14, -49.22, 50.96

 

CMYK 29 / 0 / 42 / 0

HEX #B5FF95

RGB 181 255 149

HSL 101.89, 1%, 0.79%

LAB 93.24, -41.37, 43.48

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 61 / 0 / 75 / 8

HEX #5BEB3B

RGB 91 235 59

HSL 109.09, 0.81%, 0.58%

LAB 82.89, -68.51, 68.93

 

CMYK 66 / 0 / 82 / 15

HEX #4AD928

RGB 74 217 40

HSL 108.47, 0.7%, 0.5%

LAB 76.82, -67.32, 68.55

 

CMYK 71 / 0 / 89 / 22

HEX #39C715

RGB 57 199 21

HSL 107.87, 0.81%, 0.43%

LAB 70.71, -65.63, 67.16

 

CMYK 78 / 0 / 99 / 29

HEX #28B502

RGB 40 181 2

HSL 107.26, 0.98%, 0.36%

LAB 64.57, -63.31, 64.5

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 39 / 0 / 69 / 1

HEX #9BFD4E

RGB 155 253 78

HSL 93.6, 0.98%, 0.65%

LAB 90.67, -56.13, 71.03

 

CMYK 20 / 0 / 69 / 1

HEX #CAFD4E

RGB 202 253 78

HSL 77.49, 0.98%, 0.65%

LAB 93.17, -39.61, 74.37

 

CMYK 2 / 0 / 69 / 1

HEX #F9FD4E

RGB 249 253 78

HSL 61.37, 0.98%, 0.65%

LAB 96.39, -21.22, 78.62

 

CMYK 0 / 17 / 69 / 1

HEX #FDD14E

RGB 253 209 78

HSL 44.91, 0.98%, 0.65%

LAB 85.52, 2.21, 67.9

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 69 / 0 / 62 / 1

HEX #4EFD5F

RGB 78 253 95

HSL 125.83, 0.98%, 0.65%

LAB 88.3, -73.85, 61.18

 

CMYK 69 / 0 / 44 / 1

HEX #4EFD8E

RGB 78 253 142

HSL 141.94, 0.98%, 0.65%

LAB 88.84, -67.61, 40.48

 

CMYK 69 / 0 / 25 / 1

HEX #4EFDBD

RGB 78 253 189

HSL 158.06, 0.98%, 0.65%

LAB 89.65, -58.72, 17.98

 

CMYK 69 / 0 / 7 / 1

HEX #4EFDEC

RGB 78 253 236

HSL 174.17, 0.98%, 0.65%

LAB 90.75, -47.52, -4.75

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 51 / 0 / 61 / 7

HEX #75EE5C

RGB 117 238 92

HSL 109.73, 0.81%, 0.65%

LAB 84.85, -60.48, 58.86

 

CMYK 43 / 0 / 52 / 12

HEX #7FE06B

RGB 127 224 107

HSL 109.74, 0.65%, 0.65%

LAB 81.23, -50.55, 48.06

 

CMYK 35 / 0 / 42 / 18

HEX #88D179

RGB 136 209 121

HSL 109.77, 0.49%, 0.65%

LAB 77.41, -39.51, 36.58

 

CMYK 25 / 0 / 30 / 24

HEX #92C388

RGB 146 195 136

HSL 109.83, 0.33%, 0.65%

LAB 74.14, -27.39, 24.6

 

CMYK 20 / 0 / 69 / 1

HEX #CBFD4E

RGB 203 253 78

HSL 77.14, 0.98%, 0.65%

LAB 93.23, -39.23, 74.45

 

CMYK 38 / 0 / 69 / 1

HEX #9DFD4E

RGB 157 253 78

HSL 92.91, 0.98%, 0.65%

LAB 90.77, -55.48, 71.15

 

CMYK 57 / 0 / 69 / 1

HEX #6EFD4E

RGB 110 253 78

HSL 109.03, 0.98%, 0.65%

LAB 88.98, -68.86, 68.74

 

CMYK 69 / 0 / 64 / 1

HEX #4EFD5C

RGB 78 253 92

HSL 124.8, 0.98%, 0.65%

LAB 88.28, -74.16, 62.38

 

CMYK 69 / 0 / 45 / 1

HEX #4EFD8B

RGB 78 253 139

HSL 140.91, 0.98%, 0.65%

LAB 88.8, -68.09, 41.88

 

CMYK 82 / 0 / 99 / 4

HEX #2CF602

RGB 44 246 2

HSL 109.67, 0.98%, 0.49%

LAB 85.23, -81.36, 81.12

 

CMYK 71 / 0 / 85 / 1

HEX #4AFC25

RGB 74 252 37

HSL 109.67, 0.97%, 0.57%

LAB 87.59, -78.26, 78.88

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 44 / 0 / 53 / 1

HEX #8EFD77

RGB 142 253 119

HSL 109.7, 0.97%, 0.73%

LAB 90.47, -56.37, 53.78

 

CMYK 31 / 0 / 37 / 0

HEX #B0FE9F

RGB 176 254 159

HSL 109.26, 0.98%, 0.81%

LAB 92.85, -41.19, 38.03

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 69 / 1 / 0 / 1

HEX #4EFAFD

RGB 78 250 253

HSL 181.03, 0.98%, 0.65%

LAB 90.36, -41.65, -14.16

 

CMYK 0 / 69 / 29 / 1

HEX #FD4EB4

RGB 253 78 180

HSL 325.03, 0.98%, 0.65%

LAB 61.33, 74.22, -16.94

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 69 / 57 / 0 / 1

HEX #4E6EFD

RGB 78 110 253

HSL 229.03, 0.98%, 0.65%

LAB 51.68, 34.69, -74.66

 

CMYK 0 / 69 / 57 / 1

HEX #FD4E6E

RGB 253 78 110

HSL 349.03, 0.98%, 0.65%

LAB 59.4, 67.72, 20.99

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 69 / 1 / 0 / 1

HEX #4EFAFD

RGB 78 250 253

HSL 181.03, 0.98%, 0.65%

LAB 90.36, -41.65, -14.16

 

CMYK 13 / 69 / 0 / 1

HEX #DD4EFD

RGB 221 78 253

HSL 289.03, 0.98%, 0.65%

LAB 59.81, 77.59, -60.85

 

CMYK 0 / 68 / 69 / 1

HEX #FD514E

RGB 253 81 78

HSL 1.03, 0.98%, 0.65%

LAB 59.27, 64.77, 39.18

 

CMYK 57 / 0 / 69 / 1

HEX #6CFD4E

RGB 108 253 78

HSL 109.71, 0.98%, 0.65%

LAB 88.92, -69.33, 68.66

 

CMYK 69 / 22 / 0 / 1

HEX #4EC5FD

RGB 78 197 253

HSL 199.2, 0.98%, 0.65%

LAB 75.23, -15.94, -37.22

 

CMYK 13 / 69 / 0 / 1

HEX #DD4EFD

RGB 221 78 253

HSL 289.03, 0.98%, 0.65%

LAB 59.81, 77.59, -60.85

 

CMYK 0 / 47 / 69 / 1

HEX #FD854E

RGB 253 133 78

HSL 18.86, 0.98%, 0.65%

LAB 68.17, 41.54, 49.42

 

Description

Color code: HEX #6CFD4E | qconv.com Color code: HEX #6CFD4E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 253 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 253 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 69 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 69% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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