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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFE39 it is the complementary color #9301C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFE39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFE39 shade: #71FE34, #82FF47, #93FF5A, #A4FF6D and #B5FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFE39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFE39 shade: #6CFE39, #5BEC26, #4ADA13, #39C800 and #28B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFE39 shade: #6CFE39, #A1FE39, #D6FE39, #FEF039 and #FEBB39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFE39 shade: #6CFE39, #39FE3B, #39FE70, #39FEA5 and #39FEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFE39 shade matches the following richer shades: #6CFE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFE39 shade: #6CFE39, #73ED49, #7BDD59, #83CD69 and #8BBD79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFE39 shade: #D6FE39, #A2FE39, #6DFE39, #39FE39 and #39FE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFE39 shade: #3BE301, #4DFD10, #6CFE39, #8AFE62 and #A9FE8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFE39 shade: #6CFE39, #39FEF0 and #FE39BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFE39 shade: #6CFE39, #396DFE and #FE396D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFE39 shade: #6CFE39, #39FEF0, #C939FE and #FE3946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFE39 shade: #6CFE39, #39D0FE, #C939FE and #FE6739

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

Complementary color

CMYK 26 / 99 / 0 / 22

HEX #9301C6

RGB 147 1 198

HSL 284.47, 0.99%, 0.39%

LAB 38.38, 73.7, -64.79

 

CMYK 56 / 0 / 80 / 0

HEX #71FE34

RGB 113 254 52

HSL 101.88, 0.99%, 0.6%

LAB 89.23, -70.1, 77.23

 

CMYK 49 / 0 / 72 / 0

HEX #82FF47

RGB 130 255 71

HSL 100.76, 1%, 0.64%

LAB 90.19, -64.87, 72.64

 

CMYK 42 / 0 / 65 / 0

HEX #93FF5A

RGB 147 255 90

HSL 99.27, 1%, 0.68%

LAB 90.99, -58.51, 66.75

 

CMYK 36 / 0 / 57 / 0

HEX #A4FF6D

RGB 164 255 109

HSL 97.4, 1%, 0.71%

LAB 91.92, -51.47, 60.15

 

CMYK 29 / 0 / 50 / 0

HEX #B5FF80

RGB 181 255 128

HSL 94.96, 1%, 0.75%

LAB 92.97, -43.88, 53.09

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 61 / 0 / 84 / 7

HEX #5BEC26

RGB 91 236 38

HSL 103.94, 0.84%, 0.54%

LAB 83.1, -69.95, 74.86

 

CMYK 66 / 0 / 91 / 15

HEX #4ADA13

RGB 74 218 19

HSL 103.42, 0.84%, 0.46%

LAB 77.07, -68.41, 72.99

 

CMYK 72 / 0 / 100 / 22

HEX #39C800

RGB 57 200 0

HSL 102.9, 1%, 0.39%

LAB 70.99, -66.4, 70.01

 

CMYK 78 / 0 / 100 / 29

HEX #28B600

RGB 40 182 0

HSL 106.81, 1%, 0.36%

LAB 64.89, -63.65, 65.01

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 37 / 0 / 78 / 0

HEX #A1FE39

RGB 161 254 57

HSL 88.32, 0.99%, 0.61%

LAB 91.12, -55.76, 78.3

 

CMYK 16 / 0 / 78 / 0

HEX #D6FE39

RGB 214 254 57

HSL 72.18, 0.99%, 0.61%

LAB 94.09, -36.47, 82.11

 

CMYK 0 / 6 / 78 / 0

HEX #FEF039

RGB 254 240 57

HSL 55.74, 0.99%, 0.61%

LAB 93.31, -13.77, 82.52

 

CMYK 0 / 26 / 78 / 0

HEX #FEBB39

RGB 254 187 57

HSL 39.59, 0.99%, 0.61%

LAB 80.13, 13.1, 70.58

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 78 / 0 / 77 / 0

HEX #39FE3B

RGB 57 254 59

HSL 120.61, 0.99%, 0.61%

LAB 88, -80.2, 73.66

 

CMYK 78 / 0 / 56 / 0

HEX #39FE70

RGB 57 254 112

HSL 136.75, 0.99%, 0.61%

LAB 88.41, -75.19, 53.91

 

CMYK 78 / 0 / 35 / 0

HEX #39FEA5

RGB 57 254 165

HSL 152.89, 0.99%, 0.61%

LAB 89.14, -66.65, 29.43

 

CMYK 78 / 0 / 14 / 0

HEX #39FEDA

RGB 57 254 218

HSL 169.04, 0.99%, 0.61%

LAB 90.24, -54.87, 3.81

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 51 / 0 / 69 / 7

HEX #73ED49

RGB 115 237 73

HSL 104.63, 0.82%, 0.61%

LAB 84.33, -62.31, 65.79

 

CMYK 44 / 0 / 60 / 13

HEX #7BDD59

RGB 123 221 89

HSL 104.55, 0.66%, 0.61%

LAB 79.98, -52.52, 54.72

 

CMYK 36 / 0 / 49 / 20

HEX #83CD69

RGB 131 205 105

HSL 104.4, 0.5%, 0.61%

LAB 75.77, -41.51, 42.4

 

CMYK 26 / 0 / 36 / 26

HEX #8BBD79

RGB 139 189 121

HSL 104.12, 0.34%, 0.61%

LAB 71.73, -29.26, 29.23

 

CMYK 16 / 0 / 78 / 0

HEX #D6FE39

RGB 214 254 57

HSL 72.18, 0.99%, 0.61%

LAB 94.09, -36.47, 82.11

 

CMYK 36 / 0 / 78 / 0

HEX #A2FE39

RGB 162 254 57

HSL 88.02, 0.99%, 0.61%

LAB 91.17, -55.43, 78.37

 

CMYK 57 / 0 / 78 / 0

HEX #6DFE39

RGB 109 254 57

HSL 104.16, 0.99%, 0.61%

LAB 89.13, -70.82, 75.72

 

CMYK 78 / 0 / 78 / 0

HEX #39FE39

RGB 57 254 57

HSL 120, 0.99%, 0.61%

LAB 87.99, -80.33, 74.24

 

CMYK 78 / 0 / 57 / 0

HEX #39FE6D

RGB 57 254 109

HSL 135.84, 0.99%, 0.61%

LAB 88.38, -75.56, 55.21

 

CMYK 74 / 0 / 100 / 11

HEX #3BE301

RGB 59 227 1

HSL 104.6, 0.99%, 0.45%

LAB 79.54, -74.13, 76.74

 

CMYK 70 / 0 / 94 / 1

HEX #4DFD10

RGB 77 253 16

HSL 104.56, 0.98%, 0.53%

LAB 87.9, -78.62, 82.35

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 46 / 0 / 61 / 0

HEX #8AFE62

RGB 138 254 98

HSL 104.62, 0.99%, 0.69%

LAB 90.4, -60.09, 62.78

 

CMYK 33 / 0 / 45 / 0

HEX #A9FE8B

RGB 169 254 139

HSL 104.35, 0.98%, 0.77%

LAB 92.21, -46.11, 46.86

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 78 / 0 / 6 / 0

HEX #39FEF0

RGB 57 254 240

HSL 175.74, 0.99%, 0.61%

LAB 90.8, -49.17, -6.78

 

CMYK 0 / 78 / 26 / 0

HEX #FE39BC

RGB 254 57 188

HSL 320.1, 0.99%, 0.61%

LAB 59.55, 81.74, -24.25

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 78 / 57 / 0 / 0

HEX #396DFE

RGB 57 109 254

HSL 224.16, 0.99%, 0.61%

LAB 50.64, 33.3, -76.95

 

CMYK 0 / 78 / 57 / 0

HEX #FE396D

RGB 254 57 109

HSL 344.16, 0.99%, 0.61%

LAB 57.17, 74.57, 18.6

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 78 / 0 / 6 / 0

HEX #39FEF0

RGB 57 254 240

HSL 175.74, 0.99%, 0.61%

LAB 90.8, -49.17, -6.78

 

CMYK 21 / 78 / 0 / 0

HEX #C939FE

RGB 201 57 254

HSL 283.86, 0.99%, 0.61%

LAB 54.55, 81.03, -70.02

 

CMYK 0 / 78 / 72 / 0

HEX #FE3946

RGB 254 57 70

HSL 356.04, 0.99%, 0.61%

LAB 56.52, 72.54, 40.51

 

CMYK 57 / 0 / 78 / 0

HEX #6CFE39

RGB 108 254 57

HSL 104.47, 0.99%, 0.61%

LAB 89.1, -71.06, 75.68

 

CMYK 78 / 18 / 0 / 0

HEX #39D0FE

RGB 57 208 254

HSL 194.01, 0.99%, 0.61%

LAB 77.96, -23.74, -33.57

 

CMYK 21 / 78 / 0 / 0

HEX #C939FE

RGB 201 57 254

HSL 283.86, 0.99%, 0.61%

LAB 54.55, 81.03, -70.02

 

CMYK 0 / 59 / 78 / 0

HEX #FE6739

RGB 254 103 57

HSL 14.01, 0.99%, 0.61%

LAB 62.56, 55.24, 53.77

 

Description

Color code: HEX #6CFE39 | qconv.com Color code: HEX #6CFE39 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 254 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 254 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 78 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 78% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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