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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A00D7 it is the complementary color #95FF28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A00D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A00D7 shade: #6F00D2, #8012E5, #9124F8, #A236FF and #B348FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A00D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A00D7 shade: #6A00D7, #5900C4, #4800B1, #37009E and #26008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A00D7 shade: #6900D6, #A300D6, #D600CF, #D60095 and #D6005B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A00D7 shade: #6900D6, #2F00D6 and #0000D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A00D7 shade matches the following richer shades: #6900D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A00D7 shade: #6900D6, #6911C4, #6A22B3, #6A33A2 and #6A4590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A00D7 shade: #000AD6, #2E00D6, #6700D6, #A000D6 and #D600D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A00D7 shade: #400083, #5500AC, #6900D6, #7D00FF and #9229FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A00D7 shade: #6A00D7, #D60043 and #00D611

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A00D7 shade: #6A00D7, #D66700 and #00D667

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A00D7 shade: #6A00D7, #D60043, #6ED600 and #00D692

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A00D7 shade: #6A00D7, #D60003, #6ED600 and #00D6D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 100 / 0 / 16

HEX #6A00D7

RGB 106 0 215

HSL 269.58, 1%, 0.42%

LAB 33.92, 73.06, -82.22

 

Complementary color

CMYK 42 / 0 / 84 / 0

HEX #95FF28

RGB 149 255 40

HSL 89.58, 1%, 0.58%

LAB 90.81, -60.73, 81.98

 

CMYK 47 / 100 / 0 / 18

HEX #6F00D2

RGB 111 0 210

HSL 271.71, 1%, 0.41%

LAB 34.05, 72.39, -79.09

 

CMYK 44 / 92 / 0 / 10

HEX #8012E5

RGB 128 18 229

HSL 271.28, 0.85%, 0.48%

LAB 39.03, 75.54, -81.71

 

CMYK 42 / 85 / 0 / 3

HEX #9124F8

RGB 145 36 248

HSL 270.85, 0.94%, 0.56%

LAB 44.32, 77.59, -83.69

 

CMYK 36 / 79 / 0 / 0

HEX #A236FF

RGB 162 54 255

HSL 272.24, 1%, 0.61%

LAB 48.93, 75.99, -79.95

 

CMYK 30 / 72 / 0 / 0

HEX #B348FF

RGB 179 72 255

HSL 275.08, 1%, 0.64%

LAB 53.43, 72.16, -72.54

 

CMYK 51 / 100 / 0 / 16

HEX #6A00D7

RGB 106 0 215

HSL 269.58, 1%, 0.42%

LAB 33.92, 73.06, -82.22

 

CMYK 55 / 100 / 0 / 23

HEX #5900C4

RGB 89 0 196

HSL 267.24, 1%, 0.38%

LAB 29.69, 67.66, -78.22

 

CMYK 59 / 100 / 0 / 31

HEX #4800B1

RGB 72 0 177

HSL 264.41, 1%, 0.35%

LAB 25.42, 62.21, -74.08

 

CMYK 65 / 100 / 0 / 38

HEX #37009E

RGB 55 0 158

HSL 260.89, 1%, 0.31%

LAB 21.14, 56.72, -69.73

 

CMYK 73 / 100 / 0 / 45

HEX #26008B

RGB 38 0 139

HSL 256.4, 1%, 0.27%

LAB 16.87, 51.22, -65.09

 

CMYK 51 / 100 / 0 / 16

HEX #6900D6

RGB 105 0 214

HSL 269.44, 1%, 0.42%

LAB 33.69, 72.77, -82.03

 

CMYK 24 / 100 / 0 / 16

HEX #A300D6

RGB 163 0 214

HSL 285.7, 1%, 0.42%

LAB 42.22, 78.72, -67.7

 

CMYK 0 / 100 / 3 / 16

HEX #D600CF

RGB 214 0 207

HSL 301.96, 1%, 0.42%

LAB 50.45, 85.09, -49.94

 

CMYK 0 / 100 / 30 / 16

HEX #D60095

RGB 214 0 149

HSL 318.22, 1%, 0.42%

LAB 47.58, 77.92, -20.32

 

CMYK 0 / 100 / 57 / 16

HEX #D6005B

RGB 214 0 91

HSL 334.49, 1%, 0.42%

LAB 45.7, 73.02, 12.56

 

CMYK 51 / 100 / 0 / 16

HEX #6900D6

RGB 105 0 214

HSL 269.44, 1%, 0.42%

LAB 33.69, 72.77, -82.03

 

CMYK 78 / 100 / 0 / 16

HEX #2F00D6

RGB 47 0 214

HSL 253.18, 1%, 0.42%

LAB 28.01, 69.97, -91.64

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 51 / 100 / 0 / 16

HEX #6900D6

RGB 105 0 214

HSL 269.44, 1%, 0.42%

LAB 33.69, 72.77, -82.03

 

CMYK 51 / 100 / 0 / 16

HEX #6900D6

RGB 105 0 214

HSL 269.44, 1%, 0.42%

LAB 33.69, 72.77, -82.03

 

CMYK 46 / 91 / 0 / 23

HEX #6911C4

RGB 105 17 196

HSL 269.5, 0.84%, 0.42%

LAB 32.68, 66.2, -73.21

 

CMYK 41 / 81 / 0 / 30

HEX #6A22B3

RGB 106 34 179

HSL 269.79, 0.68%, 0.42%

LAB 32.84, 57.59, -62.89

 

CMYK 35 / 69 / 0 / 36

HEX #6A33A2

RGB 106 51 162

HSL 269.73, 0.52%, 0.42%

LAB 34.07, 46.03, -50.7

 

CMYK 26 / 52 / 0 / 44

HEX #6A4590

RGB 106 69 144

HSL 269.6, 0.35%, 0.42%

LAB 36.62, 31.51, -35.69

 

CMYK 100 / 95 / 0 / 16

HEX #000AD6

RGB 0 10 214

HSL 237.2, 1%, 0.42%

LAB 26.94, 67.45, -93.46

 

CMYK 79 / 100 / 0 / 16

HEX #2E00D6

RGB 46 0 214

HSL 252.9, 1%, 0.42%

LAB 27.94, 69.94, -91.74

 

CMYK 52 / 100 / 0 / 16

HEX #6700D6

RGB 103 0 214

HSL 268.88, 1%, 0.42%

LAB 33.43, 72.62, -82.46

 

CMYK 25 / 100 / 0 / 16

HEX #A000D6

RGB 160 0 214

HSL 284.86, 1%, 0.42%

LAB 41.73, 78.34, -68.51

 

CMYK 0 / 100 / 2 / 16

HEX #D600D2

RGB 214 0 210

HSL 301.12, 1%, 0.42%

LAB 50.63, 85.51, -51.39

 

CMYK 51 / 100 / 0 / 49

HEX #400083

RGB 64 0 131

HSL 269.31, 1%, 0.26%

LAB 18.92, 50.86, -56.56

 

CMYK 51 / 100 / 0 / 33

HEX #5500AC

RGB 85 0 172

HSL 269.65, 1%, 0.34%

LAB 26.48, 61.99, -69.27

 

CMYK 51 / 100 / 0 / 16

HEX #6900D6

RGB 105 0 214

HSL 269.44, 1%, 0.42%

LAB 33.69, 72.77, -82.03

 

CMYK 51 / 100 / 0 / 0

HEX #7D00FF

RGB 125 0 255

HSL 269.41, 1%, 0.5%

LAB 40.54, 82.96, -93.93

 

CMYK 43 / 84 / 0 / 0

HEX #9229FF

RGB 146 41 255

HSL 269.44, 1%, 0.58%

LAB 45.52, 77.88, -85.62

 

CMYK 51 / 100 / 0 / 16

HEX #6A00D7

RGB 106 0 215

HSL 269.58, 1%, 0.42%

LAB 33.92, 73.06, -82.22

 

CMYK 0 / 100 / 69 / 16

HEX #D60043

RGB 214 0 67

HSL 341.21, 1%, 0.42%

LAB 45.22, 71.73, 26.86

 

CMYK 100 / 0 / 92 / 16

HEX #00D611

RGB 0 214 17

HSL 124.77, 1%, 0.42%

LAB 74.91, -75.17, 71.1

 

CMYK 51 / 100 / 0 / 16

HEX #6A00D7

RGB 106 0 215

HSL 269.58, 1%, 0.42%

LAB 33.92, 73.06, -82.22

 

CMYK 0 / 52 / 100 / 16

HEX #D66700

RGB 214 103 0

HSL 28.88, 1%, 0.42%

LAB 56.08, 39.22, 64.46

 

CMYK 100 / 0 / 52 / 16

HEX #00D667

RGB 0 214 103

HSL 148.88, 1%, 0.42%

LAB 75.5, -67.76, 42.37

 

CMYK 51 / 100 / 0 / 16

HEX #6A00D7

RGB 106 0 215

HSL 269.58, 1%, 0.42%

LAB 33.92, 73.06, -82.22

 

CMYK 0 / 100 / 69 / 16

HEX #D60043

RGB 214 0 67

HSL 341.21, 1%, 0.42%

LAB 45.22, 71.73, 26.86

 

CMYK 49 / 0 / 100 / 16

HEX #6ED600

RGB 110 214 0

HSL 89.16, 1%, 0.42%

LAB 76.93, -58.31, 75.36

 

CMYK 100 / 0 / 32 / 16

HEX #00D692

RGB 0 214 146

HSL 160.93, 1%, 0.42%

LAB 76.17, -59.78, 21.48

 

CMYK 51 / 100 / 0 / 16

HEX #6A00D7

RGB 106 0 215

HSL 269.58, 1%, 0.42%

LAB 33.92, 73.06, -82.22

 

CMYK 0 / 100 / 99 / 16

HEX #D60003

RGB 214 0 3

HSL 359.16, 1%, 0.42%

LAB 44.66, 70.21, 57.91

 

CMYK 49 / 0 / 100 / 16

HEX #6ED600

RGB 110 214 0

HSL 89.16, 1%, 0.42%

LAB 76.93, -58.31, 75.36

 

CMYK 100 / 0 / 2 / 16

HEX #00D6D2

RGB 0 214 210

HSL 178.88, 1%, 0.42%

LAB 77.72, -43.3, -10.42

 

Description

Color code: HEX #6A00D7 | qconv.com Color code: HEX #6A00D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, none green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 0 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 100 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 100% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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