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Color name
HEX #6A0F99

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A0F99 it is the complementary color #95F066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A0F99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A0F99 shade: #6F0F94, #8021A7, #9133BA, #A245CD and #B357E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A0F99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A0F99 shade: #6A0F99, #590086, #480073, #370060 and #26004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A0F99 shade: #6A0F99, #8F0F99, #990F7D, #990F58 and #990F33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A0F99 shade: #6A0F99, #440F99, #1F0F99 and #0F0F99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A0F99 shade matches the following richer shades: #6A0F99 and #6E01A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A0F99 shade: #6A0F99, #651C8B, #612A7D, #5D3770 and #584562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A0F99 shade: #1F0F99, #440F99, #680F99, #8D0F99 and #990F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A0F99 shade: #36074E, #500B73, #6A0F99, #8412BE and #9E16E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A0F99 shade: #6A0F99, #990F23 and #0F9931

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A0F99 shade: #6A0F99, #99680F and #0F9968

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A0F99 shade: #6A0F99, #990F23, #3F990F and #0F9984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A0F99 shade: #6A0F99, #99230F, #3F990F and #0F8499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

Complementary color

CMYK 38 / 0 / 58 / 6

HEX #95F066

RGB 149 240 102

HSL 99.57, 0.82%, 0.67%

LAB 86.83, -50.82, 57.17

 

CMYK 25 / 90 / 0 / 42

HEX #6F0F94

RGB 111 15 148

HSL 283.31, 0.82%, 0.32%

LAB 29.05, 57.13, -50.27

 

CMYK 23 / 80 / 0 / 35

HEX #8021A7

RGB 128 33 167

HSL 282.54, 0.67%, 0.39%

LAB 34.94, 58.92, -52.15

 

CMYK 22 / 73 / 0 / 27

HEX #9133BA

RGB 145 51 186

HSL 281.78, 0.57%, 0.46%

LAB 41.11, 59.55, -53.34

 

CMYK 21 / 66 / 0 / 20

HEX #A245CD

RGB 162 69 205

HSL 281.03, 0.58%, 0.54%

LAB 47.42, 59.5, -54.1

 

CMYK 20 / 61 / 0 / 12

HEX #B357E0

RGB 179 87 224

HSL 280.29, 0.69%, 0.61%

LAB 53.79, 59.08, -54.59

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 34 / 100 / 0 / 47

HEX #590086

RGB 89 0 134

HSL 279.85, 1%, 0.26%

LAB 23.15, 54.16, -51.35

 

CMYK 37 / 100 / 0 / 55

HEX #480073

RGB 72 0 115

HSL 277.57, 1%, 0.23%

LAB 18.43, 48.06, -47.09

 

CMYK 43 / 100 / 0 / 62

HEX #370060

RGB 55 0 96

HSL 274.38, 1%, 0.19%

LAB 13.57, 41.79, -42.7

 

CMYK 51 / 100 / 0 / 70

HEX #26004D

RGB 38 0 77

HSL 269.61, 1%, 0.15%

LAB 8.55, 35.35, -38.14

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 7 / 90 / 0 / 40

HEX #8F0F99

RGB 143 15 153

HSL 295.65, 0.82%, 0.33%

LAB 34.97, 63.4, -43.51

 

CMYK 0 / 90 / 18 / 40

HEX #990F7D

RGB 153 15 125

HSL 312.17, 0.82%, 0.33%

LAB 35.19, 61.11, -25.74

 

CMYK 0 / 90 / 42 / 40

HEX #990F58

RGB 153 15 88

HSL 328.26, 0.82%, 0.33%

LAB 33.6, 56.81, -4.56

 

CMYK 0 / 90 / 67 / 40

HEX #990F33

RGB 153 15 51

HSL 344.35, 0.82%, 0.33%

LAB 32.6, 53.99, 18.32

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 56 / 90 / 0 / 40

HEX #440F99

RGB 68 15 153

HSL 263.04, 0.82%, 0.33%

LAB 23.24, 52.74, -63.13

 

CMYK 80 / 90 / 0 / 40

HEX #1F0F99

RGB 31 15 153

HSL 246.96, 0.82%, 0.33%

LAB 19.77, 50.13, -68.98

 

CMYK 90 / 90 / 0 / 40

HEX #0F0F99

RGB 15 15 153

HSL 240, 0.82%, 0.33%

LAB 18.98, 49.58, -70.32

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 34 / 99 / 0 / 35

HEX #6E01A6

RGB 110 1 166

HSL 279.64, 0.99%, 0.33%

LAB 29.64, 63.02, -60.31

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 27 / 80 / 0 / 45

HEX #651C8B

RGB 101 28 139

HSL 279.46, 0.66%, 0.33%

LAB 28.01, 49.77, -46.47

 

CMYK 22 / 66 / 0 / 51

HEX #612A7D

RGB 97 42 125

HSL 279.76, 0.5%, 0.33%

LAB 28.59, 39.53, -36.82

 

CMYK 17 / 51 / 0 / 56

HEX #5D3770

RGB 93 55 112

HSL 280, 0.34%, 0.33%

LAB 29.98, 28.03, -26.41

 

CMYK 10 / 30 / 0 / 62

HEX #584562

RGB 88 69 98

HSL 279.31, 0.17%, 0.33%

LAB 32.29, 14.21, -13.97

 

CMYK 80 / 90 / 0 / 40

HEX #1F0F99

RGB 31 15 153

HSL 246.96, 0.82%, 0.33%

LAB 19.77, 50.13, -68.98

 

CMYK 56 / 90 / 0 / 40

HEX #440F99

RGB 68 15 153

HSL 263.04, 0.82%, 0.33%

LAB 23.24, 52.74, -63.13

 

CMYK 32 / 90 / 0 / 40

HEX #680F99

RGB 104 15 153

HSL 278.7, 0.82%, 0.33%

LAB 28.34, 57.11, -54.56

 

CMYK 8 / 90 / 0 / 40

HEX #8D0F99

RGB 141 15 153

HSL 294.78, 0.82%, 0.33%

LAB 34.61, 63.05, -44.1

 

CMYK 0 / 90 / 17 / 40

HEX #990F7F

RGB 153 15 127

HSL 311.3, 0.82%, 0.33%

LAB 35.29, 61.38, -26.83

 

CMYK 31 / 91 / 0 / 69

HEX #36074E

RGB 54 7 78

HSL 279.72, 0.84%, 0.17%

LAB 12.52, 34.6, -32.22

 

CMYK 30 / 90 / 0 / 55

HEX #500B73

RGB 80 11 115

HSL 279.81, 0.83%, 0.25%

LAB 20.76, 46.25, -43.23

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 31 / 91 / 0 / 25

HEX #8412BE

RGB 132 18 190

HSL 279.77, 0.83%, 0.41%

LAB 36.09, 67.96, -63.93

 

CMYK 31 / 90 / 0 / 11

HEX #9E16E4

RGB 158 22 228

HSL 279.61, 0.82%, 0.49%

LAB 43.43, 78.09, -73.78

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 0 / 90 / 77 / 40

HEX #990F23

RGB 153 15 35

HSL 351.3, 0.82%, 0.33%

LAB 32.34, 53.24, 28.3

 

CMYK 90 / 0 / 68 / 40

HEX #0F9931

RGB 15 153 49

HSL 134.78, 0.82%, 0.33%

LAB 55.18, -54.99, 43.67

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 0 / 32 / 90 / 40

HEX #99680F

RGB 153 104 15

HSL 38.7, 0.82%, 0.33%

LAB 47.89, 12.67, 51.7

 

CMYK 90 / 0 / 32 / 40

HEX #0F9968

RGB 15 153 104

HSL 158.7, 0.82%, 0.33%

LAB 55.97, -45.62, 16.47

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 0 / 90 / 77 / 40

HEX #990F23

RGB 153 15 35

HSL 351.3, 0.82%, 0.33%

LAB 32.34, 53.24, 28.3

 

CMYK 59 / 0 / 90 / 40

HEX #3F990F

RGB 63 153 15

HSL 99.13, 0.82%, 0.33%

LAB 55.96, -49.12, 55.72

 

CMYK 90 / 0 / 14 / 40

HEX #0F9984

RGB 15 153 132

HSL 170.87, 0.82%, 0.33%

LAB 56.63, -38.43, 1.57

 

CMYK 31 / 90 / 0 / 40

HEX #6A0F99

RGB 106 15 153

HSL 279.57, 0.82%, 0.33%

LAB 28.66, 57.4, -54.03

 

CMYK 0 / 77 / 90 / 40

HEX #99230F

RGB 153 35 15

HSL 8.7, 0.82%, 0.33%

LAB 34, 47.42, 40.86

 

CMYK 59 / 0 / 90 / 40

HEX #3F990F

RGB 63 153 15

HSL 99.13, 0.82%, 0.33%

LAB 55.96, -49.12, 55.72

 

CMYK 90 / 14 / 0 / 40

HEX #0F8499

RGB 15 132 153

HSL 189.13, 0.82%, 0.33%

LAB 50.57, -21.66, -19.61

 

Description

Color code: HEX #6A0F99 | qconv.com Color code: HEX #6A0F99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 15 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 15 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 90 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 90% 0% 40% C M Y K

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Provide designers and agencies with accurate color values.

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