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Color name
HEX #6A1626

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A1626 it is the complementary color #95E9D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A1626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A1626 shade: #6F1621, #802834, #913A47, #A24C5A and #B35E6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A1626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A1626 shade: #6A1626, #590413, #480000, #370000 and #260000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A1626 shade: #691525 and #691515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A1626 shade: #691525, #69153C, #691553, #691569 and #531569

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A1626 shade matches the following richer shades: #691525, #740B1F and #7E0118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A1626 shade: #691525, #5F1F2C, #552A32, #4A3438 and #403E3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A1626 shade: #691553, #69153C, #691526, #691B15 and #693115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A1626 shade: #25070D, #470E19, #691525, #8C1C31 and #AE233E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A1626 shade: #6A1626, #696915 and #154869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A1626 shade: #6A1626, #266915 and #152669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A1626 shade: #6A1626, #696915, #156958 and #151569

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A1626 shade: #6A1626, #506915, #156958 and #2E1569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

Complementary color

CMYK 36 / 0 / 7 / 9

HEX #95E9D9

RGB 149 233 217

HSL 168.57, 0.66%, 0.75%

LAB 86.84, -29.01, -0.29

 

CMYK 0 / 80 / 70 / 56

HEX #6F1621

RGB 111 22 33

HSL 352.58, 0.67%, 0.26%

LAB 23.88, 38.85, 17.36

 

CMYK 0 / 69 / 59 / 50

HEX #802834

RGB 128 40 52

HSL 351.82, 0.52%, 0.33%

LAB 30.29, 38.7, 13.7

 

CMYK 0 / 60 / 51 / 43

HEX #913A47

RGB 145 58 71

HSL 351.03, 0.43%, 0.4%

LAB 36.93, 37.95, 10.99

 

CMYK 0 / 53 / 44 / 36

HEX #A24C5A

RGB 162 76 90

HSL 350.23, 0.36%, 0.47%

LAB 43.64, 36.98, 8.9

 

CMYK 0 / 47 / 39 / 30

HEX #B35E6D

RGB 179 94 109

HSL 349.41, 0.36%, 0.54%

LAB 50.33, 35.97, 7.21

 

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

CMYK 0 / 96 / 79 / 65

HEX #590413

RGB 89 4 19

HSL 349.41, 0.91%, 0.18%

LAB 16.79, 36.58, 17.12

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 80 / 65 / 59

HEX #691525

RGB 105 21 37

HSL 348.57, 0.67%, 0.25%

LAB 22.56, 37.5, 12.67

 

CMYK 0 / 80 / 80 / 59

HEX #691515

RGB 105 21 21

HSL 0, 0.67%, 0.25%

LAB 22.28, 36.59, 23.1

 

CMYK 0 / 80 / 65 / 59

HEX #691525

RGB 105 21 37

HSL 348.57, 0.67%, 0.25%

LAB 22.56, 37.5, 12.67

 

CMYK 0 / 80 / 43 / 59

HEX #69153C

RGB 105 21 60

HSL 332.14, 0.67%, 0.25%

LAB 23.22, 39.61, -2.32

 

CMYK 0 / 80 / 21 / 59

HEX #691553

RGB 105 21 83

HSL 315.71, 0.67%, 0.25%

LAB 24.21, 42.62, -16.44

 

CMYK 0 / 80 / 0 / 59

HEX #691569

RGB 105 21 105

HSL 300, 0.67%, 0.25%

LAB 25.44, 46.22, -28.99

 

CMYK 21 / 80 / 0 / 59

HEX #531569

RGB 83 21 105

HSL 284.29, 0.67%, 0.25%

LAB 21.56, 41.35, -35.42

 

CMYK 0 / 80 / 65 / 59

HEX #691525

RGB 105 21 37

HSL 348.57, 0.67%, 0.25%

LAB 22.56, 37.5, 12.67

 

CMYK 0 / 91 / 73 / 55

HEX #740B1F

RGB 116 11 31

HSL 348.57, 0.83%, 0.25%

LAB 23.84, 43.39, 18.91

 

CMYK 0 / 99 / 81 / 51

HEX #7E0118

RGB 126 1 24

HSL 348.96, 0.98%, 0.25%

LAB 25.33, 47.87, 25.85

 

CMYK 0 / 80 / 65 / 59

HEX #691525

RGB 105 21 37

HSL 348.57, 0.67%, 0.25%

LAB 22.56, 37.5, 12.67

 

CMYK 0 / 67 / 54 / 63

HEX #5F1F2C

RGB 95 31 44

HSL 347.81, 0.51%, 0.25%

LAB 22.28, 30.28, 7.13

 

CMYK 0 / 51 / 41 / 67

HEX #552A32

RGB 85 42 50

HSL 348.84, 0.34%, 0.25%

LAB 23.06, 20.85, 3.85

 

CMYK 0 / 30 / 24 / 71

HEX #4A3438

RGB 74 52 56

HSL 349.09, 0.17%, 0.25%

LAB 24.31, 10.61, 1.4

 

CMYK 0 / 3 / 2 / 75

HEX #403E3F

RGB 64 62 63

HSL 330, 0.02%, 0.25%

LAB 26.43, 1.07, -0.31

 

CMYK 0 / 80 / 21 / 59

HEX #691553

RGB 105 21 83

HSL 315.71, 0.67%, 0.25%

LAB 24.21, 42.62, -16.44

 

CMYK 0 / 80 / 43 / 59

HEX #69153C

RGB 105 21 60

HSL 332.14, 0.67%, 0.25%

LAB 23.22, 39.61, -2.32

 

CMYK 0 / 80 / 64 / 59

HEX #691526

RGB 105 21 38

HSL 347.86, 0.67%, 0.25%

LAB 22.58, 37.57, 12.01

 

CMYK 0 / 74 / 80 / 59

HEX #691B15

RGB 105 27 21

HSL 4.29, 0.67%, 0.25%

LAB 23.14, 34.21, 24.04

 

CMYK 0 / 53 / 80 / 59

HEX #693115

RGB 105 49 21

HSL 20, 0.67%, 0.25%

LAB 27.45, 22.9, 28.6

 

CMYK 0 / 81 / 65 / 85

HEX #25070D

RGB 37 7 13

HSL 348, 0.68%, 0.09%

LAB 5.19, 14.9, 2.6

 

CMYK 0 / 80 / 65 / 72

HEX #470E19

RGB 71 14 25

HSL 348.42, 0.67%, 0.17%

LAB 13.97, 27.63, 8.46

 

CMYK 0 / 80 / 65 / 59

HEX #691525

RGB 105 21 37

HSL 348.57, 0.67%, 0.25%

LAB 22.56, 37.5, 12.67

 

CMYK 0 / 80 / 65 / 45

HEX #8C1C31

RGB 140 28 49

HSL 348.75, 0.67%, 0.33%

LAB 30.94, 46.98, 16.96

 

CMYK 0 / 80 / 64 / 32

HEX #AE233E

RGB 174 35 62

HSL 348.35, 0.67%, 0.41%

LAB 38.81, 55.73, 20.14

 

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

CMYK 0 / 0 / 80 / 59

HEX #696915

RGB 105 105 21

HSL 60, 0.67%, 0.25%

LAB 43, -10.57, 43.63

 

CMYK 80 / 31 / 0 / 59

HEX #154869

RGB 21 72 105

HSL 203.57, 0.67%, 0.25%

LAB 28.94, -4.18, -23.98

 

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

CMYK 64 / 0 / 80 / 59

HEX #266915

RGB 38 105 21

HSL 107.86, 0.67%, 0.25%

LAB 38.85, -37.47, 38.22

 

CMYK 80 / 64 / 0 / 59

HEX #152669

RGB 21 38 105

HSL 227.86, 0.67%, 0.25%

LAB 18.21, 19.7, -41.16

 

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

CMYK 0 / 0 / 80 / 59

HEX #696915

RGB 105 105 21

HSL 60, 0.67%, 0.25%

LAB 43, -10.57, 43.63

 

CMYK 80 / 0 / 16 / 59

HEX #156958

RGB 21 105 88

HSL 167.86, 0.67%, 0.25%

LAB 39.53, -28.54, 2.66

 

CMYK 80 / 80 / 0 / 59

HEX #151569

RGB 21 21 105

HSL 240, 0.67%, 0.25%

LAB 13.92, 31.26, -48.22

 

CMYK 0 / 79 / 64 / 58

HEX #6A1626

RGB 106 22 38

HSL 348.57, 0.66%, 0.25%

LAB 22.92, 37.54, 12.5

 

CMYK 24 / 0 / 80 / 59

HEX #506915

RGB 80 105 21

HSL 77.86, 0.67%, 0.25%

LAB 41, -22.12, 41.04

 

CMYK 80 / 0 / 16 / 59

HEX #156958

RGB 21 105 88

HSL 167.86, 0.67%, 0.25%

LAB 39.53, -28.54, 2.66

 

CMYK 56 / 80 / 0 / 59

HEX #2E1569

RGB 46 21 105

HSL 257.86, 0.67%, 0.25%

LAB 16.19, 34.36, -44.4

 

Description

Color code: HEX #6A1626 | qconv.com Color code: HEX #6A1626 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 22 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 22 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 64 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 64% 58% C M Y K

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Provide designers and agencies with accurate color values.

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