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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A175B it is the complementary color #95E8A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A175B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A175B shade: #6F1756, #802969, #913B7C, #A24D8F and #B35FA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A175B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A175B shade: #6A175B, #590548, #480035, #370022 and #26000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A175B shade: #681659, #681643, #68162D, #681617 and #681616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A175B shade: #681659, #611668, #4B1668, #351668 and #1F1668

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A175B shade matches the following richer shades: #681659, #720C60 and #7D0266

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A175B shade: #681659, #5E2153, #532B4C, #493546 and #3F403F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A175B shade: #4A1668, #601668, #68165A, #681645 and #68162F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A175B shade: #24081F, #460F3C, #681659, #8A1E76 and #AC2593

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A175B shade: #6A175B, #683416 and #166855

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A175B shade: #6A175B, #5A6816 and #165A68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A175B shade: #6A175B, #683416, #166824 and #164A68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A175B shade: #6A175B, #684D16, #166824 and #163268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 14 / 58

HEX #6A175B

RGB 106 23 91

HSL 310.84, 0.64%, 0.25%

LAB 25.05, 43.43, -20.42

 

Complementary color

CMYK 36 / 0 / 29 / 9

HEX #95E8A4

RGB 149 232 164

HSL 130.84, 0.64%, 0.75%

LAB 85.39, -39.01, 25.31

 

CMYK 0 / 79 / 23 / 56

HEX #6F1756

RGB 111 23 86

HSL 317.05, 0.66%, 0.26%

LAB 25.76, 43.98, -15.94

 

CMYK 0 / 68 / 18 / 50

HEX #802969

RGB 128 41 105

HSL 315.86, 0.51%, 0.33%

LAB 32.25, 44.57, -18.02

 

CMYK 0 / 59 / 14 / 43

HEX #913B7C

RGB 145 59 124

HSL 314.65, 0.42%, 0.4%

LAB 38.9, 44.39, -19.45

 

CMYK 0 / 52 / 12 / 36

HEX #A24D8F

RGB 162 77 143

HSL 313.41, 0.36%, 0.47%

LAB 45.6, 43.86, -20.51

 

CMYK 0 / 47 / 9 / 30

HEX #B35FA2

RGB 179 95 162

HSL 312.14, 0.36%, 0.54%

LAB 52.26, 43.17, -21.34

 

CMYK 0 / 78 / 14 / 58

HEX #6A175B

RGB 106 23 91

HSL 310.84, 0.64%, 0.25%

LAB 25.05, 43.43, -20.42

 

CMYK 0 / 94 / 19 / 65

HEX #590548

RGB 89 5 72

HSL 312.14, 0.89%, 0.18%

LAB 18.8, 41.54, -17.64

 

CMYK 0 / 100 / 26 / 72

HEX #480035

RGB 72 0 53

HSL 315.83, 1%, 0.14%

LAB 13.44, 36.47, -12.89

 

CMYK 0 / 100 / 38 / 78

HEX #370022

RGB 55 0 34

HSL 322.91, 1%, 0.11%

LAB 8.37, 29.78, -6.9

 

CMYK 0 / 100 / 61 / 85

HEX #26000F

RGB 38 0 15

HSL 336.32, 1%, 0.07%

LAB 4.03, 18.86, -0.07

 

CMYK 0 / 79 / 14 / 59

HEX #681659

RGB 104 22 89

HSL 310.98, 0.65%, 0.25%

LAB 24.44, 42.95, -20.08

 

CMYK 0 / 79 / 36 / 59

HEX #681643

RGB 104 22 67

HSL 327.07, 0.65%, 0.25%

LAB 23.41, 39.79, -6.86

 

CMYK 0 / 79 / 57 / 59

HEX #68162D

RGB 104 22 45

HSL 343.17, 0.65%, 0.25%

LAB 22.68, 37.44, 7.25

 

CMYK 0 / 79 / 78 / 59

HEX #681617

RGB 104 22 23

HSL 359.27, 0.65%, 0.25%

LAB 22.23, 35.97, 21.68

 

CMYK 0 / 79 / 79 / 59

HEX #681616

RGB 104 22 22

HSL 0, 0.65%, 0.25%

LAB 22.21, 35.92, 22.32

 

CMYK 0 / 79 / 14 / 59

HEX #681659

RGB 104 22 89

HSL 310.98, 0.65%, 0.25%

LAB 24.44, 42.95, -20.08

 

CMYK 7 / 79 / 0 / 59

HEX #611668

RGB 97 22 104

HSL 294.88, 0.65%, 0.25%

LAB 24.05, 43.88, -30.64

 

CMYK 28 / 79 / 0 / 59

HEX #4B1668

RGB 75 22 104

HSL 278.78, 0.65%, 0.25%

LAB 20.32, 39.02, -36.84

 

CMYK 49 / 79 / 0 / 59

HEX #351668

RGB 53 22 104

HSL 262.68, 0.65%, 0.25%

LAB 17.13, 34.71, -42.16

 

CMYK 70 / 79 / 0 / 59

HEX #1F1668

RGB 31 22 104

HSL 246.59, 0.65%, 0.25%

LAB 14.76, 31.36, -46.15

 

CMYK 0 / 79 / 14 / 59

HEX #681659

RGB 104 22 89

HSL 310.98, 0.65%, 0.25%

LAB 24.44, 42.95, -20.08

 

CMYK 0 / 89 / 16 / 55

HEX #720C60

RGB 114 12 96

HSL 310.59, 0.81%, 0.25%

LAB 25.82, 49.18, -22.4

 

CMYK 0 / 98 / 18 / 51

HEX #7D0266

RGB 125 2 102

HSL 311.22, 0.97%, 0.25%

LAB 27.74, 54.2, -23.14

 

CMYK 0 / 79 / 14 / 59

HEX #681659

RGB 104 22 89

HSL 310.98, 0.65%, 0.25%

LAB 24.44, 42.95, -20.08

 

CMYK 0 / 65 / 12 / 63

HEX #5E2153

RGB 94 33 83

HSL 310.82, 0.48%, 0.25%

LAB 23.97, 34.47, -16.96

 

CMYK 0 / 48 / 8 / 67

HEX #532B4C

RGB 83 43 76

HSL 310.5, 0.32%, 0.25%

LAB 23.96, 23.87, -12.44

 

CMYK 0 / 27 / 4 / 71

HEX #493546

RGB 73 53 70

HSL 309, 0.16%, 0.25%

LAB 24.97, 12.33, -7.03

 

CMYK 2 / 0 / 2 / 75

HEX #3F403F

RGB 63 64 63

HSL 120, 0.01%, 0.25%

LAB 26.97, -0.64, 0.46

 

CMYK 29 / 79 / 0 / 59

HEX #4A1668

RGB 74 22 104

HSL 278.05, 0.65%, 0.25%

LAB 20.16, 38.81, -37.1

 

CMYK 8 / 79 / 0 / 59

HEX #601668

RGB 96 22 104

HSL 294.15, 0.65%, 0.25%

LAB 23.87, 43.65, -30.94

 

CMYK 0 / 79 / 13 / 59

HEX #68165A

RGB 104 22 90

HSL 310.24, 0.65%, 0.25%

LAB 24.5, 43.11, -20.65

 

CMYK 0 / 79 / 34 / 59

HEX #681645

RGB 104 22 69

HSL 325.61, 0.65%, 0.25%

LAB 23.49, 40.05, -8.1

 

CMYK 0 / 79 / 55 / 59

HEX #68162F

RGB 104 22 47

HSL 341.71, 0.65%, 0.25%

LAB 22.73, 37.62, 5.94

 

CMYK 0 / 78 / 14 / 86

HEX #24081F

RGB 36 8 31

HSL 310.71, 0.64%, 0.09%

LAB 5.85, 17.59, -8.79

 

CMYK 0 / 79 / 14 / 73

HEX #460F3C

RGB 70 15 60

HSL 310.91, 0.65%, 0.17%

LAB 15.33, 31.5, -14.98

 

CMYK 0 / 79 / 14 / 59

HEX #681659

RGB 104 22 89

HSL 310.98, 0.65%, 0.25%

LAB 24.44, 42.95, -20.08

 

CMYK 0 / 78 / 14 / 46

HEX #8A1E76

RGB 138 30 118

HSL 311.11, 0.64%, 0.33%

LAB 33.22, 53.25, -24.63

 

CMYK 0 / 78 / 15 / 33

HEX #AC2593

RGB 172 37 147

HSL 311.11, 0.65%, 0.41%

LAB 41.53, 63.33, -29.11

 

CMYK 0 / 78 / 14 / 58

HEX #6A175B

RGB 106 23 91

HSL 310.84, 0.64%, 0.25%

LAB 25.05, 43.43, -20.42

 

CMYK 0 / 50 / 79 / 59

HEX #683416

RGB 104 52 22

HSL 21.95, 0.65%, 0.25%

LAB 28, 20.75, 28.57

 

CMYK 79 / 0 / 18 / 59

HEX #166855

RGB 22 104 85

HSL 166.1, 0.65%, 0.25%

LAB 39.12, -28.78, 3.9

 

CMYK 0 / 78 / 14 / 58

HEX #6A175B

RGB 106 23 91

HSL 310.84, 0.64%, 0.25%

LAB 25.05, 43.43, -20.42

 

CMYK 13 / 0 / 79 / 59

HEX #5A6816

RGB 90 104 22

HSL 70.24, 0.65%, 0.25%

LAB 41.43, -17.03, 41.34

 

CMYK 79 / 13 / 0 / 59

HEX #165A68

RGB 22 90 104

HSL 190.24, 0.65%, 0.25%

LAB 34.97, -15.37, -14

 

CMYK 0 / 78 / 14 / 58

HEX #6A175B

RGB 106 23 91

HSL 310.84, 0.64%, 0.25%

LAB 25.05, 43.43, -20.42

 

CMYK 0 / 50 / 79 / 59

HEX #683416

RGB 104 52 22

HSL 21.95, 0.65%, 0.25%

LAB 28, 20.75, 28.57

 

CMYK 79 / 0 / 65 / 59

HEX #166824

RGB 22 104 36

HSL 130.24, 0.65%, 0.25%

LAB 38.2, -39.05, 30.82

 

CMYK 79 / 29 / 0 / 59

HEX #164A68

RGB 22 74 104

HSL 201.95, 0.65%, 0.25%

LAB 29.58, -5.71, -22.33

 

CMYK 0 / 78 / 14 / 58

HEX #6A175B

RGB 106 23 91

HSL 310.84, 0.64%, 0.25%

LAB 25.05, 43.43, -20.42

 

CMYK 0 / 26 / 79 / 59

HEX #684D16

RGB 104 77 22

HSL 40.24, 0.65%, 0.25%

LAB 34.62, 5.48, 35.27

 

CMYK 79 / 0 / 65 / 59

HEX #166824

RGB 22 104 36

HSL 130.24, 0.65%, 0.25%

LAB 38.2, -39.05, 30.82

 

CMYK 79 / 52 / 0 / 59

HEX #163268

RGB 22 50 104

HSL 219.51, 0.65%, 0.25%

LAB 21.77, 10.69, -34.74

 

Description

Color code: HEX #6A175B | qconv.com Color code: HEX #6A175B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 23 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 23 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 14 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 14% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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