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Color name
HEX #6A1399

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A1399 it is the complementary color #95EC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A1399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A1399 shade: #6F1394, #8025A7, #9137BA, #A249CD and #B35BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A1399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A1399 shade: #6A1399, #590186, #480073, #370060 and #26004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A1399 shade: #6A139A, #8F139A, #9A1380, #9A135C and #9A1337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A1399 shade: #6A139A, #46139A, #21139A and #13139A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A1399 shade matches the following richer shades: #6A139A and #6F05A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A1399 shade: #6A139A, #66218C, #622F7E, #5E3D70 and #5A4B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A1399 shade: #20139A, #44139A, #68139A, #8C139A and #9A1383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A1399 shade: #380950, #510E75, #6A139A, #8417BF and #9D1CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A1399 shade: #6A1399, #9A1329 and #139A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A1399 shade: #6A1399, #9A6813 and #139A68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A1399 shade: #6A1399, #9A1329, #449A13 and #139A83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A1399 shade: #6A1399, #9A2513, #449A13 and #13889A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 88 / 0 / 40

HEX #6A1399

RGB 106 19 153

HSL 278.96, 0.78%, 0.34%

LAB 28.98, 56.44, -53.5

 

Complementary color

CMYK 37 / 0 / 57 / 7

HEX #95EC66

RGB 149 236 102

HSL 98.96, 0.78%, 0.66%

LAB 85.68, -49.17, 55.83

 

CMYK 25 / 87 / 0 / 42

HEX #6F1394

RGB 111 19 148

HSL 282.79, 0.77%, 0.33%

LAB 29.37, 56.2, -49.76

 

CMYK 23 / 78 / 0 / 35

HEX #8025A7

RGB 128 37 167

HSL 282, 0.64%, 0.4%

LAB 35.4, 57.57, -51.4

 

CMYK 22 / 70 / 0 / 27

HEX #9137BA

RGB 145 55 186

HSL 281.22, 0.54%, 0.47%

LAB 41.68, 57.92, -52.41

 

CMYK 21 / 64 / 0 / 20

HEX #A249CD

RGB 162 73 205

HSL 280.45, 0.57%, 0.55%

LAB 48.08, 57.7, -53.05

 

CMYK 20 / 59 / 0 / 12

HEX #B35BE0

RGB 179 91 224

HSL 279.7, 0.68%, 0.62%

LAB 54.5, 57.17, -53.47

 

CMYK 31 / 88 / 0 / 40

HEX #6A1399

RGB 106 19 153

HSL 278.96, 0.78%, 0.34%

LAB 28.98, 56.44, -53.5

 

CMYK 34 / 99 / 0 / 47

HEX #590186

RGB 89 1 134

HSL 279.7, 0.99%, 0.26%

LAB 23.23, 53.94, -51.23

 

CMYK 37 / 100 / 0 / 55

HEX #480073

RGB 72 0 115

HSL 277.57, 1%, 0.23%

LAB 18.43, 48.06, -47.09

 

CMYK 43 / 100 / 0 / 62

HEX #370060

RGB 55 0 96

HSL 274.38, 1%, 0.19%

LAB 13.57, 41.79, -42.7

 

CMYK 51 / 100 / 0 / 70

HEX #26004D

RGB 38 0 77

HSL 269.61, 1%, 0.15%

LAB 8.55, 35.35, -38.14

 

CMYK 31 / 88 / 0 / 40

HEX #6A139A

RGB 106 19 154

HSL 278.67, 0.78%, 0.34%

LAB 29.06, 56.66, -53.97

 

CMYK 7 / 88 / 0 / 40

HEX #8F139A

RGB 143 19 154

HSL 295.11, 0.78%, 0.34%

LAB 35.28, 62.84, -43.62

 

CMYK 0 / 88 / 17 / 40

HEX #9A1380

RGB 154 19 128

HSL 311.56, 0.78%, 0.34%

LAB 35.78, 61.02, -26.68

 

CMYK 0 / 88 / 40 / 40

HEX #9A135C

RGB 154 19 92

HSL 327.56, 0.78%, 0.34%

LAB 34.21, 56.71, -6.23

 

CMYK 0 / 88 / 64 / 40

HEX #9A1337

RGB 154 19 55

HSL 344, 0.78%, 0.34%

LAB 33.16, 53.72, 16.48

 

CMYK 31 / 88 / 0 / 40

HEX #6A139A

RGB 106 19 154

HSL 278.67, 0.78%, 0.34%

LAB 29.06, 56.66, -53.97

 

CMYK 55 / 88 / 0 / 40

HEX #46139A

RGB 70 19 154

HSL 262.67, 0.78%, 0.34%

LAB 24, 51.97, -62.48

 

CMYK 79 / 88 / 0 / 40

HEX #21139A

RGB 33 19 154

HSL 246.22, 0.78%, 0.34%

LAB 20.53, 49.03, -68.34

 

CMYK 88 / 88 / 0 / 40

HEX #13139A

RGB 19 19 154

HSL 240, 0.78%, 0.34%

LAB 19.79, 48.44, -69.59

 

CMYK 31 / 88 / 0 / 40

HEX #6A139A

RGB 106 19 154

HSL 278.67, 0.78%, 0.34%

LAB 29.06, 56.66, -53.97

 

CMYK 34 / 97 / 0 / 34

HEX #6F05A8

RGB 111 5 168

HSL 279.02, 0.94%, 0.34%

LAB 30.19, 62.9, -60.6

 

CMYK 31 / 88 / 0 / 40

HEX #6A139A

RGB 106 19 154

HSL 278.67, 0.78%, 0.34%

LAB 29.06, 56.66, -53.97

 

CMYK 27 / 76 / 0 / 45

HEX #66218C

RGB 102 33 140

HSL 278.69, 0.62%, 0.34%

LAB 28.92, 48.24, -45.62

 

CMYK 22 / 63 / 0 / 51

HEX #622F7E

RGB 98 47 126

HSL 278.73, 0.46%, 0.34%

LAB 29.75, 37.4, -35.57

 

CMYK 16 / 46 / 0 / 56

HEX #5E3D70

RGB 94 61 112

HSL 278.82, 0.29%, 0.34%

LAB 31.55, 24.7, -23.94

 

CMYK 8 / 23 / 0 / 62

HEX #5A4B62

RGB 90 75 98

HSL 279.13, 0.13%, 0.34%

LAB 34.16, 11.14, -11.09

 

CMYK 79 / 88 / 0 / 40

HEX #20139A

RGB 32 19 154

HSL 245.78, 0.78%, 0.34%

LAB 20.46, 48.98, -68.45

 

CMYK 56 / 88 / 0 / 40

HEX #44139A

RGB 68 19 154

HSL 261.78, 0.78%, 0.34%

LAB 23.76, 51.76, -62.88

 

CMYK 32 / 88 / 0 / 40

HEX #68139A

RGB 104 19 154

HSL 277.78, 0.78%, 0.34%

LAB 28.75, 56.36, -54.5

 

CMYK 9 / 88 / 0 / 40

HEX #8C139A

RGB 140 19 154

HSL 293.78, 0.78%, 0.34%

LAB 34.75, 62.3, -44.49

 

CMYK 0 / 88 / 15 / 40

HEX #9A1383

RGB 154 19 131

HSL 310.22, 0.78%, 0.34%

LAB 35.94, 61.43, -28.3

 

CMYK 30 / 89 / 0 / 69

HEX #380950

RGB 56 9 80

HSL 279.72, 0.8%, 0.17%

LAB 13.32, 34.66, -32.27

 

CMYK 31 / 88 / 0 / 54

HEX #510E75

RGB 81 14 117

HSL 279.03, 0.79%, 0.26%

LAB 21.39, 46.03, -43.49

 

CMYK 31 / 88 / 0 / 40

HEX #6A139A

RGB 106 19 154

HSL 278.67, 0.78%, 0.34%

LAB 29.06, 56.66, -53.97

 

CMYK 31 / 88 / 0 / 25

HEX #8417BF

RGB 132 23 191

HSL 278.93, 0.79%, 0.42%

LAB 36.52, 67.14, -63.82

 

CMYK 31 / 88 / 0 / 11

HEX #9D1CE3

RGB 157 28 227

HSL 278.89, 0.78%, 0.5%

LAB 43.57, 76.64, -72.97

 

CMYK 31 / 88 / 0 / 40

HEX #6A1399

RGB 106 19 153

HSL 278.96, 0.78%, 0.34%

LAB 28.98, 56.44, -53.5

 

CMYK 0 / 88 / 73 / 40

HEX #9A1329

RGB 154 19 41

HSL 350.22, 0.78%, 0.34%

LAB 32.91, 52.98, 25.23

 

CMYK 88 / 0 / 68 / 40

HEX #139A32

RGB 19 154 50

HSL 133.78, 0.78%, 0.34%

LAB 55.56, -54.87, 43.66

 

CMYK 31 / 88 / 0 / 40

HEX #6A1399

RGB 106 19 153

HSL 278.96, 0.78%, 0.34%

LAB 28.98, 56.44, -53.5

 

CMYK 0 / 32 / 88 / 40

HEX #9A6813

RGB 154 104 19

HSL 37.78, 0.78%, 0.34%

LAB 48.03, 13.22, 50.72

 

CMYK 88 / 0 / 32 / 40

HEX #139A68

RGB 19 154 104

HSL 157.78, 0.78%, 0.34%

LAB 56.34, -45.72, 16.98

 

CMYK 31 / 88 / 0 / 40

HEX #6A1399

RGB 106 19 153

HSL 278.96, 0.78%, 0.34%

LAB 28.98, 56.44, -53.5

 

CMYK 0 / 88 / 73 / 40

HEX #9A1329

RGB 154 19 41

HSL 350.22, 0.78%, 0.34%

LAB 32.91, 52.98, 25.23

 

CMYK 56 / 0 / 88 / 40

HEX #449A13

RGB 68 154 19

HSL 98.22, 0.78%, 0.34%

LAB 56.47, -47.97, 55.39

 

CMYK 88 / 0 / 15 / 40

HEX #139A83

RGB 19 154 131

HSL 169.78, 0.78%, 0.34%

LAB 56.97, -38.89, 2.63

 

CMYK 31 / 88 / 0 / 40

HEX #6A1399

RGB 106 19 153

HSL 278.96, 0.78%, 0.34%

LAB 28.98, 56.44, -53.5

 

CMYK 0 / 76 / 88 / 40

HEX #9A2513

RGB 154 37 19

HSL 8, 0.78%, 0.34%

LAB 34.48, 47.14, 39.48

 

CMYK 56 / 0 / 88 / 40

HEX #449A13

RGB 68 154 19

HSL 98.22, 0.78%, 0.34%

LAB 56.47, -47.97, 55.39

 

CMYK 88 / 12 / 0 / 40

HEX #13889A

RGB 19 136 154

HSL 188, 0.78%, 0.34%

LAB 51.93, -23.16, -18.12

 

Description

Color code: HEX #6A1399 | qconv.com Color code: HEX #6A1399 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 19 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 19 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 88 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 88% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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