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Color name
HEX #6A327D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A327D it is the complementary color #95CD82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A327D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A327D shade: #6F3278, #80448B, #91569E, #A268B1 and #B37AC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A327D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A327D shade: #6A327D, #59206A, #480E57, #370044 and #260031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A327D shade: #69317B, #7B317A, #7B3166, #7B3152 and #7B313E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A327D shade: #69317B, #54317B, #40317B and #31317B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A327D shade matches the following richer shades: #69317B, #70238A, #761598 and #7D07A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A327D shade: #69317B, #623F6D, #5B4D5F, #545B51 and #4D6943

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A327D shade: #40317B, #54317B, #68317B, #7B317B and #7B3168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A327D shade: #371940, #50255E, #69317B, #823D99 and #9A49B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A327D shade: #6A327D, #7B3136 and #317B4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A327D shade: #6A327D, #7B6831 and #317B68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A327D shade: #6A327D, #7B3136, #457B31 and #317B77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A327D shade: #6A327D, #7B4231, #457B31 and #316A7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 60 / 0 / 51

HEX #6A327D

RGB 106 50 125

HSL 284.8, 0.43%, 0.34%

LAB 31.41, 37.73, -32.24

 

Complementary color

CMYK 27 / 0 / 37 / 20

HEX #95CD82

RGB 149 205 130

HSL 104.8, 0.43%, 0.66%

LAB 77.08, -32.04, 31.69

 

CMYK 8 / 58 / 0 / 53

HEX #6F3278

RGB 111 50 120

HSL 292.29, 0.41%, 0.33%

LAB 31.85, 38.07, -28.36

 

CMYK 8 / 51 / 0 / 45

HEX #80448B

RGB 128 68 139

HSL 290.7, 0.34%, 0.41%

LAB 38.88, 37.39, -28.9

 

CMYK 8 / 46 / 0 / 38

HEX #91569E

RGB 145 86 158

HSL 289.17, 0.3%, 0.48%

LAB 45.83, 36.6, -29.29

 

CMYK 8 / 41 / 0 / 31

HEX #A268B1

RGB 162 104 177

HSL 287.67, 0.32%, 0.55%

LAB 52.68, 35.8, -29.6

 

CMYK 9 / 38 / 0 / 23

HEX #B37AC4

RGB 179 122 196

HSL 286.22, 0.39%, 0.62%

LAB 59.42, 35.03, -29.87

 

CMYK 15 / 60 / 0 / 51

HEX #6A327D

RGB 106 50 125

HSL 284.8, 0.43%, 0.34%

LAB 31.41, 37.73, -32.24

 

CMYK 16 / 70 / 0 / 58

HEX #59206A

RGB 89 32 106

HSL 286.22, 0.54%, 0.27%

LAB 24.31, 38.16, -31.59

 

CMYK 17 / 84 / 0 / 66

HEX #480E57

RGB 72 14 87

HSL 287.67, 0.72%, 0.2%

LAB 17.37, 37.73, -30.35

 

CMYK 19 / 100 / 0 / 73

HEX #370044

RGB 55 0 68

HSL 288.53, 1%, 0.13%

LAB 10.77, 35.61, -28.07

 

CMYK 22 / 100 / 0 / 81

HEX #260031

RGB 38 0 49

HSL 286.53, 1%, 0.1%

LAB 5.73, 27.56, -22.66

 

CMYK 15 / 60 / 0 / 52

HEX #69317B

RGB 105 49 123

HSL 285.41, 0.43%, 0.34%

LAB 30.95, 37.54, -31.72

 

CMYK 0 / 60 / 1 / 52

HEX #7B317A

RGB 123 49 122

HSL 300.81, 0.43%, 0.34%

LAB 33.59, 42.4, -26.74

 

CMYK 0 / 60 / 17 / 52

HEX #7B3166

RGB 123 49 102

HSL 317.03, 0.43%, 0.34%

LAB 32.63, 38.87, -15.59

 

CMYK 0 / 60 / 33 / 52

HEX #7B3152

RGB 123 49 82

HSL 333.24, 0.43%, 0.34%

LAB 31.85, 35.87, -3.88

 

CMYK 0 / 60 / 50 / 52

HEX #7B313E

RGB 123 49 62

HSL 349.46, 0.43%, 0.34%

LAB 31.24, 33.47, 8.31

 

CMYK 15 / 60 / 0 / 52

HEX #69317B

RGB 105 49 123

HSL 285.41, 0.43%, 0.34%

LAB 30.95, 37.54, -31.72

 

CMYK 32 / 60 / 0 / 52

HEX #54317B

RGB 84 49 123

HSL 268.38, 0.43%, 0.34%

LAB 28.14, 31.81, -36.36

 

CMYK 48 / 60 / 0 / 52

HEX #40317B

RGB 64 49 123

HSL 252.16, 0.43%, 0.34%

LAB 25.91, 26.79, -40.07

 

CMYK 60 / 60 / 0 / 52

HEX #31317B

RGB 49 49 123

HSL 240, 0.43%, 0.34%

LAB 24.58, 23.53, -42.3

 

CMYK 15 / 60 / 0 / 52

HEX #69317B

RGB 105 49 123

HSL 285.41, 0.43%, 0.34%

LAB 30.95, 37.54, -31.72

 

CMYK 19 / 75 / 0 / 46

HEX #70238A

RGB 112 35 138

HSL 284.85, 0.6%, 0.34%

LAB 30.6, 49.08, -41.59

 

CMYK 22 / 86 / 0 / 40

HEX #761598

RGB 118 21 152

HSL 284.43, 0.76%, 0.34%

LAB 31.01, 57.65, -49.5

 

CMYK 25 / 96 / 0 / 35

HEX #7D07A6

RGB 125 7 166

HSL 284.53, 0.92%, 0.34%

LAB 32.4, 64.05, -55.69

 

CMYK 15 / 60 / 0 / 52

HEX #69317B

RGB 105 49 123

HSL 285.41, 0.43%, 0.34%

LAB 30.95, 37.54, -31.72

 

CMYK 10 / 42 / 0 / 57

HEX #623F6D

RGB 98 63 109

HSL 285.65, 0.27%, 0.34%

LAB 32.38, 24.1, -20.7

 

CMYK 4 / 19 / 0 / 63

HEX #5B4D5F

RGB 91 77 95

HSL 286.67, 0.1%, 0.34%

LAB 34.72, 9.57, -8.35

 

CMYK 8 / 0 / 11 / 64

HEX #545B51

RGB 84 91 81

HSL 102, 0.06%, 0.34%

LAB 37.77, -4.88, 4.83

 

CMYK 27 / 0 / 36 / 59

HEX #4D6943

RGB 77 105 67

HSL 104.21, 0.22%, 0.34%

LAB 41.35, -18.26, 18.15

 

CMYK 48 / 60 / 0 / 52

HEX #40317B

RGB 64 49 123

HSL 252.16, 0.43%, 0.34%

LAB 25.91, 26.79, -40.07

 

CMYK 32 / 60 / 0 / 52

HEX #54317B

RGB 84 49 123

HSL 268.38, 0.43%, 0.34%

LAB 28.14, 31.81, -36.36

 

CMYK 15 / 60 / 0 / 52

HEX #68317B

RGB 104 49 123

HSL 284.59, 0.43%, 0.34%

LAB 30.81, 37.26, -31.96

 

CMYK 0 / 60 / 0 / 52

HEX #7B317B

RGB 123 49 123

HSL 300, 0.43%, 0.34%

LAB 33.64, 42.59, -27.29

 

CMYK 0 / 60 / 15 / 52

HEX #7B3168

RGB 123 49 104

HSL 315.41, 0.43%, 0.34%

LAB 32.72, 39.2, -16.73

 

CMYK 14 / 61 / 0 / 75

HEX #371940

RGB 55 25 64

HSL 286.15, 0.44%, 0.17%

LAB 14.83, 22.42, -18.76

 

CMYK 15 / 61 / 0 / 63

HEX #50255E

RGB 80 37 94

HSL 285.26, 0.44%, 0.26%

LAB 23.12, 30.34, -25.73

 

CMYK 15 / 60 / 0 / 52

HEX #69317B

RGB 105 49 123

HSL 285.41, 0.43%, 0.34%

LAB 30.95, 37.54, -31.72

 

CMYK 15 / 60 / 0 / 40

HEX #823D99

RGB 130 61 153

HSL 285, 0.43%, 0.42%

LAB 38.52, 44.62, -37.94

 

CMYK 15 / 60 / 0 / 29

HEX #9A49B6

RGB 154 73 182

HSL 284.59, 0.43%, 0.5%

LAB 45.65, 50.96, -43.65

 

CMYK 15 / 60 / 0 / 51

HEX #6A327D

RGB 106 50 125

HSL 284.8, 0.43%, 0.34%

LAB 31.41, 37.73, -32.24

 

CMYK 0 / 60 / 56 / 52

HEX #7B3136

RGB 123 49 54

HSL 355.95, 0.43%, 0.34%

LAB 31.05, 32.7, 13.26

 

CMYK 60 / 0 / 40 / 52

HEX #317B4A

RGB 49 123 74

HSL 140.27, 0.43%, 0.34%

LAB 46.06, -34.77, 20.11

 

CMYK 15 / 60 / 0 / 51

HEX #6A327D

RGB 106 50 125

HSL 284.8, 0.43%, 0.34%

LAB 31.41, 37.73, -32.24

 

CMYK 0 / 15 / 60 / 52

HEX #7B6831

RGB 123 104 49

HSL 44.59, 0.43%, 0.34%

LAB 44.71, 0.32, 33.28

 

CMYK 60 / 0 / 15 / 52

HEX #317B68

RGB 49 123 104

HSL 164.59, 0.43%, 0.34%

LAB 46.74, -27.87, 3.56

 

CMYK 15 / 60 / 0 / 51

HEX #6A327D

RGB 106 50 125

HSL 284.8, 0.43%, 0.34%

LAB 31.41, 37.73, -32.24

 

CMYK 0 / 60 / 56 / 52

HEX #7B3136

RGB 123 49 54

HSL 355.95, 0.43%, 0.34%

LAB 31.05, 32.7, 13.26

 

CMYK 44 / 0 / 60 / 52

HEX #457B31

RGB 69 123 49

HSL 103.78, 0.43%, 0.34%

LAB 46.52, -32.7, 34.33

 

CMYK 60 / 0 / 3 / 52

HEX #317B77

RGB 49 123 119

HSL 176.76, 0.43%, 0.34%

LAB 47.17, -23.71, -4.69

 

CMYK 15 / 60 / 0 / 51

HEX #6A327D

RGB 106 50 125

HSL 284.8, 0.43%, 0.34%

LAB 31.41, 37.73, -32.24

 

CMYK 0 / 46 / 60 / 52

HEX #7B4231

RGB 123 66 49

HSL 13.78, 0.43%, 0.34%

LAB 34.66, 22.85, 21.13

 

CMYK 44 / 0 / 60 / 52

HEX #457B31

RGB 69 123 49

HSL 103.78, 0.43%, 0.34%

LAB 46.52, -32.7, 34.33

 

CMYK 60 / 14 / 0 / 52

HEX #316A7B

RGB 49 106 123

HSL 193.78, 0.43%, 0.34%

LAB 41.83, -13.26, -15.11

 

Description

Color code: HEX #6A327D | qconv.com Color code: HEX #6A327D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 50 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 50 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 60 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 60% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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