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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A3EB6 it is the complementary color #95C149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A3EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A3EB6 shade: #6F3EB1, #8050C4, #9162D7, #A274EA and #B386FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A3EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A3EB6 shade: #6A3EB6, #592CA3, #481A90, #37087D and #26006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A3EB6 shade: #6A3EB6, #8A3EB6, #AB3EB6, #B63EA1 and #B63E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A3EB6 shade: #6A3EB6, #4A3EB6 and #3E3EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A3EB6 shade matches the following richer shades: #6A3EB6, #652ACA, #5F16DD and #5A03F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A3EB6 shade: #6A3EB6, #6F52A2, #74668E, #7A797A and #7F8D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A3EB6 shade: #3E52B6, #4A3EB6, #6A3EB6, #8A3EB6 and #AA3EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A3EB6 shade: #462978, #583397, #6A3EB6, #8058C5 and #9776D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A3EB6 shade: #6A3EB6, #B63E72 and #42B63E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A3EB6 shade: #6A3EB6, #B66A3E and #3EB66A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A3EB6 shade: #6A3EB6, #B63E72, #8AB63E and #3EB682

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A3EB6 shade: #6A3EB6, #B63E4E, #8AB63E and #3EB6A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

Complementary color

CMYK 23 / 0 / 62 / 24

HEX #95C149

RGB 149 193 73

HSL 82, 0.49%, 0.52%

LAB 72.9, -32.95, 54.12

 

CMYK 37 / 65 / 0 / 31

HEX #6F3EB1

RGB 111 62 177

HSL 265.57, 0.48%, 0.47%

LAB 37.84, 45.23, -53.53

 

CMYK 35 / 59 / 0 / 23

HEX #8050C4

RGB 128 80 196

HSL 264.83, 0.5%, 0.54%

LAB 44.68, 44.22, -53.54

 

CMYK 33 / 54 / 0 / 16

HEX #9162D7

RGB 145 98 215

HSL 264.1, 0.59%, 0.61%

LAB 51.45, 43.18, -53.47

 

CMYK 31 / 50 / 0 / 8

HEX #A274EA

RGB 162 116 234

HSL 263.39, 0.74%, 0.69%

LAB 58.14, 42.17, -53.37

 

CMYK 29 / 47 / 0 / 1

HEX #B386FD

RGB 179 134 253

HSL 262.69, 0.97%, 0.76%

LAB 64.74, 41.21, -53.28

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 45 / 73 / 0 / 36

HEX #592CA3

RGB 89 44 163

HSL 262.69, 0.57%, 0.41%

LAB 30.81, 46.49, -56.7

 

CMYK 50 / 82 / 0 / 44

HEX #481A90

RGB 72 26 144

HSL 263.39, 0.69%, 0.33%

LAB 24.1, 46.98, -56.14

 

CMYK 56 / 94 / 0 / 51

HEX #37087D

RGB 55 8 125

HSL 264.1, 0.88%, 0.26%

LAB 17.77, 46.24, -54.7

 

CMYK 64 / 100 / 0 / 58

HEX #26006A

RGB 38 0 106

HSL 261.51, 1%, 0.21%

LAB 12.3, 42.76, -51.51

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 24 / 66 / 0 / 29

HEX #8A3EB6

RGB 138 62 182

HSL 278, 0.49%, 0.48%

LAB 41.57, 52.41, -50.29

 

CMYK 6 / 66 / 0 / 29

HEX #AB3EB6

RGB 171 62 182

HSL 294.5, 0.49%, 0.48%

LAB 46.29, 60.05, -42.49

 

CMYK 0 / 66 / 12 / 29

HEX #B63EA1

RGB 182 62 161

HSL 310.5, 0.49%, 0.48%

LAB 46.93, 59.25, -28.97

 

CMYK 0 / 66 / 30 / 29

HEX #B63E80

RGB 182 62 128

HSL 327, 0.49%, 0.48%

LAB 45.56, 54.61, -11.2

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 59 / 66 / 0 / 29

HEX #4A3EB6

RGB 74 62 182

HSL 246, 0.49%, 0.48%

LAB 34.56, 39.64, -62

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 50 / 79 / 0 / 21

HEX #652ACA

RGB 101 42 202

HSL 262.13, 0.66%, 0.48%

LAB 35.37, 59.47, -72.3

 

CMYK 57 / 90 / 0 / 13

HEX #5F16DD

RGB 95 22 221

HSL 262.01, 0.82%, 0.48%

LAB 34.45, 69.97, -84.84

 

CMYK 63 / 99 / 0 / 5

HEX #5A03F1

RGB 90 3 241

HSL 261.93, 0.98%, 0.48%

LAB 35.18, 77.41, -95.05

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 31 / 49 / 0 / 36

HEX #6F52A2

RGB 111 82 162

HSL 261.75, 0.33%, 0.48%

LAB 41.25, 29.84, -39.14

 

CMYK 18 / 28 / 0 / 44

HEX #74668E

RGB 116 102 142

HSL 261, 0.16%, 0.48%

LAB 45.86, 14.15, -19.96

 

CMYK 0 / 1 / 0 / 52

HEX #7A797A

RGB 122 121 122

HSL 300, 0%, 0.48%

LAB 50.94, 0.58, -0.42

 

CMYK 10 / 0 / 27 / 45

HEX #7F8D67

RGB 127 141 103

HSL 82.11, 0.16%, 0.48%

LAB 56.63, -12.09, 18.64

 

CMYK 66 / 55 / 0 / 29

HEX #3E52B6

RGB 62 82 182

HSL 230, 0.49%, 0.48%

LAB 38.61, 25.13, -55.43

 

CMYK 59 / 66 / 0 / 29

HEX #4A3EB6

RGB 74 62 182

HSL 246, 0.49%, 0.48%

LAB 34.56, 39.64, -62

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 24 / 66 / 0 / 29

HEX #8A3EB6

RGB 138 62 182

HSL 278, 0.49%, 0.48%

LAB 41.57, 52.41, -50.29

 

CMYK 7 / 66 / 0 / 29

HEX #AA3EB6

RGB 170 62 182

HSL 294, 0.49%, 0.48%

LAB 46.14, 59.82, -42.74

 

CMYK 42 / 66 / 0 / 53

HEX #462978

RGB 70 41 120

HSL 262.03, 0.49%, 0.32%

LAB 24.46, 32.23, -40.48

 

CMYK 42 / 66 / 0 / 41

HEX #583397

RGB 88 51 151

HSL 262.2, 0.5%, 0.4%

LAB 31.06, 39.29, -49

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 35 / 55 / 0 / 23

HEX #8058C5

RGB 128 88 197

HSL 262.02, 0.48%, 0.56%

LAB 46.45, 40.01, -51.28

 

CMYK 27 / 43 / 0 / 18

HEX #9776D0

RGB 151 118 208

HSL 262, 0.49%, 0.64%

LAB 56.18, 31.67, -41.96

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 0 / 66 / 37 / 29

HEX #B63E72

RGB 182 62 114

HSL 334, 0.49%, 0.48%

LAB 45.09, 52.94, -3.35

 

CMYK 64 / 0 / 66 / 29

HEX #42B63E

RGB 66 182 62

HSL 118, 0.49%, 0.48%

LAB 65.72, -55.62, 49.88

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 0 / 42 / 66 / 29

HEX #B66A3E

RGB 182 106 62

HSL 22, 0.49%, 0.48%

LAB 52.51, 26.4, 37.25

 

CMYK 66 / 0 / 42 / 29

HEX #3EB66A

RGB 62 182 106

HSL 142, 0.49%, 0.48%

LAB 66.15, -50.32, 29.16

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 0 / 66 / 37 / 29

HEX #B63E72

RGB 182 62 114

HSL 334, 0.49%, 0.48%

LAB 45.09, 52.94, -3.35

 

CMYK 24 / 0 / 66 / 29

HEX #8AB63E

RGB 138 182 62

HSL 82, 0.49%, 0.48%

LAB 68.9, -32.95, 54.25

 

CMYK 66 / 0 / 29 / 29

HEX #3EB682

RGB 62 182 130

HSL 154, 0.49%, 0.48%

LAB 66.59, -45.57, 16.92

 

CMYK 42 / 66 / 0 / 29

HEX #6A3EB6

RGB 106 62 182

HSL 262, 0.49%, 0.48%

LAB 37.64, 45.51, -56.84

 

CMYK 0 / 66 / 57 / 29

HEX #B63E4E

RGB 182 62 78

HSL 352, 0.49%, 0.48%

LAB 44.15, 49.54, 17.5

 

CMYK 24 / 0 / 66 / 29

HEX #8AB63E

RGB 138 182 62

HSL 82, 0.49%, 0.48%

LAB 68.9, -32.95, 54.25

 

CMYK 66 / 0 / 9 / 29

HEX #3EB6A6

RGB 62 182 166

HSL 172, 0.49%, 0.48%

LAB 67.45, -36.81, -1.61

 

Description

Color code: HEX #6A3EB6 | qconv.com Color code: HEX #6A3EB6 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 62 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 62 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 66 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 66% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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